• 사물인터넷융복합논문지
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• 제10권3호
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• pp.35-48
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• 2024

사물 인터넷(IoT) 환경은 지속가능한 제품의 제조 및 운용, 그리고 IoT 기술을 활용한 제품 생애주기 관리를 통해 재활용 단계에서 환경적 피해 영향을 줄이고 자원을 효율적으로 활용하는 데 도움을 줄 수 있다. 이러한 사회환경을 기반으로 본 연구에서는 기존 연구문헌을 통해 환경보호적 가치, 경제적 가치, 사회적 가치를 포함한 지속가능한 패션제품의 공감가치를 분석하고 공감가치와 제품에 대한 호감도 및 구매의사와의 관계를 검증하였다. 관계 검증을 위해 연구가설을 설정하고 설문지를 작성한 후 조사하였다. 조사 대상자는 가능한 패션제품을 구매한 경험이 있는 중국 광동성(廣東省) 광저우시(廣州市)에 거주하는 여대생을 대상으로 온라인 설문조사를 실시하였다. 조사 기간은 2023년 8월 10일부터 8월 20일간에 실시하였으며, 총 352건의 설문지를 배포하였다. 회수된 설문지 중 데이터 분석에 유효한 총 313부를 분석에 사용하였다. 수집된 설문자료는 SPSS 26.0 소프트웨어를 이용하여 빈도분석, 탐색적 요인 분석, 신뢰도 및 타당성 분석, 상관관계 분석 및 다중 회귀 분석을 실시하였다. 분석 결과는 다음과 같다. 첫째, 가능한 패션제품의 공감가치는 환경보호적 가치, 경제적 가치 그리고 사회적 가치로 분류되었다. 둘째, 가능한 패션제품의 경제적 가치와 사회적 가치는 호감도에 긍정적인 영향을 미치는 것으로 나타났다. 셋째, 가능한 패션제품의 환경보호적 가치와 사회적 가치는 구매의사에 긍정적인 영향을 미치는 것으로 나타났다. 넷째, 가능한 패션제품에 대한 중국 여대생들의 호감도는 구매의사에 긍정적인 영향을 미치는 것으로 나타났다. 이러한 결과로 볼 때 소비자들의 가능한 패션제품 구매를 촉진하기 위해 기업들은 제품의 환경보호적 가치, 경제적 가치, 사회적 가치 등의 특성을 강조할 필요가 있다고 판단된다. 본 연구의 목적은 공감가치, 호감도, 구매의사의 관계를 분석함으로써 지속가능한 패션 관련 산업 및 기업에 유용한 기본 데이터 그리고 개발 아이디어와 방법을 제공하여 나아가 가능한 패션제품의 마케팅 전략 개발에 도움을 주고자 한다.

• 한국의류학회지
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• 제37권4호
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• pp.577-589
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• 2013

Fashion is traditionally perceived as a non-art in art philosophy; however, it is now being evaluated as art through the process of recognizing its cultural value and position. This study investigated the expanded concept of contemporary fashion in the same context of the expanded concept of contemporary art to present the possibility of fashion as art. This study enhances the artistic and cultural value, as well as the social function and position, of fashion by granting it the same status as art according to the concept of expanded contemporary art. For the research method, a literature review and a case analysis were conducted through specialty publications related to art history, aesthetics, and fashion in addition to regular publications, websites specializing in fashion, art museums and fashion style websites. The expanded aesthetic concept of contemporary art has embraced challenges to ideal beauty, production methods through interactivity, and expansion of art expression through mass media and industrial products. In the same context, the expanded aesthetic concept of contemporary fashion has established challenges to conventional beauty, the expansion of production methods, and the expansion and transfiguration of materials.

• 패션비즈니스
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• 제20권1호
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• pp.53-68
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• 2016

The purpose of this research was to evaluate the possibility of sustainable development of online advertisements conducted by fashion companies. Factors composed of sustainable development indexes of online advertisement that had been developed in previous studies were identified, and then the relevance between purchase intention and advertisement experience was evaluated. An online survey of 573 persons in the 20 to 40 age range who own mobile phone and have experienced online advertisements of a fashion brand or a fashion company was conducted. The data collected from the survey and the results are as follows. First, the validity and reliability from confirmatory factor analysis of six factors (namely, personal information protection, web use infringement, advertisement expression harmfulness, advertisement expression objectivity, emotional responsibility, and environment-friendly) and 21 questions was confirmed. Second, it confirmed that consumers gave low points to the evaluation of sustainable development indexes of online advertisement of fashion companies. In particular, that consumers gave low points with regard to both environmental friendliness and web use infringement. Third, it was identified that personal indexes such as personal information protection, web use infringement, and indexes relating to advertisement expressions do not directly influence the consumer's purchase intention. However, social indexes like emotional responsibility and environmental friendliness do have an influence on the consumer's positive action intention.

• 한국의상디자인학회지
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• 제11권3호
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• pp.59-72
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• 2009

The purpose of this study was to establish objective data for marketing of industries and product development design by researching popular singer fashion of Korea, investigating the preference for popular singer design in street fashion among adolescents on the basis of the research, and drawing an conclusion. To analyze street fashion, total 190 young men and women in their 20s, including teenagers, were surveyed mainly in downtowns around Daehakro, Gangnam and Hongik University. First, in relation to the upper garment, men were found to wear T-shirts and hood T-shirts the most, while women were found to wear T-shirts and one-piece dress the most. Second, in relation to the lower garment, the ratio of those who wore skinny clothes was high both among men and women. Third, in relation to the outer apparel, the ratio of men who wore casual jacket and hood zip-up was high, while the ratio of women who wore tailored jacket and leather jacket was high. Fourth, in relation to shoes, the ratio of men who wore sports shoes was high, while the ratio of women who wore heeled-shoe was high. Fifth, it was found that plane pattern was preferred the most. As it was stated above, the findings of this study on the effect of entertainers' fashion on adolescents through street fashion indicated that the number of adolescents who imitate the fashion of entertainers increased.

• 패션비즈니스
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• 제6권2호
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• pp.67-76
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• 2002

This research examines the characteristic trends through analysis on cue in the contemporary fashion distinctly and systematically. It is carried out by both qualitative analysis and quantitative analysis. In the qualitative analysis, the four important street fashions of neo-mods/jazz, neo-hippie/grunge, sportivecasual and technos/cyber-punk are grouped. In the quantitative analysis, statistical data are sampled from Collection II of the 1990s S/S. It takes frequency, percentage, $\chi^2$-test and etc. by using the comprehensive tools for statistical treatment. There were significant differences between the S/S fashion. According to the cues, there are also significant differences between the fashion in the 1990s. In 'Neo-Mos/Jazz' style shows highly androgynous look, deep and strong tone, green/blue colors, natural fabric, stripe pattern, long hair style, and hided make-up. 'Neo-hippie/gnenge' style shows highly folklore look, vivid tone purple colors, seethrough/knit fabric, natural /traditional pattern, decorative hair special makeup. 'Sportive casuals' style shows highly sportive look, greish tone, white/grey colours, natural fabric, solid patten, bobbed hair, and natural make-up. 'Techno/cyber punk style shows highly comocorps look, pale tone black colors avangard fabric, solid patten, punk/dyed hair special make-up.

• 패션비즈니스
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• 제6권2호
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• pp.137-150
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• 2002

The purpose of this study attempts to analyze the symbolism and fashion image of Barbie doll. It is scarcely a coincidence that the Barbie doll was developed in the united States in 1950s. She had been created in the 1950s as a cartoon character in a German newspaper, who named Bild Lilli. In 1959, toy company bought the rights and produced and almost identical doll in the United States. Therefore Barbie has symbolized the consumer culture of United States, ideal body image, and modern youth culture. It may be as a conclusion that Barbie's fashion can be divided into three period : 1. a period of classic fashion(1959-66), 2. a period of young casual fashion(1967-79), 3. a period of ethnic and career fashion. Just as Barbie's roles and clothes have changed with the spirit of the times, she is a valuable representation of female images and fashion over the last 40 years. Barbie's fashion image is divided into material girl image, dream girl image, and bad girl image.

• 패션비즈니스
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• 제24권2호
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• pp.68-84
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• 2020

The purpose of this thesis is to suggest a Practical Plan for ethical consumption by reviewing the category of Vegan Fashion and investigating its Social Value of vegan fashion. This will be achieved through investigating the papers and official home pages of 13 selected Vegan Fashion brands. It was found that in terms of use of materials such as leather, fur and organic fibers the brands can be divided into three sections: fur-free, cruelty-free and perfect vegan. A Practical Plan is suggested based on the aspects of production, consumption, distribution and education. Firstly, the provider should be required to understand vegan materials deeply, it is also desirable for them to get vegan certifications. Secondly, the seller should also understand about vegan materials, and be able to explain this to consumers. The education from the seller is vital and the meaning of logos and associated contents used by the label should be clearly explained to consumers. Thirdly, the association of consumers, and fashion brands should cooperate to enhance the level of general understanding in society further, this should influence new laws, that address ethical issues regarding the use of fur in fashion. Environmental problem of the future might be reduced if the stakeholders in Vegan Fashion are cooperatively and actively trying to educate the general population and make Vegan Fashion popular and ethical consumption popular.

• 패션비즈니스
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• 제1권3호
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• pp.45-59
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• 1997

This study, on the military fashion which has been inspired by the men's military uniform, is composed of an examination of the following; the aspect on the women's hi-fashion and the street fashion and the analysis of it's intention. On hi-fashion, from the 1960s to the early half of the 1970s, by the influence of the minimalism, maintained it's couture style, which is the formal image as well as moderating the line and simplifying the details, From the latter part of the 1970s to the 1980s, mannish image was sensed greatly by the wide shoulders with pads and large silhouette. The 1990's theme was the retro. Many different expression techniques appeared, but the trend was the retro. However, on the streets, young generation and hippies wore unisex army mode because of the influence of anti-war movement. Also, Hell's Angels, punks used black leather jacket with Nazi symbol, badge and eyelet expressed to show their aggressiveness as an avantgarde fashion. The intentions of military fashion can be analyzed as women's amazon need, the feeling of movement, and the spirit of rebellion.

• 패션비즈니스
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• 제17권5호
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• pp.70-83
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• 2013

This study aims to analyze the physical distortions of fashion design which appear in the 20th century. People have been expressing the hope and beauty by twisting human body since the beginning of mankind. Each period has been showing different forms according to various social and cultural environments. The exaggerated body distortions from the primitive times to the modern are based on human body proportions. Such distortion is to emphasize the inherent beauty within the human body. However, the distortions of the body after the 20th century have been developed with the advent of surrealism which is not affected by reasons but by imaginations. Generally speaking, the reconstruction of the heterogeneous elements is allowed in art. The unexpected surreal elements are creating formative beauty using by distinctly different technique which is unfamiliar and awkward. Physical distortion creates other beauty that is not uniform and absolute beauty but it pursues the diversity of breaking down into categories. Formativeness of surreal physical distortion fashion has the potential for a variety of clothing design, therefore it has intrinsic values for continuous study.

• 복식문화연구
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• 제14권1호
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• pp.64-78
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• 2006

The purpose of this study is to set a characteristic design by analyzing formative properties for the hat and fashion image shown in fashion collections from the S/S season of 1998 to the F/W season of 2004 in recent seven years. For the study, the 96 stimuli which found frequently in fashion collection were selected. The examines for the image evaluation were women college students majoring fashion design related fields and living in Seoul, Gyeonggi-do, and Gyeongsangnam-do. Data collection was performed in August 2004. As statistical methods for data analysis, internal consistency method, Factor Analysis, MANOVA were used. Based on the analysis of 31 pairs of adjectives for elucidating the total 96 stimuli which were devised by altering the types of garment, the relation between a garment and a color of hat, the types of hat, the length of hair, and the material and design of garment, five factors or attractiveness, gracefulness, concentration, cuteness, and hardness and softness were deduced. And it showed much difference in the types of garment, the relations between a garment and a color of hat, the types of hat, the length of hair, and the material and design of a garment.