• 영어영문학
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• 제64권3호
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• pp.453-468
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• 2018

Nat Turner's rebellion in 1831 was considered pre Civil War South's most dreadful nightmare due to the merciless murder of white slave owner victims. The motive of vengeance has been emphasized as that of Turner's notorious black preacher religious fanaticism. However, the recent film, The Birth of a Nation (2016) directed by Nate Parker, utilized the identical title of a film (1915) directed by D. W. Griffith. Providing limited evidence, information about the rebellion in Thomas Gray's pamphlet The Confessions of Nat Turner (1831), was the only accessible historical source for the factual event of the slaves' rebellion. In addition, William Styron's The Confessions of Turner (1967), a fictionalized biography, also examined Turner's life in the harshness of slavery. Although these two texts deal with the personal level of Nat Turner's rage and religious enthusiasm, both provide only fractured parts of the motive of vengeance. Strikingly, Parker's film interrogates the ideology of "victims," as well as the hierarchical term of "confessions," with their different positions between whites and blacks. More specifically, Parker's film offers discursive fields of proslavery arguments regarding biblical interpretations in addition to external visualization of slaves' inner emotional lives. The film demonstrates how the institution of slavery allowed slaves to be exploited, beaten, raped, through interrogating the problematic image of the "contested hero" Nat Turner. In contrast to the traditional image of blacks' bloody rebellion, the film underlines the absurdity of certain Biblical misinterpretations. It furthermore implies how the 1915 film manipulated proslavery propaganda in America.

• 영어영문학
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• 제57권1호
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• pp.171-190
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• 2011

Shakespeare's plays deploy an interesting array of food signs in a way to illuminate the historical process of what Stephen Mennell has described as "the civilizing of appetite"-a process in which the changes of food choices and eating habits took place in response to the changes in people's way of life and personality structure over the long-term modern period since the middle ages. Shakespeare's plays suggest that the civilizing of appetite in early modern England was heavily affected by the forces of social mobility as well as the nascent market economy. The Capulets' costly preparation of Juliet's wedding banquet is a showcase of conspicuous consumption which was a structural necessity for the ruling class in Shakespeare's time. Some fifteen years later, the same kinds of foodstuffs are included in a shepherd's shopping list for the sheepshearing festival in Winter's Tale. This is a significant coincidence to prove that food was an important source of emulation and contest among different social classes; and that the rich diet of the upper class gave impetus to social mobility. The Elizabethan subjects, especially among the elite noblemen, were interpellated by the ideology of food that equated the quality of food and the eater's social identity. Faced with bankruptcy as a consequence of his extravagant consumption habit, Bassanio in The Merchant of Venice testifies to the gripping ideology of food onto early modern people, while Poor Tom in King Lear presents a comic parody of the rich people's conspicuous waste. Also in Coriolanus and The Merry Wives of Winsor, Shakespeare uses food as a metaphor for class-motivated social struggles.

• 영미문화
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• 제10권2호
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• pp.231-266
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• 2010

This paper explores hybridity and hybridized relations that see mixings and crossings as the first moment of multicultural society. References to hybridity often assume that the definition and orientation of the term are located within biology; that is, hybridity constitutes a mixing of two formally discrete objects. In this regard, there seems to be a dialectical preoccupation with purity that goes hand in hand with discussions of hybridity. This dialectical reference to hybridity privileges whole, complete entities as the original instance before mixing, and in this way purity becomes reified. My analysis of hybridity foregrounds mixings that occur at the level of the social, not exclusively at the level of the biological. Hybridity contexts the myth of monoculturalism in the United States and foregrounds multiculturalism as the initial context around which difference has begun to be conceived. In destabilizing the myth of racial origins, this paper attempts to establish a retroactive construction of purity, which is historically, ideologically, and ethnically examined in Gloria Anzaldua's Borderlands/ La Frontera: The New Mestiza. Through this work composed of disparate narratives discourses, Anzaldua employs physical differences to ward off the colonial desire that has defined others as objects which are to be controlled. In this regard, this paper pursues the way that physical differences could be repositioned in terms of 'hybridity' that has been related to the cultural, historical, economical significations of borderlands. The space of borderlands is also a place marked psychologically; it will turn differences mobilized in the borderland into an acute consciousness that makes us recognize 'otherness' within ourselves. In sum, this paper attempts to elaborate the productive and creative interactions among disparate languages, classes, genders, and ideas, which will draw attention to their own interlocking nature.

• 한국정보통신학회논문지
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• 제23권11호
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• pp.1321-1329
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• 2019

소셜 정보망의 발달로 마케팅의 방법도 다양하게 변화되고 있다. 기존의 유명인, 경제적 지원 기반의 성공적인 마케팅방법론과 달리, 최근 인플루언서 기반 유튜브 마케팅이 큰 대세를 이루고 있다. 본 논문 에서는 처음으로 유튜브 양적 정보 및 댓글분석 기반 다각도 질적 분석을 활용하여 54개 이상의 유튜브 채널에서 인플루언서 특징을 추출하고 대표적인 주제들을 모델링하여 개인 맞춤형 영상 만족도 극대화는 물론 기업체가 새로운 아이템을 마케팅 할 때 기존의 인플루언서 특징을 참고하여 새로운 아이템의 영상을 제작하고 배포함으로써 성공적인 홍보 효과를 누릴 수 있도록 보조 수단 제공을 목적으로 한다. 유튜브 채널 별 다양한 영상의 모든 댓글을 각 문서로 가정하고 TF-IDF 및 LDA알고리즘을 적용하여 성능 극대화 향상을 보였다.

• 영어영문학
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• 제53권2호
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• pp.307-333
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• 2007

When W. E. B. Du Bois says that "the problem of the twentieth century is the problem of the color line," such a statement clearly recognizes the significance of the issue of racial identity, a cultural phenomenon called 'passing.' Both Johnson in The Autobiography of an Ex-Colored Man and Larsen in Passing confront this issue. Both novels, using the metaphor of passing, not only trace the racial anxiety and race politics of the time but also expose the unstable landscape of the established social and cultural boundaries of racial identity. Mapping out multiple meanings and various dimensions of passing, this paper argues how Johnson's and Larsen's narratives display the ambivalence of color line while they at the same time complicate, problematize, and destabilize the mainstream racial boundaries and differences. It furthers to delineate how the two writers, with difference, deal with the problem of passing, the significance of racial identity, and black middle class values along with its intraracial differences. Rather than draw a clear definition of and a definitive closure on passing narrative, this paper focuses on its complexities and undecidability, challenging every dimension of its established significations. It also explores the complex dynamic between passing act and individual identity, for passing here is not just a racially signified term but extends its significance to the other factors of identity, such as class and even sexuality. Johnson and Larsen open up a site for a newly emergent, modern racial identity for black middle class in the twentieth century American urban spaces. Both writers, illuminating the subversive and slippery nature of language in their passing narrative, clearly herald new, different forms of Afro-American writings and themes for the different century they face.

• 영어영문학
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• 제55권5호
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• pp.865-883
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• 2009

The mock-heroic, "the single most characteristic and individual literary form of the neoclassical era," as Brean Hammond puts it, epitomizes the process of the "novelization" of the 18th-century British culture. Bakhtin mentions that when the novel reigns supreme, almost all the remaining genres are "novelized"; Hammond borrows the term "novelization" from Bakhtin and uses it as a "shorthand way of referring to the cultural forces that render epic anachronistic." Indebted to Hammond's apprehension of novelization, this paper reads Alexander Pope's Rape of the Lock in the context of novelization, particularly focusing on 'probability,' 'contemporaneity' and 'domesticity,' three important signatures of the novelization of the 18th-century British culture. First, Sylph as a counterpart of god in epic is presented in The Rape of the Lock just as a helpless, fictional and irrelevant thing that hardly affects the empirical world. It indicates how the mock-epic 'mocks' the classical world of 'epic' and stands closer to the world of the novel. Second, Pope's poem displays an accurate picture of the author's contemporary reality, a capital concern of the novel, such as imperialism, consumer society, commodity fetishism, or reification. Lastly, The Rape of the Lock lays out the construction of modern gender ideology, another quintessential interest of the novel, particularly with the fixed female image of a coquette. It efficiently silences and nullifies Belinda, a typical coquette, who stands as a threatening force to the ascendent domestic ideology.

• 정보화정책
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• 제24권2호
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• pp.68-86
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• 2017

본 연구는 한국정보화진흥원에서 주관하는 월드프렌즈 IT봉사단의 성과지표로서 단원들의 '역량(문제해결능력, 셀프리더쉽), 인성(자아효능감), 인적네트워크(문화 간 감수성)'의 변화와 개인별 특성에 따른 성과 차이를 알아보고자 2016년에 모집되어 개도국에 파견된 IT봉사단 364명을 대상으로 사전 검사, 봉사 활동 수행, 사후 검사를 실시하였다. 그리고 수집된 자료는 사전검사의 결과를 공변수로 하여 공분산분석(ANCOVA)으로 검증하였다. 그 결과, 단원들은 문제해결력, 셀프 리더쉽, 문화 간 감수성이 향상된 것으로 나타났다. 또한 개인적 특성별로 보면, 여학생이 남학생보다 문화 간 감수성이, 남학생이 여학생보다 자아효능감이, 영어의사소통능력이 높은 학생이 낮은 학생보다 문화 간 감수성과 셀프 리더쉽이 향상되었다. 또한 단기체류 유경험자가 무경험자보다 문제해결력과 문화 간 감수성이, 장기체류 유경험자가 무경험자보다 문화 간 감수성이 높아진 것으로 나타났다. 그리고 리더 역할을 담당한 단원이 팀원들보다 자아효능감이 향상되는 것으로 확인되었다.

• 한국지능시스템학회논문지
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• 제23권4호
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• pp.317-324
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• 2013

트위터 감성 분석은 트윗글의 감성을 긍정과 부정으로 분류하는 작업이다. 이 연구에서는 SentiWordNet(SWN) 감성 사전에 기반한 트윗글 감성 분석을 다룬다. SWN은 전체 영어 단어에 대해 단어의 의미별로 긍정, 부정의 감성 강도를 저장해 둔 감성 사전이다. 기존 SWN 기반 감성 분석 연구들은 문서에 출현하는 각 용어의 감성을 SWN으로부터 결정한 다음 이를 바탕으로 문서 전체의 감성을 결정하였는데, 그 방법들이 매우 다양하다. 예를 들어, 한 용어의 감성 결정 시 해당 용어의 SWN 내 의미별 긍정, 부정 감성 강도 차이들의 평균을 계산하거나 긍정과 부정 각각의 감성 강도 평균 혹은 최대값을 구하기도 하며, 문서 전체의 감성을 결정하는 경우에도 문서 내 용어들의 감성 값들에 대해 평균 혹은 최대값을 취하기도 하였다. 또한 SWN 내 형용사, 동사, 명사, 부사의 품사 집합 전체 혹은 특정 부분집합에 대해 위의 감성 결정 작업을 적용하기도 한다. 이처럼 기존 연구에서는 SWN 기반의 다양한 감성 자질 추출 절차가 시도되고 있으나 이들 자질 추출 기법 전반에 대한 성능 비교 연구는 찾기 힘들다. 이 연구에서는 SWN을 트위터 감성 분석에 활용하는 다양한 방법들을 일반화하는 절차들을 소개하고 각 방법들의 성능 비교 및 분석 결과를 제시한다.

• Perspectives in Nursing Science
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• 제1권1호
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• pp.85-102
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• 2004

Purpose: The purpose of this study was to identify the trend of nursing research by analyzing doctoral dissertations of nursing college at Seoul National University. Method: The doctoral dissertations used in this study were 69 thesis from 1989 to 2001. The methodological characteristics, theory, philosophy and world view in these thesis were explored. Key words were classified according to metaparadigm and were compared with MeSH term. Result: There were 54 dissertations of quantitative research and 12 dissertations of qualitative research. Most of subjects of the thesis were patients with 20~65 years old. The written consent to participate in research was not described in great part of thesis. As to measurement, questionnaire was most frequent used. In independent variables cognitive nursing interventions were used frequently. Psychosocial variables as a dependent variable were used mainly. In theory level of research, situation-producing research was performed. In type of nursing knowledge according to Caper many dissertations studied about empirical knowledge. More than half of doctoral dissertations used borrowed theory from nursing related disciplines. Most of studies were done within empirical positivism and organic viewpoint. Key words related to the concept of environment among four metaparadigm has been insufficiently studied. English key words in doctoral thesis were out of accordance largely with MeSH term English. Conclusion: These results show that it is necessary to develop the nursing theory for nursing knowledge body.

• 대한치과보철학회지
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• 제62권3호
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• pp.183-192
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• 2024

목적: 본 연구는 두 가지 언어(한국어, 영어)로 검색한 임플란트 피개의치에 관한 유튜브 영상의 신뢰도와 정보의 질을 평가하고자 하였다. 재료 및 방법: 온라인 영상 공유 플랫폼인 유튜브(YouTube)에서 두 가지 검색어(임플란트 틀니, implant overdenture)로 임플란트 피개의치와 관련된 영상을 검색하였고, 검색어 당 60개씩 총 120개 영상을 선정하였다. 주제 영역, DISCERN 도구, JAMA 척도를 이용하여 선정된 영상의 신뢰도와 정보의 질을 평가하였다. 통계 분석을 위해 Mann-Whitney U test와 Kruskal-Wallis test를 실시하였다. 결과: 총 120개 영상 중 78개(65.0%) 영상의 주제 영역 점수가 '나쁨'에 해당하였으며, 104.5개(87.1%) 영상의 DISCERN 점수가 '매우 나쁨'과 '나쁨'에 해당하였다. 한국어 영상의 주제 영역 점수, DISCERN 점수가 영어 영상보다 유의하게 높았다 (P < .05). JAMA 척도의 권한 항목에 충족하는 한국어 영상은 3.5개, 영어 영상은 4개였다. 결론: 임플란트 피개의치에 관한 유튜브 영상의 신뢰도와 정보의 질은 낮았다.