• 한국조명전기설비학회:학술대회논문집
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• 한국조명전기설비학회 2008년도 춘계학술대회 논문집
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• pp.85-88
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• 2008

The purpose of this study is to analyze daylight distribution and light characteristics on the Ma-ji and Roller Shade fabric, and to investigate a possibility of using it as a shading system. Using a 1/2 Mock-up model, daylight distribution is analyzed with the Ma-ji and Sun-ji (Korean traditional paper) which have good efficiency and less glare. Ma-ji has the best daylight distribution, so that daylight experiment is conducted with the Ma-ji and Roller Shade fabric. In current office buildings and apartment houses, daylight characteristics of Korean traditional paper windows could be used as preliminary data to develop a window system which makes better daylight performance.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.228-235
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• 2011

The 卍 shape which is used as an aesthetical feature for traditional architecture can be seen in the stair railings of the house shaped ceramic potteries in the Eastern Han dynasty(A.D. 25-220) but with the introduction of Buddhism, it has been widely used for the decoration of the sarira(small crystals of the cremated monks) case. After the shape was seen in the Yungang and Dunhwang grottoes mural paintings, the use of it has been expanded. In Korea during the excavation of the Gyeongju Anapji which was the Eastern palace of the Shilla dynasty, a 卍 shaped wood which had been used as a handrail was found and this shape was also used in the railings of the Shilsangsa Baekjangarn temple stone pagoda and lantern and in the sarira case excavated in the Songrimsa temple stone pagoda. In Japan, the Nara period(A.D. 710-794) when there were many cultural exchanges with the Korean peninsula, the handrails of the 2ndfloor of the main hall of Hoyu-ji temple has a 卍 shape. This can be confirmed that this shape has been widely used as a design in Asian Buddhist architecture. Gilsangoonhae(吉祥雲海) which is the symbolic meaning of this shape means for long life and luck which had been used generally for the window designs of temples, palaces, and houses. In this study, it is giving the definition the beginning and the symbolic meaning of the 卍 shape which is being used from the ancient times until nowadays and the change of this shape used for window designs.

• 조명전기설비학회논문지
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• 제22권2호
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• pp.26-34
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• 2008

본 논문에서는 전통한지의 주광유입 및 광특성 평가를 통해 차양장치로써의 가능성을 발견해 보고자 한다. 먼저 외암 민속마을의 건재고택을 실측하여 전통가옥에서의 한지창호의 주광성능을 분석하였다. 그리고 광박스를 제작해 전통한지와 Roller Shade 패브릭의 광성능을 실험 평가하였다. 그 결과 전통한지는 Roller Shade 패브릭에 비교하여 건축물의 환경 측면에서 직사일광의 유입을 차단하고 빛을 확산시켜 눈부심을 줄여주는 효용성을 가지고 있음을 알 수 있었다. 이에 본 연구는 현대 건축의 사무소나 공동주택에서 전통한지창호의 주광특성을 이용하여 주광성능을 극대화할 수 있는 창호시스템을 개발하기 위한 기초자료로 활용될 것이다.

• 한국경영과학회지
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• 제30권4호
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• pp.45-60
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• 2005

We consider a vehicle routing problem with time window and dock capacity constraints (VRPTD). In most traditional models of vehicle routing problems with time window (VRPTW), each customer must be assigned to only one vehicle route. However demand of a customer may exceed the capacity of one vehicle, hence at least two vehicles may need to visit the customer We assume that each customer has Its own dock capacity. Hence, the customer can be served by only a limited number of vehicles simultaneously. Given a depot, customers, their demands, their time windows and dock capacities, VRPTD is to get a set of feasible routes which pass the depot and some customers such that all demands of each customer are satisfied Since VRPTD is NP-hard, a meta-heuristic algorithm is developed. The algorithm consists of two Procedures : the route construction procedure and the route scheduling procedure. We tested the algorithm on a number of instances and computational results are reported.

• 가정과삶의질연구
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• 제18권2호
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• pp.191-202
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• 2000

The purpose of this study was to clarify the wall components of Sarang-taechong in the upper class houses of Chosun dynasty. Physical trace method was used for this study. The samples were taken from the Sarang-taechong of 6 traditional Korean houses; Yunkyungdang, the ancient Chusa estate, Sunkyojang, Chunghyodang, Yangjindant, Unjorn. The makor findings were summarized as follows; 1) The common components of each wall were pillars, sanginbangs(upper horizontal beams), hainbangs (lower horizontal beams), door and windows. Changbangs(wood eave pieces that suported decoration blocks), changyos(a pice of wood fitted between the tops of pillars and upper tori cross beams), and morums(the top wainscot board laid horizontally between the bottom beam and the bottom portion of a window frame) were additional. 2) The composition of every south wall was symmetrical and the other threes were mixed symmetrical and asymmetrical. 3) The image of wall was classified-fine, strong, and modera e, according to the symmetry or asymmetry of wall composition, the width of each components, the kind of window.

• 한국주거학회논문집
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• 제26권6호
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• pp.147-155
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• 2015

The purpose of this study is to understand the characteristic elements of interior space which effects the basic floor plan of traditional houses, in Huizhou, CHINA. The field study for the content analysis of a interior space of traditional houses were conducted from August 16 to 21, 2015, in Xidicun & Hongcun village. The major characteristics of 'tang' interior were as follows; Firstly, all of traditional houses in a skylight that front of 'tang'. Several types of floor plan were fixed by a combination of the space layout and numbers between 'tang' and skylights. Secondly, 'Tang' is from 3,250 to 6,000 mm in width, from 3,800 to 7,800 mm in depth. All skylights are more length than 'tang' in width. So all of spacious 'tang' were very bright without any lighting fixtutes. Thirdly, the patterns of woodcuts were the major settings of interior decorations. All of a window and door, capital has a detail woodcuts that are flowers, animals, plants, peoples, vases, and geometric patterns. In the last analysis, the traditional housing designs in Huizhoui old villages were planned for family that everlasting life, made a functional and rational decision.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.34-45
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• 2012

In these days, restaurants are not simply used as a physical space but used as a cultural space in which people can enjoy and experience different cultures and traditional images. Moreover, from the restaurants design elements which help to form the atmosphere of the restaurants which serve food of specific country, we can see the history and traditions of that country. The additional value of the traditional decorative components which are the main factors forming the atmosphere of the restaurant will be different according to the various expressions used in the restaurant space. For this article, 12 restaurants, Norangjugory korean restaurant, Yongsusan korean restaurant, Best well-bing food restaurant, Awoolim, Mugunhwa, Ondal in Korea, and Songhelou, South Beauty, Xuxian restaurant & lounge, Beijing dadong roast duck restaurant, The horizon chinese restaurant, Dynasty jade garden in China, were selected for the field study. This study focused on a comparative analysis of the traditional decorative elements, especially, the application rate of the traditional decorative elements. The analyzed elements are nature, religious beliefs, history and culture for the intangible elements and facade, courtyard, trademark, ground, wall, ceiling, door, window, furniture and adornment for the tangible elements. After that, we analyzed the rates of the use of traditional decorative elements and modern decorative elements. Through the survey result and ratio analysis, we concluded as below. In Korean restaurant, traditionality is expressed in furnitures while, in Chinese restaurant, traditionality is expressed in decorative pattern. When it comes to the intangible elements among the traditional decorative components of the Korean and Chinese restaurants, Chinese and Korean restaurants have similarities in emphasizing the natural elements. Korean restaurants focus much on the environmentally friendly parts, while Chinese restaurants focus much on the fantastic natural atmospheres like those shown and expressed in the poems. As for religion characteristics, Chinese restaurants emphasize "geomancy" more than Korean restaurant. When it comes to the visible elements among the traditional decorative components of the Korean and Chinese restaurants, in Korean restaurants, the interior part has more traditionality than exterior part, while in Chinese restaurants, the exterior part has more traditionality than the interior part.

• 한국신재생에너지학회:학술대회논문집
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• 한국신재생에너지학회 2007년도 춘계학술대회
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• pp.276-279
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• 2007

This study aims to present the application of pv system for apartment buildings. Regarding to the domestic housing politics to improve residing environment and effective use of country land, apartment buildings have been constructed since early of 1790's. Now apartment is taking over 50% out of entire housing in Korea. PV System of apartment buildings has been developed periodically and recently gable roof or canopy is popular which pv installation is more favorable. For balcony part with double skin facade sassy window, it has a preferable condition to install on the wall depending on the window direction. In case of superhigh floor apartment buildings where facade is mostly double skin facade of curtain wall system, pv module can replace the traditional curtain wall and will reduce architectural materials and obtain various out look design thereof. So, the purpose of this research is a basic study for clean energy source and present to applicability of pv systems for apartment buildings in preliminary design step.

• 건축역사연구
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• 제10권4호
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• pp.23-41
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• 2001

This paper aims at understanding the transformed characteristics of expressional system of Church architecture in Korean traditional style. Through the analysis of transformed forms and its meanings of those, this paper investigates the unique process of stylistic development of Korean traditional church architecture in early modern, 1900's. The method of this study is the analyse of them after the actual field surveys of Korean traditional churches, specially eclecticism churches as the HWSAN church and KUPODONG church, and the analysis of Semiology. Theory for Semantic Interpretation of artistic objects as an objects of art and architecture. Specially, the survey concentrates on the architectural elements(the form, the architectural structure, the material, the roof shape, the window, the door, the bell tower, the plan, etc) of eclecticism churches, especially those of HWASAN church and the analysis of semiology theory contains the research results which were studied by theorists as Charles Jencks, Umberto Eco and Juan Pablo Bonta. Acceding to analysis, Korean eclecticism churches have the unique transformation process and specific meaning of the spontaneous process of development. In the results of the semiological analysis of HWASAN church, it can be revealed clearly that transformed process of form리 characteristics of HWASAN church intented to formal originality of western Gothic church, but its form and meaning were based not on any simply imported western style but on existing system of Korean architecture.

• 한국산학기술학회논문지
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• 제10권10호
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• pp.3004-3010
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• 2009

현재 우리가 듣고 즐기는 대중음악의 거의 대부분은 외국의 팝음악에서 비롯된 것 들 있다. 따라서 역사가 짧을뿐더러 그 분야에 대한 연구도 거의 이루어지지 않았다. 특히 가수들의 창법 즉 호흡이나 발성과 관련된 부분은 국악의 창과 성악 발성의 중간에서 그 어느 부분에도 속하지 않는 어중간한 상태에 놓여 있었다. 팝음악이 국내에 들어오면서 우리와는 체격조건이 다른 그들의 노래를 부르기 위해 가수들은 부단히 애를 써야 했으며, 많은 시행착오를 겪었다. 때론 무리한 발성으로 인해 성대가 손상되는 경우도 비일비재 하였다. 가수 조용필은 자신의 한계를 극복하여 가창력을 최대화 시킬 수 있는 해법을 우리의 국악에서 찾았다. 그 대표적인곡이 바로 "창밖의 여자" 인데 이 노래는 조용필의 최고의 히트곡이자 가요발성에 있어 새로운 전환점을 만들어준 곡이다. 본 연구에서는 당시의 시대적, 음악적인 배경 등을 통해 가요계의 전반적인 상황이 어떠했는지를 파악하여 왜 그 노래가 당시엔 획기적인 창법이었는지 그 이유를 제시해 보고자 한다. 또한 "창밖의 여자" 의 곡의 흐름과 감정처리 방법, 테크닉 등을 분석해 봄으로써 호흡과 발성이 어떻게 이루어지고 표현되었는지를 연구해 보도록 하겠다.