• 천문학논총
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• 제31권3호
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• pp.65-76
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• 2016

We study a manuscript that includes 28 oriental constellations in the flags of barracks in Gangjin. According to the Joseon Chronicles, the constellation flags in the manuscript are thought to have originated from Seon-Pil Kim (金善弼) who first made 28 constellation flags for the barracks in 1878 during the Joseon Dynasty. Seon-Pil Kim was a commander and he used the 28 constellation flags for communications in a military camp. The flags also contain 28 animals and letter-like symbols with constellation maps. We examine the constellation maps in flags in terms of shapes and number of stars, and compare them with those of constellations in the Korean and Chinese star charts such as CheonSangYeolChaBunYaJiDo (天象列次分野之圖), Joseon-Butienge (朝鮮步天歌), Suzhou (蘇州) Star Chart, and Tang-Butiange (唐步天歌). Finally, we found that the shape of constellations in the flags might be similar to those in the Chinese Tang-Butienge. We also found several errors such as the shape, connecting pattern, and number of constellations drawn in the flags. It seems that the constellation flags were unofficially used in military camps in the late Joseon dynasty. Meanwhile, the 28 constellations are divided into four groups and each group has its own color and direction. We suppose that the constellation flags might represent the positions of military camps and each group of flags has their own color based on their cardinal points.

• 천문학논총
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• 제25권4호
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• pp.119-128
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• 2010

Gaecheonjeol is the National Foundation day of Korea when people hold a harvest ceremony. Nowadays, two representative harvest ceremonies of Korea are performed at Mt. Mari (摩利山) and Mt. Taebaek (太白山) on Gaecheonjeol (October 3rd). We study 28 flags with constellations appearing in the ceremony of Mt. Taebaek. These flags are lying in the outer of the circular stone wall during the ceremony. They represent an oriental heavenly star chart. We examine the shape, the connecting-pattern, the name, and the number of constellations drawn in the flags, and find several errors, such as, a wrong position, a typo of name, an irregular size, an omission, and so forth. Traditionally, the 28 oriental constellations are usually divided into four groups and each group has its own colour for each direction: Blue (E), Black (N), White (W), and Red (S). For the constellation flags in Mt. Taebaek, the colour of the flags is painted based on geographical directions, but the constellations are arranged followed by the direction of the celestial sphere. Thus, constellations in the northern and southern parts are counterchanged. Finally, we suggest some possible criteria for constellation map of the flags in this paper. CheonSangYeolChaBunYaJiDo (天象列次分野之圖) and CheonMunRyuCho (天文類抄) can be essential references for correcting constellations drawn in the flags of Mt. Taebaek.

• 동의생리병리학회지
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• 제18권1호
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• pp.28-38
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• 2004

The Hun-Min-Jeong-Eum(訓民正音) has been created under the political purpose that is to unite politics and cultures through a philosophical harmony of the confucianism as well as the Buddhism under the periodical circumstance that includes the change of a dynasty and a revolution in culture. The creating work has been greatly affected by the theoretical divination, that is the confucian ideas of North-Song dynasty which has been highly elaborated in those days. The shape of the characters of the Hun-Min-Jeong-Eum(訓民正音) has been influenced by the ancient letters existing at the time (especially Ga-Rim-To 加臨多), it has been throughly readjusted and recreated based on the philosophy. The consonant uses the Three-Pillars(三才)(ㅇ, ㅁ, △) in the style of the five elements and each velar-lingual-labial-dental-guttural sounds (牙舌脣齒喉音) is applicable to five elements also a 'ㅇ' is equivalent to the heaven, a 'ㅁ' to the earth. a '△' to the man. The vowel uses the five elements of ㅗ(water). ㅏ(wood), ㅜ(fire), ㅓ(metal), ㆍ(five-soil), ─(ten-soil) in the style of the Three-Pillars(三才) of ㆍ, ㅡ, ㅣ and the first created letters(初出字), and the secondary created letters(再出字) each can be attached to the eight trigrams(八卦). The consonant has 17 letters and the vowel has 11 letters, therefore the total number of the letters is 28. and those are equivalent to the 28 constellation(二十八宿) of the astronomy. Contrary to the underlying principle that has been applied during the time of the creation of the letters, when the consonant and the vowel are used, the consonant refers to the heaven (天), and the vowel refers to the earth(地). a consonant take a part in making a point on the starting place of the pronounce, a vowel take a part in the keeping the energy to the end.

• 복식
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• 제5권
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• pp.141-152
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• 1981

Various ceremonial flags were of great importance to the rulers who wished to have the absolute authorities for governing the people. Perhaps nothing indicated the ideas, thoughts and symbols of a certain period and people than the ceremonial flags. The ceremonial flags used in the old China and Korea took the shapes of the heaven and the earth, representing the social backgrounds and thoughts. This study was limited only to the discussion of the heaven-shaped patterns of the ceremonial flags. The 28 constellations of the heaven, in the Oriental way of thinking, were considered to express the immortal powers of Providence and the political domination of the earth. Hence the Polaris, the center of the heaven, symbolized the whole family of king, prince, child born of a concubine and royal harem. Among the constellation pictures were those of Han period, wall painting of old tombs in Koguryeo kingdom and old Japanese kingdom. Referring to the Emperor's ceremonial flags in Daemyeongjibyei, symbolic meanings changed historically and the complete systems of the ceremonial flags were established in Song period when the divine person was drawn on the flags. Animals concerned properly with the particular star and the shapes of the star were both drawn on the flags in Won period and only the shapes of the particular star in Myeong period. In the Imperial enthronement of Kojong the ceremonial flags might be made by the examples of those of Myeong period and remains are now found at Changdeok Palace, which need a further study because the references in detail are not available.

• 동국한의학연구소논문집
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• 제5권
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• pp.281-306
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• 1996

A study on the effect of the Sun-Moon-Stars(日月星辰) in Huang Ti Nei Ching("黃帝內經") on the formation of the Yunqi theory(運氣理論) have revealed following conclusions. 1. There was a record of Stars(星辰) written by Gabgol-Character(甲骨文字) in the Yin(殷) Dynasty. But the very first documentary records of Stars(星辰) is Shu Jing("書經"). Ancient astronomy had the tendency of astrology of combined with theory of the Five Elements(五行) and finally effects the theory of formation of Huang Ti Nei Ching("黃帝內經"). 2. Shu Jing("書經") said that Junrak(錢樂) made an Armillary sphere(運天儀) in the Sung(宋) Dynasty. And in the Jin(秦) and the Han(漢) Dynasty, they already observed the stars. The Sunkiokhyung(璿機玉衡) which is machinery of star-observing, became to be called an Armillary sphere (運天儀) by the pass of times. 3. As of the theory of the Cosmos-structure(宇宙-構造論) in Ohanunhangdaeron("五運行大論"), Guiyugu(鬼兒區) announced the Hypothesis of Covering Heaven(蓋天說) but Kibak(岐伯) supported the Hypothesis of chaosheven's(蓋天說) and in the theory of atmosphere(大氣論) in Ohanunhangdaeron("五運行大論") said that the earth was in Great Empty(太虛) and it was floating in the universe by the Great Chi(大氣). 4. The knowledge about the Five stars(五星) in Huang Ti Nei Ching("黃帝內經") is presented in the section of Gemgwejineonron("金?眞言論"), Gigoupyondaeron("氣交變大論"), Youkwonjeonggidaeron("六元正紀大論").ln the method of identifying the Five stars(五星) presented the criteria of the brightness, the altitude, the colours and the orbit etc. 5. The jupiter which has twelve year's revolution cycle was the basis of determination on the Twelve constellation(12辰), the Twelve field of heaven(12次), the Twelve Houses in the ecliptic(黃道 12宮), the Twelve Earth's Branches(12支) and the Twelve fields of Earth(12分野) and also it became the origin of the duodecimals(12進法). 6. The saturn having about twenty-eight year's revolution cycle became the criterion in identifying the Twenty Eight Constellations(28宿) which was used as the coordinates of the Celestial sphere (天球). 7. By the Percussional movement(歲差運動), the position of polaris and the Vernal-Antumal equinox(春秋分点) were shifted. Therefore the ancient the Heaven Gate-Earth Door(天門-地戶) changed from the position of Sil-Byuk(室壁), Yik-Jin(翼軫). And the precisional movements brought about the concept of the WunHoyYunSe(元會運世) that is a method of dividing a period. Also the precisional movement gave three dimension(三次元) foundation interpreted the Sixty JiaZi (六十甲子) which is revolving through sixty years uniformally. 8. The Hypothesis of the Nine Houses and Eight Winds(九宮八風論) which is one field of the astrology of ancient polaris-nine Houses divination plate(太一九宮占盤) brought about the concept of deficiency and excess and the concept of the Wind Vice(風邪). In the Calendar System(曆法) presented in Huang Ti Nei Ching("黃帝內經") the tropical year of the Sun-Moon-Stars(日月星辰) and the revolution and the rotation of the earth give explanations the changes of Yin-Yang(陰陽) by the use of the ten Celestial branches(十干) and the twelve Earth branches(十二支).