• 대한지구과학교육학회지
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• 제6권1호
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• pp.78-86
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• 2013

The purpose of this study is to analyze the effects of the Project based STEAM program on primary students' Problem solving process and creative personality. Based on the concept of project based learning and STEAM derived from a literature review, a learning program has been developed and applied to 28 elementary 4-6th students. Problem Solving Process and Creative personality tests were conducted before and after Project based STEAM program lessons. The results of this study are as follows. (1)Project-based STEAM was affected all components of problem solving process. (2) Project-based STEAM was affected all eight components of creative personality positively, (3) after using Project-based STEAM was good reaction by students. As a result, the elementary science class with Project-based STEAM had problem solving process for positive educational effect and creative personality. it means the science class with creative personality has potential possibilities and value to develop problem solving process and creative personality.

• 국제초고층학회논문집
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• 제7권2호
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• pp.145-151
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• 2018

Newly-designed high-rise buildings, both in China and abroad, have demonstrated new innovations from the creative concept to the creative method. from the creative concept to the creative method. At the same time, digital technology has enabled more design freedom in the vertical dimension. "Twisting" has gradually become the morphological choice of many city landmark buildings in recent years. The form seems more likely to be driven by the interaction of aesthetics and structural engineering. Environmental performance is often a secondary consideration; it is typically not simulated until the evaluation phase. Based on the research results of "DigitalFUTURE Shanghai 2017 Workshop - Wind Tunnel Visualization", an approach that can be employed by architects to design environmental-performance buildings during the early stages has been explored. The integration of a dynamic form-finding approach (DFFA) and programming transforms the complex relationship between architecture and environment into a dialogue of computer language and dynamic models. It allows the design to focus on the relationship between morphology and the surrounding environment, and is not limited to the envelope form itself. This new concept of DFFA in this research consists of three elements: 1) architectural form; 2) integration of wind tunnel and dynamic models; and 3) environmental response. The concept of wind tunnel testing integrated with a dynamic model fundamentally abandons the functional definition of the traditional static environment simulation analysis. Instead it is driven by integral environmental performance as the basic starting point of morphological generation.

• 대한안전경영과학회지
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• 제11권1호
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• pp.103-113
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• 2009

Motorola which had developed and commercialized wireless telephone and mobile phone for the first time in the world made a decision on the separation of the mobile unit from the Motorola due to the continuous bad performance turn. In addition, the Korean company named Raincom which had developed and commercialized MP3 player have been disappeared since Raincom failed to compete with iPod of Apples. What is the main cause the companies that have been top of the world level weed out of IT product market? For less product life cycle and globalization of market, the company's competitiveness tends to be determined based on company's creative capability, rather than process implementation capability. Thus, companies spent a great amount of time and effort in the introduction of creativity management and R&D activities. However, as company's continuous investment on R&D and innovation activities did not lead to business performance, they starts to pay much attention on the effective R&D and innovation activities. Therefore, this paper tries to solve the limitation of the effectiveness of R&D activities by introducing the concept of 'creative quality'. The creative quality is executed by the creative process, which is designed for getting over the limitation of the traditional brainstorming method. This paper presents the concept so called 'creative quality management' and expects it to be an alternative to conquest the limitation of six sigma management.

• 공학교육연구
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• 제18권3호
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• pp.39-45
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• 2015

Many methods have been suggested for a creative problem solving approach. TRIZ approach is ranked top in its practical application because it is originated from the real patent analysis. This approach is assumed to be generic which can be applied to any types of problems regardless of problem type and its domain. The objective of this study is to propose a creative problem solving approach using TRIZ's contradiction analysis, then introduce a case study of applying this approach to a creative design coursework. Main topic covers a creative problem solving approach, a problem definition using TRIZ contradiction analysis, finding invention principles, and problem solving from the generic approach. For the course project, Roborobo tool is adopted to implement the design concept. This coursework helps students finding a general problem solving approach, and applying a generic solution for their specific problem domain.

• 한국가구학회지
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• 제27권4호
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• pp.362-374
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• 2016

The ability of 'creative thinking' is one of the most important fact for designers to complete their design process. It is not only the overall concept of the process but also all details related to each steps of the process such as planning product strategies, research, finding ways to solve problems image development, broadening ideas, etc. It is, however, not easy to creative as designers by natural learning through experiences unless they have geniuses for creative designing. Many experienced designers in the field are even in dilemmas being not be able to differentiate from copying other designs. This study is focused on the researches on the works of famous designers, architects and artists who have shown great creativities throw their works or processes. It is aimed to define their ways of thinking which could be fundamental motives for the creativeness, various behavioral methods to solve problems in creative ways, technical approaches to improve creativities, and overall intuition in the design working processes.

• 정보과학회지
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• 제30권3호
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• pp.28-34
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• 2012

• 디자인학연구
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• 제19권3호
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• pp.143-154
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• 2006

The primary purpose of this study was to investigate the influence of Cognitive Factors (CF) on the Creative Abilities (CAs) in design. We set up a model of Cognitive Design Process (CDP), which consists of four domains: Concepts, Experience, Five Senses (FS), and Thinking Modes (TM). Here, experience is first perceived by the five senses, and then recognized by intelligence. We regard design as a transforming process from concept to experience. For this study, two major Sensory Modalities (Visual and Kinesthetic), four Thinking Modes (Brain Dominance Profile), and four Creative Abilities (Fluency, Flexibility, Originality, and Elaboration) were reviewed. We hypothesized that idea generation is influenced by different Sensory Modalities (Visual Sense vs. Kinesthetic Sense) and Thinking Modes, and that these have a close relationship with the attributes of CAs. Firstly, we have examined the cognitive thinking model in design. Then, we adapted the Test of Creative Abilities of Design Thinking (TCADT) for measuring CAs. We surveyed the CAs under CF in particular. Finally, we have investigated the influences of the different Sensory Modalities (Visual Sense vs. Kinesthetic Sense) on CAs. It was found that a close relationship between Brain Dominance and CAs, and Sensory Modalities (SM) have different influence on these creative abilities. As a result, a tool for the Test of CAs and a framework for creative idea generation with the effective CF will be presented. These provide the basis for a new approach to creative idea generation in Experience Design.

• 한국실내디자인학회논문집
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• 제22권4호
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• pp.33-40
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• 2013

This study aims to recognize that creative thinking methodologies can be adopted in the spatial design. The concept of 'Convergent' and 'Divergent' used in structure of intellect model by Guilford is chosen to understand the character of creative thinking methodologies. Technical and physical contradictions is analyzed for '40 inventive principles' of TRIZ and spatial design works. Through this study, we recognize that the creative thinking methodologies consist of analysis, idea generation and evaluation phase. The psychological inertia that limits the creative thinking should be move away from solving problem, and convergent and divergent thinking have peculiarities to be adopted in condition and to be harmonized, and to set the direction of solving technical problems through to reach the target point integrated way of thinking is needed. '40 inventive principles' by Altshuller are based on engineering and useful in many areas of fields. However some principles are not accepted in design process because these are not considered in design field and paradigm is changed from machine to nature. Nowadays, nature is a prime issue for sustainable human life, because it has sustainable recycle structure and saving energy ways. Thus, creative thinking, including TRIZ is useful in design education and progress, and should be an essential element to get a new design paradigm.

• 인터넷정보학회논문지
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• 제17권5호
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• pp.141-150
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• 2016

본 연구는 ICT 분야의 영재교육이 길러내야 할 21세기형 인재상을 'ICT 기반 창의인재'로 규정하고, ICT 기반 창의인재가 갖추어야 할 핵심역량을 중심으로 한 ICT기반 창의인재상 모델을 제시하였다. 본 연구의 ICT기반 창의인재상은 핵심역량, 특성요인, 특성요소 등의 3단계 구조로 정의되었다. 인재상 영역은 지식기술 역량, 통합창의 역량, 인성 역량 등의 3 개 영역으로 정의하였으며, 각 영역별 3 개씩의 특성요인을 정의함으로써 총 9 개의 특성요인을 정의하였고, 각 특성요인별로 역시 3 개씩의 특성요소를 정의함으로써 총 27 개의 특성요소를 정의하였다. 본 연구가 제시한 ICT기반 창의인재상에 대해 현장교육의 전문가들인 초중등학교의 현직 교사들에게 그 타당성을 평가하도록 의뢰한 결과, ICT기반 창의인재의 3개 핵심역량과 각 역량별로 제시된 특성요인과 특성요소 등의 타당성에 대해 긍정적인 평가의견을 보여주었다. 결론적으로 ICT기반 창의인재상은 양호한 타당도를 가진 모델로 확인되었으며, 이러한 인재상은 21세기에 활약할 미래 인재의 양성을 위한 초중등학교의 ICT 교육 및 ICT 영재교육의 설계 및 운영에 좋은 지침을 제공해 줄 수 있을 것으로 기대된다.

• 한국경제지리학회지
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• 제17권4호
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• pp.601-623
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• 2014

이 논문은 한국의 창조경제 및 창조도시 정책과 담론을 비판적으로 분석하고자 한다. 이를 위해, 이 논문은 우선 '정책 이전'(또는 이동)의 개념을 원용하여 서구에서 등장한 창조경제 및 창조도시 정책과 담론이 국제적 확산과정에서 불가피하게 변화할 수 있음을 지적한다. 이를 전제로, 이 논문은 2000년대 후반 오세훈 전 서울시장이 추구했던 창조 도시 정책과 현 정부의 박근혜 대통령이 제시한 창조경제 정책과 담론이 등장 전개된 배경과 과정을 서술한 후, 이들의 정책과 담론이 실제 개념을 왜곡하거나 구체적 내용을 결여한 통치 수단 또는 정치적 수사로 기능하고 있음을 주장한다. 특히 이 논문은 현 정부의 창조경제 정책 및 담론이 이와 내적으로 연관된 두 가지 기본 개념들, 즉 경제민주화와 창조도시의 개념을 의도적으로 배제하거나 또는 비의도적으로 간과함으로 긍정적 실효성을 거의 가지지 못하게 되었다고 결론짓고자 한다.