• 한국실내디자인학회논문집
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• 제26권3호
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• pp.55-62
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• 2017

As recently too many local museums have been built in the whole country, most of them cannot attract enough spectators. In order to resolve this problem, it is needed for local museums to differentiate their spaces and programs related to their exhibition. Thus, the purpose of this study was to analyze the characteristics of spaces and programs of local museums from the perspective of spatial marketing to activate them, and contribute to development of local cultures. This study targeted historical public museums located in Seoul and Incheon. Through preceding research, an analysis frame was established based on the keywords related to spatial marketing, and then the characteristics of spaces and programs of local museums were analyzed based on the frame. The study results are as follows. 1) Access convenience refers to openness that public museums located in Seoul and Incheon can embrace accessible locations, points of interest, and convenient facilities easily recognized by pedestrians. 2) Symbolic formativeness is to express symbolic historical contents in the museum lobby or exhibition to show the identity of local museums. 3) Visibility is needed for direct guidance signs or spaces to let spectators know directions and locations. 4) Public concern is for spectators and local residents to participate in local museums to share and utilize their partial spaces. 5) Interactivity is to induce activation of local museums by utilizing experience exhibition contents and having spectators directly contact exhibits. 6) Interest is related to cultural festival programs of exhibition to arouse spectators' and local residents' curiosity. 7) Participation is to activate spaces and spectators by providing educational programs. 8) Usefulness is to induce spectators' interest in local museums by providing historical, social, and cultural information. These results are expected to be used as baseline data to suggest a new direction for activation of local museums from the perspective of spatial marketing.

• 대순사상논총
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• 제18권
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• pp.191-213
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• 2004

The purpose of this essay is to survey the present situation of christian museums and to suggest future direction on the basis of the former result. Firstly, I arranged the present situation of protestant museums as a basic work to secure the importance of religious museums. And I will continue researches about catholic, buddhist, folk museums etc. A christian museum is important in that it is a storehouse of precious data accumulated in the history of modern Korea. However, interest in its value has not been given sufficiently so far despite its importance. Most christian museums are petty in their scale and management. When we consider the historical weight of christian history in the modern Korea, the status of christian museums have to be improved from now on. I classified the types of christian museums in Korea into christian history museum, christian art museum, biblical archeology museum, local churches' history museum, christian figures museum(memorials of famous christians), and mission school(colleges) museums on the basis of contents they possess. It can be said that the representative types among these are christian history museum and biblical archeology museum.

• 한국농촌건축학회논문집
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• 제6권1호
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• pp.54-63
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• 2004

Ecomuseum has changed for general museums with a strong historical connotation, and more identity museums, which reminds one of their purposes of providing evidence, conserving and remembering. Small museums playa very important social role and have a level of importance which should do something to improve cultural policy. The "ecomuseum" phenomenon, in other words this spontaneous birth of numerous museums in local communities, this desire to retrace one's history and fix it in one's mind, has only one precedent in Italy. This precedent involved the opening of numerous museums dedicated to the "Risorgimento" and "Patriotic History", which, in the closing decades of the 19th century, were founded on political input all over the country, in big towns and little villages alike. Searching amidst the exhibits for the memory of a national identity and they are proof that local communities are filled with an unstoppable need to know about their roots and to reassess their own identities.

• 한국디지털건축인테리어학회논문집
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• 제12권1호
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• pp.15-23
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• 2012

Museums in Korea have a long history of 100 years. It is not too much to say, though, that in fact, they in the history have lasted only for 20 to 30 years. Daejeon World Expo in 1993 and the foundation of local governments in 1995 not only played an important role in the growth of museums, but also affected the spatial development in terms of architecture and exhibition. Based on the theoretical background of museums' historical, formative, and exhibition-spatial changes, this study grasps the changes in public museums established during the last 20 to 30 years, and analyzes the changing roles of museums in the future. The preliminary study shows that the formative and spatial changes of museums partially resulted from the changes in visitors' pattern. Besides, as a result of the utilization of PEST Analysis, a macroscopic competition analysis method, it turned out that the construction of public museums in Korea was promoted with in mind the political and social significance after the establishment of the autonomous government. For unique museums to be established in local regions, it is necessary to proceed with a consistent investigation on museums in various perspectives rather than merely relying on the administrative exhibition services led by the organizations.

• 한국실내디자인학회논문집
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• 제23권1호
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• pp.152-161
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• 2014

Beijing, the capital city of China, has gradually increased its amount of culture space and has also introduced a diverse range of cultural facilities to improve the satisfaction of its citizens lives. In particular are its art museums, which are a symbol of the urban culture and enrich the cultural life of its citizens and are also expected to play a role as a psychological pivot point. However, in comparison with the characteristics of various ethics, local, and the influence on the museums of China, studies which analyze the exterior of the art museums are not sufficient. This is because previous research has focused too heavily on the interior of the art museums. This paper aims to derive distinction through the analysis of the exterior of several art museums and present design factors and application methodology. This research looks at art museums in China and analyzes the current state of the art museums that have been developed based on the culture of Beijing. Through analyzing the case study of five art museums that have been selected in Beijing we can improve our understanding of Chinese culture space and derive distinct design factors. Distinct factors in the exterior of art museums include connection, culture, geographic features, public, and creation. This study is expected to contribute to that exterior of the art museum will be as a contact zone to form a spatial connection and a cultural symbol that can reflect Beijing's unique culture characteristics.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2002년도 춘계학술발표대회 논문집
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• pp.77-81
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• 2002

Today, local museums as well as international museums are varied with scale, foundation purpose and function. Children's museum is particularly designed for special viewers. Therefore, the expression design factors such as plane, cubic side, illuminator, line of flow, color, material and the characteristics of viewers should be considered in planning. A couple of sample museums are selected for this study in order to study the characteristics of viewers. I hope the result of this study will be the basic information for the display design of children's museum.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.188-195
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• 2010

The museum architecture has been developed with new social and cultural movement because of the its representative role of cultural character. After emergence of the modern museum in Korea, the function and role of the museum has been changed and developed especially after increasing role by local government. The cultural desire by the new pace of consumerism has requested museums to undergo with some changes and advancements in their function and programs. This research aims to examine the progress of museum programs in Korea even though it has sort history. The scope of the analysis is discussed the extension of existing and new national museums which could be the measurement of the direction of the policy for museum. These changes have a tendency to correspond to social and cultural demands. Based on the existing program, new programs accommodate education and services which represent the characteristic of the museums. These changes caused the extension of the existing museums and the emergence of the small museums which has special program fields and even influences to expand existing museums for sub-characters. The study for chronological changes could be useful to establish the basic guidelines of the configuration for the museum program and space in the early stages for the new construction.

• 한국콘텐츠학회논문지
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• 제19권10호
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• pp.137-145
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• 2019

에코뮤지엄은 특정 지역을 범위로 하는 담장이 없는 "살아있는 박물관"이라 할 수 있다. 에코뮤지엄은 자연과 문화 유산의 진실성, 완전성, 원생성을 보호하고 보존하며 전시하고, 사람과 유산의 유기적 관계를 강조한다. 1971년 프랑스인 조지 헨리 리비에르(Georges Henri Riviere)가 "에코뮤지엄"이라는 개념을 제시했다. "생태"는 자연생태와 인문생태를 포함한다. 이후 캐나다, 영국, 미국, 중국으로 확산되었다[1]. 본 연구는 우선 에코뮤지엄의 개념을 정리하고, 기존 문헌을 정리하며 각각 쑤동하이, 후자오샹, 리비에르의 연구에서 6개의 요소를 선정하여, 이를 분석 프레임으로 여러 나라의 에코뮤지엄을 분석하였다. 분석결과에 따르면 이 이론의 프레임은 에코뮤지엄 연구에 적용할 수 있을 뿐 아니라, 향후 본 연구자가 진행 하고 자하는 중국 소수민족 지역의 에코뮤지엄 연구에도 활용할 수 있을 것이다.

• 대한지구과학교육학회지
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• 제14권2호
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• pp.95-111
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• 2021

이 연구는 과학관의 새로운 역할을 소개하는 것이다. 이 연구에 국내에서는 7개, 국외에서는 4개의 대표할만한 과학관의 과학문화 실무자들이 참여하여 설문에 응답하였다. 우선 과학관에서 실시하고 있는 과학문화프로그램은 무엇이 있는지, 그 프로그램이 성공적인지 실패인지, 실패라면 실패의 개선책이 무엇이 있는지 파악하였다. 이를 토대로 국내의 과학관의 이상적이고 현실적인 지역사회 협력기반 과학문화 프로그램을 개발하게 하였고 이로 인한 새로운 과학관의 역할을 탐색하였다. 현재 실시하는 과학문화 프로그램의 경우는 성공적인 것과 그렇지 않은 것은 홍보에 따른 관람객들의 참여가 가장 큰 변수였으며, 개선사항으로도 홍보의 중요성에 대해서 언급하였다. 성공적인 지역사회 협력기반 과학문화 프로그램을 위해서는 적극적인 홍보, 사전 운영팀, 전담 인력, 개방적 생각, 목적이 같은 타 기관의 선정, 양쪽 기관의 의지, 경제적인 지원 스폰서를 중요한 변수라 하겠다. 국내 과학관의 경우, 실질적으로 프로그램을 개발 및 운영한 결과 성공적인 협력기반 프로그램은 같은 지역의 타기관과의 협력, 서로 상생(win-win)연계, 그리고 이를 담당하는 전력인력이 중요한 변수로 작용하였고, 참여하는 과학관의 지역적 강점을 최대한 살린 것임을 보여주었다. 21세기에 기대되는 과학문화 프로그램은 지역 인적 물리적 인프라를 최대한 사용하고, 시민들의 요구를 반영하고, 지역사회에서 주도적으로 거점 역할을 하고, 협력기반 전문인력을 양성하며, 정부나 그 지역의 지자체와 원활한 소통을 할 수 있는 과학관에 의해 가능하다고 할 수 있겠다.

• 예술경영연구
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• 제56호
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• pp.329-348
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• 2020

코로나 바이러스와 관련된 방역 정책에 따라 국내 미술관들은 운영을 전면 중단하거나 제한적인 운영에 시행중이다. 미술관들은 새로운 비대면 상황에 적응하기 위해 노력하는 한편, 온라인 플랫폼을 통해서 뮤지엄의 기능을 유지하고 관람객들과 소통하고 있다. 본 연구는 먼저 비대면 상황 아래 있는 국내외 미술관들의 현황과 쟁점을 살펴보아 공공성을 확보할 수 있는 방법을 제안하고자 하였다. 팬데믹에 대응하는 국내외 미술관 현황 자료들과 통계들을 기반으로 하여 미술관 운영 현황과 온라인 플랫폼 현황을 분석하였으며, 미술관의 공공성을 재고하기 위하여, 뮤지엄의 정의와 한나 아렌트의 공공성 개념을 분석했다. 이를 통하여 민주적 담론을 형성하고 공동체성을 일깨우는데 공공 미술관의 기능이 중요함을 확인하였다. 이를 토대로 비대면 상황 아래 박물관 미술관의 공공성을 위한 세 가지 논의와 시사점을 제시하였다. 먼저 박물관 미술관의 방역 정책에 대하여 논의할 수 있는 공론장과 재정 지원이 필요함을 논하고, 온라인 플랫폼의 적극적 활용 및 목표를 제안하였다. 본 연구는 현재 비대면 상황으로 인하여 미술관들이 겪고 있는 어려움들을 분석하고, 이를 극복하기 위한 방안을 제시하는데 그 의의가 있다.