• Journal of the Korean Society of Costume
• /
• v.51 no.3
• /
• pp.111-127
• /
• 2001

This study aims to apply the formative aesthetic of human body to the form of clothing. For this purpose I try to find the various methods of analysis used in the work of sculpture. The method of inference and the checklists of design are used to relate the sculpture with the clothing design specifically. This methodology intends to regard human body as an artistic form and use the image of sculpture to the maximum. Especially I try to derive the motives of design and recreate them in clothing design emphasizing silhouette. On this methodology, following results were developed. First, the observations on the formative characteristic of human body show that the transformed form of human body expresses more perfect image of human body than the original form. The power of simplicity heightens the total beauty of the work. Second, the image of human body expressed in simplicity heightens the total beauty of the work. Second, the image of human body expressed in simplicity and exaggeration can be variously recreated in a silhouette with the formative and cubic effect, simplicity, and activity. Third, the elegant and static image found in the analysis and synthesis of human body can be used as a motive of clothing design and the changed details lead to the transformation of silhouette. Fourth, in developing designs by the item of checklists, one motive can be variously recreated according to the methods of designs.

• Journal of architectural history
• /
• v.2 no.2 s.4
• /
• pp.89-106
• /
• 1993

Wherever Buddhism has flourished, there were stupas in the form of monuments which have their origin in the tumulm of prehistoric times. After the death of Buddha, his body was cremated following the Indian funeral custom. His ashes, which long reserved for the remains of nobles and holymen, were enshrined under such artificial hills of earth and brick. The Stupa was in origin a simple burial-mound. The form of the burial-mound was a symbolical or magic reconstruction of the imagined shape of the sky, like a dome covering the earth. The domical form of the earliest tumuli may have been concious replicas of the shape of the Vedic hut. There are relationships which may have originally existed between the stupa and West Asiatic monuments. Buddhist Stupa originally cosisted of an almost hemispherical tumulus(anda) and an altar-like structure (harmika) on its top, surmounted by one or several superimposed honorific umbrellas (hti, catta). This hemispherical form is associated with centralisation, lunar worship, mother earth, and Siva. Anda means a symbol of latent creative power, the harmika symbolizes the sanctuary enthroned aboved the world. The honorific umbrella, as an abstract imitation of the shade-giving tree is one of the chief solar symbols and that of enlightenment.

• Journal of English Language & Literature
• /
• v.56 no.6
• /
• pp.1119-1133
• /
• 2010

This paper explores Myung Mi Kim's poetics of the archive in Commons. Commons begins with a gesture that critiques a prior act of archivization: "Here, this speck and this speck that you missed." As the poems accrue in the book, Commons demonstrates the desire to record those experiences that have been neglected by the architects of traditional archives while at the same time interrogating the very logic of the archive. Crucial to that interrogation is the poetic form. Kim's attempt to archive silences and gaps leads to a radical experiment with form and language. It reformulates the archive as an open system amenable to interruption, extension, and revision. I examine in detail the techniques that contribute to her poetics of the archive, a poetics that draws the readers out of the narrow confines of their personal experiences and their political identities. By juxtaposing Kim's poems with her statements of poetics given as interviews, this paper connects the project of Commons to Kim's larger concern with open form and experimental writing. I argue that the "difficulty" of her poetry should be reinterpreted as a demand that her text makes on the readers to broaden their terms of engagement. The linguistic experiment of Commons provides an occasion to rethink the habitual ways in which time is experienced, national histories are written, and literary works are consumed.

• The Journal of Korean Institute of Communications and Information Sciences
• /
• v.25 no.3A
• /
• pp.353-361
• /
• 2000

The performance of a multi-carrier CDMA system is analyzed considering frequency selective multipath fading and Near/Far effects. The number of multicarrier, multiuser, and arms of RAKE receiver, and the decay ratio of frequency selective multipath fading are used as a parameter for the performance analysis. More over, the distribution and the strength of multiuser interference are also considered. To evaluated the Near/Far effects in a multi-carrier CDMA system, three distribution models are assumed. In the first model. interference to carrier Ratio, I/C, ranges form -4 dB to 4dB, and at each 2 dB interval 20 % of multiuser is assumed to be uniformly distributed. In the second one, I/C ranges from -2 dB to 2 dB, and 33.3% of multiuser is assumed to be equally dispersed at each 2dB interval. The third model is 0 dB of I/C, that is, with perfect power control, multiuser are assumed to be evenly located. In this paper, multi-carrier CDMA system adoption RAKE receiver is proposed to mitigate the frequency selective multipath fading. Form the results, the third model(i.e. perfect power control)shows the best performance, and the narrower range of I/C causes the less effects to the desired signal, which reads to the better performance.

• Journal of Digital Contents Society
• /
• v.12 no.2
• /
• pp.225-232
• /
• 2011

is an innovative creation, accommodating characteristics of various genres and media, ranging from elements of media aesthetics to visual aesthetics and games. Although it takes a form of a book, it exceeds stereotypes seen in paperbacks or eBooks. Because of such differentiated characteristics of this appBook (which is provided in the form of app), it induce users(readers) to conduct interactional activity. This study will mainly discuss about the formation of discourse of app based digital novel in a media aesthetic point of view. Considering the mutual relation between property of media and contents of stories, it is desirable to accommodate the mutuality of understanding between the digital media and formation discourse in creating stories.

• Journal of Korean Neurosurgical Society
• /
• v.48 no.4
• /
• pp.375-379
• /
• 2010

The Chiari 1.5 malformation is defined as a tonsillar hemiation within a Chiari I malformation with additional caudal descent of the brainstem through the foramen magnum. We describe a patient with Chiari I malformation who evolved to Chiari 1.5 malformation during longitudinal follow-up. A 15-year-old girl presented with neck pain during exercise for two years. She had been diagnosed with Chiari I malformation with mild hydrocephalus after minor cervical trauma at the age of six years. At that time, she was asymptomatic. After she complained of aggravated neck pain, neuroimaging (nine years after first imaging) revealed caudal descent of the brainstem and syringomyelia in addition to progression of tonsillar hemiation. Posterior fossa decompressive surgery resulted in complete resolution of neck pain. Based on neuroimaging and operative findings, she was diagnosed as Chiari 1.5 malformation. Neuroimaging performed seven months after surgery showed an increased anterior-posterior diameter of the medulla oblongata and markedly decreased syringomyelia. This case demonstrates progressive developmental process of the Chiari 1.5 malformation as an advanced form of the Chiari I malformation.

• The Pure and Applied Mathematics
• /
• v.29 no.2
• /
• pp.179-188
• /
• 2022

In this paper we investigate the Hyers-Ulam stability of the s-variable additive and l-variable quadratic functional equations of the form $$f\(\sum\limits_{i=1}^{s}x_i\)+\sum\limits_{j=1}^{s}f\(-sx_j+\sum\limits_{i=1,i{\neq}j}^{s}x_i\)=0$$ and $$f\(\sum\limits_{i=1}^{l}x_i\)+\sum\limits_{j=1}^{l}f\(-lx_j+\sum\limits_{i=1,i{\neq}j}^{l}x_i\)=(l+1)$$$\sum\limits_{i=1,i{\neq}j}^{l}f(x_i-x_j)+(l+1)\sum\limits_{i=1}^{l}f(x_i)$ (s, l ∈ N, s, l ≥ 3) in quasi-Banach spaces.

• The Journal of Korean Academy of Prosthodontics
• /
• v.16 no.1
• /
• pp.32-37
• /
• 1978

The purpose of this study was to apply the position, the form and the angle of the attrition in the natural maxillary central incisors shown on the labial surface to the artificial teeth in the field of prosthetic dentistry. So we should exactly alter the molds of artificial teeth in individual cases in order to make artificial teeth more natural. 226 extracted teeth of the maxillary central incisors were chosen as materials. I have exactly examined the teeth with a magnifying glass and a circular graduator under concentrated light. The observation brought me the following results: 1) The attrition was most prevailing at the range from the mesial angle to the middle part of cutting edge in the left maxillary central incisor, and distal angle of cutting edge in the right maxillary central incisor. 2) On the attrite form of both angles, the angulated form was more than 4 times as frequent as rounded form in the mesial angle, and almost equal in the distal angle. 3) On the attrite form of cutting edge, mesial attrite form including mesial angle was most frequent in the left maxillary central incisor, and distal attrite form including distal angle in the right maxillary central incisor. 4) The angle made by the labial surface and the attrite surface was about $39^{\circ}$, and more than 70% of the total examined teeth were included at the range from $31^{\circ}\;to\;50^{\circ}$. 5) None attrite form at the cutting edge was about 12% and completely attrite form at the cutting edge was about 27% of examined teeth.

• Proceedings of the Korea Concrete Institute Conference
• /
• 2009.05a
• /
• pp.579-580
• /
• 2009

This paper presents a numerical simulation of quasi-brittle fracture in UHPFRC I-beam. A linear complementarity problem (LCP) is used to formulate the path-dependent hardening-softening behavior in non-holonomic rate form, and the PATH solver is employed to solve the LCP.

• 한국생물공학회:학술대회논문집
• /
• 2000.11a
• /
• pp.713-714
• /
• 2000

Six monoclonal antibodies to human cardiac troponin I (hcTnI) were produced to eventually develop an immunosensor for acute myocardial infarction (AMI). For the characterization of these antibodies, a set of 11 different peptides covering selected ranges of the complete amino acid sequence of hcTnI was prepared and used for epitope mapping. Such analysis allowed to select an appropriate pair of antibodies that can form a sandwich type of immune complexes and was consequently used for an immunoassay.