• 제목/요약/키워드: Decoration art

검색결과 132건 처리시간 0.024초

감잎 분말 첨가 비율에 따른 스펀지 케이크의 품질 특성 (Quality Characteristics of Sponge Cakes Occurred with Percentages of Persimmon Leaves Powder Added)

  • 최길용;김현덕;배종호
    • 한국조리학회지
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    • 제13권4호
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    • pp.269-278
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    • 2007
  • The purpose of this study was to investigate the taste and quality of persimmon leaves cakes with different-ly added(0, 4, 8, 12, 16%) persimmon leaves powder. The findings of this study were as follows; First, the proximate composition contents of persimmon leaves powder were analyzed as composed of 6.30% moisture, 19.20% crude protein, 2.80% crude fat, 18.93% crude ash, and 35.91% dietary fiber. Second, the specific gravity of sponge cakes was significantly increased with the amount of persimmon leaves powder added. As added percentage of persimmon leaves powder increased, L and b values were decreased and the color value was increased. Third, specific loaf volume was decreased as the percentage of persimmon leaves powder added increased. There was no significant difference in terms of baking loss percentage. Fourth, hardness and gumminess was increased as the percentage of persimmon leaves powder added increased in terms of textural characteristics. There was no significant difference of cohesiveness and springiness among samples. Fifth, the group of eight percent persimmon leaves powder added has the highest in color, flavor, taste, texture, and overall acceptance in sensory evaluation results. In conclusion, the sample group with 8 percent persimmon leaves powder added gave the best taste and quality to sponge cakes in this study.

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경남 지역의 반닫이에 관한 연구 (A Study on Bandage, Chests with Half-opened Doors, in Gyeongnam Province)

  • 김동귀
    • 한국가구학회지
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    • 제28권3호
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    • pp.169-184
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    • 2017
  • The purpose of this study is to understand the characteristics of the common people and the furniture they used and to investigate the general characteristics of traditional Korean culture in the late Chosun Dynasty in order to study the Characteristics of Bandagein Gyeongnam province. Local characteristics of the Bandaji were examined through comparing local style of Folk Houses Interior space composition and the utilization Bandaji of that space through the case study and literature review. Bandagein Gyeongnam province are classified as Tongyeong, Jinju, Miryang, Namhae, Yangsan, Gimhae. The height of Bandaji is relatively lower than in other provinces, the metal ornaments are simple, and the wood pattern is used to show simple and natural beauty. As a characteristic of metal decoration, Bandaji of Miryang have a lot of openwork decoration, Bandaji in Jinju have a cicada hinge and a decorative iron hook, Bandaji in Namhae have a peak of a lotus flowers shaped hinge and Ying-yang/ number pattern on openwork facet and Bandajji in Yangsan have a Violin hinge and Bandajji in Gimhae have emphasized ornamental features by using a rivet and lock made of tin and the cast iron.

식음 테이블 데커레이션에 대한 선호 분석에 관한 연구 - 전시공간의 화예디자인을 중심으로 - (A Study on Preference Analysis on Eating/Drinking Table Decoration - Centering on Floral Art & Design on display space -)

  • 양종열;홍정표;김태호;장영순
    • 감성과학
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    • 제8권3호
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    • pp.291-301
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    • 2005
  • 본 연구에서는 작가의 개념과 계획에 의한 주관적 연출로 대부분 이루어지는 식음 테이블 데커레이션에 대한 작가와 관람자 상호 호응의 관계를 형성하기 위한 유도로서 관람자의 선호요인, 즉 선호 디자인, 디자인이미지, 디자인요소 간의 인과관계를 파악하고자 한다. 이를 위한 실증연구로 off-line의 대인 면접에 의한 일대일로 설문 조사하여 필요한 정보를 획득하여, 분석하였으며, 그 결과는 아래와 같다. 식음 테이블 데커레이션의 관람자 선호도에 대한 조사 분석으로는 조화로운, 따뜻한, 여성적인의 디자인 이미지의 유사색 조화가 선호되었다 디자인 선호도와 상관관계가 높은 이미지 형용사는 '조화로운과 조화롭지 않은'으로, '조화로운'의 디자인 요소는 유사 색 조화로 '조화롭지 않은'은 혼합 색 조화로 나타났다 따라서 '색채'가 선호 디자인 요소로서 가장 중요하게 부각되었다.

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자생식물의 국내 유통 현황 및 화훼 장식 활용 실태 분석 (Analyze the Status of Native Plants in Korea Flower Market and Uses of Floral Decoration)

  • 정유경;김윤진
    • 한국화예디자인학연구
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    • 제40호
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    • pp.77-96
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    • 2019
  • 본 연구는 자생식물의 화훼시장 유통 현황 및 화훼 장식에서의 활용 현황을 파악하기 위해 수행되었다. 화훼시장(2017.01-2017.12)에 판매되는 자생식물 및 월별 판매 현황을 조사했다. 또한, 화훼 잡지 'Fleur'와 'The Flower'에 수록된 작품의 자생식물 사용 현황, 형태별 분류에 따른 활용 빈도, 색채 분석을 수행했다. 화훼시장에 유통되고 있는 절화 172종 가운데 자생식물은 24종(14.0%)에 불과한 것으로 나타났다. 형태별로는 필러 플라워가 15종으로 다른 형태에 비해 많은 수가 유통되고 있었다. 화훼 잡지 'Fleur'와'The Flower'에 사용된 자생식물은 각각 14종(10.2%)과 17종(9.6%)으로 외래식물에 비해 자생식물의 쓰임이 적음을 알 수 있었다. 형태별로는 두 잡지 모두 필러 플라워의 수가 가장 많았으나 'Fleur'에서는 폼 플라워(299작품), 'The Flower'에서는 매스 플라워(571작품)가 많은 활용 빈도를 나타냈다. 화훼 장식에 사용된 자생식물의 색채 분석 결과 P(보라), PB(남색), RP(자주) 계열이 전체의 57%로 나타났다. 따라서 활용도가 높은 형태인 폼·매스 플라워와 사람들의 선호가 높은 색상의 자생식물을 개발한다면 선호 및 소비 증대가 가능할 것으로 보인다.

모로코인(人)의 장신구(裝身具)와 화장(化粧)에 관(關)한 연구(硏究) (A Study of the Personal Ornaments and Make-up of Maroccan)

  • 이순홍
    • 패션비즈니스
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    • 제5권2호
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    • pp.15-34
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    • 2001
  • Ornaments are accessories for the decoration of the body or dress. They aren't unavoidably required one, but serve to make one's dress perfect as decorative industrial art objects. In Morocco, ornaments were initially used as a sign of social position or the class or an incantatory symbol. In effect, they were originally employed to adjust one's dress, not just for decoration, and they were of use for household economy. Gold, silver and handcraft available for exchange were a means of increasing one's property and an indication of social standing and wealth. In particular, the dress and jewelry of a bride was a measure of her family's wealth, regarded as a symbol of her chastity and value. The ornaments symbolically back up people's faith in supernatural power, and their real value is based on implicit form or way of decoration, not the external shape. Specifically, there is a tendency to use the form of animal as a protector, not one to frighten people. In the artistic tradition of Morocco, fish pattern stands for water and rain, and eagle and bird are considered to be related to fate. Scorpion and lizard are depicted as an inquirer of sun, and snake is a symbol of abundance and sexual instinct, being viewed to have an ability to cure disease. Turtle pattern is a symbol of saint because it protects one from the evil. The ornaments are made of gold, silver, amber, clam, garnet, glass, nielle, enamel, glaze, coral or tree, and symbolic patterns are used, including hand(a symbol of five numerals), turtle, lizard, scorpion, eye, triangle, bird and eggs. They are very big and diverse, being categorized into ornaments for the head or the chest, neckless, fibula, earring, bracelet and ring. For Moroccans, make-up is a sort of instinctive behavior to meet aesthetic and sexual desire. They also wear make-up for practical purpose of protection, intentionally inflict a wound on the skin for ceremonial or religious purpose, paint the skin with pigment, or have the part of the body tattooed for incantatory purpose. All this actions are regarded as make-up. The raw material of cosmetics is aker, a vegetable dye. They get the lips or cheeks turn red and paint eyebrows with yellow saffran powder to have a bad devil lose its strength. Tattooing is mainly done by women and viewed as a sign of their value or social organization they belong to. Sometimes that is used to represent a woman's being old enough to marry or getting married already or the frequency of marriage. Besides, tattoo is believed to prevent or remedy loose bowels or cough, depending on its location or pattern, and they often change tattoo according to the change of beauty art.

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조선시대 전통 화훼장식의 디자인 형태 분석에 관한 연구 - 표현기법을 중심으로 - (A Study on Design Analysis of Traditional Flower Design in the Joseon Dynasty Period: Focused on Expression Technique)

  • 이경숙;오욱
    • 한국화예디자인학연구
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    • 제45호
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    • pp.13-29
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    • 2021
  • 우리나라 전통 화훼장식의 기술 체계는 과거로부터 현대로 그 맥이 이어졌을 것이라는 인식 아래, 이 연구에서는 조선시대 화훼장식에서 디자인 형태의 유형을 추출하여 표현기법을 분석하고 현대의 전통 화훼장식과의 연관성을 규명하고자 하였다. 그 결과, 조선시대화훼장식 작품들은 대부분 중앙 출발점에 1개 초점(1점 출발)을 주로 표현하였다. 중심가지선은 주로 1개 사용하였고, 밑받침 소재로는 주로 절엽을 사용하였다. 현대 화훼장식에서도 1개의 중앙 출발점, 잎 소재의 밑받침이 주로 사용되고 있어 조선시대와 흡사하다. 표현기법별 사용 빈도를 보면, 줄기를 그대로 노출시킨 줄기 노출 기법의 빈도가 가장 많았고, 모든 기법에서 절화와 절지가 비슷한 빈도로 사용되었다. 사용된 식물성 소재로는 꽃을 이용하는 절화와 선의 표현할 수 있는 절지가 주로 사용되었다. 그 외에 깃털, 부채, 붓 등의 비식물성 소재도 장식에 이용되었다. 결론적으로, 우리나라 전통 화훼장식은 표현기법 측면에서 이미 조선시대에 체계적으로 정립되어 높은 수준의 화훼장식품이 제작되었다는 것을 알 수 있다. 향후 우리 화훼장식의 역사를 좀 더 다양한 방법으로 연구하고 역사적 전통을 살려가면서 현대의 화훼장식을 발전시켜 나가는 노력이 필요할 것이다.

고인의 사회적 신분에 따른 장례 제단 꽃 장식 디자인에 관한 연구 (A Study on the Design of Flower Decoration at the Funeral Altar according to the Social Status of the Deceased)

  • 예언경;정준현
    • 한국화예디자인학연구
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    • 제40호
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    • pp.25-43
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    • 2019
  • 고인의 사회적 신분에 따라 다양한 제단 꽃 장식을 연출하여 조문객과 남은 유가족의 심리적 충격과 아픔을 위로하고 고인의 삶을 아름답게 추억하도록 연출하는 것이 장례 제단 꽃 장식의 목적이다. 본 연구에서는 2017년 공정거래위원회가 선정한 우리나라 우수 상조 업체 5개사와 일본을 대표하는 상조업체 5개사의 장례 제단 꽃 장식 유형을 조사하고, 일본과 한국의 장례 제단 꽃 장식 유형을 비교 분석하여 우리나라 장례 제단 꽃 장식의 문제점을 파악하고, 연령대별 설문조사를 통하여 소비자들의 선호도를 조사하였다. 설문조사결과 전 연령대 대부분이 고인의 직업에 따른 장례 제단 꽃 장식에 대하여 긍정적인 결과가 집계 되었고, 이는 소비자들이 상조회사 상품에 구성된 제단 꽃 장식에 대한 변화를 요구하고 있음을 알 수 있다. 또한 설문조사결과 소비자들 대부분이 고인의 직업과 취미, 취향에 따른 제단 꽃 장식과 자연의 풍경을 입체적으로 연출한 제단 꽃 장식을 선호하고 있음을 알 수 있다.

인도의 전통자수 MIRROR WORK에 관한 연구 (A Study on India's Traditional Embroidery, Mirror Work)

  • 한연희
    • 한국의상디자인학회지
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    • 제13권1호
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    • pp.99-112
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    • 2011
  • The purpose of this research is to study India's traditional embroidery method, Mirror Work, and to evaluate the examples of contemporary costumes as well as the applications of art to clothing that have been influenced by this technique, in order to expand its usage for creation of a new fashion image. Research in the literature and application of works related to Mirror Work have demonstrated: First of all, as a traditional embroidery method that represents the folk art of India, Mirror Work displays unique methods used in different regions and the way that various methods and materials were combined by the use of mirrors, beads, and $appliqu{\acute{e}}$. Secondly, it was found that the presentation of Mirror Work in the $pr{\hat{e}}t$-a-porte collection is based on a traditional embroidery method using both developed materials and adapted methods to express traditional reproducibility, geometric simplicity, and aesthetic characteristics of complex decorations. Thirdly, new plasticity for art to wear clothing can be created through various methods aside from embroidery, for example by a technique of wrapping crochet laces and tapes around the mirror for decorative purposes. Based on these results it can be inferred that, from the perspective of multiple forms for decorations, Mirror Work shares multiple forms of personal aesthetic goals through the mirror's unique quality for expression and enhanced images of artistic decorative art. Also, the introduction of traditional materials and methods for today's folk art and traditional costumes can be the subject of unique aesthetic characteristics based on different perspectives of the recreation of tradition. Finally, it can further create a new plasticity within the globalization phenomena.

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1980년대 패션에 나타난 텍스타일의 경향과 특징에 관한 연구 (A Study on Fashion Textile Trend and Characteristics in the 1980s)

  • 염혜정
    • 복식
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    • 제41권
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    • pp.117-138
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    • 1998
  • This study can be divied into three major sections: 1. Background on the 1980s : The 1980s can be characterized as a era of rising expectations over the quality of life. Interest in art, history, culture, and new technology increased to appeal to a greater audience. In fashion, these changes led to greater focus on quality and unique stylishness as fashion represented a medium through which luxury and refined tastes could be expressed. 2. Textile Trends of the 80s Divided into 4 Periods : The period of 1980-82 saw the mixture of natural lines with constructive lines. The textiles used in fashions in this period can be characterized by natural materials, mannish materials of the 1950s, feminine materials of the 1920s and 30s, and spoty materials of the 1960s. The period of 1983-85 was an avante garde period which used rustic avante-garde materials and art craft materials. The period of 1986-87 can be described as minimalistic and neo-classical which incorporated materials which represents a metropolitan feel, retro decorative materials and sporty, futuristic mat-erials. Lastly, the period of 1988-89 produced ethnic and natural fashions which relied on traditional British materials, country elegant and innocent look fabrics, ethinic and ecology-minded materials, in addition to comfortable and sports casual materials. 3. Characteristrics and methods of expression for textiles in the 1980s, : In the 1980s, the development of textiles have can be divided into 4 distinct patterns: decorative materials, sporty materials. In generals textiles have increased in their decorative nature-especially decoration by texure. Textile have also incorporated the mixture of contrasting themes in order to create new fabrics.

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가구디자인에서 3D Printer의 활용 현황에 관한 연구 (A Study on the Status of the 3D Printer in Furniture Design)

  • 강현대
    • 한국가구학회지
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    • 제26권4호
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    • pp.383-391
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    • 2015
  • In recent years the industry has utilized some of the 3D printers in the manufacturing process a trend which spread also a personal desktop 3D printer priced. The 3D printer can create the 3D object by using an ink or a laser instead of the powders, and various liquid plastic material. Properties of 3D printers are liquid, solid, powder and raw materials are also classified as varied. New ideas and processes in the form of designer furniture, becoming increasingly evolved through the development of materials and technologies. Science, art and technology combine to create a new aesthetic for the complex and free binding structure is a combination of design and materials are available in craft and the structure appears not showing. 3D scanning was not simply continue to develop as the production process by a variety of tools and content transformation. Create new mathematical tables and chairs designed by the theory fit the digital age shows a coupling structure with decoration into small pieces. It has created a new craft technique in the digital age.