• 한국콘텐츠학회논문지
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• 제22권5호
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• pp.611-619
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• 2022

본 논문은 슈스터만의 신체미학적 개념과 현대무용 초기 댄서의 심미적 특징을 결합하여 타오 댄스 시어터를 연구 대상으로 무용의 신체관념적 특징과 신체 미학적 특징을 연구에 출발점으로 하여 타오 댄스 시어터의 신체언어에 대해 이들이 표현하고 전체적인 연구를 진행하며 미니멀리즘과 추상적 미학적 관점에서 타오 댄스 시어터의 신체미학을 분석하였다. 그러므로 본 연구는 타오 댄스 시어터의 작품 <10>의 창작의도, 작품내용, 신체미학적 요소, 복장무대 등의 요소를 분석하고자한다. 이에 작품을 통해 이가 주장한 신체 미학적 개념을 이해하며 예술사조의 변화에 따른 현대무용예술의 발전 현황을 분석했다는 점에서 의미가 있다.

• 한국의상디자인학회지
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• 제20권1호
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• pp.79-91
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• 2018

The objective of this study was to determine the influence of women's attitudes toward women's underwear on image-creation efficacy and appearance management attitude. A total of 405 surveys of women working at an industrial complex in the Daegu-Kyoungbuk area were used for data analysis. Frequency, factor analysis, reliability analysis, and regression analysis were used for data analysis. The findings were as follows. The sub-factors of women's attitudes regarding women's underwear were found to be 'aesthetics/body-style compensation', 'ostentation', 'functionality', and 'manner estimation' and the sub-factors of image-making efficacy were 'display confidence', 'face-image confidence' and 'display ability'. Appearance management attitude had factors such as total coordination, weight management, skin management, and pursuit of change. Aesthetics/body-style compensation, functionality, and ostentation, which were sub-variables of attitudes toward underwear, had a significant influence on image-creation efficacy. Aesthetics/body-style compensation and ostentation had significant influences on appearance management attitude. Aesthetics/body-style compensation was found to have a significant influence on all sub-variables of both image-creation efficacy and appearance management attitude.

• 복식문화연구
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• 제19권2호
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• pp.269-282
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• 2011

The purpose of this study was to compare consumer satisfaction by analyzing importance on characteristics of clothing, performance, and their inconsistency between Korea and the United States. The data was collected by using a survey based on three sages of pre-tests, and main survey conducted in The U.S and Korea. Data of 520 participants from each country (260 males and 260 females) was used. The results of this study is as follows: First, both consumers in Korea and U.S. showed five factors such as aesthetics/trend, body shape, practical use/wearing, care, and distorted. In performance factor of Korean students was consisted of wearing/care, aesthetics, body shape, distorted, and trend/symbolism while that of American students was consisted of wearing, aesthetics, body shape, trend/image factor, and distorted. Second, regarding importance rate, aesthetics/trend, practical use/wearing, care, and distorted affected satisfaction of Korean students whereas aesthetics/trend factor affected satisfaction of American students. Regarding performance, body shape factor, distorted, trend/symbolic affected satisfaction of Korean students whereas trend/image affected satisfaction of American students. Third, satisfaction of Korean and American students influenced re-purchase intention and positive word-of-mouth, so proved to be the result variable of satisfaction. By understanding the differences between consumers in Korea and U.S., apparel importers and exporters may develop effective business strategies to better fulfill their customers' needs and desires, and therefore, increase their profit.

• 한국가정과교육학회지
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• 제19권1호
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• pp.35-45
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• 2007

본 연구는 화장태도, 자아존중감, 신체만족도와 의복행동 간의 관계를 조사하기 위하여 서울시내 여대생 356명을 대상으로 조사연구를 실시하였으며, SPSS WIN 12.0을 사용하여 통계 처리하였고 다음과 같은 연구 결과를 얻었다. 첫째, 화장태도에 대한 요인분석 결과, 자신감 추구, 심미성 추구, 사회성 추구, 매력성 추구, 유행성 추구의 5가지 요인이 도출되었으며 이들이 설명한 총 변량은 59%였다. 둘째, 화장태도의 5가지 요인과 4가지 의복행동(심미성, 과시성, 성적매력, 심리적 의존성)간에는 모두 유의적인 정적 상관관계를 보였다. 또한 자아존중감은 의복의 과시성과, 신체만족도는 의복의 성적매력과 유의적인 정적 상관을 나타내었다. 셋째, 의복의 성적매력에 유의적인 영향을 미친 것은 자아존중감과 화장태도의 3가지 요인(심미성 추구, 매력성 추구, 유행성 추구)이었고, 의복의 심미성과 심리적 의존성에 영향을 미친 것은 모두 화장태도의 4가지 요인(자신감 추구, 심미성 추구, 사회성 추구, 유행성 추구)이었으며, 의복의 과시성에 유의적인 영향을 미친 것은 자아존중감과 화장태도의 2가지 요인(자신감 추구, 심미성 추구)이었다. 넷째, 자아존중감이 높은 집단이 낮은 집단보다 의복의 과시성과 성적매력이 높았으며, 신체만족도가 높은 집단은 낮은 집단에 비하여 의복의 성적매력이 높게 나타났다.

• 한국의류학회지
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• 제37권3호
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• pp.357-370
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• 2013

The Republican Period of China (1912 to 1949) was when the archetypes of thought (constituting contemporary China) engaged in heated rivalry and were directly influenced by Korea through frequent exchanges. This study analyzes the characteristic of Chinese women's aesthetics towards the human body with a focus on visual materials (such as articles and illustrations concerning hairstyle, makeup, skincare, fashion, and gymnastics) featured in the Chinese women magazines of Fun$\ddot{u}$zazhi (婦女雜誌) and Linglong (玲瓏). This study analyzes these magazines and compares them with Korean counterparts. The movement of the developed and controlled human body was a common characteristic of this period; however, compared to the Chinese, the Japanese colonial period of Korea resulted in an introspective self-examination through excessively objectified eyes. Dress and adornment as the symbol of a new civilization acted as the most remarkable signifier. The overlapping of a western image with a Japanese image led to more resistance in Korea. The criterion for the value of a women's external appearance (that traditionally dualized womanly virtues) collapsed and dress was accepted as an expression of individuality instead of as a social class. The human body was traditionally recognized as a microcosm of the universe that dominated the natural principle of Yin-Yang and the Five Elements. However, the ideal human body was postulated and the aesthetic consciousness of the body changed into an imaginary view of the human body that proceeded to keep the body fit for and gave birth to the concept of supplementing the deficiency of the beauty of the human body with dress and makeup.

• 영미문화
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• 제9권1호
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• pp.71-90
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• 2009

David Harris argues that mass media suppress counter-hegemonic factors in order to reach audience. According to Harris's theory, the success of the film "Tess" depends on its effective adaptation from Thomas Hardy's novel Tess of the D'Urbervilles (1891). Tess (1979), directed by Roman Polansky, casting Nastassia Kinski for Tess, was acclaimed as a professional and commercial success, awarded with various prizes. Hardy's aim at criticizing Victorian English social and moral standard through Tess appears obscure in Polansky's film which focuses on the aesthetics of human body and capital. Polanski's Tess with urban white beauty does not emerge victimized by poverty, which the late twentieth century audience under the capitalist umbrella may abhor. To examine his use of music, sound effect, visual images by means of camera operation—angles, distances, close-ups and frequent movements—light and color, and mythic elements in the film, show Polansky's sharp perception of his contemporary audience's desire and conscientious work upon it.

• 복식
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• 제62권2호
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• pp.122-135
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• 2012

The purpose of this study is to figure out what the beauty of the modern body means and symbolizes from the aesthetic, sociocultural, and psychological perspectives and to investigate how it was formed in the modern Korean society. The data were obtained from the magazines and newspapers published from 1920 to 1939 and analyzed by qualitative content analysis. The results were as follows: First, the modern body from an aesthetic standpoint was characterized by the beauty of westernization, healthy body shape, sensuality, curvaceousness, activity, balance and harmony, and artificiality. The beauty of the modern body from a sociocultural perspective symbolized modern culture and implied the value evaluated by visual appearance. Therefore, the modern body became an object of consumption and the physical capital that gave women chances for their social success and happy marriages. The beauty of the modern body from a psychological viewpoint expressed individuality as a modern ego. Second, the formation of modern body esthetics was explained within the context of social comparison theory. The ideal body suggested by mass media was internalized as the aesthetic standard women used to create modern bodies and with which they compared their created bodies.

• 한국의류학회지
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• 제27권6호
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• pp.643-653
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• 2003

The purpose of this study was to investigate the relation of desire for aesthetic surgery and clothing attitude of female with their body satisfaction, need, and self-esteem. Subjects were 813 females of 10's to 40's living in Daejeon Metropolitan City and Gongju City, Chungchungnamdo. Results from this research revealed that the correlation of desire for aesthetic surgery with body satisfaction was negative so that female satisfying one's body shape didn't want to have aesthetic surgery. However, aesthetics and sexual attractiveness of clothing had positive correlations with body satisfaction. It was also shown that the need and self-esteem of female affected directly on the desire for aesthetic surgery and the pursuit of clothing aesthetics. Women with higher need for exhibition and dominance were not only concerned about the elevation of their appearance through their clothing but also recognized the value of modifying their appearance through aesthetic surgery. Women with higher self-esteem were interested in the elevation of their appearance through clothing, but the other hand, they showed negative attitude toward modifying their appearance via aesthetic surgery. This result revealed the fact that women with higher self-esteem had a tendency to keep the traditional sense of value and as a result, showed negative attitude toward the aesthetic surgery.

• 한국의류학회지
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• 제39권3호
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• pp.353-368
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• 2015

Walter Van Beirendonck expresses a fairy tale world of perverted sexual desire of sadism and masochism, violence, and aggressiveness that breaks from a transient one-time concept as is an essential element of fashion. This study classifies the aesthetic characteristic shown on the design of Walter Van Beirendonck and analyzes the intent of his symbolism and meaning. The attempt has a meaning in exploring a new directionality of fashion by conveying a critical message to this end, contemporary fashion breaks down boundaries with artistic genre and connects a problematic consciousness that exists in life with fashion. The results of study on the aesthetic characteristics of Walter Van Beirendonck are as follows. First, Beirendonck emphasized an interpersonal image about body by giving a question through the deconstruction of image on a perfect body into race, age, and body based on body modification. Second, fetishism appeared as a consciousness that human identity and character can be changed by connecting a fetish element of sexual identity, and sadism and masochism with fashion's imagination. Third, infantilism as an amusement expression of the form metaphorically satirized life of modern people. Fourth, makeup shown on performance or festival of an African tribe was used in the way of mixture or reuse for ethnography to obtain inspiration from ethnography. Fifth, pop art combined a popular culture code as amusement through mass production and mass media. Aesthetics of Beirendonck do not have norm and are bold in using form, color, pattern, print, and styling because Beirendonck reinterpreted critical attitudes about essential problems that human life entails into a motif of his symbolic meaning in amusement. In regards to his design aesthetics, Beirendonck expanded fashion to the scope of Gesamtkunstwerk in a consistent and continued theme combined with philosophical creativity and differentiated from other fashion designers.

• 복식
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• 제62권5호
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• pp.73-87
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• 2012

The purpose of this study is to find the Dart Manipulation with good fitting and evaluate the aesthetics of Dart Manipulation that is used in the designs of the original tops for women in their 30's. Subsequently, it suggests dart manipulation with good body fitting and physical fitness when designing original tops. The findings of this study are as follows. First, in the fitting of Dart Manipulation for different body types, cross direction Dart Manipulation received good marks in the Square Body Type while mixed direction and diagonal direction Dart Manipulation received high evaluation in the Standard Body Type. Also, for the Reverse Triangle Body Type, mixed direction Dart Manipulation received high marks. Since there are only small changes in fitting for the Square Body Type, the position of Dart Manipulation should be determined in regards to the aesthetic view as well as the fitting of the Standard Body Type and Reverse Triangle Body Type. Second, in the fitness of Dart Manipulation for different body types, an approach from the aesthetic view should be considered for Square Body Types because of the differences in fitness according to the position of dart manipulation. The fitness should be considered when positioning Dart Manipulation for the Standard Body Type and Reverse Triangle Body Type because of these differences. Third, for the greater variance of drop for these different body types, the change of the amount of dart received lower evaluation in fitting since the amount of dart increased when the dart was located higher than B.P. The number of dart should likely increase when gathering or tucking is necessary when there is an excessive amount of dart in Dart Manipulation for the different body types. Fourth, as for the changes of wrinkles in accordance with the body type, wrinkles were likely to be formed at the breast or neck area when there was a larger difference in drop. To prevent such problems, one more dart should be made on the wrinkle. In conclusion, the study suggests designing the original top with a better look and comfort by setting the balance between aesthetics and fitting in the design stage.