• Journal of the Korean Society of Costume
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• v.61 no.8
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• pp.100-113
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• 2011

The earlier notion of feminism regarding gender equality was changed into that of Postfeminism because of gender differences. The idea of Postfeminism has been present since the 1980s but has been influenced by modern culture theories such as Postmodernism, Poststructuralism, Theory of Power and Discourse and Psychoanalysis. Various features of Postfeminism are found in the medieval warrior images of contemporary fashion. Warrior costumes were men's exclusive property in the medieval ages, but as it is introduced as women's wear in the 21st century, it shows us new fashion images which are constructed by gender deconstruction, differences and pastiche. In this regard, the purpose of this study is to examine a key characteristic of Postfeminism fashion. An article described the historical costumes of medieval warriors and refocused on the development processes of feminism and then conducted an analysis on formative characteristics and Postfeminism tendencies in contemporary women's wear from 2000 to 2011. The results were that materials such as metallic and flexible materials, monotonic and red colors and detailed patterns of armor were used to display forms of exaggeration and restraint. These elements fully and correctly expressed the image of a medieval warrior woman in contemporary fashion. Postfeminism fashion is constructed with feminine power, gendered identity, sensual elegance and a postmodern body. Postfeminism is the contemporary cultural icon and is continuously influencing modern fashion design in the 21st century in a positive and powerful way.

• (The) Research of the performance art and culture
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• no.23
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• pp.37-61
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• 2011

The Noh(能) performance is a traditional drama that represents Japan. The Noh performance was approved in the background of religious thought such as Shintoism(神道), Buddhisms(佛敎), and Syugendo(修驗道). Especially, the influence from Shugendo is large. Shugendo was active in the Middle Ages. Especially, the influence from Shugendo is large. Shugendo was active in the Middle Ages. The Noh was approved while receiving a large influence from Shugendo. It can know the feature of the Shugen(修驗) culture in the Middle Ages through the consideration of . Moreover, the appearance of the training of 'Yamabusi(山伏)' can be seen. "Yamabusi" has not been paid to attention up to now in the research of . And, the focus was appropriated to Yamabusi and it researched in this text. Moreover, the problem of "Chigo(稚子)" is thought through . "Chigo culture" was general in the Middle Ages. It is thought that "Chigo culture" is reflected in . is an Noh performance for the boy named 'Wakamatsu' to enter the mountain and to train. It is because mother's sickness was cured. However, the boy gets sick while it is training. It was dropped to the valley according to the law of Shugendo, and it died. However, it revives by the Yamabusi's prayers. 'Taniko' is to drop to the valley and to bury it when the Yamabusi gets sick while lived. The title of the Noh originated in here. has elements of history, content of training of Shugendo, "Filial piety", and the Chigo culture, etc. These are features of the culture in the Middle Ages. It is not only a sad content though this is a content of the cruel remainder. It is because of the revival though waited rapidly at the end. As for the difficulty of training is drawn in the round, and the appearance of the training at that time is understood well. The essence of Shugendo is to train in the mountain. Supernatural power can be obtained through training. Moreover, it was thought that it was able to be newly reborn through training. The leading part of Shugendo is an Yamabusi. The Yamabusi took an active part in not only the mountain but also the village. The Yamabusi is ordinary people's lives and because the relation is deep, an important factor it knows the folk customs of Japan. The word 'Chigo' is not written in . However, a spectator at that time is 'Chigo' Wakamatsu and is already sure to have understood 'Chigo'. Because everyone knew the Chigo culture in the Middle Ages. A religion at that time and knowledge of the society are necessary to understand the play of Nho well.

• Proceedings of the Korea Fashion and Costume Design Association Conference
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• 2004.06a
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• pp.77-80
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• 2004

요선오자란 의(衣)와 상(裳)으로 구성되어 있고 허리에 여러 줄의 요선(腰線)이 장식되어 있는 독특한 형태의 포(袍를)를 지칭한다. 이러한 특징적인 형태를 지닌 요선오자는 원대(元代) 문헌부터 그 명칭이 등장하고 각종 회화자료에서도 몽골인들이 착용한 모습을 볼 수 있으며 복식유물도 이 시기부터 출토되어 중세 몽골인에 의해 착용되기 시작한 것으로 알려져 있다.(중략)

• Journal for History of Mathematics
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• v.16 no.3
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• pp.77-88
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• 2003

In this paper, we consider relationship of the monastic mathematics and the arts of the middle ages. Because mathematics and arts are effects of the spirit of the ages. Here, we concern with the Rome and the religion of Christ. Next, we think of the bible and Christian doctrine and then compare with Christian arts and arts of the customs of the middle ages. The middle ages is the period of women's inequality according to the feudal system. So we investigate the correlation of the christianity, arts of the middle ages, women's inequality and monastic mathematics which is worthless in mathematics history.

• Proceedings of the Korea Society of Costume Conference
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• 2003.05a
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• pp.32-32
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• 2003

웨딩드레스는 결혼이라는 행사를 거행하는데 여성들이 착용하는 예복중의 하나이다. 19C 빅토리아 여왕이 자신의 결혼의상을 백색 새틴을 소재로 하면서부터 중세이후 상복의 색상으로 정착되었던 백색이 여성의 순결을 상징하는 웨딩드레스의 색상으로 자리잡게 된다. 웨딩드레스는 다른 의상과 달리 색상이 백색 또는 아이보리색으로 제한되는 경우가 일반적이기 때문에 주로 디테일과 장식 등에 비즈 자수(Beading)기법을 사용하여 신부의 아름다움을 표현한다. 웨딩드레스는 신부의 순결함을 표현함과 동시에 결혼식에 참석하는 다른 여성들에 비해 신부를 돋보이도록 화려함을 표현해주는 것도 디자인에 있어서 중요한 항목이므로 이에 비즈자수 기법은 큰 효과를 발휘할 수 있는 방법이라고 본다.

• Journal of Veterinary Clinics
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• v.15 no.2
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• pp.468-471
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• 1998

동물원에서 사육중인 검독수리(Aquila chrysaetos)가 구토중세를 보이다 약 111여 일간물과 사료를 절폐하였고 전신적 삭쇄, 안구에는 염증성 삼출물로 덮여 실명, 한쪽날개가 처지며 호흡곤란으로 폐사하여 부검의뢰 되었다. 부검 소견상 폐와 기낭에 회백색의 육아종 성 결절이 다수 존재하였다. 기낭은 비후되어 있었고 일부는 균사가 자라 청색을 띄는 병변도 관찰되었다. 병리조직학적으로 병변은 육아종성 괴사였으며, 병소에는 곰팡이의 균사와 소포 가 관찰되여 곰팡이성 폐렴과 기낭염이였다. 병면의 배양 결과 Aspergillus Fumigatus로 동정 되었다. 본 예는 맹금류인 검독수리에서의 Aspergillus감염 중계이다.

• Proceedings of the Korean Institute of Navigation and Port Research Conference
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• 2014.10a
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• pp.154-156
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• 2014

지구온난화로 2000년대 초부터 급격하게 감소하던 북극의 해빙이 2012년 이후로 다소 주춤한 상태로 돌아서고 있다. 그러나 최근 북극항로를 이용하는 선박의 척수와 화물량은 꾸준히 증가하고 있어 이 항로에 대한 세계적인 관심이 집중되고 있다. 중세의 문명의 교류가 오아시스 루트와 초원 루트 그리고 말라카 해협을 통한 해상실크로드를 통해 이루어진 것처럼, 장차 아시아와 유럽을 잇는 북극항로가 신해양실크로드가 될 것인지 북극을 둘러싼 여러 가지 상황을 살펴보고자 한다.

• 발명특허
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• v.30 no.8 s.350
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• pp.48-51
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• 2005

"하루 세 번, 3분씩"닦아야 건강한 치아를 가질 수 있다. 어릴 적부터 무수히 훈련을 받아온 이야기다. 음식문화가 다양해지고 건강을 우선시하는 현대인들에게 치아 세정이 당연한 관심사임은 물론, 고대로부터의 치아 세정에 관한 기록들은 쉽게 찾아볼 수 있다. 우선 지금의 치약과 같은 역할을 하는 것들에 대한 기록은 고대 이집트의 의학서인 파피루스에서도 찾아볼 수 있는데, 기원전 고대인들은 식물성 수지 등을 씹거나 재와 태운 달걀 또는 미세한 돌가루 등을 꿀과 같이 반죽해 치아를 닦았고, 중세에는 동물의 뼈나 조개껍질 가루 등을 꿀과 반죽해 사용했다는 기록이 남아있다.

• Journal of Korean Library and Information Science Society
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• v.53 no.4
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• pp.1-23
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• 2022

The record is both an palmistry and a fingerprint for human life and world of knowledge. Books, which are synonymous with records, are a channel through which history is traced and a window to savor. And the most primitive form of the book is the classics of ancient Greece and Rome, and the best part is the manuscript. It refers to the original recorded on papyrus, parchment, paper, etc. and the translated and translated copies of them. If we reflect on the long history of knowledge and culture, the classic manuscripts have continued to scatter and collect like a river flowing through time and space due to not only natural disasters, but also artificial cultural vandalism and the bibliocaust. Therefore, this study traced and linked the wandering and library return of classic manuscripts from ancient Greece to the medieval Renaissance period. As a result, dynasties and empires, monarchs and prime ministers, generals and conquerors, nobles and wealthy, clergy and scholars concentrated on collecting and translating classical manuscripts. If the ancient Greek and Roman scholars did not record knowledge and wisdom in papyrus and parchment, the medieval Byzantine and Islamic Empires did not collect, translate and reproduce classics, the book hunters didn't keep track of the classics, the Renaissance humanists did not restore and reinterpret the classics through intellectual exodus, and the historical library did not collect and preserve the classics and their translations, modern people would not have access to classical knowledge. Nevertheless, the tracing of classical manuscripts is an aporia in which many difficulties and contradictions overlap in the tracing of classic manuscripts due to historical flow, geographical wandering, and linguistic transformation. When a new manuscript is discovered and interpreted, correction and supplementation are inevitable, so the pursuit of the wandering and return of the classic manuscripts through follow-up research must be continued.

• 건강소식
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• v.34 no.12
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• pp.6-9
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• 2010

중세 유럽에서 여러 지방을 떠돌아다니면서 시를 읊었던 시인을 두고 '음유시인'이라고 말한다. 이 음유시인이라는 말이 참 어울리는 가수가 있다. 바로 '존재의 이유', '사랑을 위하여'를 부른 김종환이다. 그의 노래에는 누구나 공감할 수 있는 중독성 강한 '진정성'이 녹아 들어 있다. 그래서 그의 노래 가사가 더욱 가슴에 와 닿는 한 편의 시가 된다. 그런 그가 최근 새로운 노래 '사랑이여 영원히'를 들고, 다시 음유시인이 되어 돌아왔다.