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20세기 패션 디자인의 조형성 표현방법 연구 -오브제 사용기법을 중심으로- (A Study on the Method of Expressing Plasticity in the 20th Century Fashion Design - Focused on the Using Techniques of Object-)

  • 김지희;유태순
    • 한국의류산업학회지
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    • 제5권1호
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    • pp.17-24
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    • 2003
  • Objet, which showed up with the art of 20C, is now an important element giving a creative idea to fashion designers in modern times. The purpose of the study is to review how the objet technique was paid attention and recreated in the fashion, through the analysis of works, and the formative features of each technique for fashion, in order to identify the connection of arts and fashion, and the position of fashion as art. The techniques using object appeared in the 20th century fashion are as follows: First, papier-colle, which is adding printed materials onto the surface, is such a technique that adds cut-feeling materials to impose a new texture, or arrange again the cloth-cuts to create a different clothing from the existing one, which went to the extension of materials in the fashion. Second, collage of daily materials expresses directly and emotionally through direct presentation of the objets. Especially, collage of patch-work is reproduced into a new fabric depending on the objet used, giving a standing over the form. Third, ready-made which presents the material meaning only of the objet expands the range of objets which could be used in the fashion by introducing the daily materials having a meaning itself as a fashion. Forth, an attempt to approach to the objets of popular image by designed techniques come out in modern fashion as a graffiti look or a typography look, making the clothing itself an objet to transmit a message directly to the masses. Introduction of various objets and development of expression technique brought out the diversification of materials, and enrichment and extension of expression sphere, which resultingly spreaded the freedom of expression and progressed into the art sphere, making a direct motif to solidify its standing as a formative art.

국제물품매매에서 물품의 계약적합성에 관한 연구 (A Study on the Conformity of the Goods under International Sale)

  • 오현석
    • 무역상무연구
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    • 제66권
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    • pp.25-46
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    • 2015
  • The purpose of this paper is to provide a legal implication about conformity of goods in the international commercial transactions. There are so many legal relationship after the formation of contract. The most of important thing among the obligations of seller is to provide conformal goods which are of quantity, quality and description required by the contract and which are contained or packaged in the manner required by the contract. If seller violate above duties, seller take the warranty liability. However, CISG describe the conformity of the goods instead of the warranty as follows. First, CISG Art.35(1) states standards for determining whether goods delivered by the seller conform to the contract and Art.35(2) describes standards relating to the goods' quality, function and packaging that, while not mandatory, are presumed to be a part of sales contracts. Article 35(2) is comprised of four subparts. Two of the subparts (article 35(2) (a) and article 35(2)(d)) apply to all contracts unless the parties have agreed otherwise. Second, CISG Art.36 and 38 deals with the time at which a lack of conformity in the goods must have arisen in order for the seller to be liable for it. If seller lack of conformity becomes apparent only after that time, seller is liable for a lack of conformity existing when risk passed to the buyer. Third, CISG Art.49 describe that a buyer who claims that delivered goods do not conform to the contract has an obligation to give the seller notice of the lack of conformity. The most of important things about CISG articles and precedents is that buyer is aware of the lack of conformity and notice it to seller. Failure to satisfy the notice requirements of article 39 eliminates a buyer's defence, based on a lack of conformity in delivered goods, to a seller's claim for payment of the price. Consequently, parties of contract had better agree to the notifying times about lack of conformity. Also, If seller fined the non-conformity, seller has to notify this circumstance to the buyer within short period or agreed time.

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서양(西洋)의 머리형태(形態)에 표현(表現)된 Post-modernism에 관(關)한 연구(硏究) (A Research on Post-Modernism Expressed on Western Hair Styles)

  • 안현경
    • 패션비즈니스
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    • 제6권1호
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    • pp.31-42
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    • 2002
  • The purpose of this study is research on the characteristics of post-modernism expressed on western hair styles in the late 20th century. Therefore this thesis analyzed the relationship of modernism & the hair styles of that mage and post-modernism & the hair styles of that mage. That will re-illuminate the same beauty worth of same age as to accurate the concept of post-modernism & the hair styles of that mage. And the last, criticizing the post-modernism design and that hair design, helping to find new trends. The method of this study was the literature research & analysis of visual materials focus on upper bust image that can know the relationship of modernism & the hair styles of that mage, and post-modernism & the hair styles of that mage. First, the literature research is composed of analysis of theses, magazines on art, clothing and cosmetology having the contents of 20th century western culture, art and hair styles. Second, the analysis of visual materials is composed of analysis of video films, slide films and photographs of books, magazines, and internet home-pages. Modern western hair styles, appeared after 1910's, is represented as a short cut & permanent wave. That express experimentalism, functionalism, and purism, that is same as the other art's trend of same age. Post-modern western hair styles, appeared after 1960's, also show the same trend with same age's. This summarized & characterized 8 categories; historical method, pluralism, negotiation, escape from the formality, recovery of humanity, ornament, connection with race, metaphor & symbolism. But post-modernism concentrating pluralism makes easy making low quality art and absence of criticism, so this thesis criticised it 5 categories; absence of ideas, absence of the social sense of responsibility, lost of one's characteristics, decline of skills, decline of worth of usages.

결혼이주여성을 위한 통합예술치료 프로그램이 자기유능감 및 갈등대처방식에 미치는 효과 (Effects of an Integrative Art Therapy Program on Self-Efficacy and Conflict Coping Strategies in Marriage Migrant Women)

  • 박순희
    • 디지털융복합연구
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    • 제14권11호
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    • pp.565-575
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    • 2016
  • 본 연구는 결혼이주여성의 자기유능감을 향상하고, 부부 간 갈등해결방법 습득과 친밀한 가족관계 형성을 위해 통합예술치료 프로그램을 실시하여 어떠한 효과가 있는지 밝히고자 하였다. 본 프로그램의 대상자는 A시에 거주하는 결혼이주여성으로 한국에 거주한지 2년 이상인 여성으로 한정하였다. 실험집단 30명, 통제집단 31명을 무선표집으로 배치하고, 총 8회에 걸쳐 개입하였다. 사전검사는 1회 차에 실시하였으며, 사후 검사는 프로그램이 끝난 지 한 달 후에 실시하였다. 결혼이주여성을 위한 통합예술치료 프로그램의 실시 결과, 실험집단이 통제집단에 비해 자기유능감과 갈등해결방식에 효과가 있게 나타났다. 본 연구에서 실시한 결혼이주여성을 위한 통합예술치료 프로그램은 결혼이주여성으로 하여금 성공 경험을 만들어 줌으로써 자신감을 회복하고, 적극적으로 원만한 부부관계 및 가족관계를 형성하게 하기 위한 것이다. 또 실천 현장에서 활용할 수 있는 통합예술치료 프로그램을 제시하여 이주여성의 가족 및 사회적응의 기초를 마련하고자 한다.

독서치료 프로그램이 중학생의 스트레스 인지와 반응에 미치는 영향에 관한 연구 - 그림책 조형활동을 중심으로 - (A Study on the Effects of a Bibliotherapy Program on the Stress Recognition and Reactions of Middle School Students: With a Focus on Picture Books and Paper Craft Art Activities)

  • 류지선;조미아
    • 한국비블리아학회지
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    • 제25권4호
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    • pp.129-146
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    • 2014
  • 본 연구는 중학생을 대상으로 종이조형을 활용한 그림책 독서치료프로그램을 실시한 후 학생들의 스트레스 인지와 스트레스 반응에 어떠한 영향을 미치는지 파악하고자 수행되었다. 이를 위하여 정서적 어려움을 겪고 있는 것으로 밝혀진 중학교 1학년 학생을 대상으로 연구를 수행하였다. 연구결과, 종이조형을 활용한 그림책 독서치료 프로그램은 중학생의 스트레스 인지와 스트레스 반응에 효과적인 것으로 나타났다. 스트레스 인지의 하위요인 중 가정환경, 친구, 학업, 교사/학교는 모두 통계적으로 유의한 차이가 나타났다. 스트레스 반응의 하위요인에서는 피로를 제외하고 긴장, 좌절, 분노, 우울, 신체화, 공격성에 통계적으로 유의한 차이가 나타났다.

Appleton과 Bourassa의 ′경관미학′이론에 대한 비판적 고찰 (Theory in the Aesthetics of Landscape: A criticar neview of J, Appleton and S. Bourassa)

  • 배정한;조정송
    • 한국조경학회지
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    • 제23권1호
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    • pp.7-22
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    • 1995
  • Philosophers Of aeBthetics have tended to limit their Suhject to include only objects Of art. In contrast to art objects, landscapes include elements of both art and nature, and the aesthetic experiences of landscape are ordinarty ones. Thus, the theoretical alternatives, that cannot be like the traditional aesthetic dogma of art, must be explored. Jay Appleton's theory is the firsts attempt to develop a comprehensive theory of landscape aesthetics. He concentrates on the question 'what do we like about landscape and why do we like it ' He takes the assumption that the aesthetic experience of landscape is pleasurable or satisfying, and suggests the biologically oriented theory, called 'prospect-refuge theory.'Although his theory is stimulating and highly speculative, it depends on the 'aesthetic attitude' theory of Kantian thought. His theory can be criticized for its biologically deterministic nature and its reductionism To respond to Appleton's shortcomings, that is, to resolve the conflict between biological and cultural explanations of aesthetic experience of landscape, Steven Bourassa tries to combine biological, cultural, and personal modes in a comprehensive paradigm for research in landscape aesthetics. This tripartite paradigm seems to promise to be meaningful if helping to pose important questions as well as in. avoiding conceptual errors about aesthetic domain of landscape. However, Bourassa's theory fails to integrate such three separate kinds of moder In the final analysis both Appleton and Bourassa present same succeases in expanding the scope of aesthetics to embrace landscape. Most important for a theory in landscape aesthetics must be its ability to enlarge our awareness of the aesthetic domain and its sound logic and evidence to criticize our problematic beliefs about he aesthetic idea of landscape.

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Management of Aesthetic intentions in Urban Design -Artworks in Urban Public Space-

  • Takeda, Naoki;Yagi, Kentaro
    • Journal of the Korean Institute of Landscape Architecture International Edition
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    • 제1호
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    • pp.167-175
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    • 2001
  • After World War II, Japan experienced a great political and social shift, which brought a concern of emerging public landscape in urban development. This paper analyses the management of the aesthetic intentions in urban design effort. We reviewed the development of various public installation of artworks concerning urban landscape aesthetics through its administrative process in chronological order. The monuments during the first decade marked a shift in emphasis from the militarism of the pre-war and wartime period to one of peace. However, some of the monuments and sculptures are not immune to controversy. This became an issue that could no be ignored by public officials whose responsibility was to place the sculptures while maintaining sensitivity to public opinion. As public administrators began to consider the possibility that sculptures may contribute to improving public amenities, the contextual concepts were basically ignored. Some of the programs in 1970s began to show more respect to the context, while other programs in this period expressed more interest in educational aspects of sculptures in the public spaces. Urban development projects also seek to introduce artworks integrated to their urban design concepts in 1990s. Generally, the administrators responsible for these programs were rarely trained in any relative field study other than public administration. Installing sculptures tended to be considered as part of public works projects on the level of urban planning and construction. The general public is basically removed from participating in the critical decisions that actually impact their lives in relation to the artworks. In conclusion, public art in japan has unique social and historic background both in its advantages and disadvantages. Issues pertaining to art in public spaces have evolved over the decades as the term "sculpture pollution" began to appear by the mid 1990s. most of the problems originated in either the lack of monumentality, contextual consideration, quality, or public participation. From another point of view, these programs played great roll in the development of modern Japanese sculpture and patronizing process, and the creation of new urban landscape with aesthetic value. In this sense, they must be considered as successful and noteworthy examples of cultural administration and urban design policy.

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도시환경의 시각요소로서 슈퍼 그래픽 유형에 관한 연구 -기능별 분류와 발생배경을 중심으로- (A Study on the Types of Super Graphics - Special Reference of Functional Types and Appearance Background -)

  • 나성숙
    • 한국조경학회지
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    • 제13권2호
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    • pp.13-26
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    • 1985
  • ^x The enviroment defines the living conditions for people and has at the same time the possibility to create new environment. In Korea, where the rate of urbanization reached more than 50% in 1970′s the priority has been put on the economic development and administrative function. Under the circumstance, visual environmental field was dealt lightly and it resulted in undesirable environment. The techniques of Mordern Arts (Montage, Depeysment, Tromp L′oeil, P.O.P Art, etc.) helped Super Graphics appear in the urban areas. Environmental Art has been expended into the public space and people came to recognize the Arts as the "Street Art" or "Street as Gallery". Super Graphics has four types 1) Resident′s Super Graphics ; Minority groups came to maintain social equality and rights, in cooperation with each other. Such maintenance required general urbanites to form communities which gave birth to the community art, Mural Painting. 2) Environmental Super Graphics ; Beauty has come to be stressed in order to improve the quality of urban lives in the course of inescapable urban development. Instead of renewal of all established construction conservation oriented renewal was encouraged. 3) Super Graphics as Population Arts ; In the 1960′s artists repulsed the establishments in an efforts to open new phase independent from the expressional in the arts. They recognized the relationship between painting, society and the public in different angle and tried to describe all living space on canvas. 4) Super Graphics as Advertisement ; Super Graphics functions as efficient media to deliver images to the urbanites. Super Graphics as media plays the role for political propaganda and commercial advertisements according to their purposes. In Korea, especially, it is required to introduce the environmental Super Graphics. But it is desirable to introduce Super Graphics with Korean culture and sense of beauty. Designers themselves are also required to have responsibility to improve the quality of urban culture.

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기저 함수의 대칭성을 이용한 저니키 모멘트의 효율적인 계산 방법 (An Efficient Computation Method of Zernike Moments Using Symmetric Properties of the Basis Function)

  • 황선규;김회율
    • 한국정보과학회논문지:소프트웨어및응용
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    • 제31권5호
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    • pp.563-569
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    • 2004
  • 저니키 모멘트(Zernike moment)는 영상의 표현 능력이 뛰어나기 때문에 객체 인식 또는 내용기반 영상 검색 시스템에서 많이 사용되었으나, 정의식이 복잡하기 때문에 많은 연산량을 필요로 하는 단점이 있다. 저니키 모멘트를 빠르게 계산하는 기존의 방법들은 주로 1차원 실수 방사 다항식을 빠르게 계산하는 방법에 중점을 두었다. 본 논문에서는 저니키 복소 기저 함수의 대칭성을 유도하여 저니키 기저함수를 빠르게 계산하고 입력 영상으로부터 저니키 모멘트를 효율적으로 추출하는 방법을 제안한다. 제안하는 방법은 저니키 기저 함수 계산에 필요한 연산량을 기존 방법의 약 20%로 줄이고, 저니키 모멘트 추출에 필요한 곱셈 연산을 25%로 감소시킨다. 또한, 저니키 모멘트를 특징 벡터로 이용하는 시스템 구현 시 필요한 메모리 요구량도 기존 방법의 25%만을 필요로 한다. 제안하는 방법은 회전 모멘트, 의사 저니키 모멘트, ART(Angular Radial Transform) 등의 계산에도 같은 방식으로 적용될 수 있다.

유휴산업시설 재생공간의 장소성이 방문만족도와 체류시간에 미치는 영향 - 문래예술창작촌의 방문자들을 대상으로 - (The Influence of the Sense of Place on Regeneration Space using Idle Industrial Facilities on Visitors' Satisfaction and Length of Stay - Focused on Visitors of Mullae Art Village -)

  • 윤한;윤희정
    • 한국조경학회지
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    • 제46권4호
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    • pp.1-10
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    • 2018
  • 본 연구는 유휴산업시설 재생공간 방문자들의 장소성이 방문만족도와 체류시간에 미치는 영향을 밝히는 것을 연구목적으로 한다. 이를 위하여 본 연구는 서울시 영등포구에 위치한 문래예술창작촌을 연구대상지로 선정하였으며, 방문자를 대상으로 설문조사를 진행하였다. 탐색적 요인분석 및 신뢰도분석, 다중회귀분석결과, 문래예술창작촌의 장소성 요인인 매력성, 의미성은 방문만족도와 체류시간에 정(+)의 영향을 미치는 것으로 나타났으며, 매력성이 가장 큰 영향을 미치는 것으로 나타났다. 그러나 역사성은 방문만족도와 체류시간에 유의미한 영향을 미치지 못 하는 것으로 나타났다. 또한, 방문만족도는 체류시간에 정(+)의 영향을 미치는 것으로 분석되었다. 이상의 연구결과는 유휴산업시설 재생공간의 장소성을 진단하고, 추후 도시공간 계획가 및 관리자가 유휴산업시설 재생공간을 활성화시킬 수 있는 장소마케팅 전략을 수립하는 데에 유용한 지침이 될 수 있을 것이다.