• 유통과학연구
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• 제21권2호
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• pp.7-20
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• 2023

Purpose: With the unique feature of O2O, consumers are now able to check the profile of the services and products online and then consume them in offline venues or vice versa. This study provides motivation and practical implications about online-to-offline (O2O) distribution channels and investigates the relationship between economic values, service consistency and brand identity attractiveness in the O2O distribution channel. Then identify the impact of brand identity attractiveness on the performance (reputation and reuse intention). Research design, data, and methodology: Structural equation modeling (SEM) has been used to investigate the relationship between economic value and brand identity attractiveness, which affects the reputation and reuse intention of services in O2O. Results: Empirical results show the positive and significant impact of economic value and service consistency on brand identity attractiveness which results the positive and significant impact on performance (reputation and reuse intention) in O2O. Conclusion: In the O2O distribution channel, economic value is an important aspect for the attractive image and brand identity. On the other side, brand identity attractiveness is important for the bright future of O2O services, continuous growth, achieving the distinct goal, keeping good promises with customers, and a better reputation of O2O services in distribution channels.

• 디지털산업정보학회논문지
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• 제20권1호
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• pp.133-147
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• 2024

In this study, we examine the components and characteristics of channel brands, the renewal process of channel brands, and the competitiveness of SBS Subusu News and MBC 14F, online channels of Korea's leading terrestrial broadcasting company. We conducted in-depth interviews with staffs YouTube news channels such as Subusu News and 14F. First, examining the brand components and characteristics of SBS's Subusu News and MBC's 14F vertical channel, Subs News maintained its direction through the renewal of the logo type, graphic characterization, emoticon production, and campaign design production. 14F focused on brand renewal of the logo type and modification of thumbnail design to reveal the identity of the channel brand. Subusu News and 14F have achieved success through a spin-off approach that considers content relevance, expanding their brand extension. As a result of analyzing the competitiveness of the channel brand, Subusu News maintained its identity as a combination of B-class sensibility and journalism, while 14F positioned itself as a channel that delivers useful information content.

• 디지털산업정보학회논문지
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• 제10권2호
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• pp.143-156
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• 2014

Comprehensive programming channels are based on recognition of the parent company, their parent newspaper has increased brand awareness. In this paper, the comprehensive channels to look at the structure of the channel brand architecture, a certain brand of newspapers and comprehensive channels have a effect on the formation of the image of the channel according to the future of the brand extension strategy for MPP. Referring to the brand architecture, which reveals the structural system of the brand, it is argued that TV Chosun and MBN take the integrated corporate brand strategy, while JTBC tries to mix and balance the brands of the parent corporation and its own independent one. Exceptionally, Channel A doesn't take a name of its parent corporation 'Dong-A'. It is argued that the comprehensive programming channels utilize and take the parent corporate brand, mixed brand, and independent brand in accordance with circumstances of their own parent corporates. Their parent brand of comprehensive channels give viewers a positive image and awareness of comprehensive channel brand. while building its own channel images, TV Chosun and Channel A Conservative extension of a certain brand marketers to be bound by the channel's image. Brand extension of comprehensive channels is to have the strength of their entry into the genre that is most likely higher.

• Journal of Information Technology Applications and Management
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• 제22권4호
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• pp.181-203
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• 2015

Customers who show high level of brand loyalty are one of the most important corporate assets. Accordingly, customers' brand loyalty has been addressed as a critical issue for the business success. In today's business environment where business channels to customers have expanded and diversified continuously, especially the use of social network services (SNSs) have drawn a lot of attention as an effective channel to promote customers' brand loyalty. This study, thus, analyzes the impact of the virtual brand community identity on customers' brand loyalty, focusing on the role of the sense of communities as mediators. The analysis was conducted by using the data collected from 239 users of Chinese virtual brand communities. The results show that both virtual brand community identity and the sense of communities significantly influence on customers' brand loyalty. Furthermore, the results reveal that both of the community belongingness and community trust composing the sense of community partially mediate virtual brand community and brand loyalty as hypothesized. Based on the results, the strategic implications are suggested and discussed, focusing on improving the customers' brand loyalty in the context of SNSs. Our findings and discussions can help companies develop their customer strategies for utilizing the virtual communities to strengthen customers' brand loyalty.

• 한국의류산업학회지
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• 제22권6호
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• pp.716-726
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• 2020

This study presents methods and alternative examples for fashion brands to effectively use video-based communication channels to form brand identity that analyzes the definition, status and type of YouTube channel fashion films as well as enables the ability to derive brand identity characteristics. Literature studies focused on Christian Dior's official website and related previous studies. The temporal range of the case studies was from October 7, 2010, the date when the first fashion film was uploaded to current Christian Dior YouTube to July 17, 2020 (the survey date), and there are a total of 550 subjects for quantitative analysis. The succession of the couture spirit means that Christian Dior's craftsmanship was created and passed down by Musée Christian Dior to act as a contemporary key element of brand identity. The iconic expression of femininity is Dior's core design philosophy that began when the woman image of a new era was presented through a new look, and Dior's femininity means a woman that reflects the character of the times as is interpreted as her own personality from the perspective of modernism through the creative directors of future generations. The brand's core identity code 'Miss Dior' expresses the brand's vision and eternity through perfume as well as targets Z generation male consumers through an emotional approach based on forms that used emotional images such as movie-type films.

• 한국콘텐츠학회논문지
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• 제14권2호
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• pp.161-171
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• 2014

이 연구는 출범 2년째를 맞는 종합편성채널의 채널 브랜드 구성요소의 특징과 편성전략에 따른 채널의 정체성 파악 및 브랜드 구조체계를 살펴보는 것을 목적으로 한다. 종편채널들은 다양한 채널브랜드 구성요소를 사용하여 콘텐츠를 시청자들에게 알리고 있으며, 채널A만 제외하고 JTBC, TV조선, MBN 등은 모기업을 연상시키는 채널명을 선정하였다. 종편채널의 편성 전략은 채널 아이덴티티와 밀접한 관련이 있다. TV조선은 시사 보도 프로그램에 주력하면서 '보수채널의 대변자'를 자임하고. 채널A도 2012년 대선 이후 보도, 시사프로그램을 집중 편성하는 보수편향 전략을 취하고 있다. JTBC는 드라마와 예능 프로그램을 집중 편성하여 지상파 방송에 준하는 편성을 하고 있으며, MBN은 보도, 시사와 교양 부문에 주력함으로써 기계적 중립 전략을 취하고 있다. 또한 브랜드 아키텍처(brand architecture)의 경우 TV조선과 MBN은 통합된 기업브랜드 전략을 추구하는 반면, JTBC처럼 기업과 개별브랜드를 잘 조합하는 혼합브랜드를 취하며 채널A는 '동아'라는 기업명을 사용하지 않고 개별브랜드를 적용하고 있다. 종편채널들은 모 기업의 역량이나 상황에 따라 기업브랜드, 혼합브랜드, 개별브랜드를 사용하고 있는 것으로 나타났다. 앞으로 종편방송사들이 보수 시청자층을 겨냥한 시사, 보도중심채널에서 벗어나 자사만의 특성화 전략을 통해서 확고한 채널 정체성을 구축할 필요가 있다.

• 한국컴퓨터정보학회논문지
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• 제25권10호
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• pp.255-260
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• 2020

본 논문은 SNS 토픽 모델링을 통해 효율적인 브랜드 아이덴티티 전략을 제안하고자 하며, 토믹 모델링 대상은 SNS는 전 세계적으로 10억이상 사용자와 5억이상 매일 사용자를 가진 인스타그램을 크롤링하였다. 인스타그램의 사용자그룹은 59%가 18~29세, 33%가 30~49세인 것을 감안하여 세개의 최근 런칭한 젊은 세대들을 위한 패션 판매 모바일 사이트를 분석대상으로 하였으며 이들은 각각 SNS을 마케팅 채널로 활용하였다. 각 모바일 사이트들의 서비스 시작후 6개월간 각 회사의 브랜드 명이나 회사명이 태깅된 SNS 포스팅을 크롤링하였으며, 토픽 모델링을 통한 브랜드 이미지 분석을 통해 각 회사의 브랜드 아이덴터티 전략이 효과적으로 적용되었는지 검증하였다. 결과적으로 세 개의 사이트 중 한 개의 사이트가 브랜드 아이덴티티 의도와 다른 브랜드 이미지가 설정되어있음을 발견하였으며 이를 보완하기 위한 전략을 제언하였다.

• 디자인학연구
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• 제18권4호
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• pp.53-64
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• 2005

디지털이라는 새로운 커뮤니케이션 미디어의 등장은 경이로운 한편 문화적 긴장이기도 하다. 인간의 능력을 극적으로 확장시켜주는 산업기술들은 우리가 그것에 적응해 가는 속도보다 훨씬 빠르게 세력을 확대하고 곤다. 이것은 예외 없이 인간에 대한 개념 자체를 뒤흔듦으로써 새로운 문화의 내용과 형식을 만들어낸다. 디지털의 영향으로 우리나라 방송환경은 지상파, 케이블, 위성, 인터넷 등으로 다원화됨으로써 다매체, 다채널 시대로 진입되었다. 디지털 문화피서 방송은 정보전달과 커뮤니케이션 매체로서 과거보다 더 큰 영향력을 발휘하게 되었다. 이 같은 방송환경의 변화는 TV 시청자들을 능동적인 커뮤니케이션의 주체자, 참여자, 이용자로서 미디어를 선택하고 이용하는 존재라는 새로운 개념의 수용자로 출현시켰다. 본 연구는 채널선택의 주체로 능동적 수용자가 방송의 중심에 서게 되면서, 방송의 코어 아이덴티티(Core Identity)에 대한 문제제기를 브랜드를 통해 구조화시키고자 한다. 능동적 수용자에 대한 인지심리학적 접근방법으로 이야기 스키마(Schema) 이론을 적용하여 '정보처리과정(information processing)'과 연관되어 있는 '인지적 과정(cognitve processes)'을 설명할 수 있다. 이것은 이야기가 있는 디자인으로서 브랜드의 스토리텔링 사례로 나타난다. 연구범위는 지상파 TV 방송에서 시사 교양 단위 프로그램들을 대상으로 했으며, 기간은 2004년 5월에서 8월에 걸쳐 방송중인 브랜드를 국내외 각 방송사별로 사례 비교하였다. 본 연구를 통해 방송의 채널 아이덴티티가 단위 프로그램의 브랜드 전략에서도 함께 고려되어야 한다 것은 중요하였다. 특히 방송사를 대표하는 프로그램은 별개의 단위 프로그램으로 취급되어서는 안 되며, 채널 아이덴티티를 형성하는 내용과 형식에서 함께 다루어져야 할 것이다. 또한 앵커의 브랜드화 역시 방송의 브랜드 정체성에 중요한 변인이 될 수 있음을 재차 확인할 수 있었다.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.209-216
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• 2007

Some may call Peter Marine as 'an ego-less architect', or 'palace maker' due to his designs or attitudes that appearantly please world's most well known clients. However, his eclectic taste and artistic expressions combined with his minimal and abstract architectural approaches are being recognized in many places globally, especially in many fashion brand stores such as Channel, Louis Vuitton, Christian Dior, and Fendi. Born and educated in U.S., Peter Marino designs are influenced by two most famous designers of our modern art history Andy Warhol and Jean-Micheal Franks, that are obvious in his traditionally modern French style designs and abstract expressions. The current study introduces Peter Marine designs through analyses of Channel and Louis Vuitton. The objectives are to understand the designer and find patterns in his brand store designs that has made him now one of the most famous fashion store designers. Educational, social, and personal interest were found to strongly form his design characteristics and four main characteristics were identified by the researcher that are use of LED lightings, emphasis on vortical circulations, graphical application of brand identities, and repetition of simple geometric forms.

• 복식문화연구
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• 제23권4호
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• pp.628-643
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• 2015

This study is to assist in developing creative designs based on the humor available in the fashion world of Moschino. For the research method, this writing examined literature on humor and Moschino's fashion world and analyzed Moschino's fashion collection, show window, Maison Moschino, and collaborative products to conduct an empirical analysis of humor shown to the fashion media. The research results are as follows. The humor in Moschino's fashion appeared in the form of surrealistic humor with the depaysement technique, deconstructive wit in clothing, such as distortion, change, or exaggeration, and textual humor, including brand symbols, logos, and graffiti. Collection pieces indicated the brand's confirmative identity based on humor with the surrealistic depaysement technique and deconstructive wit through irregular phenomena, such as change, distortion, exaggeration, and illusion in clothing form. Additionally, such attributes added to Moschino's wit and humor in decorative costume components as graphic images, graffiti, and brand symbols, including smile, love, and reversal. The show window display delivered surprises and smiles through the production of surrealistic space borrowed from various objects. In particular, performance with surrealistic images helped to show the characteristics of parodic humor. Maison Moschino was a surrealistic space for the concept of the fairy tale and for practical experience, thus working as a communication channel for humor and emotion. Collaborative products also clearly reflected the identity of the designer's own humor, which showed scarcity value as well as differentiation.