• 치과방사선
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• 제29권1호
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• pp.261-274
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• 1999

Objectives: The purpose of this study was to evaluate the optimal distance and angle of observers by modulation transfer functions(MTFs) and receiver operating characteristics(ROCs), Material and Methods: Digital periapical radiograms were taken from 43 patients who have dental diseases(19 patients : dental caries. 12 patients : periapical lesions, 12 patients : periodontal diseases). Segmental images(4×4cm) were evaluated by 4 MTFs and ROC analysis. Results: The optimal distance(magnification) using MTF by Mannos & Sakrison was 12.97. and those by Nill. Ngan and Rao were 8.39, 4.78. 5.84 respectively. The optimal distance obtained from 4 radiologists by ROC analysis was 32cm(Az value: 0.89). and it was 40cm(Az value: 0.78) from 4 non-radiologists. There were significant differences of Az values between 4 radiologists and 4 non-radiologists at 24. 32 and 40cm (P<0.05). No significant differences of optimal distances were observed using 4 MTFs among +20, +10, 0, -10, -20 degrees(P>0.05). The optimal angle obtained from 4 radiologists by ROC analysis was +20 degree(Az value: 0.91). and no significant differences of Az values were observed among +20, +10, 0, -10 and -20 degrees(P>0.05). The optimal angle obtained from 4 non-radiologists by ROC analysis was 0 degree(Az value : 0.81). and no significant differences of Az values were observed among +20, +10, 0, -10 and -20 degrees(P>0.05). And there was significant difference of Az value between 4 radiologists and 4 non-radiologists at +20 degree(P<0.05). but no significant differences of Az values were observed among +10, 0, -10 and -20 degrees(P>0.05).

• 박물관보존과학
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• 제29권
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• pp.111-132
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• 2023

테라헤르츠파는 금속에 대부분의 신호가 반사되어 되돌아온다는 특성을 가지고 있다. 이를 활용하여 본 연구에서는 회화 문화재에서 금속 재료의 사용 여부와 그 분포범위를 확인하여 정보를 해석하는 연구를 진행하였다. 먼저 금속 분말 안료와 금속성의 색상과 질감을 표현하는 합성 펄 안료를 사용한 시편 테스트를 통해서는 금속 성분으로 인한 신호 단절과 단면 이미지에 반영되는 양상, 그리고 평면 이미지에서 높은 반사도를 보이는 기본적인 테라헤르츠 이미지 특성을 비교하였다. 이와 더불어 여러 형태의 한국화와 유화에 대한 이미지 분석을 진행하여 금속 채색 재료의 내부 채색 여부와 그 분포 범위를 파악하였으며 이를 바탕으로 그림의 상태 확인과 더불어 추가적인 미술사적 정보를 획득하였다. 테라헤르츠 이미징 기술은 금속 성분의 재료가 사용된 여러 유형의 회화에 대하여 채색 기법과 내부 정보에 대한 진단 분석으로 보존처리를 위한 자료 및 미술사적인 내용 규명에 활용할 수 있을 것으로 기대된다.

• 한국의상디자인학회지
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• 제25권3호
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• pp.1-16
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• 2023

The purposes of this study were to investigate bag purchasing behaviors and design preferences of male and female adult consumers, and to find the differences depending on sex and age variable. A survey was conducted on 400 male and female adults from 20s to 50s. The questionnaire consisted of bag purchase behaviors, bag design preferences, and the subjects' demographic characteristics. The data were analyzed by Cronbach's α, factor analysis, x² test and t-test using SPSS. The results were as follows. First, as bag selection criteria, four factors (practicality, symbolism, aesthetics, and economics) were derived, and adult consumers considered economics as the most important among the factors. As for purchasing information sources, three factors (media, human resources, and store) were derived, and adult consumers considered human resources and store information sources more important than media. The main motive for purchasing bags was age and damage of the owned products, and Internet shopping malls were the most common purchasing place. The average annual cost of purchasing bags was 100,000 to 300,000 won, and the frequency of purchase was about once a year. Second, as bag preference images, four factors (individual, romantic, active, and classic image) were derived, and adult consumers preferred classic images the most. The shoulder bag was the most preferred as the bag shape, and black was the most preferred bag color. For the material, natural leather was the most preferred, and for the size, medium size was the most preferred. Third, bag purchasing behaviors and design preferences showed many significant differences according to the sex and age of the consumers. Therefore, the results of this study suggests that bag companies need to establish product development and marketing strategies in consideration of differences according to the sex and age group of adult consumers.

• 한국가구학회지
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• 제19권6호
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• pp.439-446
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• 2008

High Tech Design manner is a design concept that had been constantly discussed in constitution process of the West art history and modem ideology and had been experimented in industry, having started from futurism and structuralism in the early 20th century through Kinetic Art & Technology Art and up to now. High Tech Design had a great influence also on Post Modernism and more important is that this manner of design will be existing continually in the future too. From the modem times when machine civilization started, the artist and designers expressed a utopia will showing the future world with help of High Tech Design and modem people are realizing technology images as a utopia, in the space and material presented by this high tech design. And this utopia imply the images of dynamic power, speed making a voyage in universe, dream of future, hope, mass production, earth's environment, wealth etc. High Tech furniture was lightly designed by using thin steel wire, structure stressing the metallic characteristic and tempered glass, and it was used for presenting a convenient interior space visually, and with that it can make a unified sense in High Tech interior space, and a contrary effect compared with minimal space. High Tech Design equipped with glass and metal materials looking inappropriate for our interior space due to their sharp and cold image has been regularly used as living furniture, not only decoration function, and then there must be reasons for that. This study intends to research how High Tech Design has been changed and developed in the design history & West art history from the early 20th century, and to present it's value of development as data orienting, namely a direction for the industry of the next-generation and furniture design.

• Ecology and Resilient Infrastructure
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• 제6권4호
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• pp.243-249
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• 2019

본 연구는 드론 기반의 초분광 센서를 활용하여 수위변화에 대한 하상재료의 분광정보 차이를 분석하는 것이 목적이다. 하상재료는 흙, 자갈, 호박돌, 갈대, 식생을 대상으로 하였으며 5개 하상재료에 대한 초분광 영상촬영을 실시하고 각 재료의 분광정보를 비교 분석하였다. 수위 변화를 위해 유량조절이 가능한 실험수로를 제작하고 수로 내 하상재료를 설치하였다. 수위 조건은 0.0 m, 0.3 m, 0.6 m이며 수위에 따라 CASE를 구분하였다. 영상촬영 후 각 하상재료별 10개 포인트를 평균한 값을 분석 자료로 사용하였다. 분석 결과 흙, 자갈, 호박돌, 갈대의 파장별 반사율은 비슷한 유형을 보이지만 각 재료별 가시광선과 근적외선 영역에서는 분광정보의 고유특징이 나타났다. 또한 수위가 깊어질수록 가시광선과 근적외선 영역에서 반사율은 감소하고 있으며 감소 비율은 하상재료에 따라 차이가 발생하였다. 하상재료에 대한 고유정보는 향후 하천환경평가를 위한 기초연구 자료로 활용될 것으로 기대된다.

• 한국의류산업학회지
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• 제19권5호
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• pp.535-546
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• 2017

This study considers direction types and formative characteristics by analyzing natural objets in contemporary fashion window display. The research methods are both literature review and content analysis based on images of contemporary fashion window display. The conclusions of this study are as follows. First, the direction types of natural objets in contemporary fashion window display expand objective outlines by maximizing the morphological form of objects. Second, a rhythmic sense expressed through a gradual repetition of patterns or a sequential arrangement of natural objects. Third, it represents a reversal of image accomplished through a modification of material on the natural objects. Fourth, a new space is created by transforming two dimensional forms of natural objects. The first formative characteristic of natural objects in contemporary fashion window display is exaggeration. This is expressed through either the expansion of the external volume, the collapsed form of natural objects, or the distortion of external colors. Second, it is a dynamics. This makes it possible to recall the dynamic image of the integration of the observer with a priori thinking by systematically sequencing objects or inducing a specific motion. Third, it is an abstraction. This provides an opportunity for the observer to find in a natural beauty by exchanging physical form or reinterpreting characteristic points. Fourth, it concerns eclecticism characteristic that objects created through the mutual fusion of heterogeneous elements indicates an aesthetic inspiration in a limited space by diverting conventional thinking toward natural objects with expansion of consciousness on formative arts.

• 복식
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• 제58권4호
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• pp.113-127
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• 2008

Artificial lights have effected the changes of art and fashion concepts as well as human life since the invention of electric light bulb in late 19th century. Artist and designer have had more interested in these artificial lights as the development of digital technology and the change of millennium and they have tried to apply the lights into their works. The purpose of this study is to analyze the aesthetic characteristics of contemporary fashion design using artificial light as a medium. Artificial light for fashion design means the light using luminescent material like phosphorescent and fluorescent materials or in combination with electroluminescent digital technology or the light that can be perceived as images when light projects from media using a light projector or other digital equipment. Fashion design using this light type can change colors or form temporarily and it can playa role as a gadget for hm or as equipment to provide information much as a computer monitor does. And designer can create virtual patterns on the surface of clothes, or virtual fashion like a 3-dimensional holography in empty space. In these fashion designs, the virtual image of light is substituted for physical formative elements in fashion, and the viewer can experience an ambiguity between reality and virtuality. The results of the study were as follow; The formative characteristics of those fashion designs were identified as visibility, indeterminacy, integration and virtuality. And they reflected the internal meanings; the persue of protection and safety, the search for experiment and innovation, the will for interaction and communication and the desire for the deviation and fun.

• 한국콘텐츠학회논문지
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• 제11권4호
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• pp.177-185
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• 2011

공예산업이란 과거에서 전승된 기술과 생산방법, 또는 현대에 새롭게 개발된 기술, 기법, 재료 등을 이용해 만들어진 것으로서 장식적, 실용적 특성을 지니며 일반 대중들이 사용하는 생활용구, 장식품, 기호품 등을 총칭하는 것으로 규정하고 있으며, 공예산업은 특정한 지역의 환경, 풍속, 유적 등의 특성을 기반으로 하여 지역의 전통적 또는 예술적 특성을 가진 제품을 생산하는 산업으로, 공예품에 내재하는 문화적 요소를 밖으로 끌어내어 가공, 생산, 유통 및 소비하는 일련의 과정, 즉 공예품의 상품화를 의미한다. 이에 미래지향적인 국가이미지를 위한 한국 고유의 정서와 전통을 바탕으로 하는 공예문화상품은 한국의 국가 이미지를 창출하는 데에 결정적인 역할을 할 것이라고 생각한다. 따라서 본 연구에서는 소비자들의 공예문화상품에 대한 인식과 시장성을 조사하여 국내의 공예산업의 현황과 실태에 대해 알아보고자 한다. 또한 이를 토대로 공예문화산업의 효율성과 문제점은 무엇인지를 연구하고 개선방안을 제시하고자 한다.

• 대한치과보철학회지
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• 제43권3호
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• pp.363-378
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• 2005

Statement of problem. Hydroxyapatite(HA) coated titanium surfaces have not yet showed the reliable osseointegration in various conditions. Purpose. This study was aimed to investigate microstructures, chemical composition, and surface roughness of the surface coated by the hydrothermal method and to evaluate the effect of hydrothermal coating on the cell attachment, as well as cell proliferation. Material and Methods. Commercially pure(c.p.) titanium discs were used as substrates. The HA coating on c.p. titanium discs by hydrothermal method was performed in 0.12M HCl solution mixed with HA(group I) and 0.1M NaOH solution mixed with HA(group II). GroupⅠ was heated at 180 $^{\circ}C$ for 24, 48, and 72 hours. GroupⅡ was heated at 180 $^{\circ}C$ for 12, 24, and 36 hours. And the treated surfaces were evaluated by Scanning electron microscopy(SEM), Energy dispersive X-ray spectroscopy(EDS), X-ray photoelectron spectroscopy(XPS), X-ray diffraction method(XRD), Confocal laser scanning microscopy(CLSM). And SEM of fibroblast and 3-(4,5- dimethylthiazol-2-yl)-2,5-diphenyl tetrazolium bromide(MTT) assay were used for cellular responses of the treated surfaces. Results. The color of surface changed in both groups after the hydrothermal process. SEM images showed that coating pattern was homogeneous in group II, while inhomogeneous in group I. H72 had rosette-like precipitates. The crystalline structure grew gradually in group II, according to extending treatment period. The long needle-like crystals were prominent in N36. Calcium(Ca) and phosphorus(P) were not detected in H24 and H48 in EDS. In all specimens of group II and H72, Ca was found. Ca and P were identified in all treated groups through the analysis of XPS, but they were amorphous. Surface roughness did not increase in both groups after hydrothermal treatment. The values of surface roughness were not significantly different between groups I and II. According to the SEM images of fibroblasts, cell attachments were oriented and spread well in both treated groups, while they were not in the control group. However, no substantial amount of difference was found between groups I and II. Conclusions. In this study during the hydrothermal process procedure, coating characteristics, including the HA precipitates, crystal growth, and crystalline phases, were more satisfactory in NaOH treated group than in HCl treated group. Still, the biological responses of the modified surface by this method were not fully understood for the two tested groups did not differ significantly. Therefore, more continuous research on the relationship between the surface features and cellular responses seems to be in need.

• 박물관보존과학
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• 제25권
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• pp.63-84
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• 2021

본 연구는 전통도자기의 제작 전과 후, 소성 전과 후에 기물의 내부에서 일어나는 다양한 물리화학적 변화를 알아보고자 청자상감운학문매병의 재현품을 성형 → 조각 → 상감 → 초벌 → 유약 → 재벌 등의 6단계로 제작하여 과학적 조사 및 3차원의 정밀한 투과 이미지 촬영으로 획득한 이미지를 세부 영역별로 분석하였다. 재현편의 제작 재료는 각각의 재료가 가진 성분에 따라 다른 광물상이 존재하며, 산화철(Fe₂O₃)의 함량이 높은 흑상감은 어두운 색을 나타냈고, 알루미나(Al₂O₃)의 함량이 높은 백상감은 백색이 나타나는 것과 같이 색상에도 영향을 준다. 재현편의 색도와 전암대자율, 주요성분 등의 물리화학적 특성을 CT이미지를 통해 밀도의 차이로 확인할 수 있었으며, 미세조직과 흡수율, 겉보기기공률, 주요구성광물 등의 번조에 따른 특성 변화는 영상 분석에서 기물 내부의 기공 유무와 존재량, 균열의 발달과 확장으로 파악하였다.