• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2014년도 추계 종합학술대회 논문집
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• pp.359-360
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• 2014

관광산업은 지역발전전략에서 최우선과제로 꼽히고 있다. 전주시의 경우 한옥마을이 크게 성공했지만 최근 한옥마을 위기설 등 많은 관광객의 방문에 따른 부작용이 심각하다. 따라서 지역관광산업의 활성화를 지속하기 위해서는 새로운 관광콘텐츠의 개발이 필요하다.이를 위한 방법론으로 먼저 최근 문화관광트렌드와 문화관광수요의 변화요인을 살펴보고 이러한 변화요인으로부터 전주시 문화관광콘텐츠 기획을 위한 검토요인들을 도출하였다. 그리고 이러한 검토요인에 따라 새로운 문화관광콘텐츠를 기획하기 위해서는 어떤 전략이 필요한지를 제안하였다.

• 한국실내디자인학회논문집
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• 제24권6호
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• pp.68-78
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• 2015

The servicescape of a design hotel means the physical environment in which a service is produced and consumed. Servicescape refers to the comprehensive physical environment perceived by users and is composed of physical elements such as ambient conditions, space, function, signs, symbols and artifacts. For a successful operation of a design hotel, it is necessary to investigate the design hotel's servicescape types according to characteristics of design hotel's servicescape to provide various servicescape. The purpose of this study is to classify the types of servicescape on design hotel and analyze characteristics through the case study. A case study on Europe's design hotels to find various servicescape design methods was conducted. According to characteristics of design hotel the types, it is also categorized into four different types: history/tradition, art/culture, collaboration, locality. The case study demonstrated that European design hotels were making many efforts for their uniqueness and differentiation by considering the cultural and historical characteristics of their city and providing art and cultural space for their community. Design hotels in Korea should not only provide visitors with opportunities to have special experience through the nation's own culture and history but also serve as a place of community activities.

• 농촌지도와개발
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• 제8권2호
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• pp.285-298
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• 2001

Rural youth welfare was defined to provide the preventive services as well as the protective and curative services such as education, job training, youth activity, delinquency prevention, etc. for rural youth who live in rural society, including who go out to metropolitan city for study. Based on this concept, the rural youth related facilities and problems were investigated in the area of education, culture and leisure, career, and problematic behavior. The results were identified that the efforts of government and rural related institutions were in sufficient to establish and improve the facilities for rural youth, and the gap between rural and urban youth facilities was extended increasingly, in spite of seriousness of those rural youth problems. Some of policies and programs were proposed in order to improve rural youth welfare; 1) To establish at least one activity facility in every Eup ; 2) To convert the public culture facilities such as museums, fine art museums, exhibition facilities, etc. into the culture and art facilities for rural youth; 3) To establish rural youth job information center in the agricultural technology and extension center; 4) To convert school to rural youth education and cultural center; 5) To establish the comprehensive welfare facilities for rural youth in metropolitan city.

• 비교문화연구
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• 제29권
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• pp.133-152
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• 2012

Franciso Ayala's narrative work was published in the collection "Nova novorum" (1926-1929) of Revista de Occidente, founded by $Jos{\acute{e}}$ Ortega y Gasset. The author of Cazador en el alba was well aware of the avant-garde aesthetics and hence he put into practice an artistic rupture of the traditional narrative forms of Realism. The work consists of two short stories: "Cazador en el alba" and "Erika ante el invierno". The use of metaphor, Francisco Ayala's preferred literary device (which Ortega y Gasset already emphasized in The Dehumanization of Art), reveals the influence of $Ram{\acute{o}}n$ $G{\acute{o}}mez$ de la Serna's Aphorisms. Through a metaphoric language, "Cazador en el alba" describes the life of Antonio, a soldier and peasant, who visits Madrid and confronts the urban reality of the metropolis. "Erika ante el invierno" portrays with a singular depth the solitude of a woman living in another metropolis, Berlin. The author confessed that he wrote both short stories influenced by the European avant-garde and its use of poetic imagery and metaphor, common practice at that time. However, the main purpose of this article is to reflect upon the society of the first decades of the $20^{th}$ Century: the city, the people and their lives, the societal changes, as well as the innovative perspective of the new art.

• 한국실내디자인학회논문집
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• 제15권1호
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• pp.47-54
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• 2006

Stages, in the theatrical spaces, were space, which incorporates aspects of cities. Hence, the stages have been constituted to materialize sequence of city, which has exact number, proportion and order of ideal city. In addition, it has accomplished change, which depends on type of performance with the social condition and culture of generation, city has. However, the original form of theatrical space were forgotten on account of the various changes of theatrical form with modem movement since the end of 19th century, and theatrical space, which does not relate with its space of city, was started to constitute. Particularly in contemporary society, the theatre can give vitality to the citizens, and also theatrical architecture as a commercial code has been a general form, though it takes important role, which improves cultural value with technical improvement of cities development of society. Thus, this study analyzed urbanity ,which theatres have incorporated historically, and deduced a correlativity from to be based on constitution of space in visual, perceptual, spatial constitution and functional role. Focused on published SPAC international competition, it was interpreted by contemporary focus, therefore, this experiment suggests constitution of theatrical spaces of information, takes urbanity, through to analyze visual, perceptual, spatial constitution and functional role in context of contemporary city.

• Journal of Multimedia Information System
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• 제4권2호
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• pp.83-88
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• 2017

The era of the fourth industrial revolution, which will bring about a great wave of change in the 21st century, is the age of super-connection that links humans to humans, objects to objects, and humans to objects. In the smart city and the smart space which are evolving further, emotional engineering is a field of interdisciplinary researches that still attract attention with the development of technology. This paper proposes an emotional object prototype as a possibility of emotional interaction in the relation between human and object. By suggesting emotional objects that produce color changes and movements through the emotional interactions between humans and objects against the current social issue-loneliness of modern people, we have approached the influence of our lives in the relation with objects. It is expected that emotional objects that are approached from the fundamental view will be able to be in our lives as a viable cultural intermediary in our future living space.

• 한국과학예술포럼
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• 제22권
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• pp.393-402
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• 2015

This study investigated Seoul's image as a tourism destination that Chinese tourists perceived, taking advantage of Chinese Social Media "Renren". The study used visual method (V-method) to collect images and analyzed them in terms of convergent disciplinary approach. It searched Chinese word, "首爾", in Renren social network. 526 Seoul's photos were collected from 129 users' mini-homepage. Destination planners and marketers should understand how the Chinese tourists perceive the Seoul's image and recognize the contribution factors to representations of the city. It is recommended that more cultural experience should be offered to Chinese tourists.

• 한국실내디자인학회논문집
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• 제25권6호
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• pp.127-138
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• 2016

As the dark side of society, Idle spaces, which occurred with the paradigm change due to rapid modernization and industralization, has been existing as a severed part in cities. But with the periodic change, interest in the existing place and regional regeneration, and the necessity of reconsidering about the idle spaces values of space, city environment, socio-culture, and economy was proposed. I estimated that the change of relational aesthetics aspect of modern arts resulted in the consideration of recognizing 'place' of art, through the study, it was revealed that the form of modern arts and change of enjoyment were related to space, and the fact that this had a relation with the rise of artistic regeneration of idle spaces. mutually communicative relationship formation and practical form of arts was deducted through the interpretation of relational aesthetics, Idle spaces and artistic regeneration space can be categorized into forms of experiential space, creative space, and cultural space, depending on the formation of relationship between author-art-audience. Through the comprehensive analysis, Artistic regeneration space by relationship formation is Vitalization of various forms of art and participation program eliminates the boundary between creation and enjoyment, and the space itself can be said to contain extensive, integral, and nonterritorialization meaning as a place of experiencing art. In other words, Artistic regeneration space of idle spaces forms a close relationship with the local society, and is placed within the context of daily domain as an open space, straying off from the existing separative and closed artistic space configuration. and artistic changeover of idle spaces is not only the appearance of space that simply fulfills function according to transfiguration of modern art, but signifies that art is coexisting with space as an indivisible relationship, and can be said to be the foothold of new relationship creation as the practical 'place' of art.

• 헤리티지:역사와 과학
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• 제52권1호
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• pp.90-119
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• 2019

본 논문은 북한산 불교 석조미술이 북한산이라는 문화 영역에서 갖는 의의를 밝히기 위한 것이다. 북한산은 불교가 전래된 이후부터 불교문화가 성행했으며 삼국시대부터 조선시대까지 꾸준히 사찰이 건립된 불교문화의 중심지였다. 조선 후기 북한산 승영사찰(僧營寺刹)의 건립은 기본적으로 신앙 기도처로서 사찰의 기능을 가졌지만 북한산성 축성이 중요 배경으로 작용한 만큼 북한산의 지정학적 위치, 교통로, 관방체계와도 밀접한 연관을 갖는다는 점이 매우 주목되는 북한산 불교문화의 특징이다. 북한산 불교 석조미술을 유형별로 살펴보면 석조부도, 석탑, 마애불, 석불, 탑비(석비), 석등, 당간지주, 마애사리탑 등으로 구분되는데 비교적 다양한 유형이 남아 있다. 시대별 특징은 신라 불교미술이 경기지역까지 확산되었음을 보여주며 고려 전기와 조선 후기에 석조미술이 가장 많이 조성되었다는 것이다. 고려시대부터 북한산 일원 사찰은 왕실 원찰로 왕실과 밀접한 관계를 유지했으며 조선 후기에는 북한산성 축성이 불교 석조미술 증가에 가장 중요한 계기로 작용하였다. 분포 현황을 보면 통일신라 석조미술은 남쪽에서부터 등장하며 고려 전기까지는 북한산 서쪽에 주로 조성되었다. 고려 후기부터 조선 후기까지는 북한산 동쪽지역에 다수 조성되었음을 확인하였다. 이는 초기에 한강을 이용해 서해안 방향으로 진출하고자 했던 신라의 군사적 목적과 조선 후기 북한산성 축성에 따른 도성 방어 목적으로 변화하면서 북한산의 중심 사찰도 변화했던 것으로 추정된다. 마지막으로 북한산 불교 석조미술은 불교 도입 이래 다양한 유형이 꾸준히 조성되었으며 그 중에서도 새로운 도상과 유형이 등장하고 사례가 많지 않은 특징적인 양식이 등장한다는 점, 고려 후기와 조선 후기 분사리 부도의 건립, 조선 후기 불교신앙 흐름의 반영이라는 점에서 미술사적 의의와 가치가 매우 높다.

• 한국과학예술포럼
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• 제19권
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• pp.243-257
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• 2015

최근 문화재청이 서울성곽을 유네스코(UNESCO) 세계문화유산 등재를 신청할 우리나라 대표유산으로 선정하고 이에 대한 복원 및 정비계획을 내 놓으면서 사적 제10호 서울성곽에 대한 관심이 증대되고 있다. 18.627km에 이르는 서울성곽을 구성하는 성벽, 4대문, 4소문 등의 유산 가치를 세계적으로 인정받으려는 대업은 단순히 외형적 복원사업에 치중하는 것만으로는 한계가 있다. 왜냐하면 서울성곽은 도성과 그 주변이 밀접하게 연계된 삶의 공간으로서 유구한 역사와 문화적 가치가 발현되어 있기 때문이다. 이러한 연장선에서 서울성곽 일대와 주변의 역사 문화 콘텐츠를 발굴하여 활용하는 방안이 필요하다. 특히, 서울성곽의 4소문 중 하나인 광희문(光熙門)은 서민을 대표하는 공간으로 조선시대 축성 기술의 변천 과정을 보여 주는 소중한 문화유산이다. 그러나 현재 광희문과 주변지역은 소극적인 접근성과 낙후된 경관, 프로그램의 부재 등으로 인해 그 매력이 부각되지 못하여 국내·외 관광객의 통행이 적고, 편의를 도모할 수 있는 공간 및 다양한 콘텐츠가 부족한 실정이다. 이러한 현실은 전통적인 역사·문화적 특수성을 고려하지 않고 단순한 문화재로 공간의 가치를 판단해 왔기 때문이라 할 수 있다. 따라서 본 연구에서는 4소문 중 역사·문화적 가치를 지닌 광희문을 대상으로 고유의 잠재된 무형의 역사·문화·예술적 자원을 발굴하여 광희문의 의미와 가치를 찾고, 실재(實在)하는 유형의 전통 건축공간 광희문과 연결-접속하는 방법을 모색하여 광희문에 새로운 공간으로써의 장소성과 활성화 방안을 살펴보고자 한다.