• 한국지역사회생활과학회지
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• 제27권spc호
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• pp.573-591
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• 2016

People are making multilateral efforts to create beautiful agricultural landscapes. In farming villages, however, large-scale facilities or houses do not blend in with the natural environment because of their outer colors, which are mostly primary colors that are not chosen in consideration of the natural environment. This was addressed in the three following steps: 1) Research tool was used to identify predominant colors and images that represent various types of rural areas; 2) landscape experts conducted a feasibility study and pilot study on using these colors; and 3) the main study was done by investigating how local people and out-of-town visitors perceive the colors. The villages involved in the development projects were mostly represented by achromatic colors, meaning white, black, and variations of gray. Also, adjectives such as "modern" were shown to be keywords that symbolize the atmosphere. Less developed villages had more greenish colors and "natural" as their keyword. Developed villages in suburban areas were mainly represented by shades of blue and green, while less developed ones were mainly represented by green and yellow. In special types of rural areas, developed and developing were represented by achromatic and green colors, whereas less developed ones were represented by green and blue. Respondents were also asked 1) whether they were satisfied with their village's current overall color scheme and 2) whether they thought there was harmony between the surrounding natural environment and artificial structures. People responded with "so so" for the first question, while some answered "not good enough" and "no" for the second.

• 한국의류학회지
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• 제12권2호
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• pp.249-257
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• 1988

The purposes of the study were to define the clothing evaluative criteria concept as an internal evaluative criteria and buying evaluative criteria based on the Engel-Kollot-Blackwell's consumer behavior model, and to explore the differences between internal evaluative criteria and buying evaluative criteria imprically. The study also aimed to find out the differences between internal evaluative criteria and buying evaluative criteria according to clothing items(underwears, pajama, jeans, blouse, two-pieces, coat) The questionnaires were administered to college female students living in Seoul. Means and Standard Deviations were calculated, and Discriminant Analysis were used for statistical inferences. The results were as follows: In underwears, internal evaluative criteria were comfort and fiber, while toying evaluative criteria was color. In pajama, internal evaluative criteria was comfort and fiber, while buying evaluative criteria was good buy. In jean, internal evaluative criteria was fit and suitability to individual, while buying evaluative criteria was suitability to individual and price. In blouse, internal evaluative criteria was beauty and harmony with other clothing. In two-pieces, internal evaluative criteria was color and beauty, while buying evaluative criteria was suitability to individual. In coat, internal evaluative criteria was textile and color. In conclusion, as shown in the results above, the evident differences between internal evaluative criteria and buying evaluative criteria and buying evaluative criteria were testified, therefore evaluative criteria should he defined as internal evaluative criteria and buying evaluative criteria, and study of evaluative criteria should be explored according to clothing items.

• 복식
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• 제51권7호
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• pp.63-73
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• 2001

The purpose of this study was to be of use for more successful prediction of possible Prevailing aesthetic characteristics in the future, by reviewing how decadent features have actually been unfolded in fashion and make-up since the end of 20th century, as we are now in the new 21st century. The decadent traits of modern fashion and make-up since the late'90s could be listed as follows : first, the fashion has intentionally been designed to look disgusting, where realistic and imaginary images coexist, by using a half-man, half-machine image or vividly describing detestable animal skin, There have also been disgusting features in the make-up, which are so extremely weird that we can created by adding vinyl or pieces of textiles like Patch of the 17th century. Second, the satanic character of the fashion seems to be meant to keep in harmony with evil image such as Dracula, witch, skeleton or warrior of the evil, in order to charge the unnatural, inhuman and fin-de-siecle Phenomenon and find out what It really means for the inner world of men. And the demonic expressions of the make-up chiefly use white or black color or blue color of low saturation or low lightness, and part of facial features is exaggerated or shortchanged. Third, the decadent characteristics are expressed in the fashion by attaching sensational ornament to the human bode or using sexual exposure. So they give unnatural, unsound and extremely erotic impressions. The decadent features in the make-up are generated by excessively using a gay red color or sensational, exciting colors. Fourth, the exoticism of the fashion is largely affected by China's Chipaoh, Japan's Kimono or primitive motives from Africa, as there are increasing interests in Asia. And that of the make-up leans toward the East, as Kabuki make-up from Japan, Kyongkeuk make-up from China or the primitive features from Africa are employed.

• 한국의상디자인학회지
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• 제9권3호
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• pp.115-132
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• 2007

The purpose of this research is that to study of musical performer's purchasing behavior, satisfaction and design preference, and to give the information for better performance costume market based on that result. The target for the survey is limited only for above 4th grade female students and have experienced more than three times of performances. Total 364 questionnaires are used for this research. The SPSS was used for the analysis. The results were, first, in the survey of place of purchasing, specialty shop for musical performance shop was the most. The most group for the budget that they spent was under 100,000 Won. Rational price for costume would be 150,000-300,000 Won. Most people purchase costume before 2 weeks and compare 3-4 stores mostly. There were not many complaints about being comfort for costume itself. The preference for costume was different depends on not only scale of performance but also whether solo, duet or trio or more. Also harmony with other person costume was most consideration factor when they perform duet or more. For the choice of shop factor following were considered the most important; various selections, kindness of sales persons and possibility for trying various costumes. However, locations of shop or delivery service were not important relatively. For the choice of costume factor, design color, comfort and functionality were considered the most important but price, quality and decoration were not. For 'the satisfaction after purchase costume' factor, people's opinions, best appearance on the stage and meeting image with themselves were considered the most important. Second, on the subject for 'design preference of costume based on type of performance', people chose different color of dress depends on what types of performance. In case of solo, they prefer vivid primary color; in case of trio or more, they prefer black; in case of duet, they prefer pastel tone. As for preference of sleeve design, all of them prefer non-sleeve type.

• 원예과학기술지
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• 제29권1호
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• pp.77-80
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• 2011

경남농업기술원 화훼연구소에서 황색 대륜계 '99-가-2'를 모본, 복색 중륜계 '99-나-3-1'을 부본으로 인공교배를 실시하여 복색 소륜계 거베라 'Sun Cap'을 육성하였다. 특성 검정 포장에 정식하여 2004년부터 2007년까지 3회에 걸쳐 생육 및 수량특성 검정을 실시하였다. 'Sun Cap'은 선명한적/황의 복색(RHS 45-B/9-A)과 녹색의 화심이 잘 조화되는 화경이 강건하고 안정된 화형의 홑꽃 소륜화이다. 년간 주당평균수량은 약 102.6본 정도이며, 평균 절화수명은 약 13.5일 정도이다.

• 화훼연구
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• 제19권1호
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• pp.68-76
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• 2011

화훼장식이 돌잔치 고객의 만족도와 장소 재방문 의도에 미치는 영향을 파악하고자 설문조사를 실시하였다. 설문조사 대상자의 일반적 특징은 남녀나 기혼자와 미혼자는 거의 비슷하였으나 연령은 20대와 30대가 주류를 이루었고, 학력은 대졸자가 가장 많았다. 요인분석 결과 7개의 중요 변수 즉, 화훼장식을 위한 디자인의 스타일과 구성, 디자인의 조화와 색감, 접근성, 시설, 서비스와 가격, 만족도, 그리고 재방문 의도로 이론적 모형이 구성되었다. 모형화한 연구가설의 검증 결과에 대한 타당성을 입증하기 위해서는 SPSS 14.0K를 이용하여 탐색요인의 분석을 실시하였다. 연구 모형의 모든 인과관계의 경로계수를 동시에 측정하기 위해서는 구조 분석방법을, 타당성 평가를 위해서는 AMOS 7.0의 측정 모형을, 그리고 자료 분석을 위해서는 기술적 통계, 빈도분석, 크론바하 알파를 이용한 신뢰도 분석과 요인 분석법을 이용하였다. 가설을 검증한 결과, 매개변수인 만족도에 가장 큰 항목을 차지하는 항목은 화훼장식의 스타일과 구성이었으며, 그 다음으로는 화훼장식의 조화와 색감이었다. 그리고 서비스와 가격은 만족도에 정의 영향을 미쳤으나 접근성과 시설은 만족도에 영향을 미치지 않았다. 결과적으로, 돌잔치의 기획 및 연출을 위해서는 화훼장식이 가장 중요한 변수라는 것을 의미하는 한편, 이 중요 변수를 잘 활용하면 고객의 만족도가 증가하게 되고 만족도가 증가하게 되면 재방문 의도가 향상된다는 것을 의미한다.

• 문화기술의 융합
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• 제9권2호
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• pp.429-436
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• 2023

중국 전통음악은 토착색이 짙고 자신만의 독특한 사고방식과 특징을 갖고 있다. 선형적 사유는 중국 전통음악의 주요 특징이라는 공감대가 이미 형성되어 각종 전통 다성부(多聲部)·단성부(單聲部) 음악 모두에 구현되었다. 주로 단선율(單旋律) 혹은 단음 음악의 형태로 표현된다. 이러한 중국 전통음악의 선형적 사유는 여러 방면의 요인에 의해 영향을 받아 형성된다. 예를 들어 민족 문화, 지리적 자연환경, 종교철학적 배경, 중국 전통 기보법(記譜法), 전통 악기의 개성적 특성, 율제(律制), 조성(調性) 및 전승방식 등과 관련 있다. 이러한 사유는 입체적 사유를 추구하는 서양 고전음악과 다른 측면이 있는데, 서양음악은 화음의 화합성, 음색 및 텍스쳐의 조화성, 구조의 논리성 및 정체성 등을 중시하며 공간의 종횡적 결합을 강조한다. 그러나 중국 전통음악은 선율의 수평적 발전, 선조의 유창함, 구조의 연속성 등을 중시한다. 우리는 본 논문에서 중국 전통음악의 선형적 사유의 원인을 분석하여 교육적 측면에 더욱 유용하게 활용할 수 있도록 하고 민족음악에 대한 지식을 전수하여 전통음악의 계승과 발전을 촉진하고자 한다.

• 조형예술학연구
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• 제10권
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• pp.183-218
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• 2006

Colors change in time corresponding with the value system and aesthetic consciousness of the time. The roles that colors play in painting can be divided into the formative role based on the contrast and harmony of color planes and the aesthetic role expressed by colors to represent the objects. The aesthetic consciousness of the orient starts with the Civility(禮) and Pleasure(樂), which is closely related with restrained or tempered human feelings. In the art world of the orient including poem, painting, and music, what are seen and felt from the objects are not represented in all. Added by the sentiment laid background, the beauty of the orient emphasizes the beauty of restraint and temperance, which has long been the essential aesthetic emotion of the orient. From the very inception of oriental painting, colors had become a symbolic system in which the five colors associated with the philosophy of Yin and Yang and Five Forces were symbolically connected with the four sacred animals of Red Peacock, Black Turtle, Blue Dragon, and White Tiger. In this color system the use of colors was not free from ideological matters, and was further constrained by the limited color production and distribution. Therefore, development in color expression seemed to have been very much limited because of the unavailability and unreadiness of various colors. Studies into the flow in oriental painting show that color expression in oriental painting have changed from symbolic color expression to poetic expression, and then to emotional color expression as the mode of painting changes in time. As oriental painting transformed from the art of religious or ceremonial purpose to one of appreciation, the mast visible change in color expression is the one of realism(simulation). Rooted on the naturalistic color expression of the orient where the fundamental properties of objects were considered mast critical, this realistic color expression depicts the genuine color properties that the objects posses, with many examples in the Flower & Bird Painting prior to the North Sung dynasty. This realistic expression of colors changed as poetic sentiments were fused with painting in later years of the North Sung dynasty, in which a conversion to light ink and light coloring in the use of ink and colors was witnessed, and subjective emotion was intervened and represented. This mode of color expression had established as free and creative coloring with vivid expression of individuality. The fusion of coloring and lyricism was borrowed from the trend in painting after the North Sung dynasty which was mentioned earlier, and from the trend in which painting was fused with poetic sentiments to express the emotion of artists, accompanied with such features as light coloring and compositional change. Here, the lyricism refers to the artist's subjective perspective of the world and expression of it in refined words with certain rhythm, the essence of which is the integration of the artist's ego and the world. The poetic ego projects the emotion and sentiment toward the external objects or assimilates them in order to express the emotion and sentiment of one's own ego in depth and most efficiently. This is closely related with the rationale behind the long-standing tradition of continuous representation of same objects in oriental painting from ancient times to contemporary days. According to the thoughts of the orient, nature was not just an object of expression, but recognized as a personified body, to which the artist projects his or her emotions. The result is the rebirth of meaning in painting, completely different from what the same objects previously represented. This process helps achieve the integration and unity between the objects and the ego. Therefore, this paper discussed the lyrical expression of colors in the works of the author, drawing upon the poetic expression method reflected in the traditional Flower and Bird Painting, one of the painting modes mainly depending on color expression. Based on the related discussion and analysis, it was possible to identify the deep thoughts and the distinctive expression methods of the orient and to address the significance to prioritize the issue of transmission and development of these precious traditions, which will constitute the main identity of the author's future work.

• 한국산업정보학회논문지
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• 제19권4호
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• pp.133-146
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• 2014

본 논문에서는 한국과 중국의 쇼핑몰 웹 사이트 디자인 요인에 차이가 있는지에 대해 15개의 가설을 설정하여 연구하였다. 한국의 쇼핑몰 웹 사이트로는 "G마켓"과, 중국의 쇼핑몰 웹 사이트로는 "taobao마켓"을 선정하였다. 쇼핑몰 웹 사이트 디자인 요인으로는 (1)색상과 디자인, (2)사진, 그래픽, 글자의 크기, (3)정보전달의 명확성(이해성), (4)웹 사이트 구조, (5)화면의 조화, (6)상품의 진열, (7)상품의 조화, (8)글자나 아이콘의 형태, (9)시각적인 분위기, (10)차별화되는 색상, (11)흥미를 유발하는 단어, (12)기술력, (13)전체적인 시각적 디자인 및 분위기, (14)항해구조, (15)상품이나 정보검색 기능 등 15가지 요인을 선정하였다. 본 논문에서는 한국과 중국의 쇼핑몰 웹 사이트가 이들 요인들 간에는 차이가 있는지에 대해 SAS9.2 통계 패키지를 이용하여 검증한 결과 차이가 있는 것으로 나타났다. 또한 본 연구에서는 이들 차이점을 분석하여 효과적인 쇼핑몰 웹 사이트 디자인을 위한 방안을 제시하였다.

• 복식
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• 제59권3호
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• pp.145-156
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• 2009

This study proposes the product development through an organic link with multi-faceted analysis on the archetype of traditional costumes culture. In order to find ways to develop cultural products, Jogakbo was selected, and the research result is as following. 1. Analysis on the types of Jogakbo products sold in the market shows that there are not only living, stationary, and fashion items, but also DIY packages. In terms of materials used, most of these Jogakbo products were made of fabric or mixture of different materials. These products displayed similar tendency by reflecting formative characteristics of Jogakbo. 2. This study analyzed the color, surface composition, material, manufacturing, and usage of Jogakbo. The rotor of Jogakbo is mostly composed of mono tone colors or Obangsac(five-element colors). The mono tone colors carries environmentally friendly meaning as it is using the natural color and Obangsac means harmony. Moreover, the surface composition of Jogakbo represents the expansion through connection and its material is also meaningful in that it is recycling. Manufacturing of Jogakbo has educational significance, fortune-wishing characteristics, decorative function, it also gives a gratification of handcraft. The usage of Jogakbo is a multi-(unctional article whose form is determined by an item that is held inside it. 3. Through the analysis on Jogakbo, this study presents the baby wear in relation to the ere-friendliness of colors, brooch sets using the surface composition, dresses using recycling fabric, children's educational instruments with educational significance, as well as multi-functional packages in regards to usage of Jogakbo.