• 복식
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• 제50권8호
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• pp.75-86
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• 2000

This paper examined the contemporary kasaya of each country in Asia, focussing on the Kasaya Kongyang ceremony and kasaya varieties. As well, the countries in Asia were divided into the southern Buddhist countries, northern Buddhist countries, and Tibetan buddhist countries, and were comparatively analyzed. 1. In terms of the Kasaya Kongyang ceremony, now days the southern Buddhist countries perform the Katina ceremony, passed down from the time of the Buddha. In the northern Buddhist countries, namely China, the kasaya is bestowed to the monk at the end of the precepts ceremony, while in Korea, the kasaya is bestowed to the monk at the end of the ceremony of "opening the eye" of an image. There is no Kasaya Kongyang ceremony in Japan and Tibetan Buddhist countries. 2. In terms of the varieties of kasaya, because the Katina ceremony is performed with 5 jo in southern Buddhist countries, their kasayas are made up of 5 jo, with the exception of Myanmar's sungari. In Taiwan and Korea, which are of the Zen order and part of the northern Buddhist countries, there are 5-25 jo. In Japan, which is of the Kyo, or doctrinal order, it is made up of 5-9 jo. The Tibetan Buddhist countries have only jo that are 7 and 23. In conclusion, when Buddhism was transmitted from the southern Buddhist countries to the northern Buddhist countries, we can see that the Kasaya Kongyang ceremony and the from of the kasaya itself changed from practical robes to majestic ones, in accord with the Mahayana doctrine of saving all sentient being. Therefore, the kasaya simbolizes the Buddhist philosophy that Mahayana claims the existence of many Buddhas at one and the same time.same time.

• 한국가정과학회지
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• 제3권1호
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• pp.1-14
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• 2000

This paper is on the Kasaya that reveals conspicuously the religious meaning among the Korean Buddhist costumes. The Kasaya has the most special meaning among Korean costume culture. It has the most important historical value, for Buddhism is the oldest religion that begins at 4th century A.D.. It has the most unordinary shape that we could not find any other costume culture. It has very important meaning to study on the Kasaya in the religious and cultural history of Korean costume. We have to study Korean Kasaya from surveying Indian Buddhist Kasaya diachronicaly. Buddha establishes himself the rules of weaving, coloring and wearing Kasaya. Bunso costume(분소의)is the first shape of Kasaya that he has worn during his ascetic practice. Bunso costume was a kind of shari. It is made with diapers those clean ordure of baby It symbolizes the life of ascetic practice. However Buddha could not stick to it as the only costume of monks. From his age Buddhist devotees have thought Buddha and monks as sacred beings. So they eagerly want to Provide the sacred beings with foods. clothes and other things that samgha(승가) need to live and accomplish their duties. At that time there are many kings, aristocracies and rich merchants among the devotees. They often offered them the luxurious silk Kasaya. that the ascetic monks could not wear. to express their deep faith. So the rules of the samgha has been distorted. The samgha has enlarged day by day as a great huge religious association. There are many different shapes of Kasaya. The Buddhist samgha need to establish a minute and rigid rules of Kasaya to order living of monks and to teach the moral and educational life to ordinary people. That book of rule is Vinaya pitaka(율장) . There are many kinds of Vinaya pitaka. This paper surveys the rules of Kasaya from Southern Vinaya pitaka(남전율장). This study will be the basic ground to research the Korean Buddhist Kasaya.

• 한국의류학회지
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• 제46권1호
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• pp.49-62
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• 2022

The embroidered Kasaya is the twenty-five column Kasaya of Triratna: Buddha, Dharma, and Sangha. Even though it is a representative artifact of embroidery, the method of manufacturing heavily depends on the collector's reports. This study focuses on the prayer's recorder: Gonmyeong Park, born in Muja, and Ven. Haebung, who acted as a historical investigator of embroidered Kasaya. The beginning of Haebung's public record was in 1815, and his entrance into nirvana in 1826. The birth year of prayer in Muja was 1768. Therefore, the embroidered Kasaya was manufactured at the end of the 18th century or the early 19th century. Haebung appears to have played a critical role in historical investigation, and consequently the 125 icons of Triratna are almost identical in three treasures: the Kasaya at Seonamsa Temple, the embroidered Kasaya, and the painting of the embroidered Kasaya at Cheongnyongsa Temple. The embroidered Kasaya was particularly affected by the religion of a thousand Buddhas and by Triratna in the late Joseon era. Unlike the Kasaya of a thousand Buddhas in the Ming and Qing Dynasties, the embroidered Kasaya shows the Triratna in detail, suggesting that the icons of Triratna were newly created.

• 복식
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• 제64권2호
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• pp.17-34
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• 2014

This is a theoretical and empirical study on Kasaya, the Buddhist monk's robe, which is one of the traditional Korean costumes that has kept it original form, as well as it being the most symbolic ritual costume in Buddhism. The purpose of the study is to see the different types of Kasaya, and the transitions it has gone through since Mid Joseon Dynasty. The analysis was performed after categorizing Kasaya in the following manner: layers, the way to wear, symbolism in construction, sewing, etc. Having a variety of Ilwolguangcheop(日月光貼) is a feature of Korean Red Kasaya. In the beginning, Its shape was very similar to shape of Hyungbae(胸背), and this was a royal gift and had the same meaning as an official uniform for a Buddhist monk. So designs of the Cheop(貼) could have been transformed from those of Hyungbae with a Buddhist twist. The conclusion of the study is as follows: Double layered Kasaya shows its transition from double layer to single layer. The fastening ornaments have been simplified in all materials from Yeongja(纓子). The latch type and three-paired Yeongja type transformed into hook type and one-paired Yeongja type. Color is the most common feature above all, and it is mainly in red. The form of Korean Kasaya has a significant relation with development of Buddhism. The integration of the Zen sect would have influenced the integration of Kasaya, which shows diversity throughout the period.

• 복식
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• 제61권3호
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• pp.122-138
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• 2011

The present research aims to consider the real remains of 2 suits of Kasaya owned by the Hwaeom Temple(華嚴寺) based on research results about Kasaya in the meanwhile. The present research on 2 suits of remains which are Royal gifts given to monk soldiers in case of a national crisis of the Joseon Dynasty has a big meaning in examining characteristics of Kasaya and grasping characteristics and structure of the 17th century's Kasaya of the Joseon Dynasty through dense survey and analysis according to components. If examining characteristics of Kasaya, the Kasaya of the Great Monk Seo San(西山) is composed on the basis of an initial form of Sun and Moon Light Patch's generation and the Kasaya of the Great Monk Byeok Am(碧巖) has a form that is separately attached through production of embroidery patch as a process of being settled down. If examining what surrounds gold thread in the girth and expression of Sumeru and Chaeunmun(彩雲紋), the composition of a form similar to an insignia badge, so because this is a Royal gift, this can be estimated as being analyzed in a Buddhism aspect by devising a design from the insignia badge at the time, with a meaning like an official uniform given to a monk. Although the insignia badge is a square, it seems that the Sun and Moon Light Patch is made as a rectangular form corresponding to the structure of Kasaya. In addition, it is thought that what the Samjoko(三足烏) idea which is a symbol of the Sun based on Buddhism and Taoism is used together with Yijoko(二足烏) even in expression of the Sun and Moon Light Patch in the Joseon Dynasty which was a Confucian country has a relationship with what a bird was expressed in the insignia badge of winged animals.

• 복식
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• 제46권
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• pp.17-30
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• 1999

The purpose of this study is to investigate the philosophy behind the Kasaya and its evolution through its clothing material colour structure and sewing. According to the study the results were as follows. 1. The philosophy behind the dressing of the Kasaya can be found in the Therefore wearing the Kasaya symbolizes the Buddhist philosophy of Jat'ailshisongbul ("Simultaneous attaining of Buddhahood for Everyone") 2. The material symbolizes endurance and contentiment by being satisfied with any kind of clothes may they be good or bad. The material of the kasaya comes to signify the harmony among the monk's community 3. The Kasaya uses peculiar colours and the prohibits the use of the five primary and seconary colous. This is to symbolize equality wherein there is no distinction between the noble and the mean. 4. The structure of the Kasaya according the takes the form of a field The Jo is cut lengthwise and divided in nine grades following the Mahayana tradition as written in the This idea reflects the philosophy of salvation of the Pure land thought. The Je has many Jang('long') and fex Dan('short') The meaning of this is that all living beings by self-cultivation can overcome the dirty law of the secular world and follow the way of the sage who have attained their Buddha nature. 5. With respect to the sewing after finishin the sewing the Jang and the Dan are combined together representing the interdependence between the holy person and the common person. Therefore the sewing ssymbolizes the interconnection among all living beings as it arise from the "conditional causation" law. As I have shown above the philosophy behind of the Kasaya developed and was enriched as it cross over China from India to the Original Buddhist thought with which was created in India was added the richness of the Mahayana buddhist thought. As I have shown above the philosophy behind of the Kasaya developed and was enriched as it cross over China from India to the Original Buddhist thought with which was created in India was added the richness of the Nahayana Buddhist thought with which was created in India was added the richness of the Mahayana buddhist thought. As a result the Dasaya came to signify the "field image". The field-image symbolized by the kasaya came to signify the "heart-field" of all living beings. The "heart-field" by its cultivation is field with blessings. Therefore from the sanghati the Nine Grade the evolution and changes in the designs of the kasaya through the different periods of history became clearly an expression how it is possible for anybody to attend the Buddha nature. This changes also show how the Buddhist precepts became reformed from the original Buddhism.ecepts became reformed from the original Buddhism.

• Journal of Chest Surgery
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• 제41권1호
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• pp.89-94
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• 2008

배경: 수부 다한증의 치료로 3번 늑골 위 교감신경 절제술이 널리 이용된다. 본 연구에서는 수부 다한증으로 3번 늑골 위 교감신경 절단술을 받은 환자들의 중장기 성적을 추적하여 환자의 만족도를 연구하고자 하였다. 대상 및 방법: 2001년 1월부터 2006년 12월까지 3번 늑골위 교감신경 절단술을 시행받은 환자 225명 중 의무기록 관찰과 전화 설문 조사가 가능한 환자 200명을 대상으로 하였다. 평균 추적기간은 51.7개월($11{\sim}80$개월)이었다. 수술 후 손에 땀이 나는 정도를 알기 위해 손이 너무 마른다(grade 1), 적당하다(grade 2), 땀이 나지만 술 전보다 감소했다(grade 3), 수술 전과 비슷하게 땀이 다시 난다(grade 4)로 나누어 조사하였다. 보상성 다한증의 발생과 일상생활에 불편이 있는지를 알아보기 위해 보상성 다한증이 없다(grade 0), 약간 있지만 생활에 불편은 없다(grade 1), 생활에 조금 불편을 느낀다(grade 2), 생활에 불편함이 크다(grade 3)로 나누어 조사하였다. 수술 후 만족도에 대해서는 매우 만족(very good), 만족(good), 보통(regular), 불만족(deficient)의 4가지로 나누어 조사하였다. 결과: 보상성 다한증이 발생한 군과 발생하지 않은 군 사이에 임상적 지표는 유의한 차이가 없었다. 보상성 다한증의 발생률은 83.5%였고 체간과 하지에 많은 분포를 보였다. 보상성 다한증의 정도는 환자의 body mass index와 유의한 관련이 있었고 계절과 주위 온도에 영향을 받으며 정신적 긴장이 보상성 다한증을 악화시키는 것으로 밝혀졌다. 결론: 수술 결과에 대한 만족도는 61.5%로 기대 이하의 만족도를 나타내었다. 술 후 만족도는 보상성 다한증의 발생과 정도에 밀접한 관계가 있는 것으로 나타나 보상성 다한증을 줄이는 것이 환자의 만족도를 높이는 방법이라 생각된다.표준 어음청력검사표의 완성등 적절한 조치가 이루어져야할 것으로 촉구되었다.사항의 응답재료를 검토한 바 있기에 보고하는 바이다.시도는 우리나라 광양만 내에 존재하는 해양 바이러스의 생태적 분포 연구를 다루는 첫 번째 실험으로 사료된다.탄산염암 지역은 Ca-$HCO_3$형, 혼펠스 지역은 Na-K형과 $CO_3+HCO_3$형이 우세한 것으로 나타났다. 본 연구를 통해 달천 폐광산 지역의 광미적재지에서 $Ca^{2+},\;Mg^{2+}$ 및 $SO_4^{2-}$ 성분이 지하수에 다량 용해되어 지하수의 주 흐름 방향에 위치한 기반암 지하수에 유입되었음을 알 수 있었다.tic monks could not wear. to express their deep faith. So the rules of the samgha has been distorted. The samgha has enlarged day by day as a great huge religious association. There are many different shapes of Kasaya. The Buddhist samgha need to establish a minute and rigid rules of Kasaya to order living of monks and to teach the moral and educational life to ordinary people. That book of rule is Vinaya pitaka(율장) . There are many kinds of Vinaya pitaka. This paper surveys the rules of Kasaya from Southern Vinaya pitaka(남전율장). This study will be the basic ground to research the Korean Buddhist

• 산학경영연구
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• 제13권
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• pp.133-157
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• 2000

본 논문에서는 고객의 매매주문을 전달하는 위탁거래와 자기상품거래를 동시에 실행하는 이중 거래행위가 가능한 브로커(broker)가 시장참가자로 존재하고, 또한 정보거래자(informed trader)는 자신의 정보를 과신하는(overconfident) 특성을 갖는 것으로 가정한 새로운 전략적 정보거래모형을 설정하고, 그 모형 안에서 거래량, 거래이익 및 가격의 변화를 살펴보았다. 매우 간단한 2 기간 모형에서 시점 1에서는 내부정보를 소지한 정보거래자는 자신의 정보를 실제보다 더 정확한 것으로 과신하고 유동성거래자와 거래를 한다. 이 때에 브로커는 고객주문의 위탁거래만을 수행한다. 시점 2에서는 브로커가 지난 시점(시점 1)의 정보거래자의 거래를 파악한 후 유동성거래자와 자기 자신의 주문거래를 수행하게 된다. 각 시점에서 시장조성자는 정보의 정확한 분포를 인식한다고 가정하였다. 본 논문의 주요한 결론은 다음과 같다. 첫째, 정보거래자의 과신정도가 너무 심하지 않거나, 아니면 정보가 어느 정도 정확하다는 전제 하에서 각 시점에서 선형의 균형을 유도하였다. 둘째, 정보거래자의 과신행동이 모형의 거래량과, 거래이익 및 가격에 미치는 영향은 다음과 같이 요약할 수 있다. 1) 정보거래자의 과신행동은 자기 자신의 기대 거래량을 증가시킨다. 또 그 과신행동의 정도가 매우 심하지만 않다면, 브로커의 기대거래량 또한 증가시키게 된다. 종합적으로 정보거래자의 과신행동은 거래량을 증가시키게 된다. 2) 정보거래자의 과신정도가 증가할수록 그의 기대이익과 브로커의 기대이익은 감소하게 된다. 3) 정보거래자의 과신정도가 심해질수록 각 시점에서 가격의 분산은 증가하게 된다. 그러나 정보거래자의 과신정도가 심해질수록 각 시점에서 가격의 정보반영성은 증가하게 된다. 마지막으로 본 논문의 한계 및 앞으로의 연구방향을 언급하였다.2002년 4월에 최대치에 도달했다. 전체 숙주와 바이러스 밀도로 볼 때, 그들의 먹이사슬은 바이러스에 의한 사멸에 의해서 평형 상태로 유지되고, 바이러스의 밀도 또한 평형 상태를 유지하는 것으로 보였다. 이러한 시도는 우리나라 광양만 내에 존재하는 해양 바이러스의 생태적 분포 연구를 다루는 첫 번째 실험으로 사료된다.탄산염암 지역은 Ca-$HCO_3$형, 혼펠스 지역은 Na-K형과 $CO_3+HCO_3$형이 우세한 것으로 나타났다. 본 연구를 통해 달천 폐광산 지역의 광미적재지에서 $Ca^{2+},\;Mg^{2+}$ 및 $SO_4^{2-}$ 성분이 지하수에 다량 용해되어 지하수의 주 흐름 방향에 위치한 기반암 지하수에 유입되었음을 알 수 있었다.tic monks could not wear. to express their deep faith. So the rules of the samgha has been distorted. The samgha has enlarged day by day as a great huge religious association. There are many different shapes of Kasaya. The Buddhist samgha need to establish a minute and rigid rules of Kasaya to order living of monks and to teach the moral and educational life to ordinary people. That book of rule is Vinaya pitaka(율장) . There are many kinds of Vinaya pitaka. This paper surveys the rules of Kasaya from

• 보존과학회지
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• 제33권6호
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• pp.443-456
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• 2017

사명대사의 금란가사와 장삼은 역사적 인물의 유품이자 조선시대 불교 복식으로 1973년에 국가민속문화재 제29호로 지정되었다. 1984년 세척과 형태 유지를 위한 보존처리를 거쳐 표충사호국박물관에 보관되다가, 2013년 문화재청에서 실시한 정기조사 결과 재처리 필요성이 제기되었다. 금란가사는 본래 25조인데 두 조각으로 분리된 상태로 결실된 부분이 많고, 장삼 또한 깃의 일부가 남아있지 않아 원형 복원이 필요했다. 재처리 과정은 처리 전 조사, 세척, 보강직물 염색, 보강 및 복원, 훈증소독의 과정으로 진행되었다. 특히 새로운 보존처리 재료와 방법을 적용하여 손상되거나 결실된 부분을 보강, 복원하여 원형을 최대한 회복시키고자 하였다. 이번 보존처리는 보존처리의 가역성이라는 기본 원칙 하에 노후화된 보강 재료를 교체하고 발전된 방법을 적용한 직물 문화재의 재처리 사례에 대한 연구결과이다.

• 한국습지학회지
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• 제22권3호
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• pp.217-224
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• 2020

Waterlogging and unintended lake formation become the main problem in some parts of the world. Starting from 1989, the waterlogging problem was observed in the farmland of the Jarso community of Konso Woreda adjacent to the Segen River in Ethiopia. Therefore, the objectives are determining the extent and causes of unintended lake formation using GIS/RS in addition to a preliminary field survey to mitigate the problem. The analysis of satellite images revealed that over the years invasion of the irrigable land by unwanted water had increased, as, in 1989, the size of the wetland area was about 8 Km²; in 2000 the size of the un-intended lake was only 8.23 ㎢. Alarmingly the size of the lake increased to 19.68 Km² in 2014. Silting up of Weir and changing the flow of River Segen and Human Intervention and changing the natural flow of River Yanda were the main causes of this unwanted prolonged water-logging. The ecological and social environment has been degrading as the people of the waterlogged area have been experiencing some settlement and losing their land. Another problem encountered was flooding from River Barka and invasion of the farmland. Sediment control best management practices (BMPs) i.e, Removal of sediment, providing sandbags and well-scheduled maintenance; Changing the junction point of Yanda and Segen River were suggested for the long-term and short term possible remedial measures. Gabion retaining wall on the bank of the Segen River to the face of Barka River was suggested to protect the farmland from flooding.