• 미술이론과 현장
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• 제14호
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• pp.125-158
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• 2012

After liberation from Japanese colonial rule in 1945, there was the three-year period of United States Army Military Government in Korea. In 1948, Democratic People's Republic of Korea, and Republic of Korea were established in the north and south of the Korean Peninsula. The Republic of Korea is now a modern state set in the southern part of the Korean. We usually refer to Koreans as people who belong to the Republic of Korea. Can we say that is true exactly? Why make of this an obsolete question? The period from 1945 when Korea was emancipated from Japanese colonial rule to 1948 when the Republic of Korea was established has not been a focus of modern Korean history. This three years remains empty in Korean history and makes the concept of 'Korean' we usually consider ambiguous, and prompts careful attention to the silence of 'some Koreans' forced to live against their will in the blurred boundaries between nation and people. This dissertation regards 'Koreans' who came to live in the border of nations, especially 'Korean-Japanese third generation women artists'who are marginalized both Japan and Korea. It questions the category of 'Korean women's art' that has so far been considered, based on the concept of territory, and presents a new perspective for viewing 'Korean women's art'. Almost no study on Korean-Japanese women's art has been conducted, based on research on Korean diaspora, and no systematic historical records exist. Even data-collection is limited due to the political situation of South and North in confrontation. Representation of the Mother Country on the Artworks by First and Second-Generation Korean-Japanese(Zainich) Women Artists after Liberation since 1945 was published in 2011 is the only dissertation in which Korean-Japanese women artists, and early artistic activities. That research is based on press releases and interviews obtained through Japan. This thesis concentrates on the world of Korean-Japanese third generation women artists such as Kim Jung-sook, Kim Ae-soon, and Han Sung-nam, permanent residents in Japan who still have Korean nationality. The three Korean-Japanese third generation women artists whose art world is reviewed in this thesis would like to reveal their voices as minorities in Japan and Korea, resisting power and the universal concepts of nation, people and identity. Questioning the general notions of 'Korean women' and 'Korean women's art'considered within the Korean Peninsula, they explore their identity as Korean women outside the Korean territory from a post-territorial perspective and have a new understanding of the minority's diversity and difference through their eyes as marginal women living outside the mainstream of Korean and Japanese society. This is associated with recent post-colonial critical viewpoints reconsidering myths of universalism and transcendental aesthetic measures. In the 1980s and 1990s art museums and galleries in New York tried a critical shift in aesthetic discourse on contemporary art history, analyzed how power relationships among such elements as gender, sexuality, race, nationalism. Ghost of Ethnicity: Rethinking Art Discourses of the 1940s and 1980s by Lisa Bloom is an obvious presentation about the post-colonial discourse. Lisa Bloom rethinks the diversity of race, ethnicity, sexuality, and gender each artist and critic has, she began a new discussion on artists who were anti-establishment artists alienated by mainstream society. As migration rapidly increased through globalism lead by the United States the aspects of diaspora experience emerges as critical issues in interpreting contemporary culture. As a new concept of art with hybrid cultural backgrounds exists, each artist's cultural identity and specificity should be viewed and interpreted in a sociopolitical context. A criticism started considering the distinct characteristics of each individual's historical experience and cultural identity, and paying attention to experience of the third world artist, especially women artists, confronting the power of modernist discourses from a perspective of the white male subject. Considering recent international contemporary art, the Korean-Japanese third generation women artists who clarify their cultural identity as minority living in the border between Korea and Japan may present a new direction for contemporary Korean art. Their art world derives from their diaspora experience on colonial trauma historically. Their works made us to see that it is also associated with postcolonial critical perspective in the recent contemporary art stream. And it reminds us of rethinking the diversity of the minority living outside mainstream society. Thus, this should be considered as one of the features in the context of Korean women's art.

• 패션비즈니스
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• 제6권1호
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• pp.83-101
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• 2002

The purpose of this study is to observe the elements of Japanese popular culture portrayed in Korean new generation fashion at the current point of time, when Japanese popular culture is first being opened to Korea. And the another purpose is to look into the fashion consciousness of them, which is made up of these aspects. The new generation plays the leading role in further excelling the culture of our society. They are the generation of sense and sensibility, the generation of "me", the generation of information, and the generation of individuality. Even before Japanese popular culture was officially opened, the new generation was already accepting fashion, comics and animation, video games, music, broadcasting, food, etc. The Japanese cultural elements that show most in Korean fashion are street fashion and the fashion of celebrities. These are mostly brought in by fashion magazines, the internet, satellite TV, the new media of cable TV, and street shops. The aspects of Japanese popular culture in Korean new generation fashion are many and varied. Such examples in fashion are : vintage style, school-girl style, sexy causal style, black coordination, soft avant-garde style. It can be said that the fashion consciousness of Korean new generation could be placed in the following order. First, the variety of fashion. Next, the internationalism of fashion. Third, the information of fashion, and last, the play value of fashion. Interest has peaked in Japanese culture after the official opening, and this study has explored the very same aspects which can be seen in Korean new generation fashion. This study was meant to help make a responsible and sturdy new generation fashion culture which can help face the new millennium.

• 예술인문사회 융합 멀티미디어 논문지
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• 제8권8호
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• pp.301-312
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• 2018

본 연구는 재일 한인 디아스포라 3세 손 마사요시의 어떠한 정체성과 가치관이 기업의 성공에 영향을 미쳤는지 연구하였다. 한 기업의 경영 방식은 경영자의 정체성과 가치관에 따라 크게 좌우되고, 이는 기업의 성공에도 영향을 미치게 된다. 재일한인디아스포라 3세 경영자인 손 마사요시의 정체성과 가치관에 대한 사례 연구 결과, 성공의 열쇠는 첫째, 탈민족적인 성향과 미국유학을 통한 글로벌 세계?, 둘째, 차별과 억압된 성장기와 료마의 영향으로 형성된 도전정신, 셋째, 재일한인디아스포라로서의 콤플렉스 극복을 통해 생겨난 오뚝이 정신, 넷째, 조모 이원조를 통한 사람중심 경영이념 등으로 나타났다. 이러한 그의 정체성과 가치관들은 소프트뱅크의 경영 방식에 복합적으로 영향을 주었고, 이는 기업의 성공으로 이어졌다. 따라서 본 연구는 재일한인디아스포라 3세 연구에 대한 또 다른 시각을 제공하고 있다. 특히 재일 한인 디아스포라에 대한 기업 연구가 부족한 가운데 재일한인 3세 경영인과 그가 경영하고 있는 글로벌 기업에 대한 연구라는 점에서 본 연구는 의미가 있다.

• 복식
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• 제53권3호
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• pp.31-49
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• 2003

The Purpose of this research is to examine and contrast the cultural characteristics of the street fashion in new generations of Korea and Japan. We also intended to help clothing companies understand the current trend in this new generation. As the method for street fashion analysis. various literature, internet information and new media materials were utilized. Key observations obtained are as following First, they pursue a complex image. New generations seem to admix images from different areas to create a synthetic image, rather than adopting a single image; Second, practicality is an important factor. They Pursue a sense of their own unique trend: Third, distinction. The difference in society values between Koreans and Japanese is incorporated. The Korean new generation considers the traditional moral principles as important social values. In contrast the Japanese new generation is greatly influenced by the open sexuality culture ; Fourth. public ownership and sharing of the culture. There is a gradual deviation from a dominating unidirectional influence from one country on another. Now the two countries are influencing each other ; Fifth, sense. There are numerous fashion items and generalized total coordination. New generations express more active and creative fashion sense in those fashion items.

• 한국어교육
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• 제28권1호
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• pp.49-78
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• 2017

This study aims to analyze the effect of attitudes of Korean residents in Japan towards learning the Korean language and their motivational intensity on their Korean proficiency. Data for this study came from a survey on language use of Korean residents in Japan which was conducted in 2016, and questionnaire items referred to language attitude, language use and the degree of understanding language; language use; language learning and Korean ethnic identity. The main results are as follows. First, there were significant differences in Korean language proficiency depending on age, education levels and generation. Second, the control for socio-demographic characteristics, the influence of attitudes towards Korean language on Korean proficiency was statistically significant. However, Korean proficiency was not significantly influenced by motivational intensity. Lastly, moderated effects of immigrant generation in the relation between Korean language attitudes and Korean proficiency were significant. Therefore, the effect of Korean language attitudes on Korean proficiency was more influential on second and third generation Korean-Japanese learners than first generation Korean-Japanese learners. Based on these results, this study suggests that in order to promote Korean language education for Korean residents in Japan, it is required to build positive attitudes toward Korean language, and to consider immigrant generation as a major factor.

• 한국도서관정보학회지
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• 제43권1호
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• pp.123-141
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• 2012

이 연구는 국제적 규모의 종합목록인 WorldCat을 전 세계 도서관에서 특정한 주제 관련 지식자원 분포 현황의 분석 도구로서 활용할 수 있는 가능성을 검토하는 것을 그 목적으로 하였다. Korea, Korean, Japan과 Japanese라는 네 개의 주제 키워드를 사용하여 검색한 서지레코드를 매체, 장르, 언어 패싯을 사용하여 '한국'과 '일본' 관련 지식자원의 분포 현황과 특성을 기술하였다. 전 세계 도서관에 한국 관련 지식자원의 소장규모는 일본 관련 자원의 절반에 못 미치고, 특히 청소년 대상 자료는 규모 및 매체, 언어, 장르 등 특성 면에서 일본 관련 자료보다 제한적이며 다양성이 적었다. 또한 두 건의 서지레코드 사례를 검토하여 이용자 서평 등의 내용이 관련 지식 확산에 영향을 미칠 수도 있음을 추론하였다.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2006년도 International Symposium on GPS/GNSS Vol.2
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• pp.131-136
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• 2006

Commercial uses of GPS have been growing rapidly with applications for aircraft, ship, and land vehicle navigation as well as for surveying and time keeping. The next generation GPS and Japanese QZS (Quasi Zenith Satellite) will provide three different civil signals. Galileo will also provide several types of civil signals. The availability of the third civil frequency has obvious advantages to instantaneous carrier phase accuracy and ambiguity resolution for centimeter level measurements. This paper discusses the effects of additional new civil signals for the high accuracy positioning in urban areas based on simulation using practical raw data. As for constellation, only GPS and GPS+QZS are considered. For positioning, a short distance baseline is assumed in order to disregard atmosphere effects. In this simulation, mask angle and signal conditions were fixed and ambiguity success rates were compared between different triple frequency combination scenarios. The coefficient of reflection was set randomly from 0.05 to 0.5 and the multipath delay was also set randomly from 5-100 m. Visible satellites and signal strength were determined by raw data collected in Tokyo by car. These simulation results have confirmed that the availability of high accuracy positioning will increase in all scenarios if we use GPS+QZS with triple frequencies.

• 헤리티지:역사와 과학
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• 제35권
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• pp.4-27
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• 2002

During the last 10 more years, more than one hundred of Paleolithic sites were found in the most part of the Korena peninsula by very active third generation of Paleolithic archaeologists. It became quite sure that most parts of the peninsula was populated during the late Pleistocene. High concentratin of Paleolithic sites in the Chollanamdo Province will be one of the most important field of paleolithic archaeology along with the sites in the Hantan -Imjin river basin. The begining of Upper Paleolithic is quite likley sometime earlier than 30,000 BP and possibly upto 40,000 BP. Micorlithic technology was probably introduced into the peninsula sometime around 20,000 BP. It is quite striking that the Acheulean-typed stone industry from the Chongokni site could be older than 350,000 BP that was estimated by sedimentation rate on the basis of the interval between two different types of Japanese tephras found at the site. More Acheulean-typed bifaces were found in some sites in the Hantan-Imjin river basin. Tanged point which originally found at the Suyanggae site were found at many Upper Paleolithic sites and was made until quite late period of Upper Paleolithic along with micro-blade.

• 한국전산유체공학회:학술대회논문집
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• 한국전산유체공학회 2010년 춘계학술대회논문집
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• pp.326-334
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• 2010

In this study, we provide a comprehensive review of the CIP(Constrained Interpolation Pro file/Cubic Interpolated Propagation) method with a pressure-based algorithm that is known as a general numerical solver for soled liquid, gas and plasmas. And also we introduce a body-fitted grid system(Soroban grid) for computation of strongly nonlinear marine hydrodynamic problems such as slamming water on deck, wave impact by green water. This grid system can keep the third-order accuracy in time and space with the help of the CIP method. The grid system consists of the straight lines and grid points. In the 2-dimensional grid case, each grid points moving in these lines like abacus - Soroban in Japanese. The length of each line can be different and the number of grid points in each line can be different. Mesh generation and searching of upstream departure point are very simple and possible to mesh-free treatment. To optimize computation of free-surface and multi-fluid flows, We adopt the C-CUP method. In most of the earlier computations, the C-CUP method was used with a staggered-grid approach. Here, because of the mesh free nature of the Soroban grid, we use the C-CUP method with a collocated-grid approach.

• 감성과학
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• 제13권4호
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• pp.711-720
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• 2010

이 연구는 인터랙션 선택 문제에서 국가(문화), 세대, 성별, 개인주의-집단주의 등의 변수에 따라 선택에 차이가 발생하는지를 파악하고, 나아가 그 차이의 원인을 고찰하고자 한 연구이다. 본 설문에서 조사한 인터랙션 선택문제는 휴대전화 SMS보관함의 삭제버튼을 눌렀을 때의 화면디자인, 소프트웨어 설치의 위험성을 경고하는 인터넷 경고창에 대한 대응, 수프 메이커 컨트롤패널의 유형 및 정보표현방식 선택으로 구성되었다. 한국인 639명을 조사한 1차조사와 중국, 일본, 네덜란드인 총 784명을 조사한 2차조사 데이터를 토대로, 교차분석 및 카이검정을 실시하였다. 그 결과 휴대전화 SMS보관함 삭제문제에서는 일본인은 '아니오'를 네덜란드인은 '예'를 더 많이 선택해, 불확실성 회피 성향이 인터랙션 선택문제에 영향을 미침을 시사했다. 인터넷 경고창 문제에서는 나이든 세대에 비해 젊은 세대가, 여성에 비해 남성이 적극적으로 설치하는 경향을 보였다. 컨트롤패널의 유형 선택에서 네덜란드인은 디지털형보다 아날로그형을 상대적으로 더 선호했다. 컨트롤패널의 정보표현방식 선택에서는 나이든 세대일수록, 또한 개인주의일수록 문자표현을 상대적으로 더 선호했다. 여러 변인들 중 국가(문화)가 가장 큰 차이를 보여 가장 의미있는 변수임을 확인하였다.