• Title/Summary/Keyword: Korean collections

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A Study on Fashion Design Using Masks (가면(假面)(Mask)을 활용(活用)한 의상(衣裳)디자인 연구(硏究))

  • Im, Hyung-Ran;Lee, Mi-Sook
    • Journal of Fashion Business
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    • v.8 no.2
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    • pp.154-167
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    • 2004
  • The purpose of this study was to develop fashion designs using masks on the basis of plasticity of masks. This study was conducted both theoretically and empirically. In a theoretical study, mask-related research and fashion-related literature were examined. In an empirical study, masks used in collections since the 1990's were analyzed through fashion magazines and fashion web sites. Based on such theoretical researches, masks used in modern fashion collections were divided into accessories and clothing to analyze and three fashion designs were developed on the basis of results described above. This study intended to express a romantic look with primitive mood that added formative elements of a mask to the design concept of "Romantic-Primitive". First, forms of masks were simplified and deconstructed and then some methods such as textile printing, leather handicraft, or applique were expressed.

The Characteristics of Headwear Design by John Galliano's Collections (존 갈리아노의 콜렉션에 나타난 헤드웨어의 디자인 특성)

  • Sung, Kwang-Sook
    • Journal of Fashion Business
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    • v.13 no.4
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    • pp.163-177
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    • 2009
  • In this study, the characteristics of headwear design by John Galliano's collections had been placed under the interpreting the immanent characteristics of presented in external things. His headwear design was found to have following characteristics; ethnic forms, historical forms, natural modeling forms, artifical forms, false hair forms and abstract forms. And his headwear design was found to have folling immanent characteristics; expaned exaggeration, introduced into existing form and reconstruction, mixed with different motives, change of texture, introducing and parody by natural and artifical form, pure abstacted construction. Furthermore, it can be identified that immanent characteristics and external things are mutually linked.

Organization and use of theses collections in university libraries (학위논문의 정리와 이용)

  • 최달현;변우열
    • Journal of Korean Library and Information Science Society
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    • v.12
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    • pp.161-198
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    • 1985
  • This paper is a study of the organization and use of theses collections in university libraries of Korea. A questionnaire consisted of 31 questions on 6 items was sent to 44 university libraries of which 40 libraries responded. Results of the study can be summarized as follows: 1. Figures concerning registration of theses can be tabulated as follows. 2. In differentiation of oriental and occidental theses, 20 libraries (50%) depend on the basis of the text language. 3. Thirty-four libraries (85%) classify the theses and 27 (80%) of them use the same tables with book classification schedules. For classification level, 17 libraries (48.6%) classify them in section numbers whereas 13 (37.1%) in sub-sections. 4. Catalog or index cards of theses are made in 35 libraries (87.5%) of which 20 libraries are using the second level of bibliographic description. 5. Roman alphabets in a title are described a such 27 libraries (67.5%). 6. Most of respondents are preparing author, title and classified catalog cards for users. The research reveals that only 8 libraries are giving subject headings to the theses. 7. Twenty-three libraries (63.9%) have theses catalogs in separation from their book catalogs. 8. Most helpful bibliographic elements in an entry for users are reported to be author, title, date and notes. In general, theses collections have many different features in various aspects compared with book materials. Therefore it is desirable to process the former differently with the latter. Firstly, it would be more convenient to register theses on the different register from the book register. Secondly, minute classification of theses would be necessary for their users. thirdly, text language is the common basis of discriminating oriental materials and occidental ones. Fourthly, a simple catalog would be quite good enough to use theses collection, for most helpful elements in an entry are limited to author, title, date and notes. Fifthly, it is strongly recommendable to transcribe all the roman alphabets on the titles into Korean alphabets. Sixthly, the research revealed that our library would needs to develop subject heading work which is for behind other library works.

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A relationship among types of museum space, number of visitors, and number of collections (박물관 공간구성이 방문객수와 소장품수에 대해 갖는 관계)

  • Kim, Jung Hyun;Shin, Hyung-Deok;Park, Ji Hyon
    • Korean Association of Arts Management
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    • no.49
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    • pp.65-86
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    • 2019
  • This study investigated the relationship among type of museum space, number of visitors, and number of collections. Museum space has been sorted in various ways(e. g. Seo, 2008; Lee, 2008; Ambrose & Paine, 2012), but this study adopted Lord et al. (2012)'s typology, which has public/non-public and collection/non-collection space, considering that Korean museums' space fits their typology. Using 853 museum data our regression analyses show that public-collection space is positively related to the number of visitors is bigger, while non-public-collection space is positively related to the number of collections. This study has academic and practical implications by showing there are differential relationship among those physical museum characteristics and museum performance.

Acceptance of Fashion Forecast as Reflected in the Street Fashion in Korea (스트리트패션에 나타난 한국 소비자들의 패션예측 수용)

  • Yu, Hae-Kyung
    • Journal of the Korean Society of Clothing and Textiles
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    • v.31 no.6 s.165
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    • pp.879-891
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    • 2007
  • Forecasting is a critical task for fashion companies because of continuous change in fashion and long process lead-time. Therefore, it is of great importance for both scholars and companies to understand how forecasted fashion styles are accepted by consumers. This research aimed to investigate consumer acceptance of fashion styles in Korea. The study examined and compared oversea collections of women's wear to the street fashion in Korea for seven seasons from 02 s/s to 05 s/s. Information on oversea collections were obtained from the magazine, Fashion Show, and the street fashion information from Seoul Fashion Design Center. The results showed that overall trends presented in oversea collections have been well accepted, while acceptance of specific styles or items varied. During the period of this research, sporty style and feminine style were very strong in the street fashion. Many styles and items were modified and selectively accepted probably because of cultural differences and limitations of mass production. Some styles which were presented in oversea collections were not accepted in Korea, and at the same time some cases were observed only in the street fashion in Korea. The results of this study provide guidelines for Korean apparel companies in merchandise planning and empirical findings to deepen the understanding on Korean society with respect to fashion.

A Digital Library Prototype for Access to Diverse Collections (다양한 장서 접근을 위한 디지털 도서관의 프로토타입 구축)

  • Choi Won-Tae
    • Journal of the Korean Society for Library and Information Science
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    • v.32 no.2
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    • pp.295-307
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    • 1998
  • This article is an overview of the digital library project, indicating what roles Koreas diverse digital collections may play. Our digital library prototype has simple architecture, consisting of digital repositories, filters, indexing and searching, and clients. Digital repositories include various types of materials and databases. The role of filters is to recognize a format of a document collection and mark the structural components of each of its documents. We are using a database management system (ORACLE and ConText) supporting user-defined functions and access methods that allows us to easily incorporate new object analysis, structuring, and indexing technology into a repository. Clients can be considered browsers or viewers designed for different document data types, such as image, audio, video, SGML, PDF, and KORMARC. The combination of navigational tools supports a variety of approaches to identifying collections and browsing or searching for individual items. The search interface was implemented using HTML forms and the World Wide Web's CGI mechanism.

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A Study on Fashion Toys Appearing in Modern Fashion (현대패션에 나타난 패션 토이에 관한 고찰)

  • Kim, Youngmi;Geum, Keysook
    • Journal of the Korean Society of Costume
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    • v.66 no.6
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    • pp.79-94
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    • 2016
  • The purpose of this study is to explore the process of how modern fashion establishes new consumption cultures by analyzing the different types of fashion toys that have appeared in modern fashion, and identifying inherent meanings of the said toys. The range of this study was limited to four collections (New York, London, Milano, Paris) from 2000 to 2015. In addition to these collections, advertisement campaign and cooperative examples as well as examples of fashion toys that appeared in public interest activities and collections were included. The selected materials were classified into different types of fashion toy usage. From the results of analyzing fashion toys appearing in modern fashion, the four following characteristics. After analyzing the use of fashion toys in modern fashion, four characteristics were found. First, fashion toys were found to be a means to maximize the visual effects of the collection stage. Second, fashion toys utilized as a fashion object were key elements in transforming neo-pop into modern fashion, and constructing high fashion. Third, the fact that people's fashion and fashion toys share contemporary fashion means that customers are shared through the integration of diverse media. This leads to creation of new benefits. Fourth, fashion toys are meaningful because the products reflect contemporary culture, and extend the scope of fashion and art, as it can be considered fashion as well as art. In conclusion, fashion toys were meaningful in that high fashion broke from conservative values, and swiftly introduced contemporary culture codes. It derived a point of effective contact to present a new way of consumption and extended the scope of fashion.

A Study on Historical Research for Costume of Banya(般若) in King Gongmin's Period of Late Goryeo - Focused on the Buddhist Service Costume - (고려 말 공민왕 재위기의 반야(般若) 복식 고증요소 고찰 - 불교법회 복식을 중심으로 -)

  • Choi, Jeong
    • Journal of the Korean Society of Costume
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    • v.65 no.6
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    • pp.112-132
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    • 2015
  • Banya was a concubine slave of Shindon(辛旽) who was a powerful monk in late Goryeo Dynasty, as well as the mother of King Woo(禑王), a successor of King Gongmin(恭愍王). This study was undertaken to investigate the sources of costume for Banya. The study focused on the features of Buddhist service costume, street wear, and daywear for common women's costume during the prime age of the Buddhist culture. The study looked into Buddhist paintings, old documents, advanced research, and relics. There are three characteristics of historically investigated Buddhist service costume for Banya: Dallyeongpo(團領袍), long Jeogori made with black Ra(羅), and Jeogori with a long scarf. Skirt, under Jeogori, under skirt, Cho, Ra(羅), Neung (綾), Dan(緞), patterned ramie(紋紵), and Tapja(塔子) were included in all Buddhist service costume. And, street wear consisted of Women's Dapho(婦人搭忽), long Jeogori, skirt, underwear and black Ra beil(蒙首). Daywear consisted of Banbi(半臂), long Jeogori, and skirt, underwear made with cheap fabric, Ju(綢), ramie, and imported cotton. Plumper hair, silver comb and Biyeo, lining of light pink-colored thin silk(小紅薄絹), bronze openworked ornament that fixed the outerwear's opening, bronze needle case, Sutra box and heated gemstone could be matched for the Buddhist service costume. Bronze and heated gemstone could be used for ornaments of street wear and daywear. The investigation of ornaments was carried on by referring to presentation of overseas collections. Considering the limitation of the study on Goryeo costume due to the lack of research material, future studies including much more relics in oversea collections needs to be undertaken.

Seasonal Fluctuation and Vertical Microdistribution of Drosophilid Flies Dwelling in the Broad-Leaved Forests on Cheju-Do (Quelpart Island)* (제주도 활엽수림에 서식하는 초파리의 계절에 따른 변동과 수직 미분포)

  • 김원택
    • The Korean Journal of Zoology
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    • v.39 no.3
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    • pp.325-336
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    • 1996
  • Community organization of the drosophilid flies was investigated with respect to the seasonal variation in species abundance and vertical microdistribution on the basis of the trapped collections in the two natural forests on Cheju-do from May to October 1994. The dominant species were Drosophila bizonata, D. curviceps, D. lutescens, D. angu leris, D. tsigana and D. immigrans in the annual collections. The pattern in seasonal changes of the dominant species was similar at the two survey sites. Seasonal fluctuation in the species diversity was more affected by evenness than by species richness (number of species). The seasonal variation of abundance showed an unimodal pattern in all of the dominant species. The seasonal patterns of vertical microdistribution revealed difference in some of the dominant species between the two survey sites. These results suggest that the predominant species in the forest avoid niche overlap by means of seasonal separation of breedings and that the vertical microdistribution is strongly affected by factors associated with season and vertical site in the deep wooded forests.

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A Study on the Self-similarity Found in Fashion Design - Focusing on the Designs of Viktor & Rolf - (패션디자인에 나타나는 자기유사성에 관한 연구 - Viktor & Rolf의 디자인을 중심으로 -)

  • Kim, Yonson
    • Journal of the Korean Society of Costume
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    • v.64 no.7
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    • pp.97-113
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    • 2014
  • The study aims to determine the significance and characteristics of self-similarity inherent in natural objects or phenomena, the existence of self-similarity in design created by fashion designers, and the traits and internal significance implied in self-similarity and their effects on fashion. The subject of the study is Viktor & Rolf, and the scope of the study is the collections created from 2001 to 2014, which include designs implemented in their early years and those unveiled in the media. Self-similarity means attributes of a fractal structure appearing without change in the original form, even after modification of scale or direction in terms of shape or phenomena. As self-similarity is applied to the arts and design sectors, it leads people to pay attention to fundamental characteristics and intrinsic forms as a factor of expressing a unique creative world. Analysis of Viktor & Rolf collections generated ribbons, overlapping/juxtaposition, side decorations and exaggerated design elements as basic units of self-similarity. These factors had self-similarity rates as high as 84%. Self-similarity was established as design elements formed in the incipient stage were repeated in a certain form, and continued for a long period of time. It served as an element that recognizes design and a fashion designer at the same time. Characteristics of self-similarity appearing in Viktor & Rolf collections can be summarized as homeostasis based on an equivalent relationship, balance based on self-organization, reducibility into essential elements, and uniqueness based on odd shapes. These characteristics influenced the pursuit of consistent brand image, the maintenance of a fashion designer's creative world, the formation of styles and the expression of a fashion designer's identity.