• 복식
• /
• 제66권5호
• /
• pp.113-121
• /
• 2016

The purpose of this study is to analyze the types and characteristics of wedding ceremony robes in the Jeju area from the 1950's to the 1980's. The analysis used 413 wedding pictures. The results of the study are as follows: 1. The following are the propotion of robe types used wedding ceremonies. 1.0% of Danryeong & Jangot, 6.5% of Danryeong & Wonsam, 1.5% of Danryeong & Chima+Jegori, 2.7% of Durumaki & Chima+Jegori, 24.7% of suit & Chima+Jegori and 63.7% of suit & wedding dress from the 1950's to the 1980's. 2. The Korean-style robes gradually decreased from the 1950's, and disappeared in the 1970's. The Chima+Jegori was introduced in the 1950's, reached its peak in the 1960's and its popularity continued to the 1970's. In the 1980's, after the Korean-style robes disappeared, the western ceremony robes were used in all the ceremonies. 3. After the Western-style robes, in which a bride wears a wedding dress, was introduced in the 1960's, its usage rapidly increased in the 1970's and is still popular today.

• 한국콘텐츠학회논문지
• /
• 제14권3호
• /
• pp.59-68
• /
• 2014

김묵은 1950년대 후반부터 1970년대 초반까지 한국영화계에서 주목받는 액션영화 감독이었다. 1958년 <흐르는 별>에서 각본, 감독으로 데뷔한 이후, 연출 초창기에는 통속멜로물에 관심을 가졌으나 <피 묻은 대결> 이후 본격적인 액션활극과 스릴러풍의 액션영화를 주로 만들었다. 김묵의 액션영화를 세부적으로 구분하면 항일투쟁영화, 월남전영화, 시대물, 멜로물, 반공물, 스릴러 등 6가지의 액션활극으로 나눌 수 있다. 본 연구는 액션영화 감독의 작품에 대한 미학적인 평가보다 우선하여 활동업적을 평가, 소개하는 작업을 시도하였다. 1950년대 후반부터 1970년대 초까지 김묵이 발표한 전 작품을 소개하고 이를 토대로 그의 연출스타일을 살펴 한국 액션영화에 대한 김묵의 영화작가적 태도를 논의하였다.

• 정보관리학회지
• /
• 제13권2호
• /
• pp.19-37
• /
• 1996

1950년대에서 1990년대까지의 정보검색 발전사를 연대별로 기술하였다. 1950년대에서는 후조합색인법과 KWIC방식을, 1960년대에서는 오프라인 시스템과 실험용 온라인시스템, 1970년대에서는 온라인시스템, 1980년대에서는 전문데이터베이스 온라인 인터페이스, 해외 데이터베이스의 이용 및 국내 온라인 시스템, 그리고 1990년대에서는 CD-ROM, 멀티미디어 및 하이퍼텍스트, 인터넷 등의 발전에 관하여 각각 기술하고 장래에 관하여 전망하였다.

• 한국사회복지학
• /
• 제69권1호
• /
• pp.9-32
• /
• 2017

이 연구의 목적은 1950-70년대 한국 아동복지의 전개 상황을 "동광"이라는 한국 최초의 아동복지전문지를 통해 사회사 관점으로 살펴보는 데 있다. 즉 기독교아동복리회 한국연합회가 1957년부터 1979년까지 발행한 "동광"으로부터 의미 있는 주제를 이끌어내어 사회사 관점으로 해석하였는데, 다음과 같은 결과를 얻었다. 첫째, 시설중심구호 시기(1957-61)에는 사회편견 속의 고아양육, 외원과 기독교에 치우친 사회사업, 신앙에 기반한 시설중심 케이스워크로 드러났다. 둘째, 가정중심보호 시기(1962-69)에는 사회복지 전반을 고민하며 제도화의 발돋움, 사회사업의 전문성 대두, 시설의 아동과 종사자를 위한 과제, 아동을 위한 실천의 통합화 기대로 나타났다. 셋째, 서비스확대 시기(1970-79)에는 아동의 교육 및 보건 강화, 탈시설화의 거론, 외원기관의 철수 대비, 정부의 소극적 대응으로 분석되었다.

• 한국콘텐츠학회논문지
• /
• 제21권12호
• /
• pp.713-727
• /
• 2021

본고는 1950-2010년대 한국영화를 대상으로 광화문과 주변지역이 영화적 공간에서 어떤 의미작용을 하는지를 고찰하고자 한다. 첫째, 1950-1960년대 한국영화에서 명동(남촌)과 북촌·서촌·동촌은 강렬한 욕망과 치명적 좌절, 근대화의 그림자와 갈등을 통해서, 화려한 도시의 지하세계와 비극적 파토스를 보여주는 원초적·지각·실존 공간이다. 둘째, 1970-1990년대 한국영화에서 명동·종로(남촌·북촌)와 서촌·동촌은 자유/악의 이분법과 부/빈곤의 이분법을 통해서 공적 복수와 사적 소외를 보여주는 지각·실존 공간이다. 셋째, 2000-2010년대 한국영화에서 광화문(서촌)과 북촌·남촌·동촌은 국민의제와 저항운동, 욕망과 상실, 비참한 현실과 죽음을 통해 시민사회 에토스와 암울한 진혼곡을 보여주는 지각·실존 공간이다.

• 한국토양비료학회지
• /
• 제48권2호
• /
• pp.87-93
• /
• 2015

Public education on soil and soil science in Korea was reviewed through textbooks written in Korean which were used in the primary schools since 1950's. Numbers of words 흙[heuk], the Korean native word meaning soil, and 토양[土壤, toyang], originated from Chinese characters, were counted, and compared with the textbooks published in 1950's, 1970's, and 1990's, 2010's. The Korean native word "heuk" was used 20 times in 1950's, and increased to 55 times in 1970's. In 1990's version, it was decreased to 31 times and to 20 times in the 2010's version. The first appearance in the 1950's version was in the 3rd grade book, but was in the $1^{st}$ grade books in both 1990's and 2010's. In this recent version, the primary school students met this word on the poet, "Toad, Toad build a house", and "Sprout come out through soil clod". The word, "토양, toyang", originated from Chinese characters, 土壤, appears only 2 times in the $6^{th}$ grade in 2010's version. Authors conclusively recommend children should learn meaning of soil at early stage of primary school easily with positive image.

• 한국항공우주학회지
• /
• 제48권3호
• /
• pp.233-242
• /
• 2020

인류의 달 탐사 역사는 1958년 미국의 파이오니아 0호 임무로 시작되었다. 이후 1950~1970년대 미국과 구소련 2개국이 수많은 실패를 겪으며 달 탐사 임무를 수행하였다. 1990년대 이후로 일본, 유럽, 중국 등 우주선진국들이 달 탐사를 수행하기 시작했고, 우리나라도 2016년부터 달 탐사를 위한 달 궤도선을 개발하기 시작했다. 본 논문은 1950~1970년대 미국과 구소련의 달 탐사의 실패사례 및 원인을 임무목적에 따라 분석하였고, 1990년대 이후 우주선진국들의 달 탐사 수행 시 발생한 사업지연, 사업중단, 임무실패 등의 사례를 제시하였다. 본 논문에서 조사 및 분석한 사례를 통해 우리나라가 진행 중이거나 향후 진행하게 될 달 탐사 임무수행에 참조가 되고자 한다.

• 복식
• /
• 제50권
• /
• pp.183-196
• /
• 2000

Andy Warhol is one of the great artists in the modern history of art who compares favorably with Picasso. His activities had his object on pervasion of a pop art and profit of the art industry. Many previous studies on his activities have attracted and held the attention of his works of art after 1960s. However in spite of his working as publisher of a fashion magazine fashion illustrator fashion model displayer and etc. in 1950s. there are few studies on his activities of 1950s. Hence this study investigates his works of art in 1950s. and intensively analyzes his effect on modern fashion. In 1950s, Andy Warhol had already been distinguished in works of art from other commercial designers through the illustration for advertising design window display of stores and usage of Hollywood stars as anessential element in his works for whom he had sighed when he was young His works were also characterized by a rejection of they originality of commercial arts. He had an great effect on youth's fashion in 1950s and has activities in 1950s had influence on the diffusion of the public punk fashion in 1970s and the street fashion in 1980s.

• 한국가정과학회지
• /
• 제4권2호
• /
• pp.48-67
• /
• 2001

The purpose of this study is both to describe and to explain the shapes and the changes of Kwangju women's productive activities from the middle of 1950's to the end of 1990's. Productive activities in this study include wage labors as well as economic activities in informal labor sector and domestic labor. Three factors - economic structure, the family, and women's consciousness - are drawn to explain women's work in Kwangju. The period from the middle of 1950's to the end of 1990's has been divided into 5 stages and the characteristics of women's work at each stage are as follows : Kwangju women during 1950's worked hard and contributed to the family economy not only inside but also outside the family : during the second stage from 1960's to 1970's, they accomplished not only the traditional women's role but also industrial wage worker : the third period of the first half of 1980's was the time for the development of social consciousness : the fourth period from the end of 1980's to the beginning of 1990's was the time when women tried to solve their problems by themselves: during the last period from the middle of 1990's to the end of 1990's. Kwangiu women wanted to establish their identities in the independent area from their families.

• 복식문화연구
• /
• 제28권1호
• /
• pp.114-130
• /
• 2020

The purpose of this study is to reveal the cultural meaning behind modern experiences of diversity through the history of clothing in Korea. To this end, this study examines aspects that dictate clothing culture acceptance experienced and practiced by women by analyzing the case of the Naju rural area in Jeollanam-do from the 1950s to 1980s. Modern clothing was accepted later in the 20 century in this village, and the Satgolnai traditional textile tradition was an important factor after 1950s. In addition, the continuity of the rural five-day market is different from practices in the city. Limitations in access to media such as TV, films, and magazines, and the functional meaning of clothing in rural areas contributed to limitations for women to get the opportunity to access modern clothing items that were popular in the city. Unlike in the city, the event that inspired the transition to full-scale modern clothing in this village was the Saemaul Undong Movement of the 1970s. Additionally, Mombbe (labor cloth) worn during the Japanese colonial period was continuously worn as daily clothes for Naju women even after the 1950s. Therefore, colonial modernity continued through clothing.