• KSII Transactions on Internet and Information Systems (TIIS)
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• v.12 no.2
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• pp.662-675
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• 2018

Compression history detection plays an important role in digital multimedia forensics. Most existing works, however, mainly focus on digital image and video. Additionally, the existed audio compression detection algorithms aim to detect the trace of double compression. In real forgery scenario, multiple compression is more likely to happen. In this paper, we proposed a detection algorithm to reveal the compression history for MP3 audio. The statistics of the scale factor and Huffman table index which are the parameters of MP3 codec have been extracted as the detecting features. The experimental results have shown that the proposed method can effectively identify whether the testing audio has been previously treated with single/double/triple compression.

• The Journal of the Acoustical Society of Korea
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• v.28 no.7
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• pp.618-629
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• 2009

The MPEG-4 Audio Lossless Coding (ALS) standard belongs to the family MPEG-4 audio coding standards. In contrast to lossy codecs such as AAC, which merely strive to preserve the subjective audio quality, lossless coding preserves every single bit of the original audio data. The ALS core codec is based on forward-adaptive linear prediction, which combines remarkable compression with low complexity. Additional features include long-term prediction, multichannel coding, and compression of floating-point audio material. This paper describes the basic elements of the ALS codec with a focus on prediction, entropy coding, and related tools and points out the most important applications of this standardized lossless audio format.

• Proceedings of the IEEK Conference
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• 1999.06a
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• pp.329-332
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• 1999

Currently, the most important technology is compression methods in the multimedia society. In audio compression, the method using human auditory nervous property is used. This method using psychoacoustical model is applied to perceptual audio coding, because human's audibility is limited. MPEG-II AAC(Advanced Audio Coding) is the most advanced coding scheme that is of benefit to high quality audio coding. The compression ratio is 1.4 times compared with MPEG-I layer-III. In this paper, the vector processor for MDCT/IMDCT(Modified Discrete Cosine Transform /Inverse Modified Discrete Cosine Transform) of MPEG-II AAC is designed.

• Proceedings of the IEEK Conference
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• 2000.06d
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• pp.110-113
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• 2000

In this paper, we consider the problem of digital audio watermarking to robust about compression without original audio data. We specifically address the audio watermarking using BPSK with variable carrier frequency. This technique make audio data embeded watermarking robust with compression attack, for example MPEG, AC-3, etc.

• Proceedings of the IEEK Conference
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• 2004.08c
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• pp.631-635
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• 2004

The rapid development of digital media and communication network urgently brings about the need of data certification technology to protect IPR (Intellectual property right). This paper proposed a new watermarking method for embedding contents owner's audio signal in order to protect color image IPR. Since this method evolves the existing static model and embeds audio signal of big data, it has the advantage of restoring signal transformed due to attacks. Three basic stages of watermarking include: 1) Encode analogue ID owner's audio signal using PCM and create new 3D audio watermark; 2) Interleave 3D audio watermark by linear bit expansion and 3) Transform Y signal of color image into wavelet and embed interleaved audio watermark in the low frequency band on the transform domain. The results demonstrated that the audio signal embedding in color image proposed in this paper enhanced robustness against lossy JPEG compression, standard image compression and image cropping and rotation which remove a part of image.

• Proceedings of the KIEE Conference
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• 1998.07g
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• pp.2262-2264
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• 1998

This paper propose a new method for the discrete signal : Discrete Wavelet Transform(DWT). This paper is a brief introduction to the DWT and applies the DWT coding for the audio data as an example. We can have a number of hint about the compression algorithm of multimedia resources and the high performance of transmission and storage.

• Journal of Broadcast Engineering
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• v.12 no.3
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• pp.222-229
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• 2007

According to the advancement of multimedia compression technologies, high quality multi-media services are easily found in common life. Along with this situation, 5.1-channel audio service also has expanded the application area to home theater system and car theater system and consumer can easily take a chance to experience the feeling of 5.1-channel audio. On the other hand, terrestrial DMB service has been launched in Korea from Dec. 2005 as a handhold multi-media broadcasting service. However, multi-channel audio was not considered due to the insufficiency of bandwidth and the handhold usage. Lately, MPEG is standardizing high efficiency multi-channel audio compression technology for handheld broadcasting service, and several trial for application is introduced in Europe. In this paper, we would like to explain multi-channel audio compression technology, describe the implementation of the verification system for the multi-channel audio service over T-DMB and investigate the possibility of further realization of the service.

• Proceedings of the KIEE Conference
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• 1995.07b
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• pp.977-979
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• 1995

MPEG-II is the international standard of compression for digital image and digital audio that is the most important in the multimedia environment. Now many researchers are developing relevant systems. MPEG-II consists of video, audio, system and the other part. In this paper, we have designed and demonstrated two channel audio encoder system that processes the audio compression part, and excutes layer II for complexity and psychoacoustic model II, with ADSP-21020 of Analog Device.

• Journal of Broadcast Engineering
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• v.16 no.5
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• pp.714-721
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• 2011

MPEG audio uses the masking effect, high frequency component synthesis based on spectral band replication, and channel expansion based on parametric stereo for efficient compression of audio signals. In this paper, we present an overview of the state-of-the-art channel expansion technology in MPEG audio. We also present technical overviews and application examples to broadcasting services for HE-AAC v.2, MPEG Surround, spatial audio object coding (SAOC), and unified speech and audio coding (USAC) which are MPEG audio codecs based on the channel expansion technology.

• Proceedings of the IEEK Conference
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• 1999.06a
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• pp.538-541
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• 1999

MPEG-2 AAC(Advanced Audio Coding) is the most advanced coding scheme available for high quality audio coding. This MPEG-2 AAC audio Standard allows for ITU-R ‘indistinguishable’ quality according to at data rates of 320 kb/s for five full-bandwidth channel audio signals. The compression ratio is around a factor of 1.4 better compared to MPEG Layer 3, you get the same quality at 70% of the bitrate. This paper suggest optimization method for MDCT/IMDCT (Modified Discrete Cosine Transform/Inverse Modified Discrete Cosine Transform) in Encoder and Decoder for AAC.