• Title/Summary/Keyword: 3-DS MAX

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A study on retargeting error between motion capture FBX and 3ds Max bipod joints (모션캡쳐 FBX와 3ds Max 바이패드 관절의 리타게팅 오차 연구)

  • SangWon Lee
    • Proceedings of the Korean Society of Computer Information Conference
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    • 2024.01a
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    • pp.71-72
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    • 2024
  • 본 논문에서는 Adobe Mixamo, 에픽게임즈 마켓플레이스, 유니티 에셋스토어 등에서 제공되는 모션캡쳐 FBX 데이터를 3ds Max 바이패드 애니메이션 시스템에 리타게팅 적용할 때 발생하는 문제점과 해결 방법을 살펴본다. 모션캡쳐 FBX를 바이패드에 리타게팅 하는 과정은 다양한 측면에서 이슈가 발생하는데 본 논문에서는 종아리와 하박 관절의 X축 회전 오차를 중심으로 살펴본다.

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Review / 3ds max

  • Park, Je-Gyun
    • Digital Contents
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    • no.12 s.127
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    • pp.134-141
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    • 2003
  • 디자이너들이 3ds max를 어렵게 느끼는 것은 학습량이 많기도 하지만 근본적인 이유는 이해가 어렵다는 점 때문이다. 더욱이 직장생활을 하다보면 학습시간이 많지 않기 때문에 아예 중간에 포기하는 경우가 많다. 이를 해결하기 위해서는 기본개념을 먼저 이해해야 할 것이다. 기본 흐름을 이해하면 응용기술은 쉽게 습득할 수 있을 것이기 때문이다. 이에 우리는 2회에 걸쳐 3ds max의 기본적인 제작개념을 배웠다. 이번 호는 마지막단계로 지금까지 배운 개념들을 실제로 어떻게 적용되는지 배워보도록 하겠다. 이 전에 알아둘 것은 이번 내용은‘예제 따라하기’식 설명이 아니라, 개념을 토대로 제작되는 과정의 흐름을 익히는 것이다. 만일 툴 사용법과 같은 테크닉적인 학습을 원한다면 차라리 서점에 있는 좋은 학습서를 통해 익히는 것이 좋을 것이다.

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인터뷰 / 한국디스크리트 채수호 본부장 INTERVIEW

  • Sin, Jong-Hun
    • Digital Contents
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    • no.11 s.126
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    • pp.23-23
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    • 2003
  • “국내 3D 그래픽 기술은 게임부문에서는 세계적인 수준에 이른 것으로 보이지만 애니메이션에 있어서는 아직 발전단계에 있습니다. 3ds max 6는 이러한 점에서 국내 3D 그래픽 기술을 한 단계 업그레이드시켜줄 수 있는 계기가 될 것입니다. 특히 디자인 비쥬얼라이제이션 분야에서도 이번 신제품은 가장 적절한 해법이 되리라 믿습니다.” 한국어도비시스템즈 영업이사를 거쳐 한국디스크리트 사업본부장으로 자리를 옮긴지 3년째를 맞고 있는 채수호 본부장은 3ds max 시리즈가 3D 그래픽 분야에서 차지하는 비중은 약 50%에 이른다고 설명했다.

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A Design of AI Middleware for Making Interactive Animation Characters (인터랙티브한 애니메이션 캐릭터 제작을 위한 인공지능 미들웨어 설계)

  • Lee, Seung-Sub;Um, Ky-Hyun;Cho, Kyung-Eun
    • Journal of Korea Game Society
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    • v.8 no.1
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    • pp.91-101
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    • 2008
  • Most designers use professional 3D animation tools such as 3DS MAX to manually create animation. This manual method requires a great deal of time and efforts, and does not allow animation characters to interact with one another. In this paper, we design an AI middleware of form as 3DS MAX plug-in to solve these issues. We present an AI expression structure and internal processing method for this middleware, and the method for creating AI character's structure. It creates AI character's structure by drawing figures and lines for representing AI elements. For experiment, we have produced same animations with the traditional method and our method, and measured the task volume in both methods. This result verifies that the task volume is similar or higher than the traditional method in small-scale tasks, but up to 43% of the task volume is reduced in large-scale tasks. Using the method proposed in this paper, we see that characters in an animation interact each other, and task volume in large-scale tasks are reduced.

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Virtual Constructions Design using 3ds Max (3ds Max를 이용한 가상 건축물 설계)

  • Han, Jung-Soo;Kim, Gui-Jung
    • Journal of Digital Convergence
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    • v.11 no.4
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    • pp.273-278
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    • 2013
  • This paper simulated the virtual constructions design that helps make constructions design effectively done by assembling materials as components and patterns using studs in steel house method. We also propose the virtual constructions design technology which makes change of constructing easy and reduces the cost effectively through a simulation of construction design like design, analysis, change information, and assembly in the construction field. It especially is possible for designers and users to change internal and external of a construction easily by using patterns.

A Study on Densification Behvior of Austenitic Stainless Steel Powder Compacts Processed by Warm Compaction (온간 성형법으로 제작한 오스테나이트계 스테인레스강의 소결 거동에 관한 연구)

  • 임태환
    • Journal of Powder Materials
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    • v.7 no.1
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    • pp.42-49
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    • 2000
  • Densificationbehavior of conventional austenitic stainless steel powder compacts was studied by comparing the relative density of sintered compact(Ds)with that of green compacts(Dg)prepared with various catbon contents and P/M process. Dg of 304and 316 powders by warm compaction under pressure of 686 MPa at heating temperature of powder(553K) and dies (573K) were 80% and 81%, repectively, whichwere 2 and 3% higher than those of conventional green compacts at the same pressure. Ds of 304 compacts sintered at 1373K in H2 gas has the same value of 84% max. regardless of compacting temperature, and Ds of 316 compacts at the same sintering conditions were 80% by conventional compaction and 83% by warm compaction. Oxygen contents of 304 and 316 sintered compacts were increased 1.43∼2.94% and 0.010∼0.921% higher than those of raw powders and warm green compacts, respectively. In other case, Ds of 316 compacts sintered at 1573K in vacuum had the same value of 86%max. And Ds of 316 compacts at the same sintering conditions were 83% and 86% by conventional and warm compaction, respectively. Oxygen contents of 304 sintered compacts were 0.321% and 0.360%, and in case of 316, they were 0.419% and 0.182% by the respective compating condition. With carbon additions in the range 0.1∼0.6% Ds increased to the extent of 86∼89% in 304 sintered compacts, and to 82∼84% and 85∼87% in 316 according to different two compacting peocesses compared to those of sintered compacts without carbon addition.

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A Case Study on Morten Lasskogen's Cloud Series - Based on 3ds Max and Unreal Engine Technology -

  • JinXuan Zhao;Xinyi Shan;Jeanhun Chung
    • International journal of advanced smart convergence
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    • v.12 no.2
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    • pp.96-101
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    • 2023
  • Digital art creation has become an indispensable part of today's society, but traditional digital art production methods have been difficult to meet the growing creative needs of artists. Therefore, this study takes the cloud series works of artist Morten Lasskogen as an example and explores the application value of 3D Max and Unreal Engine in digital art created by analyzing the lighting effects in the works of art. This research aims to form reference materials through actual case analysis and provide artists with more efficient ideas for digital art creation.

3D SVG Presentation Using Export of 3ds max 3D (3ds max의 익스포트를 이용한 3차원 SVG 표현)

  • 김승완;박덕규;정혜진
    • Proceedings of the Korean Information Science Society Conference
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    • 2004.10b
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    • pp.640-642
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    • 2004
  • SVG(Scalable Vector Graphic)는 웹 개발자 디자이너 및 사용자가 간단한 선언 방식의 프로그래밍 모델을 통해 HTML의 한계를 뛰어 넘어 견고한 비주얼 컨텐츠와 대화형 기능을 작성할 수 있는 W3C의 표준 XML 기반의 이미징 모델이다. 웹에서의 SVG는 확장형 벡터 그래픽으로서 2차원 이미지를 이미지의 손상 없이 표현하게 된다. 이 논문에서는 2차원에 국한되어 있는 SVG를 확장하여 3차원 이미지를 표현하고자 한다. 2차원 이미지의 표현은 x축과 y축의 평면 축만 있는데 비해 3차원 이미지의 표현은 깊이 정보인 z축을 가지고 있어야 3차원 이미지를 표현하게 된다. 비트맵 그래픽과 달리 벡터 그래픽인 SVG를 이용하여 웹 브라우저에서 3차원 오브젝트를 표현하는 방법에 대친 고찰하고자 한다.

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Study on Method of Expressing Surface of Furniture and Wooden Accessories during Modeling Process using Graphic Program - Focused on 3ds MAX and V-ray -

  • Lee, Jae-Young;Choi, Ki;Cho, Won-Hee
    • Journal of the Korea Furniture Society
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    • v.20 no.3
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    • pp.232-238
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    • 2009
  • In designing furniture and interior accessories, a computer graphic program is normally used over the whole process of manufacturing furniture from idea stage to actual manufacturing stage. It especially play an important role in the modeling process which comes before actual manufacturing stage. in such modeling process, the most important part is expression of quality of material used and surface treatment method. Expression of material quality of wood and surface finishing just like an actual picture enable the designers to analogize the feeling of furniture and interior accessories more exactly over the whole process of actual manufacturing and such a result has positive effect on development field of furniture and accessories.

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