• 한국의상디자인학회지
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• 제12권1호
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• pp.89-101
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• 2010

The purpose of this study was to investigate the fashion item of the symbolic fashion icons in the 20th century. The symbolism of fashion icons was grouped into four classes according to the influence of a social-cultural change. 1. Icons between dream and reality: A dreary emotion that was caused by material richness has a longing for an ideal image. A typical style was Art Nouveau style, which pressed into a grotesque S-bend. While as the world placed on a economic reconstruction after World War I, rational fashion icon which pursued more function and simplify than cumbersome style and complexity came out. 2. Icons between solid and liquid: A solid icons was connected with a mode of female body during World War 1. This extremely stylized female figure. Flowing fabrics enveloped the stylized female figure and they brought a liquid icons into relief. 3. Icons between uniformity and variety: At a time when uniformity was appeared strongly within 20th century is during World War II and about 1940-1950. The uniformal icon was classified into uniformity by uniform and by mass production. A repugnance for the uniformity and imitation of fashion was tried a new fashion style. It could be called with the various of fashion icon. 4. Icons between social secession and rediscovery: In 1950-1960, 1970-1990, and the end of 20th century, the advent of the young culture was born a consumer who newly breaks in fashion. It could be included within the domain of social secession icon. While the rediscovery of fashion icon was associated with experimental new fibers, leotard, suitable replacement for wool or acrylic knit, silk that could stretch in any direction, new fabrics that were transparent, took color beautifully, and could be painted, tie-dyed, or embroidered.

• 복식
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• 제56권7호
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• pp.58-67
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• 2006

This study of popular culture is in based on an academic point of view and based thereon an investigation of popular culture from a fashion standpoint follows. This study is to suggest that the popular culture theory can be a basic framework to examine the characteristics of fashion Icon and to verify that the characteristics of Fashion Icon is similar to the codes of the popular culture of today, This study considers the characteristics of popular culture as commercialism, mass-media relationship and a symbolic interaction. The images of movie stars projected through diverse entertainment media are the very fashion icons and strong role models that are copied by consumers. Now, the public take the lead in cultural industry, and they create new images as positive receivers of the images of fashion icons, not as mere imitators or followers. Fashion irons have contributed to diversifying the styles of ideal feminine beauty, and their lift pattern and image are one of the major sources to stir up the imagination and inspiration of people. Thus, the times, fashion and entertainment media have continued to evolve, closely affecting one another, and fashion icons play a role of fashion leader, through entertainment media, who takes the initiative in mass fashion without just being confined to the field of entertainment. This study meaningful from the aspect that discussion of popular culture has been placed in a position that recognizes the entity of and interest in popular culture. through this study, I hope that the scope of interest in Fashion design will expand and that approaches to popular culture will become more diversified.

• 패션비즈니스
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• 제24권3호
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• pp.101-113
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• 2020

This study considers aesthetic characteristics by examining the fashion style of the silver fashion icon Iris Apfel. The research methods were a quantitative and qualitative analysis of Iris Apfel's images that were collected from 2015 to 2019 on various web-sites according to four criterions following advanced research analysis of fashion style. The results of the study are as follows. The analysis results on the fashion style of Iris Apfel, an icon of silver style, showed that cocoon, barrel and A-line silhouettes appeared most in terms of silhouettes. Second, in terms of colors, achromatic colors dominated among solid colors while one particular vivid color appeared most it came to mixed color. In terms of multi colors, these appeared according to the patterns applied to her clothing, in particular, colorful colors were used to emphasize splendor. Third, flower, bird and geometric patterns appeared most in terms of material patterns. Lastly, it was found that white short cut hair, large necklaces or bangle bracelets, over-sized black glasses and fur mufflers or canes were used in terms of hair and accessories. The features derived through analysis of the fashion style of Iris Apfel, an icon of silver style, are as follows. The first feature is exaggeration through splendid primary colors and over-sized silhouettes. The second feature is the hybrid of modern composition methods using natural images and exotic preferences. The third feature is her representation of identity using fixed items.

• 디자인학연구
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• 제16권3호
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• pp.143-150
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• 2003

방향이나 목적, 기준 따위를 나타내는 표지의 역할로 웹 사이트에서 활용되는 아이콘은 사용자가 정보 분류에 따른 정보, 이른바 콘텐츠를 찾는데 가장 중요한 수단이 되고 있다. 사용자는 아이콘의 시각화가 콘텐츠의 내용을 정확히 담고 있을 때 인터넷 사용의 만족을 얻게 된다. 따라서 보다 사용자가 원하는 콘텐츠를 찾는데 있어서 빠르고 편리한 기능을 수행하게 되는 아이콘의 시각화는 그 중요성이 매우 높다. 이에 본 논문은 웹 사이트에서 공통의 콘텐츠를 지칭하고 있는 아이콘의 표현방식을 조사하여 무형의 콘텐츠와 유형의 콘텐츠로 나누고 그 사례를 기호적 입장에서 분석, 유형별로 가장 적합한 시각화의 방법을 제시하였다

• 한국컴퓨터산업학회논문지
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• 제2권12호
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• pp.1523-1532
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• 2001

탑헤드 모니터는 모니터 위의 상단부에 6.4인치 정도의 보조 모니터를 추가로 탑재한 두 화면 모니터이다. 이 시스템의 특징은 아래의 화면은 종전의 화면 기능을 그대로 수행하고 상단 부위의 보조화면은 인터넷 전용광고 및 컨텐츠 제공을 할 수 있는 배너 광고, 동영상 화면, 메일관리 아이콘, 웹폰 아이콘, 단축 아이콘 등이 배치되었고 이를 클릭 하면 아래의 모니터 화면과 연동하여 동작할 수 있다는 점이며 두 개의 모니터 화면은 종전의 방법 그대로 마우스와 키보드를 사용하여 제어할 수 있다.

• 한국정보통신학회논문지
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• 제5권7호
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• pp.1195-1203
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• 2001

탑헤드 모니터는 모니터 위의 상단부에 6.4인치 정도의 보조 모니터를 추가로 탑재한 두 화면 모니터이다. 이 시스템의 특징은 아래의 화면은 종전의 화면 기능을 그대로 수행하고 상단 부위의 보조화면은 인터넷 전용광고 및 컨텐츠 제공을 할 수 있는 배너 광고, 동영상 화면, 메일관리 아이콘, 웹폰 아이콘, 단축 아이콘 등이 배치되었고 이를 클릭 하면 아래의 모니터 화면과 연동하여 동작할 수 있다는 점이며 두 개의 모니터 화면은 종전의 방법 그대로 마우스와 키보드를 사용하여 제어할 수 있다.

• 대한안전경영과학회지
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• 제11권3호
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• pp.87-94
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• 2009

Today's driver information system often features a rotary control type as a main controller for menu navigation. Population stereotype should be clearly understood in designing those systems to minimize the misunderstanding by the operator. This paper investigates stereotypes for rotary controlled menu interfaces and influences of contributing principles. A human factors experiment was conducted using various configurations of control-display layouts, cursor shapes/positions, and movement directions. The results showed that the control should be on the left of the display, with a rightward icon on the right side of the cursor, in order to match the stereotype. Regression analysis indicated that Warrick's principle was the most influential principle, followed by Icon shape, Icon position, Clockwise away, and Clockwise up principles. This study provides valuable information to designers of menu-based systems such as driver information systems and main control rooms that uses rotary controls.

• 대한소아치과학회지
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• 제45권2호
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• pp.137-143
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• 2018

본 실험의 목적은 초기 우식 부위에 레진 침투법과 불소 적용 후 탈회 저항성을 비교하기 위함이다. 인공 우식을 유발한 시편을 대조군, 1.23% 산성불화인산염(Acidulated phosphate fluoride(APF))군, 레진 침투군으로 분류하고 각 재료를 적용 후 재탈회시켰다. 이후 공초점 레이저 현미경(Confocal Laser Scanning Microscope(CLSM))을 이용하여 탈회 깊이를 측정하였고 주사전자현미경(SEM)을 이용하여 법랑질 표면 거칠기를 관찰하였다. CLSM을 이용하여 탈회 깊이를 측정하였을 때 대조군, 1.23% 산성불화인산염군, $Icon^{(R)}$ caries infiltrant군 순으로 감소하였다. 탈회 깊이는 1.23% 산성불화인산염군, $Icon^{(R)}$ caries infiltrant군이 대조군에 비해서는 유의성 있는 차이를 보이지만 두 군 간의 차이가 없었다(p < 0.05). 표면거칠기는 대조군에서 매우 거칠고 표면이 불규칙한 양상을 보였고 1.23% 산성불화인산염군, $Icon^{(R)}$ caries infiltrant 군으로 갈수록 표면 거칠기와 불규칙성은 감소하였다.

• 한국한의학연구원논문집
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• 제1권1호
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• pp.461-470
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• 1995

It has been known many pretreatment methods of Pinellia ternata. In this study, we chose one of them, ${\lceil}$Gang-Banha${\rfloor}$ and compared the process step by step in terms of taste an icon of Pinellia ternata. Identification of the major components and understanding the mechanism of pretreatments should be studied near future.

• 해양환경안전학회:학술대회논문집
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• 해양환경안전학회 2018년도 공동국제학술발표회
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• pp.66-66
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• 2018