• 한국조경학회지
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• 제50권6호
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• pp.15-29
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• 2022

병산서원은 한국 전통 건축과 차경 설계의 자연친화성 또는 비인위성을 대표하는 아이콘으로 인식되고 있다. 본 연구는 오늘날 병산서원을 수식하는 대표적인 비유인 '그림과 액자'를 중심으로 서원의 차경이 착시와 환영의 풍경을 선사하는 인위적 기법임을 논의하고자 한다. 연구는 다음의 세 부분으로 구성된다. 첫째, 오늘날 '그림'과 '액자'는 각기 순수한 자연의 아름다움과 이를 여과 없이 전달하는 건축적 틀을 일컫는 비유로 사용되며, 이는 자연과 건축의 조화라는 현대 한국인의 기대 심리가 투사된 결과물임을 지적한다. 둘째, 서원을 설계하고 이용하던 조선 중기의 인물들이 차경을 향유한 방식을 추론하기 위해 당대의 시와 회화에 묘사된 풍경과 차경이 선사하는 풍경을 비교하고, 차경을 통한 조망이 동시대의 경관 예술과 마찬가지로 성리학적으로 이념화된 자연의 이미지를 연상하도록 유도함을 밝힌다. 셋째, 이상의 고찰을 바탕으로 차경이 선사하는 '그림'이란 보는 이의 인식이 빚어낸 환영(幻影)이며 차경이라는 '액자'는 이를 촉발하는 인지적 착시 기법으로 구성되어 있음을 주장한다. 이상의 논의를 통해 병산서원의 차경을 자연주의적 표상으로 소비하는 시선에서 이탈하여 시대적, 문화적 보기 방식을 유도하는 적극적인 설계 행위로 인식하고, 자연과 문화유산을 바라보는 오늘날의 시선을 재점검하는 계기를 마련하고자 한다.

• 건축역사연구
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• 제3권2호
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• pp.29-46
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• 1994

The KAMYOUNG is the supreme local government office in CHOSEON dynasty. This study aims to propose the new methodology on research of local government office's prototype in CHOSEON dynasty. Especially this study is the zoning plan of the KAMYOUNG in the late CHOSEON dynasty, It is meant to present the first trial that pursue to total frame of local government in CHOSEON dynasty through the new methodology. The 18th century is the transitional era when the system of norm was deconstructed. The institution and organization of the supreme lacal government office(KAMYOUNG) was united nationwidely and at the same time its deconstruction was carried out in the 18th century. The domain of the governer has fixed in the 18th century, though the scale of 街e KAMYOUNG was enlarged. These domain expressed a strong symbolization according to hierarchy in exterior appearance of the traditional architecture. With the entire execution of a local government coming soon, the concerns about the localization have been increased rapidly. Under this time situation, as the discussion centered on the creation or change of the local self-governing community, so the concerns regarding the traditional aspects of a local government office have been increasing. Hower, without the recognition of this history, as the research of these existing historical materials has been progressed, so the misunderstanding is still left. Especially, because the government office of CHOSEON is a Confucian nation thinking much of a hierarchy based on Yae - Jae, the hierarchy of this architecture has a deep correlation with the organization of an office. The method of this study is like following: Firstly, prescribed characteristic of KAMYOUNG tough syudys of hierarchy in a local government system, human and material composition. secondly, as the changing progress of KAMYOUNG is compared and analyzed with organization of an office in the center. So characteristics of KAMYOUNG are abstracted. And finally, from this, the interpretation methodology of KAMYOUNG is revealed, with a deep correlation between specific characters of organization and architectural structurals. And also, with these methodologies, the interpretation method of the local government office and normative frame in CHOSEON dynasty are suggested.

• 한국건축시공학회지
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• 제23권3호
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• pp.273-284
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• 2023

건설프로젝트 진행 시 골조공사 후 시공상태를 점검하는 업무가 필수적이며, 이에 골조의 수직 및 수평 정확도를 점검하고 결함에 대한 보수작업을 수행한다. 하지만 기존의 업무방식은 점검자의 주관적 판단 및 인적오류의 발생 가능성으로 인한 신뢰성 문제, 수작업으로 인한 인력 및 시간 소모적 문제 등이 존재한다. 이에 본 연구는 상기 문제점을 해결하고, 골조공사 시공상태 점검 및 결과공유 과정의 효율을 높이고자 LiDAR 및 AR 기술의 활용방안을 제안하였다. 본 연구에서는 LiDAR를 통해 골조의 3D Point Cloud 데이터를 취득하여 시공상태 점검에 적용하는 방안과, 점검결과 데이터를 BIM 모델에 입력 후, AR을 통해 시각화하는 방안을 제안하였다. 이는 기존 방식 대비 점검과정의 객관성, 결과공유의 신속성 및 정확도 측면에서 효율적인 방식임을 확인하였으며, 더불어 건설프로젝트 전체의 품질 및 생산성 향상에 기여할수 있을 것으로 기대된다.

• 미술이론과 현장
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• 제7호
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• pp.189-240
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• 2009

This essay aims to develop a critical approach of interpretation in examining the panoptical condition of representation that is said to permeate the tradition of modern realism in novels and paintings. In defining this approach, I am interested in the problem or inability of panoptical representation to tell a coherent story of solitude(solitary confinement, isolation, self-absorption, etc.) in a range of texts from prison documents to paintings and novels, and also what might occasion such an inability including social, material, or stylistic contradictions and conflicting epistemological angles. This task potentially anticipates a trajectory of readings and investigations that cuts through the history of panoptical representation, which is outside the scope of this essay. In this writing, I will engage in a series of debates with what I consider as major theories and views of panoptical representation offered by Jeremy Bentham, John Bender, and Michael Fried. Based on this, I will formulate a conceptual or methodological frame of discourse that would envisage an anti-panoptical approach of interpretation. As an attempt to validate this formulation, I will offer a reading of Henry Mayhew's Criminal Prisons of London and Scenes of Prison Life(1862), a case of panoptical representation that produces a peculiar sense of ambivalence while accounting for sites of penal solitude.

• 복식
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• 제59권3호
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• pp.27-41
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• 2009

Interpreting the phenomenon of Fast fashion that is prevalent these days, this research is meaningful in that it prepares the frame which suggests the vision to read the trend of 2000s and analyzes the property of phenomenon of Fast Fashion in the connection with society and culture. The so[io-cultural property can be largely characterized by consumption orientation, change orientation, efficiency, moment and multiculturism. Analyzing the phenomenon of fast fashion that emerged after 2000 on the basis of such sociocultural background, it is largely classified into imitation, fashionability, disposability, portability, transformation and convergence. Due to the hi-polarization of consumption, people tend to select imitated goods, and people accustomed to speed get interested in the fashionability of all Phenomena. Further, society that is transient and changing rapidly makes the habit of purchasing in disposability. The property of nomad society encourages to keep the habit of portability. Such change-oriented society and rapidly changing life pattern make them adapt in diverse transformation modes of Fast Fashion. Further, multi-cultural world integrates enterprises through combination of all cultures and the convergence of all factors.

• 한국실내디자인학회논문집
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• 제26권5호
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• pp.16-24
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• 2017

This study examines Safdie's design philosophy: place, purpose, and process and design strategies found in museum buildings. Safdie, influenced by personal background as immigrant, education of McGil University in Canada, apprenticeship from Louis Kahn, is one of the most recognized architects who designed renowned public and cultural buildings after Habitat 67 in Montreal, Canada. In order to reveal design strategies his eight museum buildings has been selected and analyzed in terms of interpretation of context, program presented in floor plan and section design, and the process of integrity found in structure and material. The results of this paper can be summarized as follows: 1) Reflection of existing context and regeneration of the locality has been in a creative way to reinforce the sense of place. 2) The layout of major and gallery space is determined according to the Safdie's interpretation of the site context and this can be categorized into three types. 3) Integration of the innovative structural frame and material has been experimented by using tartan grid and toroid form in the major and gallery spaces. This study is intended to reevaluate the significance of Safdie's design approach to building uniqueness of the site, program and tectonic.

• 농촌계획
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• 제17권2호
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• pp.1-11
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• 2011

This research selected The Old Rectory, Sissinghurst and East Lambrook Manor as a case study location that is meaningful to discuss potager garden, herb garden and harvest garden, which is a topic of productive garden. This research focuses on the growth potential of Korea's rural house into a garden that embellishes decoration and appreciation. The application method through the interpretation of the case study location will be, first, organizing the shape of the flower bed and then adding additional materials along with the main materials. Second, it can increase the appreciation of productive garden through layering method and making it abundant. Third, it can be utilized well by pursuing artistic feature by combing unique color and texture of edible plants. Lastly, for the weakness of flat structure by short edible plants, vertical structure shall be utilized to provide decoration and frame. Also, by using natural materials, the ambiance of the garden can be presented.

• 한국의류학회지
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• 제28권11호
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• pp.1415-1425
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• 2004

The purpose of this study was to analyze a theoretical frame of expressional area, the characteristics and the effects which is applied to fashion illustration by metonymic theory. The theoretical frame of expressional area was analyzed by category analysis and 150 fashion illustrations from 1900 to 1999 were analyzed by contents analysis. The results of this study were as follows: The expressions of metonymy were categorized by close-up, realistic expression, omission, borrowing of past style, simplification and deconstruction. First, close-up was presented as emphasis of small part of fashion by cutting the scenes, snapshot, emphasis, etc. Second, realistic expression was presented as description of related circumstance with fashion message through perspective and realistic description of circumstance related to figures. Third, omission was presented as seeking of essential core by removing color, pattern, texture or by omitting body and as emphasis of communication about dominant fashion message. Fourth, borrowing of past style was presented as reminding us of background of the past. Fifth, simplification was presented as using of form or color to alleviate tension of object and to restore the essential reality. Sixth, deconstruction was presented as fragmenting of image, flattening of body and clothing, weakness of form, and strength of color. In conclusion, metonymy made by experience system of thinking based on the reality, have extended expressional territory in pre-existing fashion illustration. And these ways not only will provide fashion image as illustrator's subjective intention and theoretical system of expression of message, but also will be useful way to strengthen communication for easier interpretation of fashion illustration.

• 한국의류산업학회지
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• 제7권6호
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• pp.585-593
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• 2005

Diverse and complicated trends of fashion design which were initiated at the latter part of the 20th century have been evolving in the cultural framework of Postmodernism. At this point of time, Poststructuralism, with its aims to interpret and understand modern fashion design, is a new system of thinking that reveals the contradictory aspects of rationalistic Western philosophy and accepts uncertainty and disorder as they exist. The main purpose of this study is to examine the various theoretic systems and characteristic concepts of Poststructuralism, and supply a new cognizance frame to understand the processes of fashion design with free and varied notions of deconstruction and generation, in place of the former systematic and consistent interpretation of meaning. Concerning fashion design, analysis of theories and analysis of contents. By probing and examining deconstruction theory, 'I'-other theory, textual theory, and nomadic thinking, the concepts of cognizance are classified into Nonboundariness, Otherness, and Textualism. The theoretic foundation for this analysis and classification is supplied by Derrida's deconstructional philosophy, Lacan's mental analysis, Bartes's textual theory, Deleuze's change and generation theory, together with other theories of Poststructuralism. In analysis of theories, a cognizance frame is proposed that can categorize the concepts, derived from various theories of Poststructuralism, as traits expressed in fashion design.

• Steel and Composite Structures
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• 제18권6호
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• pp.1557-1568
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• 2015

The nonlinear static analysis of structure, which is under the effect of lateral loads and provides the capacity curve of the structure, is defined as a push-over analysis. Ordinarily, by using base shear and the lateral displacement of target point, the capacity curve is obtained. The speed and ease of results interpretation in this method is more than that of the NRHA responses. In this study, the nonlinear static analysis is applied on the semi-rigid steel gabled frames. It should be noted that the members of this structure are analyzed as a prismatic beam-column element in two states of semi-rigid connections and supports. The gabled frame is modeled in the OpenSees software and analyzed based on the displacement control at the target point. The lateral displacement results, calculated in the top level of columns, are reported. Furthermore, responses of the structure are obtained for various support conditions and the rigidity of nodal connections. Ultimately, the effect of semi-rigid connections and supports on the capacity and the performance point of the structure are presented in separated graphs.