• Proceedings of the Korea Concrete Institute Conference
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• 1996.10a
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• pp.508-513
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• 1996

The purpose of this paper, having chosen the connection method, filled by High-strength mortar, in conncetion of PC member, is to study the mechanical behaviour and practical usage of the method. The paper estimates the connection ability of Reinforced-bar, that is, Sleeve considering the effect of Reinforced-bar's dimeter. Sleeve's length and diameter in the structural behaviour of mortar-filled connection, therefore the behaviour of Splice-Sleeve exists in concrete practically. This paper discusses the effect of the concrete in Splice-Sleeve. Also, to estimate structural behaviour in a practical wall panel, the upper and bottom wall panels are produced and the behaviour of Splice-Sleeve is discussed. And then Vertical Tie Bar being designed by using Precast method, this paper presents the various application and the practicable method using Splice-Sleeve.

• Journal of the Korean Society of Clothing and Textiles
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• v.9 no.1
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• pp.37-46
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• 1985

The study is undertaken to utilize the computer in pattern making for women. The automation by the use of computer provides the higher accuracy and efficiency in pattern making. GIGI Graphic Terminal is used for pattern making. The results are as follows: 1. Basic points which can be connected to depict basic pattern are represented on the X-Y co-ordinates. 2. Body measurements for bodice and sleeve pattern are as follows: For bodice pattern: center back waist length, bust girth, and shoulder width. For sleeve pattern: arm hole length, wrist girth, and sleeve length. 3. Grading of standard size was accomplished by using same method.

• Journal of the Korean Home Economics Association
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• v.44 no.9
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• pp.31-39
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• 2006

This study was conducted to reproduce the two-piece sleeve pattern of the ladies' jacket of the 1890's for Korean women of the twenties who have the standard body type and the average size. Fourteen two-piece sleeve patterns of the ladies 'jacket of the 1890's were collected and drawn to actual size. The length and width proportion of the upper-sleeve and under-sleeve pattern of the ladies' jacket of the 1890's were similar to the two-piece sleeve pattern of jacket which we see now. The elbow line of the two-piece sleeve pattern of the ladies' jacket of the 1890's was lower than the two-piece sleeve of jacket of today. The cap of the sleeve of the ladies' jacket of the 1890's was gathered and this gave volume to the upper part of sleeve but the lower part of the sleeve was tight. The study pattern of two-piece sleeve pattern which had the characteristics of the sleeve pattern of the ladies' jacket of the 1890's was designed like for Korean women of the twenties who have the standard body type and the average size through modifications based on the evaluation of dressing on two occasions. The study pattern was evaluated to have the silhouette of the sleeve of the ladies' jacket of the 1890's and to fit Korean women of the twenties who have the standard body type and the average size with the sensory test.

• Journal of the Korean Society of Costume
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• v.33
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• pp.73-88
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• 1997

In old Korea from the 4th century of 6th cen-tury the lapels of You and upper garment folded slightly. It had tight sleeves and its length was not long reaching to the hips. but from the 7th century the sleeve of You became wider and its length became longer, Chinese You folded very deeply across the breast and its sleeve was tight. The length of Chinese You was short too strectching out to the hips. From the 5th century the sleeve of the Chinese You became wider Chinese trousers with wide crotch appeared in the 4th century during the time when Ezst Jin Dyn-asty ruled China. The upper garments with the wide sleeve was common by the 7th century in China. What is specially noteworthy is that Short-dalnyung appeared in the 5th ∼6th century. In old Korea strings were used to tie the bottoms of the trousers. Trousers with tight crotch did not need the strins. korean trousers with wide lines were narrower than the Chinese trousers at the bottom and it was not necessary to use the strings for people to put them on In China there were both of wide trousers and tight trousers. People tied trousers around the kness with the strings in the formal places but they did not tied the trousers with the strings when they wore the ordinary clothes. Chinese trousers were very wide just like a skirt and they were much wider than wide Korean trousers.

• The Journal of Korean Institute of Electromagnetic Engineering and Science
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• v.14 no.2
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• pp.178-182
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• 2003

In this paper, we designed a loading sleeve monopole operating at PCS and IMT-2000 frequency bands using the structure of the broadband loading sleeve monopole. The length of the designed antenna is lower than that of the helical antenna coupled with a whip used in commercial PCS handsets. The length and diameter of the designed antenna are 38 mm and 8 mm, respectively. The designed loading sleeve monopole is fabricated and investigated experimently. The VSWR is less than 1.5 in the PCS and IMT-2000 frequency bands(1750 MHz~2170 MHz) and gain is 3.5 dBi.

• Journal of the Korean Society of Clothing and Textiles
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• v.29 no.12 s.148
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• pp.1535-1545
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• 2005

The study aimed firstly, to develop the women's bodysuit sleeve block construction method adopting the appropriate pattern reduction rates according to the fabric stretch property. Secondly, the details applied to the bodysuit sleeve block drafting (Dr the educational and industrial usage were proposed. For these, several distinguishing bodysuit sleeve pattern making methods(i.e. Joseph-Armstrong: T1, Shoben & Ward: T2, Esmod: T3 and Mixed Joseph-Armstrong: T4) were analyzed and divided into two categories that adopt 1) the equally (i.e., T1) and 2) the differently(i.e., T2, T3 & T4) distributed front and back armhole length measurements. Women's sleeve samples were made for the research using the same stretch fabric($50\%\;and\; 70\%$ in wale and course each) to the previous research. A group comprising 5 relevant experts evaluated the fit and comfort features of the samples. Experiments analyzed the appearance of sleeve samples focused on total 13 evaluation parts(including the front/side/back fit tolerance, sleeve centre line, sleeve length, appropriateness of the sleeve appearance balanced with the bodysuit and etc.): and performed the comfort test evaluating three kinds(vertical-front/vertical-side/ horizontal) of arm movements. The most appropriate bodysuit sleeve to fulfil the original aims of the study was suggested. The findings and suggestions throughout the study were: 1) the measurements and required reduction rates for the bodysuit sleeve block developed: outer sleeve length (with 1.0 RR), crown height(with 0.7 RR), front and back armhole lengths measured on the bodysuit blocks ($0\%$ ease amount), elbow width(0.9/0.95 RR), wrist girth measurements(from $12\%\;to\;18\%$ tolerances can be given to): and 2) the differently distributed front and back armhole length measurements resulted in the better fit and comfort through the research.

• Journal of the Korean Society of Costume
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• v.32
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• pp.21-30
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• 1997

Chogori the basic upper garment of korea costume occupies an important role in tra-ditional dressing and continues to be in use to the present days. Of course there has been changes in the length and line of Chogori with the flow of time based on the Ancient Yoo. This is a study of the 14 parts of Chgori based on statistical analysis by computing the practical measuements. Here the statistical analysis is a objective and quantitative of the stylistic changes in Chogori with time. In this study from the data the Mean and Standard deviation has been evaluated and periodic change is shown by graph to test the periodic change T-test Regressional analysis Index analysis has been used. The results are as follows: 1. The length of clothing has changed with time except the sleeve length. Here the length of clothing means all the other measurements ex-cept the sleeve Thus while the measurements of sleeve length has been uniquely unchanged the other measurements have influenced each other. 2. Generally the form of Chogori had the tendency towards smallness in the 19th cen-tury. But it tended to get larger in the 20th century. 3. Compared to other periods the mode of 19th and 20th century Chogori was widely ac-cepted as the Standard deviation of that period was very narrow. 4. The results seen from the regressional analysis of the Cho-sun period woman's Chogori satisfy the t-value and R-squared and thus support the regression formula presump-tion. 5. From the index analysis it is revealed that with decrease in the armhole measurement sleeve measurement and neckband; relatively same decrease in the wrist measurement; and very marked decrease in the sideline measurement.

• The Research Journal of the Costume Culture
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• v.8 no.6
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• pp.915-929
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• 2000

As a result of research, the character of the general dress-costumes from the late 17th century to the early 18th century in Genre Paintings of DuSeo Yun and YoungSeok Cho is as follows. Firstly young women wore braided hair at the back of head and married women wore hair in the style of Unjeun-mori with Gache. The length of Jeogori (Korean traditional jacket) covered waistor shortened to waist length. The width of Jeongori was suitable, because side-seam line was straight or oblique as it comes into inner line. The width of Git was enough and Mokpan-git (shape of board) and Kal-kit (shape of knife) appeared, and sometimes used other color fabric. Sleeve was narrow and ostly folded up. Chima (Korean traditional skirt) used darker color fabric than Jeogori and the width of Chima was narrow and its length was short. Sokbaji (Korean traditional underpants) shown below were narrow and its end narrower. They were barefoot or they wore Hye (Korean traditional shoes) after putting on Beoseon (Korean traditional socks). Secondly general man's hair tie a topknot (sangtu) and put on headdres, 'Bang-lip', 'Mang-geon', hairband, 'Tang-geon' on head. The length of Jeogori became shorter from the line which covered hip to the line which covered waist. The width of Jeogori was suitable and sometimes it had a slit of side-seam line. The width of Git (neckand) was wide and the length of Git was long. 'Kal-git'appeared and it used other color fabric. The shape of sleeve was straight and narrow. They folded up their sleeves. They folded up their sleeves. They folded up their slack that look like 'Jam-bang-i'and the width of slacks was not suitable, and it was narrow. Baji (Korean traditional pants) were with or without knot, worn 'Hangjeon'(ankle band). They were barefoot and wore 'Hye'or 'Jipsin'(Korean traditional straw shoes). Thirdly a person of high birth or a low-ranked official put 'Yu-geon', 'Mang-geon', 'Gat', 'Tang-geon', 'Bok-du', 'Bok-geon', 'Whi-hang'on their head on a topknot. They wore 'Po (Shim-ui, Jick-ryeong'Jung-chi-mak, Do-po, etc)'on Baji and Jeogori. 'Po'was long and wide, it knot with 'Se-jo-dae'(string belt) or 'Po-baek-dae'(band belt). It had a slit of sideline and 'Mu'which had or had not or which were hard to confirm. The shape of sleeve was straight or very wide and its length was long. The width of Baji was wide and knotted with 'Hangjeon'and wore'Beoseon'and 'Hye'. Fourthly child's hair was short or knotted to the back of the head. The length of Jeogori reached waist line and its width was wide. It had a 'Jeogori'which had s slit of sideline. The shape of sleeve was 'Tong-su'(straight), and the length of sleeve was diverse. They put 'Baeja'on 'Jeogori'. The width of Baji was not wide. They wore them straight without or with knot, 'Hangjeon'. They were barefoot or put on 'Jipsin'.

• Journal of the Korean Society of Costume
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• v.44
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• pp.117-129
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• 1999

Hudan Bangryung-Banbee was the name for a traditional dress which had a square neckline collar. Among Bangryung-Banbee, there was a particular style which, plus with the square neckline collar, had the half-length sleeve, bodice whose back length was shorter than the front. This kind of style shown a big difference from the typical pattern of traditional Korean costumes which had the V neck and had to fold the neckband of the clothes in Y-shape. This study focused on the analysis of the change of Hudan(後短) Bangryung-Banbee style. Bangryung-Banbee of the half sleeve/shortened back style had been usually excavated around the period of the Japanese invasion of Chosun dynasty(1592-1598). And up to now this kind of the costumes was never found before the fifteenth century or after the eighteenth century in Korea. Therefore it is thought that Bangryung-Banbee was worn widely in the middle of the Chosun dynasty. However, the shape of the collar and the length of sleeve and of dress were variously used, so it must be recognized that there existed much more diverse styles of Bangryung-Banbee than it was known today. But as the times passed away, the lined Bangryung-Banbee disappeared, and the collar of Bangryung-Banbee changed from square neckline to rounded Wonsam(圓衫) or Baeja(背子)-shape. And in the case of Bangryung-Banbee's front length, the original style disappeared, while a new style of longer back appeared.

• The Research Journal of the Costume Culture
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• v.9 no.5
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• pp.700-711
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• 2001

The purpose of this study was to investigate the differences in the method of patternmaking, difficult in draft of patternmaking, fit in sleeve, aesthetic view, fashionableness in the five types of two-piece sleeve under the controled situation. Five types of two piece sleeve that were originated from five countries including domestic companies which called A type, B type, C type, D type, and E type were used. In order to conduct the experiment fur the study, 10 persons who were well organized about the patternmaking drafted 5 types of sleeve and were tested for the differences in the method of patternmaking, difficulty in draft of patternmaking. Another panel were tested for fit in sleeve, aesthetic view, fashionableness in the five types of two-piece sleeve in jacket under the controled situation. The results of this study were as followed 1. C type was needed height of armhole in bodice and D type was needed height of armhole and width of armhole in bodice as well as all parts of sleeve measurements to draft patternmaking. 2. There were significant differences of the items such as cap height, ease amount around sleeve cap, width of sleeve, forwardness of sleeve and the length of elbow line of the five types patternmaking drafted. 3. There were significant differences of difficulty in draft of the five types of patternmaking. C type and E type were easier to draft. 4. There were significant differences in fitness of the sleeves in jacket. C type and E type were more fit. 5. There were significant differences in aesthetic view. A type, B type and E type were more aesthetic under the situation. 6. There were significant differences in fashionableness in jackets. A type and E type were more fashionable under the situation.