• 디지털융복합연구
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• 제13권8호
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• pp.449-455
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• 2015

공공 디자인에서 공공성의 실현 여부를 판단하는 데는 해당 디자인의 수행 과정과 방향성 등 다양한 측면이 고려 돼야한다. 공공 디자인이란 공공성을 갖춘 디자인이다. 그럼에도 무엇보다도 사용자에게 미적관심을 유발시키는 것이 우선이다. 한편, 디자인의 편의성은 심미성을 높이는데 기여하기도 한다. 연구자가 시도한 융복합적인 인터랙션을 적용한 공공디자인은 공공장소에서 사적 영역의 보호와 같은 공공성을 체험토록 기획하였다. 꽃술을 모티브로 하여 심미성에 바탕을 두면서 기능적으로는 뉴미디어의 인터랙션을 활용한 이 공용 벤치 디자인 제안은 사용자의 미적 반응에서 시작하여 편의성과 쾌적함 나아가 사용자가 체험하는 공공성의 경험이 공공 디자인의 의미와 가치판단을 가능하게 하는 요소임을 제시한다.

• 복식
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• 제61권1호
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• pp.69-83
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• 2011

This study applied cartoon-like simple and implicit symbol of Keith Haring works to tubular jacquard knit, designed woman casual knit wear with fun, explicit and activities using fluorescent yarns with explicit features. This study aimed to propose the directions for new market pioneering that meets the emotional requirements of modern people by raising the level of utilization and expression area of knit fashion, and to present the constructive directions for high value-added knit wear by designing highly effective knit wear. Methods of this study examined the lifetime and artistic background of Keith Haring and collected his works through searching of internet, scholastic publications or thesis. Formative types and colors of works collected were analyzed and classified according to characteristic standards of Haring and characteristic formativeness and color of works were extracted. The result of this study is as shown below: First, the feature of his works can be summarized into motif that has symbolic and implicit cartoon-like lines including narratives as well as enormous number of works. Such feature is very suitable for variation and recombination in realization of design and has unlimited potentials for development. Second, image colors can be extracted such as black and white, original color and fluorescent paints, which reflects the intention of artist who put focus on communication with the public. Such color feature is very suitable for design motif that has explicitness of reflecting the intention of artist through use of special fluorescent yarn. Third, I made it as reversible wear that has effects of increasing or decreasing the explicitness according to color area ratio using the feature of textures allowing use of both sides as well as form stability of tubular jacquard. Fourth, by adjusting the thickness of fabric with controlling of ply in fabric using poly yarn and wool union yarn, I could obtain good results of study in terms of technique that can express various materials with embossed dynamic effects of unevenness on flat surface.

• 한국실내디자인학회논문집
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• 제26권4호
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• pp.75-83
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• 2017

The cultural tendency based on sharing and cooperation, which has recently been a hot issue, accelerates throughout the world. This study began with a perception that a sharing culture is inherent in urban public spaces. This study aims to conduct a theoretical study of the sharing culture and to analyze the characteristics of the design composition of public spaces. This study selected squares in 16 European cities as cases for analysis. The results are summarized as follows:1)To analyze the design characteristics of public spaces in which a sharing culture is inherent, this study drew the shape and type of planes and sharing elements such as accessibility, symbolism and activity with the squares in the cases. 2)The shape of planes in the squares in the cases has been formed in close relations with the historic meaning and events of the area and the process of the construction of buildings surrounding the square. The squares in the cases were classified into seven plane types, and these squares have developmentally contributed to the formation of a sharing culture as a place for free participation and communication concerning social issues. 3)In the squares in the cases, the weight of road-centered access appears high, and in terms of the construction of human-friendly / environment-friendly infrastructure in the city or judging from the trend of the recent increase of pedestrian-centered plans for public space, it is judged that approaches with a high utilization rate of sidewalk or public transportation would be desirable. 4)Symbolic elements of the square become a device by which citizens can share the historic symbolism, along with artistic inspiration. In addition, by serving as an observatory from which people can take a view of the landscape of the city, it allows visual sharing of the entire city as well as the square. 5)A square is common pool resources in the community, and it is necessary to vitalize that in a direction of increasing the possibility of sharing, through the characteristics and methods of the composition of public design.

• 만화애니메이션 연구
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• 통권10호
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• pp.33-53
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• 2006

본 논문에서는 한국 근대사회 대중문화의 신총아(新寵兒)로 자리매김 된 만화의 특징을 분석하고 그 사회적 의미를 밝혀 한국만화의 역사적 위상 정립을 위한 연구를 목적으로 하였다. 만화가 학문으로서 연구 영역을 확대하고, 한국 사회 속에서 독특한 대중문화장르로 자리매김하기 위해서는 태동기부터 한국만화가 갖는 역사적 위상을 고찰하고 정립해 나가는 것이 필요하다. 만화는 시각문화로 문맹률 높던 근대한국사회에서 커뮤니케이션 매체의 목적을 훌륭하게 실현한 장르였다. 이 시기 근대만화의 등장은 격변기(激變期) 대중을 계도(棨導)하며 주권회복운동을 펼쳐 나갔던 개화파 지식인들에게 중요한 선전 ${\cdot}$ 교육의 도구였으며, 역으로 친일의 수단이 되기도 하였다. 또 영리를 목적으로 매체를 운영하던 신문사(출판사)들에게는 중요한 독자 확보의 수단이었다. 이러한 측면에서 본 논문은 1900년대 초반부터 1945년 일제강점기에서 해방을 맞는 시기까지를 한국만화의 태동기로 보고 그 특징을 밝혀 보고자 한 것이다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2009년도 춘계 종합학술대회 논문집
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• pp.146-151
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• 2009

현대 설치 예술 분야에서 피지컬 컴퓨팅(physical computing)을 이용한 작품의 사례가 많아지고 있다. 하지만 인터랙션(interaction)을 위한 로봇 사용이 아닌 인터페이스(interface)가 장착된 드로잉(drawing)의 도구로 로봇을 사용하여 작업한 예는 쉽게 찾아 볼 수가 없다. 본 논문에서는 사용자와 통신할 수 있는 드로잉 작업용 시스템 설계와 개발 과정에 대해 언급하고자 한다. 작업 환경을 구성하는 로봇으로는 레고(Lego) 사(社)에서 나온 마인드스톰(Mindstorm) 지능형 로봇 NXT 시스템을 이용하였고, 현실에서의 실제 드로잉 환경과 이를 예측하여 운동을 시뮬레이트(simulate)하는 가상 환경으로 구분하였다. 실제 환경에서 드로잉을 하기 위하여 NXT 시스템을 제어할 수 있도록 하는 아이커맨드(Icommand) 라이브러리(library)를 이용하였고, 가상 환경을 표현하기 위하여 이미지 표현이 쉬운 프로세싱(processing) 라이브러리를 이용하였다. 라인(line) 드로잉을 위하여 벡터(vector) 방식 SVG(Scalable Vector Graphics) 파일을 기반으로 이미지 정보를 얻어 표현하였다. 이 시스템은 블루투스(bluetooth) 연동으로 실시간 통신이 가능하여 사용자의 요구에 따라 원하는 이미지를 만들어 낼 수 있다. 이러한 모습은 이미지의 결과에 그치는 것이 아니라 드로잉을 하는 과정에서 하나의 퍼포먼스(performance)로 작용할 수가 있다.

• 복식
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• 제59권1호
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• pp.77-93
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• 2009

The purpose of this study is to analyze on the fashion collection of Hussein Chalayan who has changed the concept of fashion design in the 21st century and has pioneered in the new vision of fashion. This study will give a new perspective and perception of fashion as a conceptual and ideological art. The conclusions of this study are as follows. First, Hussein Chalayan's multicultural ideas and interdisciplinary approaches which based in national speciality are the unique elements in his works. Second, Hussein Chalayan intends to present his works as an expression of conception. He has expressed the clothes which speaks the form of nature, symbolizes the combination of culture, visualizes time and space and investigates the existence of human being. Third, Hussein Chalayan has asked an endless question about existence of the human being. Furthermore, He has put a question about the relationship between time, space, history, nature and the human being. His trial to visualize the metaphysical conception of 'ego' and 'self' through his works of art makes him as the designer who represents the 21st century. Forth, Hussein Chalayan pursues the communication between the human being and the world. His works is made for human being and makes the human life as valuable thing. Because the clothes is completed when the human wears it, it can not exist without the relationship of human being. Fifth, Hussein Chalayan makes a various attempt to combine with different artistic field. Fashion has developed to new direction with diverse trial and combination beyond fashion field and this has to be a direction in the 21st century fashion. Fashion is not just making clothes, but accepting and delivering the history and culture, expressing and communicating empathy, and combining the different fields harmoniously.

• 한국콘텐츠학회논문지
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• 제10권5호
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• pp.152-164
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• 2010

현대에 주요하게 부각되고 있는 상호작용 공간을 효과적으로 디자인하기 위해서는 상호작용성 영향요인들을 이해하고 이를 수용하는 사용자 중심적인 공간디자인 방법론이 필요하다. 본고는 이를 위한 기반을 마련하고자 하였으며 이 연구주제로 수행될 3편의 연계논문 중 첫번째 연구이다. 디자인의 기본 관련영역을 기반으로 설정한 분석지표(시스템영역, 사용자영역, 관계영역)에 의거하여 상호작용성 영향요인에 대해 분석한 결과, 상호작용성의 첫번째 영향요인은 상호작용성을 위한 접속의 장인 인터페이스로 분석되었다. 이의 세부유형 분석은 연계연구 II 편의 연구과제이다. 두번째 영향요인은 상호작용성의 발생 주체인 인터서브젝트이다. 이의 세부유형은 사용자의 상호작용 욕구의 측면에서 파악되어 기능적 & 조형적욕구, 외현 & 잠재 욕구, 정보커뮤니케이션 & 공감 욕구의 6개 세부유형이 분석되었다. 세번째 영향요인은 상호작용성의 실제 수행과정인 인터랙션이다. 이의 세부유형은 상호작용 행태 프로세스의 측면에서 파악되었고 접속, 몰입, 심성모형 형성, 상호작용 행위, 변형, 경험적 발생의 여섯 단계로 분석되었다.

• 한국생활과학회지
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• 제9권3호
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• pp.371-382
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• 2000

Fashion, a means of communication, is the symbol conveying the social information and the individual identity. The opulence of material and the development of civilization make the sign of fashion variable and individual; especially, The importance of hair style among the today's sign of fashion, as a determinant element in judging each person's look is emphasized. Kitsch, based on the variety and the individuality is the manner of art in diverse hobbies. In addition, it enlarges the sphere of modern an, creates new open aesthetic world. Therefore, we need to understand the symbol of Kitsch aestetic represented in hair style, which is meaningful. The method of this study is quality analysis by means of semiology, aesthetics, Fashion artical, magazine, atc. To support this statement, we will study the form, a primary symbol, and the ideology, a secondly one in $\ulcorner$Mythologies$\lrcorner$ of Roland Bartes(1972). Then by means of the form and the ideology, we will try to recognize the myth, an essential symbol. The result of this study is following like these three points. First, the Kitsch patterns of representation in hair style use the accumulation by an excessive ornamentation; the inappropriateness by the lack of form, the disagreement, the unbalance, and the nonfunctional form; and finally, the amusement by the reconstruction, the exotic, and the satire. The above three is true to the Barthes's primary symbol-the form. Second, the anti-traditionality(including the lack of form, the disagreement, and the unbalance), the homesickness(including the reconstruction and the exotic), and the eclecticism(including the parody and the mixed imitation) are created as the ideology of the liberal artistic notion, different from the past outlooks on aesthetic. This is true to the Barthes's secondly symbol-the ideology. Third, the form and the ideology enable us to express our own thoughts and to recover the humanity, which is the primary purpose of Kitsch aesthetic. The Kitsch hair style, as we witness, does lead the varied and liberal aesthetic world, create its accessible value, and place the art of hair style in a higher status.

• 한국콘텐츠학회논문지
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• 제11권11호
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• pp.503-513
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• 2011

일반인들의 자연에 대한 감상과 생명과학의 이해는 오늘날 과학의 대중화에서 큰 역할을 차지하고 있다. 특히 일반인의 관심이 높은 전시와 같은 비형식 과학교육은 생태학, 동물행동학, 환경학 등 거시생물학적 분야의 내용이 주를 이루고 있다. 그렇지만 전문가의 참여 부재, 자연 현상의 피상적인 기술 등의 이유로 대중에게 효과적으로 전달되고 있지 않다. 정보와 지식은 그 자체로는 수용자가 곧바로 이해하고 받아 들일 만한 형태 및 구조를 가지지 못하다. 생명과학 지식을 일반인에게 효과적으로 전달하기 위해서는 콘텐츠를 유형별로 분류하고 콘텐츠화 하는 가공 과정이 필요하다. 주제의 선정 단계에서부터 내용의 편집 및 표현 단계까지의 일련의 과정으로서 관련 분야의 전문가인 과학자의 적극적인 역할이 강조된다. 콘텐츠화 과정은 과학적, 논리적 사고방식과 더불어 예술적 표현 및 소통 능력을 필요로 한다. 과학의 대중화를 위한 이론적 및 실천적 틀로서 통역의 개념을 제안한다.

• 한국의류학회지
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• 제29권8호
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• pp.1057-1067
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• 2005

In the modem society, people try to represent and protect their traditional arts in aesthetic way along with the global society. The proposal of this thesis is about the fashion illustration that has adopted the folklike formative arts. 1 prefer the formative character rather then the universal character and I would like to use of folk paintings far the fashion illustration. Because the formative character of folk paintings is very expressional, we are able to draw a fashion illustration in easy, new, creative and less difficult way. The fashion illustration has to be a specialized field from the formative arts, and we need to study in a new way as well. We draw fashion illustration through the understanding of folk paintings and the study of analysis in formative. As a result of this study, we could draw a fashion illustration which is very abstract, exaggerative and simple. We also could expect the free hand drawing lines on this illustration. In these fashion illustrations, the human bodies let us fret the artists' tense, speed, and power. According to the important character of folk painting, which is the beauty of color, these fashion illustrations have expressed more color intensive. In the falk paintings there is a kind of rules to make color order, so the fashion illustrations that we drew have the bright and clear color combination. Because the folk paintings shouldn't be the artistic but should be the realistic, the fashion illustrations concentrate on the real subject. It is very natural looking that use the natural dyes in the fashion illustrations. According to this kind of art task, fashion illustration will be a certain part of the illustration in the modem society.