• Sim-seong Yeon-gu
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• v.34 no.1
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• pp.39-76
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• 2019

This article is about the film titled <The Man Who Invented Christmas> written from the perspective of analytical psychology. The film shows the changes in Charles Dickens while he wrote the book 『A Christmas Carol』. 『A Christmas Carol』 was published when the Christmas traditions were almost forgotten. The book enlightened the value of love-thy-neighbor and revived the tradition of having Christmas meals with family. The article illustrates the process of recognizing shadow while a man overcomes the life crisis of losing his persona. Referring to the biography of Charles Dickens and the historical background of his time, the article explores how the collective issues of capitalism influence his personal life. Christmas is a timeless symbol of death and rebirth then becomes a solace for those who suffer from capitalism.

• The Science & Technology
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• v.28 no.10 s.317
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• pp.24-25
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• 1995

진화론을 제창한 영국의 과학자 찰스다윈, 그는 평생 한번도 직장을 갖지 못했지만. 생물의 종의 진화론을 설명한 종의 기원을 출판하여 진화론의 창시자가 되었다.

• The Korean Publising Journal, Monthly
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• s.137
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• pp.19-19
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• 1993

• Venture DIGEST
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• s.110
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• pp.56-57
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• 2007

• The Journal of the Convergence on Culture Technology
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• v.5 no.2
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• pp.111-116
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• 2019

This paper considers the historical background of the emergence of 'thinking-machine,' that has changed the ontological statue of human and machine. In particular, British mathematician Charles Babbage's Calculating Engines is examined as a material iteration of thinking-machine, focusing on the discursive process by which thought is not the faculty of human, but the function of machine. In Chapter II, I review the dualism of René Descartes who denied the possibility of machine intelligence by separating the substance of body and mind. In Chapter III, Babbage's philosophical assertions which emphasized the function of human associated with thought by rejecting the fundamental opposition between human and machine. Therefore, this paper verifies that the conception of 'thinking-machine' essentially causes the reorganization and reformulation of concepts involved with human identity, and provides the sophisticated sources to prepare new perspective on the artificial technology nowadays.

• The Journal of the Korea Contents Association
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• v.17 no.4
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• pp.12-24
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• 2017

This paper analyzed the representation of migrants in television with the example of KBS's My Neighbor, Charles. This primetime TV show with consistent popularity has showcased different types of migrants from other Korean television shows in terms of gender and race, and, partly the difference brought popularity to it. This study finds the major reason of the difference from changed migration patterns in Korea. Until recently, the main population of immigrants in Korea was composed of female brides and workers, but it became diversified to include male and the West migrants. This triggered the changes in media representation, but not thoroughly. Though the faces of migrant protagonists have been diversified, the remaining ideology of nation-centric that has been the main frame to regard migrants as someone to be integrated through traditional values persists. This study finds a few conflicts between the traditional and the change. For example, represented realities of migrants are extends to include their activities in public domain, disputes of multicultural society such as social differentiation and bias, and the criticism of Korean traditional culture. In a gender perspective, while all the marriages represented showed different kinds of vulnerability, discourses of traditional familialism were also clearly presented through different tools of representation. This study aims at contributing existing studies of media representations of migrants with a more complicated pictures in the context of social changes and migration population changes.

• The Inventors News
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• no.31
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• pp.7-7
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• 2005

우에조 히로지의 `종이 꼬리표` - 찰스 스틸웰의 `종이 쇼핑백` - 휴그 무어의 `종이컵` - 등받이 및 붙박이식 접이 기능을 가진 소파

• Korean Architects
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• no.8 s.233
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• pp.29-31
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• 1988

• The Science & Technology
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• no.7 s.458
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• pp.98-99
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• 2007

• English Language & Literature Teaching
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• v.9 no.1
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• pp.189-203
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• 2003

This paper attempts to prove Dickens's hopeful view of the future in his last completed novel Our Mutual Friend. This novel has been usually regarded as one of the "dark" novels, "dark" in the sense of viewing social reality and the future negatively. However, although it has the dark descriptive color of society typical in Dickens's later novels, it still contains some elements that point to a better future. To prove this positive view of future, this paper will disentangle the intricate narrative structure of Our Mutual Friend and find out the true meaning of the dust--money. In addition, it will investigate how people react to dust(-like money). From a close study of several characters' lives, it will testify that the dark world of Our Mutual Friend, in the end, could be a world of regeneration, a world that will lead to a better future.