• 패션비즈니스
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• 제15권6호
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• pp.113-133
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• 2011

The purpose of this study is to establish academic identity as well as produce human resources that industries need by grasping curriculum of the departments related beauty focusing on Korean colleges (junior colleges and four year course colleges), analyzing examples of advanced countries and suggesting their developmental direction. For the research method, the reference period of curriculum in Korean colleges was from Jul. 05th, 2011 to Aug. 05th, 2011. the investigation method is as follow: first, the curriculum of the departments related to beauty which were registered in the web sites were investigated. Second, the documents were received by fax and Email from each department after calling it. Third, questions and answers were done in reference to majors on the phones. these methods are intended for 65 junior colleges and 16 four year course colleges (total 81 ones). It clarified that lifelong education centers and the graduate courses were ruled out. the statistical analysis about data which were investigated like this were done by the frequency analysis. The results which examined the major subjects of Make-up focusing on Korea and foreign countries are as follow: First, the result which examined the major and theory subjects of Make-up has found that there are the human body theory, the equipment theory, the marketing theory are the management theory in Korean junior colleges and physiology/chemical, management, marketing and equipment product were treated in four year course colleges of Korea. As for foreign colleges, the subjects related to history and culture are mainly treated as the theory courses and their purpose is to cultivate basic knowledge of the fields which are mainly connected to Make-up including plays, movies, TV and studios. Second, the result which examined practice subjects of Make-up major has found that practice subjects of the total ones are of great importance in junior colleges. And it could be found that the Make-up field is of little importance as it is not independent and exists with the hair and skin fields in one department in the four year course colleges. Especially, in the foreign countries, the more detailed and professional subjects including classes which treat digital media, studio technologies, production, wigs and the special effects were treated by the field class system and these characteristics implies that Korean curriculum should be changed in the future. Based on this analytical results of investigation, this researcher tried to propose the developmental direction of Korean curriculum in the future.

• 복식
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• 제56권1호
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• pp.1-12
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• 2006

The purpose of this study is to comprehend the color and the coloration of Han-bok on the oil-painting of modern Korea. Generally, the modern Korean art is from late 19th to early 1980s' for the lowest year. Through the introduction of oil painting and the painter's work which had been reflected painter's realism at these times, we might know that the phases of the times and we could see a Korean costume and color combination. In this study, Han-bok is divided to upper clothes, lower clothes and the other parts which was distinguished by the color. The color of Han-bok which is watched on the modern art oil-painting is mainly white. The primary color including red, yellow, blue and middle tone colors is in harmony. It means that the five colors of Yin-Yang Wu-hsing were preferred until the modern times. The coloration of Han-bok is classified to a one-colored arrangement, two-colored arrangement and three-colored arrangement. The one-colored arrangement by white and black is a peculiar coloration to the modern times. The two-colored arrangement is a traditional coloration of Han-bok. The color which is high value and chroma is arranged on jacket, Jeogori. A dimension rate that is related with the difference of value and chroma made a visual harmony. In many cases of the two-colored arrangement of neutral colors is not much different in Jeogori and Chima. So Han-bok which is two-colored arrangement of neutral colors is colored in a breast- tie, pigtail ribbon, cuff and waist band for getting visual focus. The represented three-colored arrangement is white Jeogori and navy blue Chima with red breast-tie. It is a perfect visual color combination. The color of Han-bok was inherited a traditional color and the combination of neutral color was balanced. It was a refinable coloration system according to a difference of value and chroma. It means that a color sensation and arrangement of Korean have been developed by our unique climate, nations and the culture which has been formed for a long times.

• 복식
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• 제62권5호
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• pp.125-137
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• 2012

This study examines the stage costumes of the creative musical 'Hyecho', which was performed six times in the Chung Ang Art Center hosted by Chung-Ang University's performance & media agency from December 20 to 22 in 2006. The stage costumes were made based on these basic design elements of stage costumes that were dyed : line, silhouette, material, and color. First, the creative musical 'Hyecho' presents a new form of fusion theatre, which blends Korean traditional music and dance with videos. Thereby, the musical has opened a new phase in Korea's creative performing arts. Second, in musical performances that combines dance and songs, stage costumes should be made not only to attract the audience's eyes, but also not to interrupt actors' vocalizations and movements by taking their physical features into account. Also, costumes should be made in consideration of their relationships with visual elements, including stage settings and lighting. Third, the musical features fusion-style stage costumes, which combines Hanbok, the Korean traditional costume, and Indian traditional costumes with modern costumes. For the line and silhouette, costumes show the beauty of curves through the curves of Hanbok and India's traditional costumes and also through irregular pleats of pants. Also, by using cotton materials, which is easy to dye and not readily deformed, costumes feature colors that are found in nature through a gradation dyeing technique. In doing so, it offers visual amusement to the audience by making stage costumes look like a beautiful painting. Fourth, the stage costumes of the chorus feature costumes that use lining and pleated skirts using belts, and various accessories, including necklaces that use strings in order to express evil spirits. Since there is not much time to change costumes during a performance, using such items are helpful to show the unique characteristics of actors effectively during the limited time. Also, coordinating with the lighting director allows the costume designer to make better costumes for the chorus and make the performance more dramatic. Finally, it was not necessary to wash the costumes of the chorus of the fusion musical Hyecho 2006 since it was performed only six times. However, when using dyed costumes for the long-term performance, it might cause problems such as bleaching that result from the washing of costumes and low durability that can result in the deformation of costumes. As performing arts are made in various forms and are diversified, it is needed for stage costumes to change accordingly through new attempts and various ways of expression.

• 대한가정학회지
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• 제27권2호
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• pp.21-30
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• 1989

The U.S. response to increased international competition was examined in the present study in order to have more comprehensive understanding of the U.S. textile and clothing market. The method employed to conduct the study was the analysis of the written materials, interview with professionals, and the survey of the actual situations of the U.S. textile and apparel industries. The results are summarized as follows; 1. Official U.S. textile and apparel trade policy has been quite has been quite protective since 1950's. The protective trend has been embodied in Japan Cotton Textile Export Control (reciprocal trade agreement signed by the U.S. and Japan in 1957), Short Term Arrangement Regarding International Trade in Cotton Textiles, Long Term Cotton Textile Arrangement (1962∼1973), and Multi-fiber Arrangement (1974∼). Other governmental programs designed to improve the competitiveness of the U.S. textile and apparel industries include Long-term Textile and Apparel Products Export-expansion Program, and 807 Trade to take labor cost advantage. 2. Along with the quite protective governmental trade policy, the corporate responses have been made such as new sourcing mixes, investment in technology, specialization in the textile and apparel industries, and recent strategies pursued by retailer's. The apparel industry was subject to pressure from imports that increased at moderate levels, and the U.S. textile and apparel industries have made extensive efforts to adjust to the increasing competition from abroad. The textile and apparel industries have taken steps to increase labor productivity through automation, to speed management to create and introduce new products and new methods, and have lowered indirect overhead costs. Several industrywide promotion campaigns have attempted to establish a greater public awareness of international competition and to develop a preference for apparel produced in the United States. 3. Regarding these response of the U.S. and other situations of world textile and apparel trade market, much of the sense of crisis that pervades Korean textile and apparel industries has to do with the problem of adjusting government and corporate policy. Textile and apparel industry of Korea faces on going pressure to reduce costs, improve quality, increase service, develop new markets, diversify, and differentiate itself from its foreign competitors. The strategies that have been adopted in the past have generally worked in the past, but the time has come to adopt strategies that reflect present conditions. If this is not done, then we stand to lose large segments of these industries, which once lost will not easily be regenerated.

• 농촌의학ㆍ지역보건
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• 제31권3호
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• pp.219-236
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• 2006

본 연구는 농업인의 안전사고와 농작업성 질환으로 인한 업무상 재해를 효율적으로 예방하고 관리하며 앞으로 관리체제를 효율적으로 운영하는 전략들을 제안하기 위하여 국내 업무상 재해에 대한 법적 행정적 지원체계를 고찰하였다. 농업인 업무상재해를 체계적으로 관리하기 위한 법적 제도적 지원체제를 마련하기 위해 국내의 다른 사업 분야에서 현재 시행되고 있는 관련법 제정 및 관할 행정조직을 조사하였다. 또한, 국내 산업안전보건법이 제정되기까지의 역사적 배경과 산업안전보건 관련법, 행정적 지원 체계와 주요 역할들을 살펴보았다. 또한, 우리나라의 산업안전보건 정책 및 현황과 농업안전보건 관련 현황들을 조사하여 요약 정리하였다. 이로부터 얻어진 결과는 우리나라의 농업인 안전보건 정책들은 노동부와 농림부, 보건복지부 등의 산업안전보건법과 산업재해보상보험법, 농림어업인의 삶의 질 향상 및 농산어촌 지역개발 촉진에 관한 특별법 등에 의하여 이루어지고 있으나, 각기 법적 제도적 한계점을 갖고 있다는 것이다. 즉, 농업인이 법적 근로자에 포함되지 않으므로 제도적 관리 및 혜택에서 제외되고 있으며, 농업인들을 대상으로 하는 농협의 농업인 재해공제 역시 임의가입에 따라 한정된 조합원들에게만 적은 범위내의 재해에 따른 보험혜택을 받고 있는 실정이었다. 더욱이, 현재 농업인 업무상재해를 관리하기 위한 별도의 전담조직은 아직 없다. 이와 같이 각 부처에서 산발적이고 비주류적인 사업으로서는 그 효과를 제대로 보기 어려우므로 하루빨리 이러한 사업들의 효과를 높이기 위해서는 관련 부처간의 정보교류 등 연계방안을 구축하는 것이 매우 필요하다.

• 지능정보연구
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• 제26권3호
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• pp.91-108
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• 2020

박지성 선수의 2005년 맨체스터 유나이티드 FC 입단 이후로, 국내에서 프로축구 유니폼 시장이 본격적으로 성장하기 시작했다. 이후, 국내 선수들의 해외 리그에서 활약이 계속되면서 국내에서도 잉글랜드 프리미어리그에 대한 대중의 관심이 지속되고 있다. 이러한 시점에서 본 연구는 국내 프로축구 팬들의 유니폼 소비에 전반적인 소비자 인식을 알아보고, 선수의 영입에 따른 소비자 인식 변화를 비교하고자 했다. EPL의 토트넘에서 활동하고 있는 손흥민 선수의 영입 전후를 중심으로 소셜 미디어에 나타난 프로축구 팬들의 소비자 인식과 구매 요인을 알아보았다. 'EPL 유니폼'을 키워드로, 국내 포털사이트와 소셜 미디어의 게시글을 수집하고, 텍스트 마이닝, SNA, 회귀분석을 사용하여 분석했다. 연구 결과, 첫째, 선수의 소속 팀, 실적, 포지션과 구단의 실적, 순위, 리그의 우승 여부가 프로축구 유니폼의 구매와 탐색에 있어 주요 요인으로 확인되었다. 가격, 디자인, 사이즈, 로고 등과 같은 항목보다 유니폼의 형태, 마킹, 정품 여부, 스폰서와 더 중요하게 작용하고 있었다. 둘째, 구조적 등위성 분석과 군집분석을 통해 국내 프로축구 팬들 사이에서 유니폼과 관련되어 언급되고 있는 주요 주제를 알아본 결과, EPL에 소속된 구단과 유명 선수들이 가장 핵심적인 주제로 나타났다. 셋째, 프로축구 유니폼에 대한 시기별 주제는 월드컵과 EPL 리그에 대한 관심에서 EPL에서 활동하는 다양한 국내외 선수들에 대한 관심으로, 2015년 이후에는 유니폼 자체에 대한 것으로 주제가 변화했다. 이를 통해, 선수들의 이적에 따라 선수가 소속된 해당 구단의 유니폼이 관심을 받고 있음을 알 수 있었다. 넷째, 남녀 소비자 모두 손흥민에 대한 관심이 증가함에 따라서 토트넘이 소속된 리그인 EPL에 대한 관심도 증가하는 것으로 나타났다. 여성의 경우 손흥민에 대한 관심이 증가함에 따라 축구 유니폼에 대해서도 관심을 가지는 것으로 나타난 반면, 남성의 경우 손흥민 선수에 대한 관심과 축구 유니폼에 대한 관심 사이의 관계가 유의하게 나타나지 않았다. 각 구단은 선수와 구단의 성적과 이미지 관리, 스폰서 브랜드 관리에 집중하고, 선수의 이적이 결정되면 선수의 자국에 해당 물량의 공급을 늘리며, 인기를 끌고 있는 선수의 등번호가 부착된 유니폼의 경우에는 여성을 위한 다양한 사이즈를 제공해야 할 필요가 있다.

• 한국의류산업학회지
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• 제13권4호
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• pp.600-613
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• 2011

The purpose of this study is to provide Torso pattern for Korean middle-aged women using 3D human body scan data. 155 women in their 40's or 50's were measured by Martin's anthropometry. Merging the data of 914 middle aged women provided by Korean agency for technology and standards, total of 1,069 subjects' data were analyzed. For data analysis, ANOVA, factor analysis and cluster analysis were done using SPSS PC+. And representative subject of each cluster was selected and they participated in 3D scanning and Torso pattern suggested for middle-aged women Torso pattern which investing the amount of ease according to each group for diffuse front interscye 30%, armscye circumference 30%, back interscye 40% using 3D human body scan data. The results of this study are as follows. Firstly, as a result of the factor analysis, the first factor was 'obesity index of body', The second factor was 'verticality size of body', The third factor was 'verticality length of upper bodice', The fourth factor was 'drop value to represent silhouette', and the fifth factor was 'physique of upper bodice'. And, middle-aged women type were classified 3 types according to the cluster analysis. Type 1(Y-type) was the long upper Torso with wide shoulder. Type 2(H-type) was flat-body type with comparatively thin upper bodice and thin lower bodice. And type 3(A-type) was the obese type with comparatively thin upper bodice and fat lower bodice. Secondly, using CAD program, point filtering was performed and approximated surface model was made. It used that generated surface smoothing corrected for abnormally extruded points and scattered points based on the curvature information. And 3D surfaces were flatted onto the plane by the internal tools of CAD program. Difference ratios of outline length and area between 3D curves and 2D plane were 0.42% and 0.54%, respectively. Third, wearing test by the sensory evaluation showed that distinct difference almost every category. The movement functionality test shows that, in all the tests which reveal significant differences, especially, 'comparison pattern A' experienced inconvenience to neck width and neck depth.

• 패션비즈니스
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• 제3권3호
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• pp.27-37
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• 1999

The purpose of this study is to provide for the basic data useful to the effective production and marketing of the brassiere befitting adult women's body shapes and preferences, and thereby, help them improve their apparel life. For this purpose, 563 Korean adult women aged between 20-59 were sampled to survey their practices of purchasing the brassieres and positively identify the factors affecting the practices and thereupon, determine the correlations among them by age group. Data is processed by a computer(SAS) and analyzed by using frequency, percentage, $\chi^2$-test, ANOVA, Duncan-test. The main results of this study are as follows; 1. The adult women tend to use such mass media as TV, magazines, catalogues and DM to decide for themselves which brassiere befits them most, and to check the brand-name(78.8%) or the sizes(93.4%), but more than 90% of them purchase their brassieres without trying on them. 2. The places of purchasing on which adult women rely most for their brassiere are department stores(32.6%), agencies(26.1%) and discount or pension shops(25.4%), while more than 90% of the sample women often visit bargain sale shops. The average number of brassieres possessed by our adult women is 5.7, and an adult women buys 2.6 brassiere costing 10-30 thousand wons a year on average and consumes a brassiere for the period from 6 months to 2 years. 3. It had been disclosed that the brand favored most by adult women is Venus(56.2%), followed by Vivien (17.6%), Wacoal(6.8%), Amie(2.5%) and Body Guard(2.3%). The most influential factors for the popularity of brands are fitting condition(40.3%) and design(23.8%), which suggests that consumers appreciate functionality and aesthetics. The most important reference affecting our women's choice of brassiere is size(64.4%), followed by design and functionality. The brassiere style favored most by adult women is a wire-type 3/4 cup brassiere made of thin material with sewing lines, while the most favorite color is white. In all, it has been found through this study that adult women's practices of buying their brassieres differ by age group, which may well suggest that brassiere production need to take such age-wise practices into consideration in setting up their brassiere production and marketing strategies.

• 한국식품과학회지
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• 제28권5호
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• pp.888-896
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• 1996

보존제의 종류와 chitosan의 첨가방법이 김치의 보존성에 미치는 영향을 조사하기 위해 chitnsan, acetic acid, Na-benzoate를 단독 또는 병용하거나, chitosan을 acetic acid에 용해시켜 배추김치 첨가하여 10^{\circ}C$에서 12일간 발효시키면서 김치의 특성변화를 알아보았다. 발효가 진행되면서 보존제 첨가군들은 대조군보다 pH는 높고 적정산도는 낮게 나타났으며 환원당 함량의 감소가 대조군보다 느리게 일어났다. 보존제 첨가군들은 발효가 지속되면서 증가하는 lactic acid와 acetic acid의 함량이 대조군에 비해 매우 낮았으며 보존제 병용군 중 특히 chitosan을 산에 용해시킨 CH-B와 chitosan과 Na-benzoate를 병용한 CHS에서 낮게 나타났다. 총균수, Leuconostoc속 미생물 수, L. plantarum의 수는 CH-B, CHS, CH-C, AA, SB, CH-A순으로 적었다. 따라서 보존제가 병용되고, 병용된 보존제가 산일 경우에는 chitosan이 산에 용해되어 더 큰 항균력이 나타남을 알 수 있었다. 보존제 첨가군들은 발효후기까지 바람직한 김치의 관능적 특성을 유지했는데 보존제가 병용된 군들이 더 효과적이었으며 CHS가 CH-B와 CH-C보다 낮은 신맛과 군덕내를 나타냈다. 앞으로 김치 본래의 특성을 효과적으로 유지 할 수 있도록 발효에 관여하는 젖산균의 생육을 적절히 조절하는 보존제의 종류, 혼합사용 및 첨가수준 효과에 대한 연구가 계속되어야 할 것으로 본다.

• 패션비즈니스
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• 제5권2호
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• pp.105-115
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• 2001

When restoring a tomb of Songeun, Park Ik that damaged by typhoon in Kobubri, Chungdomyon, Mill Yang, Kyoung Nam in October 2000, a flower designed stone and fresco was discovered. Soneun Park Ik passed the civil service examination in Kongmin dynasty and was consecutively occupied Sajaedogam(司宰少監; regarded as one of second highest official rank). The fresco realistically depicts custom of ordinary people in end of Koryo, beginning of Chosun dynasty that it is considered as an important research material in study of ostumes. Therefore, this research intend to contribute to study of costumes in general public of Koryo that has insufficient study materials through study and analyze of costumes in the fresco with literature research. The number of figures in the fresco is presumed as 26-27 in all but clearly observed figures is only five women and four men and partly damaged figures are two men and two women. Women are worn relatively long yoo that can cover hip as an upper garment and Sang(裳) as trousers. The upper garments are all adjusted to right and has Jikryoung gik (straight collars) but there are strip attached collars or double collars among the Jikryoung gik. The length of Sang reaches to ankle and a waistband is trailed to below the knees. Most of hair are combed in the two sides and made a ring, moreover worn ceremonial coronet, which imply the ceremonial parade. Distinguished from the frescos of Koguryo, there are no women wearing Po(袍) also Yoo with Dae(帶) and without were coexisted. The mens costume is mainly appeared in two types. One(元) is Danryoungpo, Po with round collar and wearing a lozenge shaped crest with a brim, the other is Jikryoung Po, Po with straight collar, and wearing Ballib(拔笠), the latter is a costume of two man presumed as envoys. In the case of Danryoungpo, its length reached to ankle that shows decorum and in Jikryoungpo its length is below the knees that seem to offer practicality for envoys to guide a long journey. Both man and women are in decent cloth with a crest, which simple costume for ordinary people as a Chaksoopo that has comfortable length for movement and narrow sleeves. Songeun Park Ik actively worked under regency of One dynasty that influence of Mongol is seen in mans crest. There are some changes but including womens costume most of cloth are followed Korean traditional costume style.