• 한국실내디자인학회논문집
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• 제13권2호
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• pp.20-28
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• 2004

This paper aims at researching the characteristics in Bruno Taut of architecture and its influence In Japanese modern architecture. We also can study how to harmonize Japanese traditional architecture with western architecture through activities of Bruno Taut in Japan. Especially, Japanese architectural society had a dispute on their national architectural style in 1910. During the 1930's, however, the rationalist architects denied this 'Jaegwan' style architecture, and insisted a different new Japanese architectural style. Thus Japanese modem architecture adapted two axis of Western and Japan, it had been developed with their conflict and harmony by turns. This activities of Bruno Taut in Japan deeply and freshly influenced on the contemporary Japanese Architectural situation.

• 건축역사연구
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• 제22권2호
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• pp.7-19
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• 2013

The formation of modern architecture during the Weimar Republic in Germany is seen through the works by Bruno Taut, one of the leading architects during that period. Through the extensive literature readings on Bruno Taut and critical analysis of Bruno Taut's ideologies, his works and the circumstances that he was in, the contention of this paper is that the root of modern architecture has less to do with functionalism and new technologies, but more to do with need to express new ideologies and expressions of their view of a new society. Although the socialistic idea did not account for sole reason for influencing their architecture, it did play a considerable part in deciding what architectural expressions are preferred. For this discourse this paper limits Bruno Taut's years from 1913 to 1932 prior to his exile from Germany; 1913 to 1923 being the years that constitute theoretical activities and 1923 to 1932 being the golden years for social housing when he participated on many public housing projects. It was during this period that his architecture put importance of practicality, and utilitarian; however the transition was not an abrupt departure from his expressionistic architecture but an inclusive act on his part.

• 건축역사연구
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• 제13권4호
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• pp.75-88
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• 2004

The German Werkbund, which was founded in 1907, played an important role in the history of modern architecture. Its exhibition 1914 in Cologne is estimated as a meaningful event in the development of modern architecture. Especially two examples, among which were built at that time, are worthy of notice. The one is the 'Modelfactory' by Walter Gropius and the other 'Glashaus' by Bruno Taut. Generally in the Textbook on the history of modern architecture, the Taut's Glashaus is rarely mentioned or described as a early example of some expressionistic architecture, while the Modelfactory by Gropius is regarded as an essential workpiece in the early stage of modern movement. the time of searching alternative not only from rationalistic modernism but also postmodernism and today in the time of plurality, Taut's Glashaus could bring us more interesting and meaningful aspects in architectural design. Through investigating the background in the planning stage and analysing the composition of space, construction, circulation etc. it is to try to understand the building as really as what it was. Furthermore, historical meanings of the building in the modern architecture is reinterpreted in the following aspects; what should be reflected in architecture and how could 'Zeitgeist' be architecturally adopted?

• 한국수학사학회지
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• 제15권1호
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• pp.1-14
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• 2002

This paper treats the history of the fundament of projective geometry Especially we introduce the essence of the framework of Karl Chirstian von Staudt's ‘Geometrie der Lage’. Von Staudt used axiomatical method to bum the system of the projective geometry, and proved the fundamental theorem of projective geometry. And he handled imaginary elements (or the first time in synthetic projective geometry.

• 한국수산과학회지
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• 제14권1호
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• pp.15-23
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• 1981

말쥐치 등육 골낙근을 $0^{\circ}C$로 유지하면서 사후경과중 선도의 변화에 따라 단백질의 조성과 단백질의 아미노산 조성 및 유리아미노산의 조성 등을 분석 검토하였다. 말쥐치의 육은 약 $20\%$의 단백질을 함유하고 있었으며, 이 단백질은 근원질단백질 $31\%$, 근원섬유단백질 $55\%$, 세포내잔사단백질 $10\%$, 그리고 기질단백질 $4\%$로 구성되어 있었다. 근원질단백질과 근원섬유단백질은 사후선도의 변화와 더불어 감소하여 갔고, 세포내잔사단백질은 상대적으로 증가하는 관계를 보였다. 근원섬유단백질과 세포내잔사단백질은 전기영동과 densitometry에 의하여 분석한 결과, 근원섬유단백질의 약 $70\%$가 액틴과 미요신, 약 $20\%$가 조절단백질, 그리고 $10\%$전후의 미지단백질로 구성되어 있었다. 세포내잔사단백질은 그 대부분이 근원섬유단백질을 구성하는 단백질로 이루어져 있었다. 한편, 사후경과와 더불어 근원섬유단백질을 구성하는 단백질중 트로포닌-T, 트로포닌-C 및 미요신의 light chain 2는 각각 감소하는 추세를 보였다. 죽인 직후의 말쥐치 육단백질의 아미노산 조성은 다른 어육의 그것과 비슷하였으나, 트?토판과 함황아미노산은 보다 부족하였다. 휘발성 염기질소양에비추어 부패초기에 해당하는 사후 18일이 경과했을 때는 프롤린과 시스테인이 두드러지게 줄었으며, 로이신과 이소로이신 및 페닐알라닌은 조금 증가하였다. 말쥐치육의 유리아미노산중에는 타우린이 특히 많이 함유되어 있었으며, 알라닌과 글리신 및 리신도 비교적 많았다. 사후 18일이 경과했을 때는 타우린, 히스티딘, 발린 및 메치오닌은 증가하였으나 리신, 아르기닌, 아스파르트산, 스레오닌, 세린, 로이신 및 이소로이신은 반대로 감소하였다.

• 한국수산과학회지
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• 제15권2호
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• pp.123-136
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• 1982

방어의 배육 보통육과 측육 혈합육을 $2^{\circ}C$에 보장하여 두고 선도변화 총계별로 단백질의 조성과 각축의 구성 및 유리아미노산의 조성을 분석하였으며, 건향질단백질과 근원섬유단백질에 대하여는 구성단백질의 분포변화를 확인하기 위하여 $NaDodSO_4$변한 다음, polyacrylamide겔 전기영동상을 비교 해석함으로써 적색육어류의 선도변화와 보통육 및 혈합육의 단백질조성 변화와의 관련성을 검토하였다. K-값과 휘발성염기질소 및 pH값으로 판정했을 때, 혈합육은 보통육에 비하여 선도변화가 빨랐다. 사후 선도변화와 더불어 근원질단백질과 노원섬유단백질은 감소하는 반면, 세포내잔사단백질은 상대적으로 증가하였으며, 이러한 변화는 보통육에 비하여 혈합육이 훨씬 심한 편이었다. Sodium dodecyl sulfate 화한 단백질을 polyacrylamide겔 전기영동함으로 분석한 결과, 보통육의 근원질단백질은 16개 성분, 그리고 혈합육의 근원질단백질은 12개 성분으로 구성되어 있었으며, 보장 10일째부터 보통육의 근원질단백질은에는 41,000dalton과 18,000dalton의 양분이 조금씩 증가하였고, 26,000 dalton과 23,500 dalton 및 23,000 dalton되 각 성분은 점차 감소하였다. 혈합육의 근원질단백질에 있어서는 49,000 dalton의 성분은 감소하였고 47.000 dalton의 성분은 새로이 형성되었으며, 26,000 dalton의 성분은 소감하였다. 근원섬유단백질의 전기영동분석결과에 의하면, 보통육의 근원섬유단백질은 17개 성분, 그리고 혈합육의 근원조직단백질은 16개의 성분으로 구성되어 있었다. 보장 10일에부터 보통육의 근원섬유단백질중에는 40,000 dalton의 성분이 증가하였고, 37,500 dalton의 성분은 점차 감소하였으며, 32,000 dalton의 성분은 새로히 출현하였다. 혈합육의 근원섬유단백질은 보장 9일째부터 58,000 dalton과 64,000 dalton의 성분은 그 농도가 단가하였으며, 17,500의 light chain-2 단백질은 소감하였고, 32,000 dalton의 성분은 새로이 출현하였다. 이 같은 전기영동상의 변화는 근원질단백질이 근원섬유단백질에 비하여 빨랐으며, 근원섬유단백질의 경화에 있어서는 혈합육쪽이 보통육에 비하여 빨랐다. 양 육의 단백질을 구성하는 아미노산을 분석한 결과, 즉살한 방어의 보통육 단백질은 글루탐산, 아스팔트산, 류신. 알기닌, 알라닌 등은 그 양이 어느 정도 많았고, 프롤린과 트?토판은 그 양이 적었으며, 혈합육에 있어서도 비슷한 경형이었다. 그리고 10일이 경과한 보통육에 있어서는 글루탐산과 아스팔트산이 현저히 감소하였으며, 9일이 경과한 혈합육에 있어서는 알라닌, 글리신, 그리고 알기닌이 현저히 감소하였다. 유리아미노산의 조성을 분석 결과, 즉살한 방어의 보통육중에는 히스티딘이 총유리아미노산의 약 $63\%$를, 그리고 혈합육중에는 타우린이 총유리아미노산의 약 $67\%$를 차지하는 양을 보였다. 그리고 $2^{\circ}C$에서 10일이 경과했을 때, 보통육에서는 히스티딘, 발린, 타우린이 증가하였으며, 알라닌, 류신 및 글리신 등은 조금 감소하였다. 같은 온도에서 9일이 경과한 혈합육에서는 타우린, 페닐알라닌, 글리신은 증하였으며, 히스티딘, 알라닌, 세린 등은 감소하였다.

• 미술이론과 현장
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• 제9호
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• pp.93-121
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• 2010

This study is about Yoo Young-kuk's early works which show constructivism, especially focus on his debut painting, for the 7th Dokuritsu Bijutsu Kyokai(獨立美術協會, the Independent Fine Arts Association) in Tokyo in 1937. The work was painted 2 years after he had started his study in Japan in 1935. It was the first painting that applied Constructivism. played an important role for Constructivism to be a leading art in his abstraction. After this picture, Yoo was soon devoted to the principles of Constructivism-- Faktura(material), Tektonika (tectonics), Tekhnika(technique), space, construction-- in his painterly reliefs. This article examined why Yoo concentrated on Constructivism for , what the characteristics were, and what influences were on other works from 1935 to 1949. In addition, I investigated in which period was painted and how Constructivism was spread in 1930s and early 1940s in chapter 2. I scrutinized Rhapsody in chapter 3. When Yoo created Japan was under the Fifteen Years War(1931-1945), and a major discourse was the Japanese Spirit at that time. It was connected with construction of an ideal nation which the Japanese ultra-national fascism pursued. This ideological pursuit was intended to unite the Japanese people for total war system and to restore a national dignity which had been fallen down due to Manchurian Incident(1931). Thus, on the hand, Kokusai Bunka Shinkokai(國際文化振興, The Society for International Cultural Relations) and the Nippon Kosaku Bunka Renmei(日本工作文化連盟, Japanese Werkbund) were supported financially by the Japanese government. On the other hand, the government enacted regulations to opposing parties which would distract Japanese people's unification. As for the Japanese art world, the merge of art groups was carried out through remodeling of Teikoku Bijutsuin(帝國美術院, The Imperial Fine Arts Academy) in 1935. This brought out continuous dispute and disorder. Young artists who felt difficulty of entering an entry of Imperial Fine Arts Exhibition repeatedly grouped and disbanded for small art groups to build their standing, which they pursued Surrealism and Abstract art. Among them Constructivism was considered as the latest trend and was popular in craft, design, architecture as well as fine arts. In the year before he painted , Avant-garde theatres including Constructivism theatre were introduced in a feature article of September, 1936 in Atelier, which was dealing with mainly avant-garde arts. Books related with Constructivism were translated into Japanese, and Gestaltung Education had become active since the publication of A Compendium of Gestaltung Education("構成敎育大系"(1934)), Salvador Dali(1904-1989) was also introduced, so Surrealism was drawn more attention by young artists. reflected popular trends. Yoo analyzed the Japanese avant-gardists' archaic taste in the Independent Art Association that he submitted his painting to. And then he entitled 'Rhapsody' which derives from Ancient Greek's epic poetry and deliberately set up images in a scene. In chapter 3, I examined a theme which was planned carefully by sorting favorite images from the Japanese Surrealism. was a result that Yoo Young-kuk observed objectively the phenomenon that young artists dreamt of Utopia or longed for Nostalgia passively and lethargically under wars. And then he otherized himself from that circumstance. First of all, for he used the typical icons of Japanese Surrealism such as the horizon, flowing clouds, and vast plain that were considered stereotypes of Arcadia. He, however distinguished himself form those Japanese Surrealists. He made his own vision about Utopia by referring Lyubov Popova(1889-1924)'s stage design. His objective point of view was expressed by positive and dynamic images of structure and human's actions. Constructivism which was attempted in had an effect on other early constructive works, and the principles of Constructivism were sought hard in reliefs, paintings, and photos.