• Restorative Dentistry and Endodontics
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• 제18권1호
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• pp.27-37
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• 1993

The purpose of this study was to determine the fluroide release levels of new fluoride-containing liner/base cements and the fluoride uptake by dentin surfaces. Ten specimens of each brand (Fuji ionomer Type III, Fuji Lining LC, Timeline, Vitrebond and XR ionomer) were made, polymerized and placed in fluoride-free distilled water at $37^{\circ}C$, 100% relative humidity for 24 hours. The extracting solution of specimen was exchanged and fluoride release was measured daily for the 30 days. For fluoride uptake study, twenty-five extracted human lower molars were sectioned longitudinally in the mesiodistal direction with a diamond disc. Five teeth were filled with each material and then stored at $37^{\circ}C$, 100% humidity for 4 weeks. Fluoride uptake by dentin from the test materials was evaluated using electron probe micro X-ray analyzer. The following results were obtained : 1. The amounts of fluoride release showed no significant difference between Fuji ionomer Type III and Fuji Lining LC, but showed significant difference between other groups. XR ionomer released significantly greater fluoride than any other group(P<.001). 2. All the materials have a burst effect which more fluoride released in then first 3 day and showed significant decrease over the test period (P<0.001). 3. XR ionomer group showed fluoride penetration to approximately $50{\mu}m$ deep in dentin. But other material groups showed very little fluoride uptake by dentin.

• 한국의류학회지
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• 제42권6호
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• pp.909-923
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• 2018

Online retailers' offline channel expansion is rapidly growing as an important consumer incentive strategy, despite the enormous initial costs of establishing a store. This study focuses on the offline channel operation of online shopping malls, and examines the effects and influencing factors of the channel expansion strategy from a consumer perspective. In-depth interviews were conducted with ten customers in their 20s and 30s who had visited online retailers' stores or purchased products. Major issues were extracted based on the framework of a channel effect mechanism proposed by Cao and Li (2015). Subsequently, it was found that existing online retailers could enhance brand image and perception by expanding their channels to offline stores. It was also emphasized that the consumer trust on the quality of the product in offline stores is a key variable, and it has a significant influence on consumer's continuous purchase and revisit intention. This study showed that borderless channel integration was the most important task when expanding channels of online retailers. So it will be necessary to strive for an omni-channel strategy so that channel integration can be strategically executed and consumers can interact regardless of channels.

• 한국의류학회지
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• 제43권1호
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• pp.95-111
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• 2019

This study is the 2nd report following "A Study on the Characteristics of Material in the Korean Up-cycling Fashion Brands (Part I)" that handled the development of upcycling props using the characteristics of upcycling material. The 2nd report analyzed product types and materials focusing on 21 foreign upcycling fashion brands. It analyzed the characteristics of upcycling fashion materials using the case analysis of coffee bean bag and waste denim based on external characteristics and internal characteristics. We then classified the external characteristics into environment/economic feasibility and availability/mixture and the internal characteristics into historicality/story and originality/scarcity. Five bags were designed and produced for the actual commercialization of fashion products based on such characteristics of materials, with the use of coffee bean bags and waste denim as upcycling materials. This study is differentiated from existing research by its suggestions for the utilization of fashion product upcycling coffee bean bags and waste denim. Also, upcycling fashion products could be competitive products in eco-friendliness and originality that can be a driving force for the sustainable development of fashion industry through the differentiation of existing fashion products.

• 한국의류산업학회지
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• 제23권3호
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• pp.307-322
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• 2021

This study examined the influence of social media on the beauty industry and analyzed beauty-related content on social media in China, Thailand, and Indonesia. The existing literature was reviewed and four social media platforms that display the active sharing of beauty-related content in the three stated countries were selected. Five information sources were then chosen from each social media platform and 115 top posts from these sources analyzed. Beauty-related material was shared on discrete social media platforms in the three countries. Differences were found in the presentation types, themes, and message strategies of the content depending on the type of product and services provided by each social media platform. The content on Xiao Hongshu in China consisted of images showcasing product specifications along with a focus on honest and detailed empirical product review messages from its general users. From Taobao Zibo, Wang Hong conveyed powerful and influential information that communicated instantly with viewers and delivered entertaining and sensory messages. In Thailand earnest reviews of beauty products were offered, along with firsthand testimonials through traditional content uploaded on YouTube. In Indonesia, beauty influencers posted creative and sensational photographs of makeup products on image-centered Instagram. This study expands the current scholarship on social media platforms and extends the scope of the extant research on beauty-related content in Asian countries. The practical implications of this study include useful indications on how beauty brands can use social media to promote their products.

• 한국화예디자인학연구
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• 제44호
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• pp.101-121
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• 2021

미를 대표하는 아름다움의 상징인 꽃은 인류의 역사를 통해서 미적 대상으로 존재하고 있으며, 조형예술에서도 가장 많이 사용되는 모티브 중의 하나이다. 이렇게 꽃예술은 꽃이라는 주제를 모티브 삼아 형태를 구현하는 예술이다. 꽃은 형태와 색채가 미적으로 조화롭게 인간의 감성을 표현해 주는 매개체 역할을 해주었다. 또한 상징성이 있는 꽃문양은 미적 장식성이 높아 생활용품 뿐만 아니라 미술 분야와 패션분야에 적용되고 있다. 꽃문양은 패턴 중에서 가장 많이 선호하는 문양으로 사계절 관계없이 다채로운 색상과 형태로 변화를 주어 다양하게 활용하기도 하며, 그 상징성과 인간의 심리적 감각을 자극하는데 효과적이므로 다양한 분야의 디자인에 활용되고 있다. 본 연구는 미를 대표하는 아름다움의 상징이며 예술의 모티브인 꽃의 문양이 전통적으로 우리나라에서도 사용되어 왔으며 현대에 와서도 여전히 패션과 예술에서 많이 사랑받고 있지만 우리나라 고유한 꽃문양을 사용한 브랜드가 좀 더 활발히 활동하기를 바라며 본 연구를 통해 앞으로 우리만의 독특한 꽃문양을 개발하여 이것이 상품화 될 수 있는 근거를 마련하고자 한다.

• Human Ecology Research
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• 제61권3호
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• pp.389-399
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• 2023

Sustainable fashion products have different characteristics from typical fashion products. Therefore, this study focuses on shoes while exploring the expansion and development of sustainable fashion consumption as well as consumers' perceptions of the sustainability approaches practiced by shoe companies. In-depth interviews were conducted with 24 consumers, who had purchased sustainable shoes, in order to understand their purchase decision-making process and consumption characteristics, using the seven stages of the EBM model. In the "need recognition" stage, the survey participants' social background and family influences were categorized as macro factors, while their personal background influences were categorized as micro factors. In the "evaluation of alternatives" stage, participants reconfirmed whether or not to make a purchase based on the product's properties, such as price, brand value, and offered services. In the "purchase" stage, participants' purchase channels were determined according to their preferences as well as the selection pattern they followed until the final purchase within the chosen channel. In the "consumption" stage, the start of product ownership coincides with the start of using the products after making a purchase. In the "post-purchase assessment" stage, higher positive experiences led to a higher repurchase intention of sustainable shoes, while negative experiences caused participants to defer consumption and made them experience a sense of guilt for failing to consume sustainably. During the "post-purchase behavior" stage, which focused on the categories that the customers prioritized, many participants spread information about sustainable fashion to specific individuals through active online WOM behavior.

• 한국의상디자인학회지
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• 제25권4호
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• pp.13-28
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• 2023

The purpose of this study is to analyze the characteristics of hippie style in emerging brands pursuing the hippie spirit, examine the changes in hippie style, and apply them to the design development process to propose a hippie style design that reflects contemporary characteristics. The research method of this study was used to grasp the characteristics and current status of hippie style based on a literature review and prior research. Through the analysis of Bode and Story mfg, a new brand that reflects the hippie spirit, the design expression methods and characteristics of modern hippie style were derived, and based on the analysis, the design of the 3D CLO virtual outfit was developed. The results of the study are as follows. First, in addition to the use of eco-friendly materials, the digital technology of the CLO 3D program was applied to the design development process, which made it possible to increase sustainability from the production process. Second, by creating a retro design centered on a striped pattern expressing freedom, revolution, and equality, and a handcrafted design based on a tie-dye pattern, the design was able to express the hippie spirit of loving nature, and through this, a new direction of eco-friendly and modern fashion design was presented.

• 복식문화연구
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• 제32권4호
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• pp.547-563
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• 2024

This study aims to examine the expressive characteristics of the New Chinese style in the collection of Chinese fashion designer Ziggy Chen, analyze the inner meaning, and suggest a new direction in Chinese fashion design. As a research method, the background and concept of New-Chinese style occurrence were examined through previous studies, and the characteristics of the New Chinese style expression in fashion were investigated. The characteristics of the New Chinese style were summarized as cultural tradition, historical ethnicity, and pluralistic convergence. Based on these contents, the characteristics of the New Chinese style expression in Ziggy Chen's men's fashion design were analyzed. The data collection range was selected as the range of 20 seasons collected from 2012 S/S to 2022 A/W, which was collected on fashion sites and the brand's official Instagram. The analysis results are as follows. First, subcultural resistance is a retro and ragged decadence formed by combining punk elements and industrial styles based on the clothing styles of lower-class Chinese people in the 17th and 90s. Second, cultural traditionality was influenced by traditional culture by mainland Chinese designers, who expressed the conservative presence of tradition and the Chinese style by looking at it from an oriental perspective. Third, historical ethnicity forms a Chinese fashion culture in which the national spirit and the development of the times coexist, while traditional culture and contemporary social values develop in harmony. Fourth, traditional fashion develops by combining a contemporary aesthetic sense and lifestyle with pluralistic convergence.

• 한국조경학회지
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• 제41권3호
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• pp.12-21
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• 2013

본 연구는 대구광역시를 대상으로 대표 이미지와 환경 이미지를 중심으로 도시이미지의 인지 변화를 파악하고자 설문조사를 실시하여, 대구시민과 타 지역 주민 집단 및 지난 10여 년간의 경시적 변화를 비교 고찰하였다. 주요 결과는 다음과 같이 요약된다. 첫째, 대구에 대한 대표 이미지로서 가장 먼저 떠오르는 것은 더위, 팔공산, 섬유 등이며, 가장 먼저 떠오르는 장소는 팔공산, 동성로, 이월드 등이었다. 10여 년 전과 비교했을 때, 대구의 대표 연상이미지로 사과와 섬유의 빈도가 현저히 줄어들고 있으며, 연상인물로는 과거에는 주로 정치인들이 많았지만, 요즘은 스포츠선수 연예인 등의 빈도가 높아져 세태 변화를 보여주었다. 둘째, 환경조건에 대한 이미지 평가 점수는 인간환경 부문에 대한 것이 가장 높았으며, 개별 변수로는 "대구로 접근하기 위한 교통조건", "여성의 이미지", "쇼핑 등 생활환경" 등이 높게 평가되었다. 지역 내외 집단 간에는 대구시민들의 평가보다는 타 지역 주민들의 평가가 대체로 높은 편이었으며, 2000년도 자료와 비교할 때 금회(2011년도) 평가치들이 전반적으로 높게 나타났다. 셋째, 대구시의 환경이미지에 영향을 주는 중요 요인 변수들로는 인간환경 요인 이 가장 큰 영향을 미치는 요인으로 나타났으며, 그 다음 "자연/기반환경 요인", "생활환경 요인" 및 "교통환경 요인" 등의 순으로 영향력이 큰 요인들로 나타났다. 이러한 연구결과는 대구시의 도시이미지의 변화특성을 파악함으로써 경관형성 계획의 정책적 제안 및 도시 브랜드이미지 제고를 위한 기초자료로 활용될 수 있을 것이다.

• 지식경영연구
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• 제24권1호
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• pp.147-172
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• 2023

본 연구는 OTT 경쟁이 치열하게 펼쳐지는 국내시장에서 토종 사업자인 '티빙(TVING)'의 경쟁력을 살펴보는 것을 목적으로 한다. 이를 위해 본 연구는 자원준거이론에 따라 티빙의 핵심 경영자원들을 살펴보고, VRIO 분석 모형에 따라 이러한 자원들의 경쟁력을 검토하였다. 분석 결과, 티빙의 유형 자원은 기술(추천, 압축), 콘텐츠(오리지널, 독점, 차별적 비독점), 제작 스튜디오, 유료가입자수로 분류되었다. 무형자원은 기획력(IP 개발·활용), 콘텐츠 유통채널(국내, 글로벌), 마케팅(프로모션·홍보, 세일즈), 브랜드로 파악되었고, 인적 자원은 IP 전문성으로 확인되었다. 또한 VRIO 분석틀에 적용했을 때, 차별적 비독점 콘텐츠와 제작 스튜디오, 국내 유통채널은 '지속적 경쟁우위'를 발생시키는 티빙의 강력한 경영자원이었으며, 기술 자원과 오리지널 콘텐츠, 콘텐츠 기획력 및 IT 전문성은 '일시적으로 경쟁우위'를 갖는 자원으로 확인되었다. 독점 콘텐츠와 유료가입자수, 글로벌 유통 채널, 프로모션·홍보 부분은 '경쟁등위' 자원이었으며, 세일즈 분야는 통신사 제휴와 합병을 통해 잠재고객을 확보했음에도 불구하고 아직 조직적으로 활용하지 못하는 '비활용 경쟁우위' 자원으로 나타났다. 본 연구는 경영전략 관점에서 국내 OTT 사업자의 개별 자원을 살펴보고 이를 통해 경쟁력 강화 방안을 제안하는 초기 연구로서 의의를 지닌다.