• Broadcasting and Media Magazine
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• v.14 no.3
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• pp.76-87
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• 2009

• Broadcasting and Media Magazine
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• v.22 no.3
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• pp.60-68
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• 2017

• Korea Multimedia Society
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• v.9 no.3_4
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• pp.36-45
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• 2005

• Korea Multimedia Society
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• v.9 no.3_4
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• pp.95-103
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• 2005

• Broadcasting and Media Magazine
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• v.15 no.2
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• pp.60-72
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• 2010

• The Magazine of Kiice
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• v.11 no.1
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• pp.35-40
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• 2010

• Journal of the Korea Academia-Industrial cooperation Society
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• v.22 no.2
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• pp.188-198
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• 2021

Digital data was collected using modern three-dimensional digital technology. Current content-specific technologies were investigated through domestic and foreign cases so that three-dimensional digital technology could be applied to the utilization of various contents. First, the use of three-dimensional digital technology of architectural cultural assets has been changing from the restoration of cultural assets. Second, some of the contents produced were found to be underutilized. Third, the type of content has been changing in experience and exhibition, but the online approach was small. Fourth, digital restoration using domestic IT technology has been used as a technology to restore overseas cultural heritage. The fifth analysis of the relationship between the content types and 3D digital technologies shows the use of currently limited technologies. This study analyzed the status of digital architecture and the application of three-dimensional digital technologies to lay the foundation for the active development and utilization of content. Subsequent studies on various layers and digital technologies will be needed to revitalize digital architectural cultural assets in the future.

• Journal of the Institute of Convergence Signal Processing
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• v.24 no.4
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• pp.199-204
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• 2023

Production technologies in the imaging sector are innovating continuously and due to the visual experiences of powerful screen effects using 3D technologies, the public is now pursuing higher quality and more realistic visual effects. 3D production software with greater performance to realize this are now flooding the market, but artificial manual work and traditional hand-painting HDRI production methods still exist. There are few studies on new methods using HDRI production software using the computer's high performance data operations. In order to improve HDRI pipelines, this study links the two technological points of 'Nuke' and 'Photoshop' and it reduced production time and the improvements of quality were verified by using pipelines with new convergence methods.

• The Journal of the Korea Contents Association
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• v.12 no.12
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• pp.597-604
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• 2012

In order to actualize the third dimension form, hologram is coming to attention because it has no restriction on viewing position and is capable of natural visual expression. Although hologram technology is the best method to embody 3D image without glasses, it is not commercialized due to several technological problems. Currently used hologram technology in concerts or exhibitions are images flashed on a 2-dimensional transparent screen by HD projectors which is similar to hologram technology, not truly same. In this research, we make 3D contents for Holographic projection and use these contents to present art that can interact with spectators. As a result of the exhibition, attendance showed satisfaction on inspection form, allowing spectators to move around the screen and view it both sides; moreover, they were enterprising to interact with the videos played according to their movements. Therefore, we are able to implement a sensible and spatio-temporal artwork along with interesting space production and represent a intimate and interactive space with the public.

• Digital Contents
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• no.2 s.153
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• pp.52-56
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• 2006

해외 시장에서 국내 3D 애니메이션 제작 업체들의 선전이 이어지고 있다. 전통적인 2D 애니메이션 시장에서는 하청 국가에 머물렀던 우리나라가 3D 애니메이션 분야에서는우수한IT 기술과 참신한 기획력이 접목돼 세계시장에서 주목받고 있는 것. 뉴미디어 시대를 대표하는 문화콘텐츠로 부상하고 있는 3D 애니메이션이 새로운 한류문화를 전파하기 시작했다.