• International Journal of Advanced Culture Technology
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• 제11권1호
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• pp.192-197
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• 2023

David Salle, born in Norman, Oklahoma in 1952, is the most important and controversial artist of the new-expressionist painting in the United States. His paintings are featured by unique artistic language, and extremely diverse and very ground-breaking expression, which reflect the American society at that time. Besides, he often uses complex image combination with striking colors and forms to attract and touch viewers. In this paper, based on the American new-expressionism, the painting language of David Salle's works was analysed, in which I found that it can be more intuitively and more profoundly feel the development of new-expressionist painting context and David Salle's particularity, and more clearly realize under what the characteristics of the era David Salle created the unique artistic language. The study on David Salle's unique painting language is of important research value and reference significance for our current artistic creation.

• 한국조경학회지
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• 제30권6호
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• pp.98-108
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• 2003

The research purpose of this study, together with the study of Frank Stella's work and his expansion of the formative arts field, is to rediscover "Amabel" and to present a fresh perspective in evaluating and assessing environmental art objects. The results of this study can be summarized as follows. 1. The study investigated the effect how Frank Stella's work affected American modem art trends. 2. The study helped to re-evaluate Stella's work by examining its expansion into the plastic arts. 3. The study analysed the plastic works of Prank Stella and his effect on plastic arts within the modem art trend of America. In conclusion, Frank Stella played a leading role in today's American art style and had a potent influence on the trends of America's modem U. In recent years, his work has had an impacted on the design of parks and art galleries. America's industrial society is led by the growth of economic power and the development of science and technology. In America's architecture and landscape architecture, such new forms as minimalism functionalism, cubism and abstract expressionism, which have been influenced by art movements, emerged in California and the east coast. Influences of Stella such as these are the remedy for a vested stubborn concept of architecture and landscape architecture by introducing a sense of pictorial space in these fields. In landscape architecture, the introduction of art trends appears in several ways. Mainly the trend of Minimalist Art, influenced by Modernism, can be seen in much Landscape Architecture. Frank Stella contributed to the development of such minimalist art.

• 미술이론과 현장
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• 제15호
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• pp.31-49
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• 2013

This paper delves into the recent 'paintings' of African-American artist David Hammons, which combine rubbish-like plastic wraps with the abstract-expressionist style paintings. In straddling between rubbish and art object, his works tend to blur the boundary drawn between two opposite categories in value, art and garbage, provoking the sophisticated taste of Upper-East-side white community in Manhattan, New York. Choosing the venue of his exhibition at a commercial gallery, Hammons's creative efforts is also a critique of what can be seen as the dominance of abstract expressionism and white elitism in American art history. The artist is known for his use of unconventional materials in art making such as black hair, barbecue bones, and elephant droppings, ones that are often associated with African-American experiences in all different levels. Since his debut in the art scene in the 1970s, Hammons has pursued the view of art-making as a medium for provoking contentious issues of racial relations in the States. On the other hand, the reception of Hammons's work as African-American art can be potentially quite limiting, overlooking as it does multi-faceted meanings of his art practice. His unconventional approach to art often took him outside art galleries and museums, where he was seen using a variety of common materials for site-specific installations and performances. Staged in different parts of Manhattan, these acts of art making traverse seemingly opposite communities and cultures, often blurring their boundaries. Hammons's artistic practice can label him what Abdul Jan Mohamed calls "specular border intellectual", revealing as it does the symbiosis of binary oppositions that is basic to the experience of communnal living.

• 만화애니메이션 연구
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• 통권36호
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• pp.147-165
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• 2014

2000년대 초를 거치면서 리얼리티 기반의 컴퓨터 그래픽스의 발달과 함께 서구를 중심으로 메인스트림 장편 애니메이션은 핸드 드로운(hand-drawn) 방식에서 점차 3D 컴퓨터 그래픽스 사용으로 변화됐다. 전통적으로 드로잉 방식의 애니메이션은 원, 삼각형 등 단순한 형태로 추상화 된 캐릭터들의 독특한 움직임에서 다른 예술장르와 차별화되는 미적 고유성을 찾았다면, 컴퓨터의 사용은 그 움직임의 자동화 방식과 리얼리티 지향의 그래픽으로 인해 그와 같은 애니메이션의 미적 특성을 저해한다는 논란이 있어왔다. 3D 컴퓨터 그래픽스의 제작방식의 도입은 애니메이션의 액팅 스타일에도 많은 변화를 가져왔다. 우선 실제 인간의 운동 메커니즘과 유사한 리깅(rigging)방식을 보면 3D 캐릭터의 액팅 스타일의 변화를 추적해 볼 수 있다. 핸드 드로운 애니메이션의 경우 캐릭터의 머리카락, 옷 등은 소품이 아닌 캐릭터의 일부로써 액팅을 했다면, 이제 머리카락, 옷 등은 시뮬레이션 되기 때문에 애니메이터에겐 오직 캐릭터의 몸만이 액팅 대리물이 됐다. 다음으로 애니메이션의 특징이라 할 '스트레치 앤 스쿼시(stretch and squash)'의 과장된 움직임을 매체의 특성과 관련해 생각해 보면, 한 프레임씩 수작업으로 그려지는 바, 미세하게 나타나는 선의 떨림은 피할 수 없다. 이 떨림은 묘한 미적효과로도 기능하지만 동시에 이를 감추기 위해 과장된 움직임은 필연적인 것일 수도 있다. 이와 다르게 수학적인 움직임 계산으로 매끄러운 움직임의 표현이 가능한 소프트웨어의 사용은 다소 이분화 된 액팅 방식을 보인다. 기본적으로 사람과 같은 움직임에서 과장 된 제스처로 액팅하거나 또는 정적이며 절제된 동작으로 감정을 연기한다. 또한 z축의 깊이 공간을 추가되고 캐릭터를 직관적으로 움직임일 수 있는 컴퓨터 그래픽의 편리성은, 뛰어난 드로잉 아티스트를 넘어 뛰어난 연기 지도자가 될 것을 애니메이터에게 요구 한다. 특히 캐릭터의 감정표현과 관련해 디지털 테크놀로지의 새로운 표현양식은 애니메이터에게 액팅의 유형과 관련 넓은 선택을 제공한다. 이는 애니메이션에 있어 동작 위주의 액팅 스타일에서 내면적 감정 표현으로의 연기 영역의 확장을 의미한다.