• 제목/요약/키워드: Formative elements

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불꽃놀이 형상과 OLED를 기반으로 한 패션 액세서리 디자인 제안 (Fashion Accessory Design Suggestions Using Firework Images with the OLED Display Platform)

  • 김선영
    • 한국의류학회지
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    • 제35권10호
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    • pp.1188-1198
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    • 2011
  • This study proposes the use of firework shapes to design fashion accessories in the judgment that they are appropriate for the expression of creative images in consideration of the display of fireworks as a kind of entertainment and a festive symbol. This study promotes the sustainable application of firework shapes to develop the designs of fashion culture items that feature a distinctive personality and uniqueness. In this present study, the proposed fashion accessory design was intended to create an entertaining new atmosphere that uses an Organic Light Emitting Diode (OLED) that draws attention as a futuristic display. In terms of methodology, a literature review of firework shapes and OLED was conducted; in addition, Adobe Illustrator CS2 and Adobe Photoshop CS2 were used to develop six different standard motive designs with formative design elements represented by a variety of firework shapes. Each of the six motifs was further expanded with different color combinations. Rich images are produced with the use of pink, blue, purple, green, yellow, orange, and red, in conjunction with various OLED effects to express the three-dimensional images of fireworks. The motifs are applied to three types of items: bags, bracelets, and necklaces. For the video images, evening and tote bags, pendants, and bangles were used. Shifting images and lights should produce unique images as well as satisfy the consumer desire for entertainment. The Adobe Image Ready software was used to present the motive of fireworks applied to the design of fashion accessories in video images but not in still-cut images due to physical constraints of this paper.

건축 형태에 내재하는 사회적 가치에 대한 연구 - 낙원상가를 중심으로 - (A Study on the Social Value accumulated in the Architectural Form - In case of Nakwon Building -)

  • 이재영;김마리;윤재신
    • 한국주거학회논문집
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    • 제26권3호
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    • pp.55-64
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    • 2015
  • This study is conducted to understand the social value of Nakwon building, which has been instilled in the architecture of the building, through an analysis of formative elements unique to the center. The architectural characteristics of Nakwon building have been formed over a long period of time in relation with its surroundings and social change. Before looking into the formation of the center, this study investigates the street network planning of downtown. The street network was planned to expand in a north-south direction in order to accommodate a future increase of traffic volume as a result of industrialization and a population increase in downtown. This was manifested in expanding Samilro Street which passes through the lower part of Nakwon building, as well as in forming the architecture of the center. That is, the center has formed a symbiotic relationship with its surrounding areas, sharing space with them. The interior of the center seems to have an independent form while keeping a relationship with its external format, but it is seeking change internally in response to external change. Interior space has been departmentalized over time since its initial establishment, and the internal traffic has also been subdivided accordingly. This is attributable to the fact that social change in the neighboring areas affected the formation of Nakwon building, and that in turn contributed to forming the unique characteristics of the building. Nakwon building is one of the deteriorated buildings in downtown Seoul. However, it was built out of social need to share space within the city, and it has been changed according to social need for the 'distribution of space within the building.

한국 전통 남성 장신구의 조형미를 적용한 넥타이 디자인 제시 (A Study on the Necktie Design Application of Traditional Korea Men's Ornamentation)

  • 배리듬;김은정
    • 한국의상디자인학회지
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    • 제19권3호
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    • pp.99-108
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    • 2017
  • In modern society, the succession and development of tradition can be an enabler of the state in the flow of culture, and the process of modernizing traditional costumes is meaningful work. Neckties are essential in modern Korean men's wear, and they are an important part of men's ornamentation. Accordingly, this study aims to present a necktie design that applies the traditional men's ornaments such as the Ip, Ipyoung and Manggeonsik. The research method is based on a literature review and presents four Korean necktie designs via Adobe Illustrations. As a result of analyzing the beauty of the traditional Korean men's ornamentation, it was categorized into rhythmical beauty, emphasis beauty, and natural beauty. Applying this to necktie design, Design 1 imagined the silhouette of a man wearing a Got and Durumagi. This applied emphasis beauty. Design 2 applied the shaking images of Got and Got-kkeun to apply rhythmical and emphasis beauty. Design 3 applied a man's upper body silhouette and the shape of wearing a Got. This was to apply natural beauty and emphasis beauty. Design 4 applied the shape of Got-kkeun and Gwanja to rhythmical beauty and natural beauty. The significance of this study is that the development of necktie designs using formative Korean elements can be a part of efforts to recognize the possibility of traditional Korean culture and to explore developmental directions under the current situation in which Western clothing is accepted without thought. It is a good idea to suggest the possibility of the modern use of Korean men's ornaments.

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공간 차원에 관한 시각적 패턴 연구 - 황금비, 피보나치 수열, 프랙털 이론을 중심으로 - (Study on Visual Patterns about Spatial Dimensions - Centered on the Golden Ratio, Fibonacci Sequence, and Fractal Theory -)

  • 김민석;김개천
    • 한국실내디자인학회논문집
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    • 제23권1호
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    • pp.88-95
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    • 2014
  • This study intended arousal of other viewpoints that deal with and understand spaces and shapes, by describing the concept of 'dimensions' into visual patterns. Above all, the core concept of spatial dimensions was defined as 'expandability'. Then, first, the 'golden ratio', 'Fibonacci sequence', and 'fractal theory' were defined as elements of each dimension by stage. Second, a 'unit cell' of one dimension as 'minimum unit particles' was set. Next, Fibonacci sequence was set as an extended concept into two dimensions. Expansion into three dimensions was applied to the concept of 'self-similarity repetition' of 'Fractal'. In 'fractal dimension', the concept of 'regularity of irregularity' was set as a core attribute. Plus, Platonic solids were applied as a background concept of the setting of the 'unit cell' from the viewpoint of 'minimum unit particles'. Third, while 'characteristic patterns' which are shown in the courses of 'expansion' of each dimension were embodied for the visual expression forms of dimensions, expansion forms of dimensions are based on the premise of volume, directional nature, and concept of axes. Expressed shapes of each dimension are shown into visually diverse patterns and unexpected formative aspects, along with the expression of relative blank spaces originated from dualism. On the basis of these results, the 'unit cell' that is set as a concept of theoretical factor can be defined as a minimum factor of a basic algorism caused by other purpose. In here, by applying diverse pattern types, the fact that meaning spaces, shapes, and dimensions can be extracted was suggested.

한국 현대 실내디자인에서 한국성 표현방법의 경향에 관한 연구 - 1990년대 이후 주요 작가작품의 디자인 방법 분석을 중심으로 - (A Study on the tendencies of Expressional Methods of Koreaness In Contemporary Korean Interior Design - Focused on the Analysis of Design Methods of Korean Primary Designers' Works since 1990 -)

  • 이숙경;최상헌
    • 한국실내디자인학회논문집
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    • 제15권1호
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    • pp.39-46
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    • 2006
  • There lies more subjectivity in the methods and process of showing the Koreaness, and design methods cannot be defined with only one answer key, which is probable to cause much difficulty. Until now, the traditional Korean features have been tried by quite a few designers whose approaches deserves for the reference to understand the trends of expressing the Koreaness and develop the ways of its expression. Therefore, this study first considers the trial processes of design methods in reconsidering the Koreaness done by many artists in terms of previous studies and researches. Then this tries to make a frame to analyze the Koreaness theoretically after studying the approaches knowledge about traditional architecture designs widely used as design concepts, and to examine specific cases which reflects them in their interior architecture. All of these studies are aimed at get the understandings on trends and methods demonstrating the Koreaness in modern interior design. This study ranges from the artists, who have made efforts to express Koreaness in 1990s and after, to their artworks. As study methods, pre-study and reference researches had been done to examine the knowledge factors on the ground of the theory of D.G Jansson, to give a theory to the understanding of its methods and tendencies, and to build the frame for case analysis. As a result, in traditional architecture, spacial design gets the prominent priority and other factors are not far from different. In formative approachesthe expression inclination on material factor is outstanding. Consequently, these two approaches have analytic elements in difference but spacial design and materiality have prominently in common to express the Koreaness.

텍스타일 디자인 교육을 위한 헤슈타일링 개발 프로세스 연구 (A study on the development process of Heesch-tiling for textile design education)

  • 최유진
    • 한국의상디자인학회지
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    • 제23권3호
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    • pp.57-71
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    • 2021
  • When teaching traditional pattern-themed textile design, it has been found that many students struggle during the investigation stage of traditional patterns and complete the development of patterns in relatively simple layout methods, such as block patterns and half drop patterns. Until now, digital textile design textbooks lack content on how to develop patterns. Judging that the current teaching method leads to difficulties in developing a new sense of textile design, this study focused on Heesch-tiling tessellation and software called TESS, a program that can transform patterns themselves. This study is an academic study on the methodology of first developing patterns through TESS, a tessellation program developed for elementary school students in the U.S., and then applying various lines and colors to the complete patterns and textures using Adobe Illustrator. In this study, the concept, formative characteristics, and generative principles of Heesch-tiling tessellation were examined, and the process of developing new patterns using the TESS program, which can be used to create patterns through Heesch-tiling principles, was intended to help in textile design education. Therefore, after analyzing the comprehensive concepts and principles of tessellation, the next step is to understand the principles and the characteristics of pattern making only for Heesch-tiling tessellation, and then ultimately to develop new patterns. While patterns using traditional tessellation layouts have been characterized mainly by repeated geometric shapes, Heesch-tiling tessellation can express surrealistic attributes, such as those by painter M. C. Escher or style elements such as those in neo-pop.

커리어 앵커 활용 초등학생 진로교육모형 구안 (The Development of a Career-Anchor Based on Career Education Model for Elementary Schools)

  • 홍광표;박수홍;최창환;강석권;심다희
    • 직업교육연구
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    • 제30권4호
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    • pp.179-202
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    • 2011
  • 본 연구는 커리어 앵커를 활용하여 초등학생의 진로교육모형을 구안하는데 그 목적이 있다. 이를 위해 본 연구에서는 문헌연구 및 커리어 앵커 관련 교육 프로그램 사례 분석을 통하여 모형의 초안을 도출하고 그것에 대해 전문가 형성평가를 거쳐 모형의 최종안을 구안하였다. 최종 구안된 모형은 핵심가치, 프로세스, 지원요소 등으로 구성되어 있다. 구체적인 모형의 프로세스는 '자기 모습 찾기' ${\rightarrow}$ '커리어 앵커에 따른 학습내용 선정하기' ${\rightarrow}$ '커리어별 학습하기' ${\rightarrow}$ '부족한 커리어 극복하기' ${\rightarrow}$ '평가하기'의 순서로 구성되며 각 단계마다 학습자를 위한 활동 내용과 지원요소에 대한 내용을 제공하였다. 본 연구는 선행 진로교육 관련 연구와 달리 커리어 앵커를 통하여 자신의 참 모습을 발견할 수 있고, 다양한 환경 변화에 대응하여 탄력적인 교육이 가능하며, 학교 현장에서 즉시에 바로 사용할 수 있을 뿐만 아니라, 다양한 지원요소를 통하여 교사와 학생이 손쉽게, 체계적으로 교육을 진행할 수 있도록 구안되었다.

'겨울왕국 2' 여성 캐릭터의 성격과 조형 디자인 특징 분석 (Analysis of the female character and modeling design features of 'Frozen 2')

  • 강천천;정진헌
    • 디지털융복합연구
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    • 제19권6호
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    • pp.309-314
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    • 2021
  • 디즈니 애니메이션은 미국의 문화와 예술의 일부라고 할 수 있다. 미국의 사회·문화의 변화에 따라 디즈니 애니메이션에 등장하는 여성 캐릭터의 성격과 사회적 위상의 변화를 볼 수 있다. 특히 2000년 이후에 발표된 디즈니 애니메이션 작품에서는 여성과 남성의 사회적 능력과 지위에 대하여 대등 또는 평등하게 표현된 수많은 작품이 발표되었다. 본 연구에서는 20세기와 21세기 여성 캐릭터의 특징을 비교하고 <겨울왕국2>의 은유적인 방법으로 여성 이미지를 표현한 엘사와 안나의 캐릭터를 분석하였다. 또한 의상 및 색채의 다양한 스타일링의 특징과 의미를 연구하였다. 본 논문은 여성 캐릭터의 성평등 이미지 구축 시 필요한 디자인 요소를 제시하였으며 향후 애니메이션 산업계와 학계에 유용한 연구자료로 활용되길 기대한다.

금속재료를 활용한 조형물의 비유적 이미지 시각화 방법 연구 - 주거 단지 전시를 목적으로 (A Study on the Visualization Method for Figurative Art of Sculptures Using Metallic Materials - Based on the purpose of displaying in the residential complex)

  • 고승근
    • 한국융합학회논문지
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    • 제12권1호
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    • pp.225-230
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    • 2021
  • 현대의 주거단지는 공원을 비롯해 호수, 산책로 등 가족과 이웃의 다양한 만남과 소통의 장으로 활용되는데, 더불어 주거 공간에 조형물을 전시하는 것이 하나의 구성요소로 조성되고 있다. 연구자는 이러한 시대요구에 맞춰 주거 공간에 전시하는 조형물의 디자인 전개 방법을 연구하는 목적으로 연구를 진행하였다. 작가의 생각과 메시지를 조형물에 넣음과 함께 관람하는 사람들도 공감할 수 있는 조형물디자인 하기 위해 디자인과정에 비유법을 활용한 은유, 유추방법과 작가의 생각이 공유될 수 있도록 동물형상과 단순화된 디자인을 전개하고, 금속과 돌을 사용하여 조형물의 형태로 완성하였다. 이러한 디자인 조형연구를 통해 거주공간이라는 특수한 장소에 작가의 생각과 관람자 모두가 함께 공감할 수 있는 조형물을 완성할 수 있었으며, 조형물이 하나의 예술분야로서 특수한 장소에 다양한 시각적 요인인 비유적 시각화 방법을 통해 형태화할 수 있는 가능성을 알 수 있었으며, 향후 지속적인 연구로서, 다양한 비유의 시각적 조형화에 대한 연구가 요구된다.

현대 남성 패션 가방에 나타난 신해체주의 특성 -2019 S/S~2021 S/S 남성 컬렉션을 중심으로- (Characteristics of Neo-Deconstructivism in Modern Men's Fashion Bags -Focusing on the 2019 S/S~2021 S/S Men's Collection-)

  • 홍윤정;김리라
    • 패션비즈니스
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    • 제26권4호
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    • pp.32-51
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    • 2022
  • This study analyzed the characteristics and expression techniques of men's fashion bags and their aesthetic and formative values in modern men's fashion from the perspective of neo-deconstructivism. The study subjects were men's fashion bags appearing in four collections in Paris, Milan, London, and New York in the 2019 S/S-2021 S/S season. As a research method, the characteristics and expression techniques of the new disintegration of men's fashion bags were analyzed and categorized through prior research and literature research. The results of the study are as follows: First, the neoclassical characteristics of men's fashion bags caused 'Re-creation' to appear as the dissolution of the design principle and structure of the bag, and it was derived as 'decomposition of form' and 'decomposition of dress method'. Second, the 'Inclusive Diversity' of modern men's fashion bags of neo-deconstructivism appears in the form of gender demarcation and dissonance coordination. Third, 'Playfulness' in men's fashion bags involves the pursuit of fun through unconventional changes in the shape, size, and design of the bag, and it sometimes provides a fresh, new play experience through unpredictable design elements. Fourth, the 'Pursuit of new values' in male's fashion bags was a characteristic wherein the boundary between DIY attire and daily clothes and high fashion by the individual selection of consumers was blurred. This work is meaningful in that it conducted a basic study of men's fashion bags by examining the modern men's fashion bag from the perspective of the philosophical trend of neo-deconstructivism and categorizing its characteristics.