• 한국철도학회논문집
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• 제16권2호
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• pp.151-162
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• 2013

본 연구는 일제강점기의 우리나라 철도와 만주철도를 비교하였다. 양국철도는 공히 제국주의 철도라는 공통점을 가지고 있었지만 서로 다른 성격을 가지고 있었다. 첫째 만주철도는 정부주도하의 민간철도라는 성격을 가지고 있었다. 우리나라 철도는 철도수입위주였지만 만주철도는 철도이외에도 지역개발, 광산, 항만 운영 등 다양한 사업을 전개하였다. 두 번째 만주철도는 우리나라 철도에 비해 수익성이 좋았고, 화물위주의 수송이었다. 세 번째로 철도관료의 경우도 우리나라는 주로 정부 관료들이 임명되었지만 만주철도의 경우는 정당정치에 의한 정치가, 외교관 등 다양한 계층에서 임명되었다. 관동군으로 편입된 이후에는 군의 영향력이 컸다. 공통점으로는 제국주의 철도였기 때문에 정부정책 특히 시기적으로 철도는 군사적 목적에 활용되었다. 특히 만주철도의 경우 대륙에서의 전쟁수행이라는 면에서 직접적인 영향을 받았다고 할 수 있다. 향후 같은 시기의 일본 본토 그리고 대만과의 비교연구를 통해 동아시아 철도의 공통점과 차이점의 부각을 통해 우리나라 철도의 성격이 새롭게 조명될 수 있을 것으로 기대된다.

• 한국연극학
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• 제52호
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• pp.5-59
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• 2014

This paper investigates the development and aesthetics of Korean political theatre from its quickening period 1920s to democratization era 1990s. Political theatre before 90s developed an antithesis resistant movement toward Korean modern history that had been scattered with suppressing political circumstances such as colonial era and dictatorial government, the movement has powerful activity and social influences. Just like the 20 century political theatre had been quickened under the influence of Marxism at Russia and Germany in 1920s, Korea's political theatre began in socialism theatre movement form around the same time. Proletarian theatre groups had been founded in Japan and Korea, and developed into practical movement with organized connection. However, the political theatre movement in Japanese colonial era was an empty vessel makes great sound but not much accomplishments. Most performance had been canceled or disapproved by suppression or censorship of the Japanese Empire. The political theatre in liberation era was the left drama inherited from Proletarian theatre of the colonial era. Korean Theatre alliance took lead the theatrical world unfold activities based on theatre popularization theory such as 'culture activists' taking a jump up the line and 'independent theatre' peeping into production spot as well as the important event, Independence Movement Day Memorial tournament theatre. Since 1947, US army military government in Korea strongly oppressed the left performances to stop and theatrical movement was ended due to many left theatrical people defection to North Korea. The political theatre in 1960s to 70s the Park regime, developed in dramatically different ways according to orthodox group and group out of power. The political theatre of institutional system handled judgment on sterile people and had indirect political theatre from that took history material and allegory technique because of censorship. In political theatre out of institution, it started outdoor theatre that has modernized traditional performance style and established deep relationship with labor spot and culture movement organizations. Madangguek(Outdoor theatre) is 'Attentive political theatre', satirizing and offending the political and social inconsistencies such as the dictatorial government's oppression and unbalanced distribution, alienation of general people, and foreign powers' pillage sharply as well as laughing at the Establishment with negative characters. The political theatre in 1980s is divided into two categories; political theatre of institutional system and Madangguek. Institutional Political theatre mainly performed in Korea Theatre Festival and the theatre group 'Yeonwoo-Moudae' led political theatre as private theatre company. Madangguek developed into an outdoor theatrical for indoor theatre capturing postcolonial historical view. Yeonwoo-Moudae theatre company produced representative political plays at 80s such as The chronicles of Han's, Birds fly away too, and so on by combining freewheeling play spirit of Madangguek and epic theatre. Political theatre was all the rage since the age of democratization started in 1987 and political materials has been freed from ban. However, political theatre was slowly declined as real socialism was crumbling and postmodernism is becoming the spirit of the times. After 90s, there are no more plays of ideology and propaganda that aim at politicization of theatre. As the age rapidly entered into the age of deideology, political theatre discourse also changed greatly. The concept 'the political' became influential as a new political possibility that stands up to neoliberalism system in the evasion of politics. Rather than reenact political issues, it experiments new political theatre that involves something political by deconstructing and reassigning audience's political sense with provocative forms, staging others and drawing discussion about it.

• 미술이론과 현장
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• 제4호
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• pp.203-239
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• 2006

As it is known, during the Second World War Greece has fought on the side of the allies and the end of the war found the country on the winners' side. However, the struggle for authority right after 1945 was merciless and extremely difficult, as well as dangerous for the course of the country to the future. The political powers were divided between the legal authorities that were represented by the king and formed the exiled government on the one hand and the part of the resistance teams and the rebels of the left that had a soviet friendly direction on the other. Thus, the start of a civil war was just a matter of time. It fin ally started in 1947 and lasted for more than two years. The consequences were disastrous for the country's economy and decisive for the future course of Greece. The national army prevailed with the help of, mostly, the English. Royal parliamentary democracy was established with a clear political turn to the west, as a completion and adaptation of the Agreement of the Great Powers at Yalta. Art had a 'similar' route. Dipolar, contradictory: conservative choices on the one side, and a will for pioneering inspiration and perspective on the other side. The 'dominate' trend was first evident in sculpture and mainly in the public monuments. Their construction aimed mostly at the public propaganda and at the promotion of the sovereign ideology. On the one side we have the public sculptures composed of faces of contemporary heroes or leading figures of the civic war and the national resistance. On the other side we have monumental statues mainly that appeal to a 'public' outside of the country's borders and mostly of the north borders, where there are countries with a communistic regime, like Bulgaria, Serbia and Albania. Their subject is derived from the heroic events of the Balkan Wars (1912-1913) and ancient historical figures like Alexander the Great as the Greek army leader, his father, Philippos II and Aristotle, who was of a north-Greek origin. The political message is twofold: on the one side the 'inner enemy' the communists that were defeated and the promotion of the new liberal social system and on the other side the north neighbours, which not only represent the East Block, but they also conspire the history and the culture of the Greeks. This is the way how the 'Cold War' was resulted in a full and totalitarian expression in art.

• 한국인터넷방송통신학회논문지
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• 제10권1호
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• pp.1-5
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• 2010

최근 녹색정보기술(G-IT), 녹색유비쿼터스기술(G-UT) 산업분야의 전문화에 따른 보안 방범 유지를 위한 국가 주요기관 시설물 또는 주요 산업 시설물 등의 보안 중요성이 강조되면서, 정부관공서 기업 및 군부대내에 최첨단 기술을 접목한 보안시스템(Security System) 구축이 절실히 요구되는 실정이다. 본 논문은 경비구역내의 경보발생장치로부터 신호를 다양한 형태의 통신기술로 수신하여, TCP/IP 망을 통하여 로컬 관제 센터와 원격관제 서버로 전송하는 녹색 유비쿼터스 지능형 무인경비 다중화장비에 관한 연구이다. 본 연구를 통하여, 무인경비 시스템의 통합 솔루션(Total Solution)을 확보하여 상호 시너지 효과 (Synergy Effect)가 가능하며, 국내외 시장 확대에 크게 기여할 것이다. 녹색 유비쿼터스 환경 구축 사업(Gu-Home, Gu-City, Gu-Health 등)중에서 방범/경비 분야에 적용할 수 있으며, 녹색 유비쿼터스 비전(Gu-Vision)을 제시할 수 있는 국가경쟁력을 갖춘 기업확장에 기여할 것으로 사료된다.

• 디지털융복합연구
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• 제9권3호
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• pp.59-67
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• 2011

세계 항공산업은 디지털 기술의 발전과 더불어 지속적으로 성장하고 있다. 김포지역의 항공전자 시스템을 기반으로 하는 디지털 항공산업 발전방안을 수요적 측면, 제도적 측면, 산업구조적 측면에서 연구 하였다. 항공산업의 성장동력화를 위한 추진전략을 제시하고 전략 달성을 위하여 항공수요의 지속적 창출, 핵심 부품소재 육성 및 경쟁우위 디지털 기술력 확보, 제도 운용의 활성화를 위한 인프라 구축, 행정지원제도의 개선, 민 산 군 학 관의 정책조정기능 강화를 추진과제로 제안하였다. 연구를 수행한 결과 행정적, 산업적인 분야에서 관련 제도 등을 보완하면 항공정비산업과 헬기산업을 중심으로 김포지역의 디지털항공산업 발전이 가능하다는 결론을 도출 하였다.

• 한국조경학회지
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• 제23권1호
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• pp.51-65
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• 1995

Conservation of the natural environiment In chosun-Dynasty, Korea, is analysed on the basis of the of official records of the king's offices(Chosun-wangjo-sillok). In the popular ideologies of the dynasty, Seongleehak(philosophy of humanity arid natural laws) and Pungsu (geomancy) , the naturnal enviroment is defined as an entity con-sisting of Cheon (heaven) , San(mnountains) , Su (water), Geumsu (animals)and Chomok (plants) .the notion of Tacksi-Tackmul(being careful to take natural resources at the right time) was one of the Cheonmyung (eavenly decrees) . It was believed that violation of this principle resulted in natural disasters. Sasan(four mountains surrounding Hansungbu-, the capital city, now Seoul) , were strictly preserved according to geomancy practices. In areas other than the capital city, Sanlimcheontack (mountains, forests, rivers and ponds) were con-served for sustained production of building materials especially pinetrees for ship building, foods, firewoods, horses, and orter useful natural resources. Various conservation policy insturuments were adopted. Prunning trees was permitted only in October. Capturing fishes was allowed only after the spawning period. Protection areas were designated in Sasan, Seongjoesiplee (surroundings of the capital city) , Geumsan(protected mountains), Kangmujang(hunting and army training grounds), Sijang(firewood areas), Mokmajang(horse ranches) and Neungyuk(royal tombs) . Activities prohibited for conservation purposes included cutting timbers, burning, building houses or tombs, dumping wastes, farming and breaking up fresh land, grazing, hunting and trespassing. Positive actions for conservation were rituals to Heaven ennoblement of natural elements such as mountians or rivers, planting trees, Boto (supplementing soil on low ridges) , Josan (mounding) and making ponds. Boto, Josan and making ponds were to make ideal terrains for geomancy. Many government bodies and civil servants were engaged in the conservation activities. For example, Sanjik(forest keeper) was a special position with responsibility for forest management.

• 문화기술의 융합
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• 제9권4호
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• pp.277-281
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• 2023

최근 북한 소형무인기에 의한 수도권 지역의 도발은 대한민국 사회에 큰 충격을 주었고 이에 대한 대응으로 대드론체계의 필요성에 대해 많은 관심과 주목을 받고 있다. 대한민국 정부는 국가중요시설에 대한 드론 위협 대비태세를 점검하고 있다. 그러나 현재 대드론체계에 대한 평가 기준이나 절차가 구체화 되어 있지 않아 체계적이고 종합적인 분석은 제한적인 상황이다. 본 연구는 국가중요시설을 대상으로 한 대드론체계 평가 기준을 마련하여 올바른 현상진단을 위한 틀을 제시하고자 한다. 이를 위해, 도전·기회요소를 상쇄·활용할 수 있는 접근방법 중 하나인 군사혁신 사고과정 기법을 적용하여 대드론체계에 대한 종합적인 평가기준을 도출했다. 제시한 평가기준은 북한드론 위협분석, 탐지·추적·무력화체계 융복합, 동시통합 운용, 전문인력 편성·운용 등 4개 분야로 구분하였고 각 분야를 세부 평가항목을 구체화했다.

• 산업진흥연구
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• 제8권1호
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• pp.35-45
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• 2023

본 논문은 미국이 추진하고 있는 국방 인공지능 관련 정책 및 3차 상쇄전략의 주요 과제와 경과를 살펴봄으로써, 미국 국방전략의 핵심 지향점 및 추진 동향 등을 분석하고, 미래 국방환경에서 우리나라의 안보를 담보하기 위한 유효적절한 정책적 시사점을 도출하였다. 이에, 미래 국방환경을 위한 첨단 무기체계에 대한 개발 능력 및 핵심기술 확보를 위한 대응방안을 미국의 국방 인공지능 정책과 연계하여 다음과 같이 모색하였다. 인공지능 기반의 국방혁신을 성공적으로 추진하기 위해서는 첫째, 무인·로봇, 자율무기체계 전력 운용을 위한 장기적인 추진전략이 마련되어 져야 한다. 둘째, 국방 데이터의 안전한 수집·저장·관리, 알고리즘 개발 및 컴퓨팅 능력을 확보하기 위한 인공지능 플랫폼 개발이 필요하다. 마지막으로, 한미 동맹에 기반하여 우리나라가 참여 가능한 첨단부품 및 핵심기술을 식별하고, 미국과의 기술협력을 강화해 나가야 한다.

• 미술이론과 현장
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• 제13호
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• pp.7-33
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• 2012

The memory of the Korean War is about the time period when people lived toughly during evacuation, due to being exposed to the natural climate such as intense cold or heat without any protection, leaving their comfortable home and living in temporary built shelters which were barely enough to avoid the wind. 'Death is concealed and only the figures of evacuation for survival were expressed, just as how the government ordered. Since the experience of the battlefield is personal and fragmentary, that is broken into pieces, it does not have compatibility. As war is a distorted experience that cannot be placed in a big picture, it is not possible to take a view of the war's big picture. Having this individualized experience as a common collective memory is an issue and it is the will that people tries to pursue. The reason why the evacuees from north to south, and as well as from the south to further south were all able to be adopted as the theme of artworks due to the military action that emptied the occupied territories of the North Korean Army under the forced removal command. In such situations, the natural state of the 'snow' was like a symbol of the 1.4 Recession. The group of people who were thrown into the intense cold displaced the war damage of loosing their base livelihood, and symbolized the obedient citizens who faithfully follow their government's command. The figure of advocating anti-communism is projected as a figure of a refugee during cold winter-time and it contains ones past which he or she obeyed its own country's commands. Evacuation, especially the evacuation during the winter is a visual device that can confirm these kinds of country's command. The consequences were same for the artists as well. Therefore, the situation being communal could be found due to the individual experiences during war are ideological. The image of the refuge shown in the picture played the role of strengthening the consciousness of defecting to South Korea into the meaning of the 'Finding Freedom.' I would like to express that the reason of them leave their home during the harsh winter is in order to avoid the oppression of the Communist Party. The evacuation that people went through was not to 'Finding Freedom', but 'To Survive'. Later, this evacuation has been imprinted as a behavior of choosing free Republic of Korea, which was an ideological issue. Anti-communism was the rule of survival in South Korea society, and people have the tendency to remember what they want to remember. As it is not the people who possesses an incident, but the memory that possesses ones, people cover their memory with disguised plots in order to forget the violence and to live a different prologue. They share the incident of violence as a hurtful memory. The tragedy of the Korean War was the result of Ideology and being in between the powerful nations' rights, but the violence during the war has been depicted as a natural disaster, which was the evacuation in heavy snow.

• 농촌계획
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• 제6권1호
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• pp.19-28
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• 2000

Now in order to overcome the weakest points of the rural areas of the city of Kimje and, transform them into rural cultural villages which have local governing systems suitable to new localization age and activate this plan, we selected Daesan Village as a model village which had shown a lot of potentials in the basic research and studied it dividing it into the former part and the latter part. We studied Daesan village in the former part focusing on state analysis and basic ideas and in the latter part focusing on master plan and detail planning. We can summarize the conclusion like the followings. 1. Daesan Village located 8 kilometer away from the downtown Kimje and the city of Iksan respectably has comparatively good environment of good sunny place as an open field whose surrounding configuration of the ground consists of farming lands and low hills in front and rear. It has 38 farming households in all. 2. Human environment(인문환경); the village road whose width is about 4 meters is forming a flow system forking off into three. There is a route bus which operates three times a day even into the inside of the village. The main sources of revenue are vegetables in facilities, fruits and floriculture. Their average revenue is about 10.5 million won. 3. Here in DaeSan Village a legend dealing with Teasan literally meaning a big mountain consist of th village's tradition and you can see the tombs of a very faithful son and Anwi an army general in the age of the Japanese Invasion of Korea of 1592 to 1598 inside the village. 4. 85 out of the eitire population 141 whose age are over 20 showed very positive attitudes in a questionnaire about, making the village a cultural one and its development. 5. The basic of planned ideas is to increase the revenue of the farming household by making the village a professional farming one which has a state-of the-art production facility and agricultural technique. It is to make the village the one where people can enjoy the sense of the rural life and the farmer can enjoy their lives through consumptive and consistant leisure and resting activities. 6. We are planning to make entrance space, life space, rest and sport space, and cultural space considering the characteristics of the village and the demand of the resident. We are also planning to make tile entire city of Kimje an information transmitting base in short and long term perspectives. 7. DaeSan Village was planned as a place where tradition and the future exist together. On the basis of this concept we planned future programs for Daesan Village and in the latter part of the study master plans and detail plans will be continued.the regional agricultural condition. The development permissions were only during the period of restricted to use ($1979.12{\sim}1993.11$). We propose that the authority of development permission should be given to the local autonomy government, because the local government has the knowledge of its individual agricultural conditions.