A Study on the Relativity Between the Theatre's Composition Principle and Urban Concept - Focused on the Productions that are Applied for International Ideas Competition for the Design of the Seoul Performing Arts Center -

극장의 구성 원리와 도시 개념의 상관성에 관한 연구 - Seoul Performing Art Center 국제 공모전을 중심으로 -

  • 임종엽 (인하대학교 건축학부) ;
  • 권익현 (인하대학교 건축학부 건축공학과)
  • Published : 2006.02.01

Abstract

Stages, in the theatrical spaces, were space, which incorporates aspects of cities. Hence, the stages have been constituted to materialize sequence of city, which has exact number, proportion and order of ideal city. In addition, it has accomplished change, which depends on type of performance with the social condition and culture of generation, city has. However, the original form of theatrical space were forgotten on account of the various changes of theatrical form with modem movement since the end of 19th century, and theatrical space, which does not relate with its space of city, was started to constitute. Particularly in contemporary society, the theatre can give vitality to the citizens, and also theatrical architecture as a commercial code has been a general form, though it takes important role, which improves cultural value with technical improvement of cities development of society. Thus, this study analyzed urbanity ,which theatres have incorporated historically, and deduced a correlativity from to be based on constitution of space in visual, perceptual, spatial constitution and functional role. Focused on published SPAC international competition, it was interpreted by contemporary focus, therefore, this experiment suggests constitution of theatrical spaces of information, takes urbanity, through to analyze visual, perceptual, spatial constitution and functional role in context of contemporary city.

Keywords

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