• 제목/요약/키워드: Japanese pattern

검색결과 274건 처리시간 0.021초

인천시 석남동 출토 직물에 관한 연구 (Characteristics of the Excavated Fabrics from unknown Woman's Tomb, Incheon)

  • 조효숙;배순화
    • 복식
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    • 제57권10호
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    • pp.24-34
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    • 2007
  • The purpose of this study is to examine the pieces of 100 fabrics excavated from unknown woman's tomb Incheon, by analyzing woven methods, names of the fabrics, the kinds and the shapes of the patterns. The characteristics to assume the period of the fabrics are as follows. The geumsundan which was woven peacock insignia at chest and back area was excavated for the first time from the tomb of Joseon. Peacock insignia woven with satin weave using supplementary golden wefts, wrapped gold thread. These kind of fabrics were usually imported in the $15^{th}$ century, according to the old documents, 'Nogeoldae' 'Joseonwangjosilrok' written at the end of Goryeo or early in Joseon. Thus, these relics are from about $15^{th}$ century. From this tomb, the mixture fabric of cotton and ramie are excavated. According to another excavated cases, the mixture fabric of cotton and ramie appears from the period before the Japanese Invasion of Korea in 1592, and after the invasion, there are usually mixture fabric of cotton and silk. This also tells that these fabrics show the characteristics of those from the early period of Joseon Dynasty. The rounded patterns of Jangot is only shown from the fabrics of late Goryeo Dynasty, and the cloud pattern of an upper garment with a squared neckline is shown from the early Joseon Dynasty. So, the patterns from these excavated costumes are ranged from the late Goryeo Dynasty to the early Joseon Dynasty. To assume the period through the overall study above, these relics show the characteristics of the $15^{th}$ century fabric.

문화적 특성에 따른 여행특성과 생태관광선호 차이 : 제주를 방문한 한국, 영어권, 일어권, 중어권 관광객간 비교 (Differences in Tour Characteristics and Ecotourism Preferences by Cross-cultural Traits : A Comparison of Korean, English, Japanese, and Chinese Speaking Tourists visited Jeju Island)

  • 강미희;박찬우;이영주;김성일
    • 한국산림과학회지
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    • 제97권3호
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    • pp.316-325
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    • 2008
  • 본 연구는 제주도를 방문하는 우리나라 관광객과 외래관광객의 사회경제적 특성과 여행특성 그리고 생태관광 시설과 프로그램에 대한 선호도 등을 비교조사함으로써 문화적 배경에 따른 차별적 관광특성을 밝혀내고 이를 통해 제주시험림 및 제주 전체 지역에서의 효과적인 생태관광 개발을 위한 기초자료를 제공하고자 수행되었다. 2006년 7월에 제주도를 방문한 국내외 관광객을 대상으로 설문조사를 실시하여 총 555부의 유효설문자료를 확보하였다. 분석결과, 제주도를 방문한 우리나라 관광객과 외래관광객 간에는 서로 다른 사회경제적 특성과 여행특성을 보일 뿐만 아니라 생태관광 프로그램과 시설에 대한 선호에서도 차이를 나타냈다. 이때 외래관광객 내에서도 언어권별로 서로 다른 특성을 보였다. 우리나라 관광객과 외래관광객간의 서로 다른 차별적 특성과 언어권별 서로 다른 관광객의 이러한 특성은 이들을 위해 계획하는 관광 코스의 설정에 반영되어야 하며 이를 통해 생태관광을 포함한 만족스러운 제주관광 경험을 제공할 수 있을 것이다.

서봉총(瑞鳳塚)·식리총(飾履塚)·금령총(金鈴塚) 출토 행엽(杏葉)의 제작기법 연구 (A Study on the Manufacturing Technique of Horse Strap Pendants excavated from Seobongchong, Sikrichong and Geumryeongchog)

  • 손은아;권희홍;박학수
    • 박물관보존과학
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    • 제12권
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    • pp.35-45
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    • 2011
  • 국립중앙박물관에서는 일제 강점기에 발굴된 미정리유물 정리사업의 일환으로 서봉총(瑞鳳塚), 식리총(飾履塚), 금령총(金鈴塚) 출토 행엽(杏葉) 중 일부를 선별하여 보존처리 및 제작기법을 연구하였다. 선별된 행엽은 편원어미형(扁圓魚尾形), 심엽형(心葉形), 이형(異形)으로 구분할 수 있으며 실체현미경관찰 및 XRF, SEM-EDS 분석결과 지판(地板)의 재질은 철(Fe)이며, 상판(上板) 및 문양판의 재질은 철(Fe), 구리(Cu), 은(Ag)이 각각 확인되었다. 편원어미형과 십자문심엽형행엽의 경우 세 분묘 모두 제작기법과 크기가 동일한 행엽이 각각 철(Fe)과 구리(Cu)로 제작된 것이 특징이다. 도금층이 존재하지 않는 이형행엽을 제외한 나머지 행엽의 도금층은 수은아말감도금이었다.

THE EFFECT OF MECHANICAL PROCESSING OF HAY ON THE EATING AND RUMINATION BEHAVIOUR IN SHEEP

  • Fujihara, T.;Harumoto, T.
    • Asian-Australasian Journal of Animal Sciences
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    • 제4권1호
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    • pp.7-14
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    • 1991
  • An experiment was carried out to investigate the effect of change in length of hay offered on eating and rumination behaviour in sheep using three types of hay diets (L: long, M: 8.0-cm cut, S: 1.2-cm cut) and 3 Japanese Corriedale wethers, and the experiment was designed as $3{\times}3$ latine square. The time spent eating per 100 g hay was significantly shorter with long (L) hay (p < 0.05) than with chopped (M and S) hay, and therefore, the eating rate (g D.M./min.) was significantly higher in the former (p < 0.05) than in the latter. Rumination appearance (the lag time after eating) tended to be longer with long hay than with chopped hay, but not significantly (p > 0.05). Daily time spent ruminating, the actual chewing time and daily number of chews tended to be more in feeding long hay than in feeding chopped hay, but not significantly. Daily number of rumination periods was significantly more with long hay (p < 0.01) than with chopped hay. Cyclic rate tended to be longer with long hay than with chopped hay, in particular, the difference in values between long hay and 8.0-cm cut hay was significant statistically (p < 0.01). The rumination index (time spent ruminating/100 g D.M, eaten) tended to be higher with long hay than with chopped hay, and the difference in values between long hay and 1.2-cm cut hay was significant statistically (p < 0.05). Bolus time was significantly longer with long hay (p < 0.01) than that with 8.0-cm cut hay. The circadian pattern of ruminating time was not changed by the changes in length of hay eaten.

Genetic Reassortment of Rice stripe virus RNA Segments Detected by RT-PCR Restriction Enzyme Analysis-based Method

  • Jonson, Miranda Gilda;Lian, Sen;Choi, Hong-Soo;Lee, Gwan-Seok;Kim, Chang-Suk;Kim, Kook-Hyung
    • The Plant Pathology Journal
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    • 제27권2호
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    • pp.148-155
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    • 2011
  • Our previous sequence and phylogenetic analyses of the Korean Rice stripe virus (RSV) suggested possible genetic reassortment of RNA segments, but whether this RNA variation contributed to the recent RSV outbreaks in Korea is yet unclear. To further clarify these RSV-RNA segment variations, we developed a reverse transcription-polymerase reaction/restriction enzyme (RT-PCR/RE) analysis-based method. We identified five REs, including DraI, EcoR1, NdeI/AseI, and SpeI, that could differentiate RSV RNA 1-4 subtypes, respectively. Our RT-PCR/RE results provided a clear pattern of RNA reassortment, i.e., different groups of isolates having their RNA segments derived from two to three different RSV ancestors, such as from Eastern and Southwestern Chinese or Japanese M and T isolates. We also found that the migratory small brown planthopper from Eastern China caught by aerial net traps that possesses RSV-RNA3 genotypes corresponds mainly to Eastern China, with a few for Southwestern China based on RT-PCR/RE, sequence and phylogenetic analyses, indicating that RSV populations in Eastern China may also have strong RNA variation. The development of an RE analysisbased method proved a useful epidemiological tool for rapid genotyping and identification of mixed infections by RSV strain and by different subtype.

뉴 패러다임을 통해 나타난 현대 패션 동양적 이미지 연구 (A Study on Oriental Images of Modern Fashion in the New Paradigm)

  • 고명신;채금석
    • 한국의류학회지
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    • 제32권5호
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    • pp.704-716
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    • 2008
  • This study aims to explore the creation of fashion design that embraces the diversity of human culture by examining oriental images that appear in the modern fashion with a focus on new paradigms that significantly affect human life as the latest trends, and by reflecting the trends of the times. The results of this study are as follows: First, this study examined that with regard to paradigm, a theoretical frame to view universe, the dichotomous, determinist, mechanism, linear paradigm collapsed to convert to undetermined, exoteric, pluralistic, indeterministic, organic, and holistic paradigm. The new paradigm is identified to have emerged before and after 1950s, and through the new paradigm, the characteristics of postmodernism such as historicality, popularity, locality, folkways and the characteristics of deconstructionism, internally mutual text, post phenomenon, undeterminability and externally exposure, destruction, poverty, decomposition and analysis, were identified. Second, the Orient is defined as the generic term referring to the entire Asian areas east of Turkey. Through the developmental process of oriental images, it was converted from the Oriental image, which mysteriously and romantically represents oriental elements, into the ethnic image that represents long time oriental traditions and indigenous culture together with the characteristics of the new paradigm. Third, the artistic characteristics of the Oriental costumes presented by Korea, China and Japan are expressed in developmental types, T-type plane structure, layered style, asymmetrical adjustment and easy silhouette, and they show indigenous characteristics of each country, for example, Chinese styles in dragon pattern, red and yellow, Japanese styles in flower design and achromatic color. Fourth, the Oriental Image, combined with the postmodernism and deconstructionism through the new paradigm, has two: one Oriental image highlights traditional elements by creating new Oriental image such as natural image, folk image, hybrid image and deconstruction image; and another is undetermined and vague by combining or decomposing Oriental or Western elements. It is expected that fashion designs that reflect these contexts of the times will contribute to the strengthening of international competitiveness.

현대 패션에 나타난 민속풍(Ethnic look)에 관한 연구 (A Study on Ethnic look Expressed in Modern Fashion)

  • 정연자
    • 대한가정학회지
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    • 제31권4호
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    • pp.215-229
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    • 1993
  • As a result of making an inquiry into the ethnic look of each region appearing in present-day fashion by Asia. America and Oceania. Africa and Europe as mentioned above, its characteristics could be summarized as follows: Firstly the Asian ethnic look consists of Indian, Chinese and Japanese looks as mainstream. In terms of form, the draped form constituted its mainstream, and both the draped form and the tunic form are appearing Simultaneously in the Chinese look. And in respect to color the Indian look is using luxurious primary colors red, blue, yellow and green and other regions are making overall use of natural colors. With respect to ornament various kinds of ornaments is utilized in Indian's Sari and turban. Chines's Coolie hat, straw hat and embroidery, knotted button, and bead ornament, and Japan's Obi and Obijime, etc. Secondly in America and Oceania, costurme representing the Indian look in North America and the picture of Western pioneer, and the Peruvian, Mexican and chilean ethnic looks in South America were expressing much. Here, the form consistied a draped form as its main strem, such colors as yellow, purple, grey, etc were much utilized, and the material of costume comprised knits, cotton and the like. And the ornament consisted of hats, tassel ornaments, bead ornaments, metal chain belt, long braided hair, etc. Thirdly, the African ethnic look had an exposing form and a draped form, and such colors as black, white, yellow, brown, etc were used as the fashion color. Ornaments such as precious stone, bead ornaments, animal bones, straw metal ornament, etc were used as fashion decorations. Fourthly, Russia's Cossack look, Bulgaria's Bavshika look, spain's ethnic look cane to the fore as the European look Both the draped form and the tunic form were used simultaneously as fashion form. And grey, brown, purple, etc were much used as fashion color in the European look. Such ornaments as Cossack. Bavshka, boots, tassel ornaments were much used and paisley pattern also was used.

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근대 여자한복 유물의 문양연구 (A Study of Patterns of Women's Jackets (Jeogori) in Modern Korea)

  • 안현주;조우현
    • 복식
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    • 제60권10호
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    • pp.100-117
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    • 2010
  • This thesis has three main purposes: first, will show kinds, patterns, types, expression techniques of modern korean women's trimmings by every ten years. Second, it is to trace the effect of each decade on women's Hanbok trimming designs. Third, it will point out factors. that caused the change of modern Korean women's Hanbok trimming design patterns. Henceforth, there comes the result of the research and analysis. Trimming design patterns of modern women's Hanbok can be divided into three categories temporally: The first period of from 1910s to the first half of 1950s saw that design patterns did not changed much from traditional ones. It is because there were many catastrophes such as the invasion of Japanese Empire and Korean War. The compound design had expressed people's wish to earn many sons and babies at the end of Joseon Dynasty. But it turned to wishing luck for individuals affected by individualism and liberalism imported from the west. Realistic designs are the most frequently used and the least lines made up patterns. The second period of from the latter half of 1950s to 1970s saw that women wore their Jeogories and Chimas as suits. Screen printing technique enabled for various design patterns to come out. And the development of textile industry introduced various expression techniques such as making lace, meshing, flocking, burn-out etc cetera. The third period of 1980s saw that Hanbok became a kind of luxurious clothe as people's living standard rose. Hanbok again came into the spotlight, Hanbok designers came forward and their individualities are respected. The characteristic expression technique of grey-dying and geometric design patterns are more frequently used for the simple and modern beauty.

정적해석에 의한 학교 체육관의 내진 성능 평가 (Seismic Performance Evaluation of a School Gymnasium Using Static Anlysis)

  • Morooka, Shigehiro;Tsuda, Seita;Ohsaki, Makoto
    • 한국공간구조학회논문집
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    • 제9권4호
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    • pp.49-59
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    • 2009
  • 학교체육관과 같은 소규모 공간구조물의 지진응답은 본래 지진동에 대한 동적응답을 시각이력해석에 의해 검증해야 하지만 통상은 정적해석에 의해 평가하고 있다. 본 연구에서는 학교 체육관의 내진성능평가를 가능하게 하는 정적해석의 진행수순을 나타내기로 한다. 지진하중은 2개의 성능 레벨 즉, 일본의 건축기준법에 정의되어 있는 레벨 1과 2에 대응하는 등가인 정적하중으로 근사한다. 또한, 재하 패턴으로서 고유모드형을 사용하는 것에 대한 중요성을 논의하고, 정적해석의 간단한 순서에 의해 최대연직방향가속도를 평가할수 있는 것을 나타낸다. 아울러, 레벨 2의 입력에 의한 정적해석은 동적해석으로 얻어진 응답치를 과소평가하지만, 일본의 중층구조에 사용되는 "극한내력계산법"에 근사한 등가선형차 기법에 의해 레벨 2의 입력에 대한 탄소성응답이 가능하다는 것을 나타내고자 한다.

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중국 신진 패션 디자이너의 작품에 나타난하이브리드 특성 연구 (A Study on Hybrid Characteristics in the Work of Chinese Rising Fashion Designers)

  • 빈삼;염혜정
    • 패션비즈니스
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    • 제24권1호
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    • pp.1-14
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    • 2020
  • Based on the trend of pluralization and globalization the collapse of national borders now is a manifestation of mixed and compromised cultures and societies. It is also emerging as a hybrid fashion in fashion. Hybrid fashion means creating a new image by mixing various cultures beyond the time and space. This study aims to analyze the current state of Chinese fashion design and present its direction by grasping the characteristics of hybrids in the works of rising Chinese fashion designers in the era of pluralization. The research method was literature review and empirical research. According to the selection criteria of new fashion designers, 6 new fashion designers of 5 fashion brands were selected and their total 458 points works were analyzed. The analysis results are as follows. First, most of the time trade-offs were 'past and present' trade-offs that express Chinese traditional culture and the image of the past with modern design. The trade-offs between 'present and future' is expressed by mixing print patterns, colors and light with fractal art. Second, spatial trade-offs was expressed in the way of expressing Chinese themes in the composition of western clothing, expressing the Western themes in oriental colors, and inspired by Japanese culture expressed by deconstructionism, Third, the gender mix mainly used dark embroidery on women's clothing, while the men's wear showed a delicate feminine charm with a surreal pattern on thin and transparent gauze fabric.