• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2002년도 가을학술발표대회 디자인학 연구
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• pp.40-41
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• 2002

• 한국실내디자인학회논문집
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• 제34호
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• pp.3-9
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• 2002

Entering into the 21st century, digital culture and the innovation of media technology have drastically changed our understanding of the concept of space. Increased availability of information made possible by technological advancement has, directly or indirectly, contributed to the development of space design, which, in turn, offers a possibility for a new paradigm in space design. Given these fundamental changes, this study seeks to explore how to understand the expansion of the concept of space. In order to answer this question, this study investigates de-materialization tendency in modern architectural design such as transparency, anti-gravity, complexity and simultaneity of space. It examines the interaction-oriented nature of space among human, information and time. Finally, based on concepts such as new hyper-surface, which transcend the limitations of space and time, it explores new emerging trends in space design.

• 한국언론정보학보
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• 제49권
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• pp.5-19
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• 2010

이 논문에서는 벤야민과 맥클루언의 복제와 전기라는 두 가지 개념을 토대로 하여 디지털 복제 시대 지식의 위상과 성격을 밝히고자 하였다. 복제와 전기는 디지털 시대 지식의 탈물질화를 해명하는 실마리이다. 탈물질화는 디지털 시대 지식의 기술적 조건으로서 그것이 갖는 현상 형태에 대한 이해의 실마리를 제공한다. 이 논문은 디지털 복제 시대의 변화된 기술적 사회적 조건이 무엇인지 분석하고, 그런 조건에서 지식이 어떤 모습을 갖게 되는가를 검토한다. 이를 위하여 기계 복제, 전자 복제, 디지털 복제의 차이점을 정보, 미디어, 지식의 상호관련 속에서 분석하였다. 이러한 연구의 의미는 디지털 복제 시대의 지식이 처한 기술적 사회적 조건을 밝힘으로써 향후 이에 대한 본격적인 논의의 출발점을 마련하는 데 있다.

• 한국실내디자인학회논문집
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• 제19권1호
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• pp.121-127
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• 2010

Technological development are now encouraging new concepts in various fields of design, including material applications. Metal can be considered as the major material that represents modern design and technology since the industrial revolution. The objective of this study was to understand characteristics of metal as design material and various application methods in interior design. This study first examined basic qualities of metal and its history used in architectural design. Secondly, based on three qualities of metal such as physical, chemical, and mechanical the authors have analyzed projects built within recent 10 years regarding aspects of metal qualities, treatments. As results projects that uses a combination of two or more qualities and treatment seem to have a more interesting affects in interior space. Moreover, each affects are related to these four design keyword: visual distortion, de-materialization, hi-technology, and time-concept. The framework developed is hopes to be used as a basic design guideline, where metal is considered not just as a mere interior finish material but as a major creative source and inspiration in interior design.

• 한국디지털건축인테리어학회논문집
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• 제8권1호
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• pp.65-74
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• 2008

Light creates ambiance that affects our impression of space. Before the modern age, the role of light is a religious factor and a primitive state to see. In the modern space design, light is used to achieve the continuous transformation and translation of building's image. Ever-changing space is a flexible corresponding of space to its environment, caused by certain dynamic light. The space turn into some other thing from what it was before, or just changing its character. approaching men and society with different meanings. The purpose of this study is to explore the relation between light(natural and artificial) and ever-changing space through the case study. The impacts of light on ever-changing in today's space design can be summarized as follows. 1) Materialization of light in space design. Nowadays light becomes a form itself. The geometric properties of the space form playa secondary role as compared to the importance assigned to light. 2) Pixelization of space by a light effect. The impacts of digital technology on the space design have come through enhancing the 'pixelization' of the surface from which buildings are made their responsiveness and adaptability to changing needs. The surface with ever-changing lights that blur the boundary of space and expand the image of space.

• 한국의상디자인학회지
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• 제13권3호
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• pp.55-67
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• 2011

The purpose of this study is exploring the expressional characteristics of organic fashion design different from the past by analyzing the expressional characteristics of organic fashion design dependent on the digital paradigm and simultaneously suggesting the theoretical data required to understand the changing trend of organic design in relation to the paradigm of the age. The results of the research is as follows; The expressional characteristics of organic fashion design according to the digital age appeared to have same aspects. Pluralism respecting multi-culture, hybrid of multi-meaning image, circulation that can consistently circulated, non-hierarchical post-structure, de-boundary through dissolution of genres, digital nomad considering mobility, human centered through significant sensitivity, de-materialization of assimilation between reality and non-reality, conceptualization given the concept of designer, technology combining with digital technology. This study found that organic fashion design in the digital age has the same conceptual context as periodical paradigm freely circulating consistently by organically combining each individual. This can be understood as the trend of design implied in conceptual context that organic fashion design requires periodical paradigm.

• 한국지하수토양환경학회지:지하수토양환경
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• 제16권6호
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• pp.1-9
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• 2011

A bibliographical review of Gy sampling theory for particulate materials was conducted to provide readers with useful means to reduce errors in soil contamination investigation. According to the Gy theory, the errors caused by the heterogeneous nature of soil include; the fundamental error (FE) caused by physical and chemical constitutional heterogeneity, the grouping and segregation error (GE) aroused from gravitational force, long-range heterogeneous fluctuation error ($CE_2$), the periodic heterogeneity fluctuation error ($CE_3$), and the materialization error (ME) generated during physical process of sample treatment. However, the accurate estimation of $CE_2$ and $CE_3$ cannot be estimated easily and only increasing sampling locations can reduce the magnitude of the errors. In addition, incremental sampling is the only method to reduce GE while grab sampling should be avoided as it introduces uncertainty and errors to the sampling process. Correct preparation and operation of sampling tools are important factors in reducing the incremental delimitation error (DE) and extraction error (EE) which are resulted from physical processes in the sampling. Therefore, Gy sampling theory can be used efficiently in planning a strategy for soil investigations of non-volatile and non-reactive samples.

• 한국과학예술포럼
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• 제20권
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• pp.315-326
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• 2015

본 연구는 현대 철학과 예술, 문화 전반에 영향을 준현대 미학의 메타 담론중 하나인 미장아빔 기법의 개념과 특성이 현대건축에서 어떠한 방식으로 표현되어지는지에 대한 의구심으로부터 시작하였다. 미장아빔은 소설가 앙드레 지드의 소설에서 처음 도입된 이 후 누보로망 작가들에 의해 주로 사용되진 기법이다. 이는 동 시대 예술 전반에 확대 적용된 예술표현 기법이자 포스트모더니즘 이 후의 예술에 있어서 필수적으로 등장하는 메타 담론이다. 두 개의 거울 사이에 상이 끝없이 맺히는 것을 의미하는 미장아빔은 그 당시 활동하던 들뢰즈, 데리다와 같은 다양한 철학가들의 담론과 연관을 맺었다. 또한 그들의 철학에 영향을 받은 현대 건축가들에 의해서 건축이라는 언어로 표현되었다. 이러한 맥락에서 예술에서 주로 사용되는 미장아빔 기법과 건축가의 공간표현 방식간의 연계성을 가진다. 본 연구는 미장아빔 기법과 현대 건축표현 방식 간의 연계성을 기반으로 현대건축 표현 방식에서 나타나는 미장아빔적 특성에 대하여 고찰해 보았다. 또한 이를 바탕으로 비 물질화와 특이성을 건축적 언어로 사용하는 장누벨의 건축 작품을 분석하였다. 건축에서 미장아빔기법의 표현 특성은 건축물의 외관을 구성하는 표피의 소재에 의해 구현되거나 반영과 그래픽적 요소를 활용에서 표현됨을 연구를 통해 확인할 수 있었다. 본 연구를 통하여 비록 미장아빔을 표현하는 수단이 다르고 분야가 다르지만 근본이 되는 개념이 가지는 특성을 서로 공유하고 있다는 것을 분석을 통하여 확인하는 기회를 가졌다. 또한 특정한 주류가 없는 현대에 현대건축을 이해하는 하나의 척도로써 미장아빔 기법이 가지는 의의를 생각해보는 기회를 가졌다.