• 한국인터넷방송통신학회논문지
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• 제16권4호
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• pp.181-187
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• 2016

본 연구에서는 ASEAN 여성의 ICT 개발 정도를 측정할 수 있는 맞춤형 국제지수인 WIDI(ASEAN Women's Development Index)개발하고자 한다. 국제적인 ICT 개발지수는 많으나 개발도상국에서 성 분리된 ICT 통계를 위한 지수가 존재하지 않는다. WIDI 프레임워크는 국제 ICT 지수를 기반으로 아세안 여성의 사회 문화적인 요인과 나라의 여성정책 유무등 다양한 측정 요소를 포함하여 5개의 카테고리와 14개의 서브카테고리로 구성하였고 설문지를 통해 자료를 수집한다. WIDI는 ASEAN 여성의 정보통신 발전 현황과 성별 정보 격차를 비교하고 국가별 정보격차를 측정하여 성별 정보격차 해소를 위한 정책결정에 기초자료를 제시하여, 여성의 사회적 지위향상에 도움을 줄 수 있다. 또한 ASEAN 회원국에서 WIDI 현황을 지속적으로 확인함으로써 ASEAN 여성의 인적자원 개발과 사회 경제적 지위향상을 위한 자료가 될 것으로 기대한다.

• 한국비블리아학회지
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• 제27권3호
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• pp.273-294
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• 2016

본 연구는 한-ASEAN 공적개발원조(ODA) 사업의 일환으로 ASEAN(Association of Southeast Asian Nations) 회원국에서 공공도서관이 정보소외계층인 여성들에게 ICT 리터러시 교육 및 활용 공간으로서 적합한지 알아보고, 향후 활용 방안을 모색하기 위하여 진행되었다. 이를 위해 ASEAN 회원국 공공도서관 여성 이용자 1,000명을 대상으로 설문조사를 하고 ASEAN 회원국 10개국의 사서 및 정보전문가와 심층 인터뷰를 진행하였다. 설문조사 결과 전체 응답자의 68.8%가 공공도서관이 ICT 교육장소로 적합하며, 접근이 편리하다고 응답하였다. 또한 도서관 이용 목적에 대하여 27.5%가 정보검색과 이메일 등 ICT를 이용하기 위해 도서관을 방문하는 것으로 나타났다. 또한 사서 및 정보전문가와의 인터뷰 결과 효율적인 ICT 리터러시 교육을 위해서는 인터넷과 컴퓨터 기반 시설의 확충이 필요하며, ICT 리터러시 교육 담당자를 위한 기술 교육과 관련 기관과의 협력, 재정 확충 및 세부 정책의 필요성이 제기되었다.

• 수완나부미
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• 제12권1호
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• pp.89-110
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• 2020

Singapore and Thailand have been rapidly ageing. There has been a growing demand for eldercarers in the home-setting for which migrant domestic workers have filled the role. This paper examines the Association of Southeast Asian Nations (ASEAN) Consensus governing women migrant workers entering the eldercare sector. It argues that because the ASEAN Consensus is not legally binding, it only serves to reinforce the sovereignty of states in the treatment of migrant workers instead of member states acting in unison to ensure labour protections for this group; as a result, Singapore and Thailand do not feel the need to step up protections for this group of workers according to national labor laws and hence low-skilled women migrant workers entering the eldercare sector continue to be vulnerable to labour abuses. Thus as with globalization, the ASEAN Economic Community manifests the paradox of borders: that while states are economically interconnected and interdependent, they are simultaneously disconnected and independent from each other.

• 수완나부미
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• 제11권1호
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• pp.185-202
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• 2019

The early years of the twentieth century introduced Vietnam, then a French colony, to feminism, which helped expose the problem of suicide among women, prostitution, and the trafficking. This article surveyed writings in three influential newspapers published for and by women, namely, "Phụ Nữ Tân Văn" (PNTV) (Woman's Newspaper) 1929-1934,"Phụ nữ Thời Đàm" (PNTĐ) (Women's Discussions on Topical Questions) 1930-1934, and "Đàn Bà"(ĐB) (Women) 1939-1945. The writings were analyzed to illustrate how feminism was perpetrated in this period, and how the writers were able to reconcile it with prevalent Confucianism, which this paper also argued as having put in place, gender inequality.

• 수완나부미
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• 제14권1호
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• pp.71-87
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• 2022

This article explores how women's voices are constructed in The Sun Also Rises by Ernest Hemingway and Nỗi buồn chiến tranh (The Sorrow of War) by Bảo Ninh. Specifically, this article approaches presentations of women's personalities and positions in the two novels that do not have obvious historical and geographical connections. The women's voices in the two novels, as this article suggests, are characterized by women's desire for self-determination, where they are able to free themselves from domination, and even influence men's psychology and actions. In comparing the characteristics of women's voices in the two works, the article aims to highlight different ways in which women assert their agency. The article affirms the potential contribution of cultural contexts in examining feminist voices and understanding how female figures are made to overcome default passivity and submission to male domination.

• 수완나부미
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• 제1권1호
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• pp.75-89
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• 2009

This paper aims at scrutinizing how the women's image in the Thai film 'Nang-Nak' has been represented, affecting the Thai people intensely and achieving its great success in spite of having the background of 19th century and being a remaker. To fulfill the purpose and analyze the argument, the ideas of Lee(1989), Joan(1973) and Joo(1996) are used as theoretical concepts for this study. As a result, two images of Thai women seem to be revealed in the movie. The first image, drawn from 'Maen' and 'Mian', is conventional, somewhat ideal type for Thai women, so being a common aspect. What makes the movie a big deal, however, is another image which the heroine 'Nak' has shown, attracting the audience to be moved to tears. It may be apparently an idiosyncratic or extraordinary one from the traditional point of view in Thailand, but in other sense is a new, fresh image for which the contemporary Thai women want to seek. That is why the movie became one of the most popular in Thailand.

• 수완나부미
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• 제11권1호
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• pp.169-184
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• 2019

In recent years, Vietnamese literature has seen the rise of women writers in a genre traditionally dominated by men-travel writing. Phuong Mai, Huyen Chip, Dinh Hang, among others, are just a few who have introduced innovations to this genre. This paper investigates the practice of contemporary Vietnamese women travel-writers and how they differ in perception compared to their male counterparts. One of the most crucial differences is that women perform cultural embodiment, employing their bodies instead of their minds. An encounter of the woman writer with other cultures is, therefore, an encounter between the body and the very physical conditions of culture, which leads to a will to change, to transform, more than a desire to conquer, to penetrate the other. Utilizing the concept deterritorialization developed by Gilles Deleuze and Felix Guattari, this paper argues that despite being deemed fragile and without protection, women's bodies are in fact fluid and able to open new possibilities of land and culture often stripped away by masculinist ideology.

• 수완나부미
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• 제7권2호
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• pp.155-175
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• 2015

This paper will reveal the legacy of women in the Bagan Period (10th to 11th century A.D.) traced through the early evidences of female figures that could only found in the stones of KyaukkuUmin and in the terracotta of Shwesandaw and Phetleik temples. There have been some writings on the women of the Bagan Period from different perspectives. The role of women from the Bagan Period mentioned in different records and as empowerment of Myanmar Women in the past will be analyzed. Through these female images and other unearthed artifacts found in Bagan, portrayals of womanhood in Myanmar early sculpture will be studied. The role of women in the Bagan will be observed by looking closely at what remains of the sculptures, as well as the craftsmanship applied to the works, which are usually in terracotta, wood, or stone.

• 정보화정책
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• 제30권1호
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• pp.89-108
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• 2023

과학기술혁신은 행위자들의 활동을 전통적인 물리적 영토에서 사이버 영역으로 확장했다. 데이터 기반의 플랫폼 서비스와 시장은 사이버 공간의 주권에 대한 담론뿐 아니라 초국경 협력과 사이버 안보에 대한 새로운 논의를 진전시킨다. 이러한 변화는 미국과 중국의 패권 경쟁에도 영향을 미치고 있다. 특히 천연가스나 심해자원과 같은 주요 자원 수송로에 위치한 개도국에 대한 원조 경쟁이 치열하다. 아세안은 미·중의 강대국이 충돌하는 지정학적인 군사·안보의 요지일 뿐만 아니라 6억 명에 이르는 인구는 데이터 자원으로 인해 디지털 경제의 발전 가능성이 크다. 이에 이 논문은 국제개발협력에서 자유주의와 권위주의 담론을 데이터 규제 및 사이버안보와 연계하고, 이를 통해 아세안 통합에 대한 함의를 도출하고자 한다. 본 연구는 글로벌 거버넌스의 측면에서 빅데이터와 관련한 국제정치적 사안들을 연계하는 융합 연구의 의의가 있다.

• 수완나부미
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• 제12권1호
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• pp.49-88
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• 2020

Two utilitarian and symbolic objects associated with womanhood in Cambodian culture are the stove and the pot. The pot is a symbol of both the womb and female sexuality; the stove is a symbol of gendered feminine labor. This article argues that the sexist representations of the Khmer female body by modern Cambodian male artists demonstrate an inherited legacy of Orientalist stereotypes. These images were formed : under French colonialism and often depict Khmer women as erotic/exotic native Others. Starting in the 1970s, however, if not earlier, Cambodian women began to question the gendering of social roles that confined them to domestic space and labor. This form of social questioning was especially present in pop songs. In recent years, contemporary Cambodian woman artists such as Neak Sophal and Tith Kanitha have made use of rice pots and stoves in their art as freighted symbols of femininity. Neak created an installation of rice pots from different households in their village, while Tith rebelled against this gendered role by destroying cooking stoves as an act of defiance against patriarchy in her performance art.