• 제목/요약/키워드: Black-hat

검색결과 56건 처리시간 0.026초

흑해지역 스키타이인 상의(上衣)에 대한 소고 - 상의에 달린 모자에 대한 분석을 중심으로 - (A study on the upper jacket of the Scythians in the region of the Black Sea - focused on the hat on the back of the upper jacket -)

  • 장영수
    • 한국의상디자인학회지
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    • 제21권2호
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    • pp.123-138
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    • 2019
  • The hat on the back of the upper jacket in Scythian, in of northern region surrounding the Black Sea, is described as a typical woolen hood, but until now has been overlooked in Korean costume studies. The purpose of this study is to analyze the hat on the upper jacket in Scythians and to recognize the meaning of the hat. A further purpose is to complete the basic framework of research concerning the Scythian costume by adding the part that was overlooked previously As for the research method, we collected literature, previous research results, the exhibition catalog, and the related artifacts for analysis. The literature was collected at the German Archaeological Research Institute. The analysis of artifacts was based on data collected by the researchers at the Heremitage Museum in Russia and data was taken by the staff of the Heremitage Museum. The conclusions of this study are as follows: Among the artifacts in the northern region of the Black Sea, it was perviously believed that Scythians status was signified by the wearing of hat-tops. Regardless of age, warriors and knights all wore upper jackets with hats, so it appears that the people who are active wore upper jackets with hats. On the other hand, it was assumed that the royal family, who wore ornamented, colorful, and decorative hats were not observed to have worn upper jackets with hats, and therefore did not require a hat. Therefore, it is considered that the hat in the Scythian society was a costume element emphasizing practicality, not necessarily a class symbol.

프레타포르테 컬렉션에 나타난 모자의 조형적 특성 (The Formative Characteristics of Hats Shown in Prêt-à-porter Collection)

  • 유현정;김정미
    • 한국의상디자인학회지
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    • 제18권4호
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    • pp.141-158
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    • 2016
  • The objective of this study is to examine the type and characteristics of hat, and also to analyze the formative characteristics of hats shown in $Pr{\hat{e}}t-{\grave{a}}$-porter Collection. The literature review focused on the relevant technical books and preceding researches while the case study targeted 1,561 photos of hats shown in the 'Donga TV Collection'. The research range was from the S/S season of 2012 to the F/W season of 2015/16. The results of this study are as follows. 1. A hat is composed of crown and brim. In the results of classifying hats based on it, there were 572 crown-type hats, 533 hat-type, 219 cap-type, 156 irregular-type, and 81 brim-type in the order. 2. For the crown-type hats, they were mainly like cylindrical-type, bell-type, dome-type, and circle-type, using colors like black, beige, brown, red, mustard, and grey, and materials like wool, fur, velvet, straw, and metal while they were decorated with bead or lace. 3. For the hat-type hats, they were mainly like bell-type, ladder-type, and hemisphere-type, using colors like peach, white, gold, brown, and khaki, and materials like silk, cotton, straw, and wool while they were decorated with feather and ribbon. 4. For the cap-type hats, they were mainly like hemisphere-type, using colors like white, black, khaki, mustard, and purple, and materials like fur, leather, and wool while they were decorated with wappen and chain. 5. For the irregular-type hats, they were mainly like sandglass-type, box-type, animal-type, trumpet-type, and bell-type, using colors like purple, orange, pink, yellow, and sky-blue, and materials like metal, feather, mesh, plastic, straw, and linen while they were decorated with ribbon, net, bell, and flower. 6. For the brim-type visor, they were mainly like square-type, using colors like transparent, yellow, and black, and materials like plastic, cotton, leather, and metal.

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양산형 일광차단모의 개발(제1보) -고안 및 마네킹 착용실험- (Development of the sunshade hat with a large brim(Part I) -Development and test with manikins-)

  • 김경수;최정화
    • 한국의류학회지
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    • 제26권8호
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    • pp.1177-1185
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    • 2002
  • This study was to develop the sunshade hat which reduced stress from solar radiation and ultraviolet radiation (UV), in order to keep the farmer's health and to promote their work efficiency. The new sunshade hat with a large brim, special structure for ventilation, stability and portability was designed and tested with manikin heads outdoors. Two newly designed sunshade hats(A, B) and three existing hat were tested Sunshade hat A made of double fabric with aluminum coating-nylon and black cotton cloth with a polyester mix(T/C) was the most protective from solar radiation. Sunshade hat B with larger brim was the most protective from ultraviolet radiation, even though it was made of aluminum coating-nylon single fabric.

캠브리지 대학 고고인류학 박물관 소장 한복유물에 관한 연구 (Korean Dress Collection Held in the Museum of Archaeology and Anthropology in Cambridge)

  • 김순영
    • 복식
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    • 제61권9호
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    • pp.84-96
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    • 2011
  • This paper investigates the formative features and the historical meaning of the Korean dress collection held in the Museum of Archaeology and Anthropology in Cambridge. The Museum holds a total of eleven items of koran dresses that were donated by two anthropologists in the first half of the twentieth century. Male dresses consist of a white cotton jacket (Jeogori), a under-vest (Deungbaeja) made of light wisteria rings, a headband (Manggeon) made of horsehair, a broad brimmed top hat (Gat) made of black horsehair gauze, an oilskin cover (Galmo) drawn over the hat in wet weather, and a hemispherical hat box (Gatjib). Female dresses comprise a pink silk jacket (Jeogori), a blue silk skirt (Chima) with pleats, a pair of woman's white cotton trousers (Sokgot), a black silk cap (Jobawi) decorated with pink tassels and imitation pearls, and a pair of green and magenta silk shoes (Danghye) with leather soles and metal rivets. Theses Korean dresses show what the western anthropologists had interests in. When collectors collect the folk objects, they thought much of the specificity of shape and material, the esthetic appreciation, and the representation of daily life. In terms of the value as the historical materials in the history of Korean dress, the under-vest of wisteria, the hat box, and the female dresses are worth paying attention to. The under-vest is one that was produced in earlier time among the remaining under-vests. The hat box represents that the hat belonged to the merchant classes. The female dress items show daily dresses worn by women of higher classes of the society in the 1920s.

중국과 고구려의 장일 (A Study on Jang il of China and Koguryo)

  • 김진구
    • 복식문화연구
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    • 제8권3호
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    • pp.486-492
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    • 2000
  • This study is concerned with the jang il ( 日). The purpose of this study was to trace the origin of jang il and to identify forms and the meaning of it. Significant findings and results of this research can be summerized as follows : It was found that jang il was a kind of brimmed hat with a round crown. People of Han Dynasty period wore jang il. It was favored by the people of Wei Chin (魏晉) Dynasty period of China and was a very popular hat in these periods. It was used by farmers and merchants. It was found that jang il was worn by a tribe of Kang(羌) in prehistorical period. It is considered that jang il of the Chinese, was derived from the people of Kang(羌). In the Tang and Five Dynasty periods women also wore jang il. Women from the upper class appeared used jang il. It appeared that Koguryoreans also used jang il : it was a kind of black wide brimmed hat with a round crown. which can be found in the tomb paintings of Yong Kang(龍崗). A horse rider wears jang il.

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색도 정보와 Top-hat 연산을 이용한 얼굴 특징점 검출 (Facial-feature Detection using Chrominance Components and Top-hat Operation)

  • 부희형;이우주;임옥현;이배호
    • 한국정보처리학회:학술대회논문집
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    • 한국정보처리학회 2004년도 추계학술발표논문집(상)
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    • pp.887-890
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    • 2004
  • 임의 영상에서 얼굴 영역을 검출하고 얼굴 특징점 정보를 획득하는 기술은 얼굴 인식 및 표정 인식 시스템에서 중요한 역할을 한다. 본 논문은 색도 정보와 Top-hat 연산을 이용함으로써 얼굴의 유효 특징점을 효과적으로 검출할 수 있는 방법을 제안한다. 제안한 방법은 얼굴 영역 검출, 눈/눈썹 특징추출, 입술 특징추출의 세 과정으로 나눈다. 얼굴 영역은 $YC_{b}C_{r}$을 이용하여 피부색 영역을 추출한 후 모폴로지 연산과 분할을 통해 획득하고, 눈/눈썹 특징점은 BWCD(Black & White Color Distribution) 변환과 Top-hat 연산을 이용하며. 입술 특징점은 눈/눈썹과의 지정학적 상관관계와 입술 색상분포를 이용하는 방법을 사용한다. 실험을 수행한 결과. 제안한 방법이 다양한 영상에 대해서도 효과적으로 얼굴의 유효 특징점을 검출할 수 있음을 확인하였다.

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입력 위치 유추 방지를 위한 보안 키패드의 설계 (Design of Security Keypad Against Key Stroke Inference Attack)

  • 서화정;김호원
    • 정보보호학회논문지
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    • 제26권1호
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    • pp.41-47
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    • 2016
  • Black hat USA 2014에서는 사용자가 스마트폰 혹은 스마트패드 상에서 비밀번호 입력 시 공격자가 구글 글라스를 이용하여 원거리에서 입력되는 비밀번호의 위치점을 유추해 내는 기술을 시연하였다. 본 논문에서는 동일한 입력값에 대해서도 상이한 위치점을 갖도록 설계한 키패드를 제안함으로써 구글 글라스와 같은 스마트 디바이스를 이용한 공격을 효과적으로 방어할 수 있는 방안에 대해 제시한다.

BadUSB의 취약성 및 대응방안 (Countermeasures for BadUSB Vulnerability)

  • 최준
    • 정보보호학회논문지
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    • 제25권3호
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    • pp.559-565
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    • 2015
  • USB 메모리에 의한 정보유출 악성코드 유입 등에 대한 방어를 위해 다양한 복사방지 장치제어와 같은 보안기술들이 지속적으로 연구 개발 되고 있다. 하지만, 지난 2014년 Black Hat Security Conference에서 USB의 새로운 취약성으로 제시된 BadUSB에 대해서는 치명적 보안결함으로 인식되고 있음에도 불구하고 대응책이 미흡한 실정이다. 이를 개선하기 위해, BadUSB로 인한 취약성을 대상으로, 기술적 제도적 관리적 측면의 대응방안을 제시하고자 한다.

필립트레이시(Philip Treacy) 작품연구II (A Study on the Works of Philip Treacy II)

  • 김은실
    • 복식
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    • 제59권10호
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    • pp.151-171
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    • 2009
  • The purpose of this study is to analyze the formative relationship between clothes and hat with the works by Philip Treacy, the designer who raised hats to one of important fashion accessories. The method to analyze the relationship between clothes and hats was the formative analysis by Marian L. Davis and Marilyn R. Delong. The results suggest that clothes and hat had an organic relationship, and a hat style was changed with formative elements of clothes. Clothes and hats by Philip Treacy were analysed in the aspects of Form, Color, Material, and Decoration. As a result, hats by Philip Treacy were mainly designed by the relationship between whole types without a closed line and showed geometric and formative forms, similarly harmonized with clothes. To highlight hats, the achromatic colors such as black and gray were used. Besides clothes and hats were coordinated by the same colors, but contrary colors were used to express a strong image. Felt or straw materials maily used to express a formative and fixed form were well matched with smooth, opaque, and lusterless materials such as wool. Also when transparent materials were used for hats, lace was used for clothes. A hat made of acrylic was matched with clothes made of glossy vinyl coating materials. Decoration was mainly removed but if used, feather decoration was added to clothes.

조선 말기 나장복에 관한 연구 - 독일 라이프치히그라시민속박물관 소장 유물을 중심으로 - (A Study on the Official Uniform of Najang from the Late - Joseon Dynasty, with Focus on the Relic Collections in Leipzig Grassi Museum, Germany -)

  • 박윤미;임소연
    • 복식
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    • 제66권1호
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    • pp.1-12
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    • 2016
  • Najang was the central Seori, affiliated to the Ministry of War during the Joseon dynasty. The objective of this study is to research the existing authentic Najang costumes from the late-Joseon dynasty by examining factors, such as the composition of the costume, size, and method of creation, and attempt to replicate it. The Leipzig Grassi Museum in Germany possesses an official uniform of Najang from the late-Joseon dynasty, and we visited the museum in May of 2013 to examine it for the study. Written records, or Uigwe, and other pictorial data from the Joseon Dynastry describe the Najang wearing black or navy clothing with white decoration and pointy hats. The most notable characteristic of the Najang uniform is that it has the cotton cords pattern. The hat has a brass ball attached, which was worn with the ball facing the front in the early Joseon Dynasty, and was worn facing the back in the later years. They usually wore black head cloths (Heuk-geon), but would attach feathers on the black hats (Heuk-rip) for special occasions. The Najang uniform preserved in the Leipsiz Grassi Muesim does not exist in Korea. It is made of cotton. The cotton cord pattern of the uniform of Najang was made using single-ply cords and double-ply cords. The hat worn by Najang is in a form of a cone that becomes narrower towards the top or is in a form with wide and open end. It was made of oiled paper covered with hemp, and two circular metal disks were attatched at the rear.