• 디지털콘텐츠
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• 12호통권127호
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• pp.106-109
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• 2003

영상물의 연령등급을 심의하는 영상물등급위원회(영등위)에 온라인게임이 연신 두들겨 맞고 있다. 관련업계는‘중세 마녀 재판이 재현되고 있다’고 강하게 비판하고 있고, 영등위는‘청소년보호’를 대의명분으로 내세우며 눈도 깜짝 안하고 있다. 대표적인‘메이드 인 코리아’상품으로 우뚝서야 할 때 빨간불이 켜진 것이다. 영등위 파문과 관련된 양측의 의견을 들어 보고, 온라인게임 등급분류제도의 문제점은 없는지 짚어봤다.

• 과학과기술
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• 제34권3호통권382호
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• pp.16-17
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• 2001

스위스에서 가장 아름다운 도시 루체른은 중세의 문화와 자연미 그리고 21세기 문명의 이기가 잘 결합되어 있는 천의 얼굴을 가진 매혹의 도시이다. 이곳에 있는 루체른 교통박물관은 중기기관차와 등산전차 외에도 자동차, 비행기, 버스, 배 등 모든 교통수단이 생생하게 전시되어 과거ㆍ현재ㆍ미래의 교통통신 발달사를 한눈에 볼 수 있으며 매년 60만명의 관광객들이 찾는다고 한다.

• 발명특허
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• 제5권6호통권52호
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• pp.20-22
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• 1980

아랍사람들은 완전한 야만 유목민은 아니었지만 잡다한 종교를 가진 부족들로 이루어져 주목을 끌지 못했었다. 그러나 모하메드(570-632)가 이슬람교를 가지고 통일에 성공한 뒤 그들은 7세기에서 8세기사이에 피레네산맥에서 중국국경에 이르는 방대한 제국을 건설했다. 서구가 캄캄했던 중세초기에 아랍사람들은 그리스과학을 보존, 소화하고 발전시켜 서구에 넘겨 주는 중요한 역할을 수행했다.

• 한국수학사학회지
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• 제10권1호
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• pp.33-38
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• 1997

본고는 수학적으로 취급된 Cantor의 무한을 소개하기보다는 그가 가졌던 무한에 대한 태도는 매우 종교적이었고 철학적으로는 실재론적인 입장에 있다는 것을 보이려고 한다. 이를 위해 먼저 Cantor의 초한수론과 무한의 역사를 약술하고 그의 무한관이 기독교 신앙과 중세 철학에 근거해 있음을 제시한다. 또한 Cantor의 초한수론은 당시의 세계관과 시대정신에 도전하고 있음을 밝히려 한다.

• 한국수학사학회지
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• 제14권2호
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• pp.55-60
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• 2001

In this paper we introduce three kinds of theory on the origin of the world, the formation theory, the emanation theory and the creation of nothing. Especially through Augustinus, great scholar of patristic philosophy in the Middle Ages, how the relationship between the God and the creature was shown with the concept of the infinity and the finite.

• 한국수학사학회지
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• 제10권2호
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• pp.64-71
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• 1997

This paper is a sequel to [5]. We investigate a relation between the history of modern western logic and religion. The period from the seventeenth century to the present day is dominated by science; traditional religious beliefs remain important, but are felt to need justification, and are modified wherever science seems to make this imperative.

• 국방과기술
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• 3호통권229호
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• pp.72-79
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• 1998

포병이 없는 전쟁이란 생각할 수 없을 정도로 포병은 중세 이래 각종 전쟁에서 중요한 역할을 해왔다. 제2차대전 이후 항공기나 전차에 밀려 전장에서 위상이 다소 밀리는 듯했으나 항공기가 할 수 없는 고유한 역할이 인정되면서 현대까지도 화포만의 화력지원이라는 고유영역을 유지하고 있으며 포탄의 현대화로 점목표사격이 가능해지면서 공격무기로까지 변신하였다.

• 건축역사연구
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• 제15권1호
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• pp.61-76
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• 2006

The stage is ceremonial and legendary space unlike the ordinary world. Performance is not simply scrip-staged, but spatial art based on tempo that transmits extreme condition. The stage art is a visual art combined with stage settings, lighting, customs and the like. I exemplify the stage of Middle Age and Renaissance in the history of the art of public performance and so I review that what meditative functions each stage perform and that as what pattern of media it can be conceptualized. In this thesis, I divide the places of public performance Into the spaces of proscenium and polygon and also set up the concepts of hot and cool that McLuhan presents for each space. So, the degree of participation could be different according to the distinction of quantity of information, which is communication following the patterns of spaces. The basis of public performance might be the communication between co-actors and audiences. Since the sense of the art of public performance is the art in the process of establishing the meaning based on the communication with co-actors, it is not a confirmed and fixed one, but rather a reflexive one that can be created and changed continuously. Therefore, audiences should be regarded as the subjects, who are making the art of public performance with co-actors.

• 한국주거학회논문집
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• 제24권6호
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• pp.133-140
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• 2013

This study is to clarify the form of window and door of medieval times house which are no longer in existence, by comparative analysis between literature materials and architectural remains of united Silla and Goryo period. Particularly the window and door form change process of was analyzed, in connection with the change of term which are recorded in literature material. The form and the composition of window and door are the elements which determine the elevation design of architecture and concerned with interior environment. Therefore this study is significant in the sense that it could be used as base data for the study on the reconstruction and interior space of medieval times house. There were ho (戶) and moon (門) as door, and chang (窓) for lighting and ventilation as window. Among these, the window can be divided into fixed and openable. There were two kind of fixed window. One is called chang (窓), and it was covered by silk or paper for lighting. The other is called ham (檻), it was the form of vertical bar window and lighting and ventilation was available. And there were two kind of openable window. One is called ho (戶), which had wooden plate window leaves. And the other is called changho (窓戶), lighting was available in the condition of closing.

• 한국의상디자인학회지
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• 제9권1호
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• pp.71-87
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• 2007

Main role to expand the fashion in the middle age was played by aristocracy and knight. They contributed to the fashion of the middle age regardless of aesthetic sense. First, in any age, there was a self-display design using splendid decoration or material in the costume of high-class people. Aristocracy, especially, knight in the middle age classified themselves from others by wearing the costume suitable for their statuses. Second, the Crusade knight appearing all over the cinema gathered various peoples and caused acute optic angle about specialty of costume. Therefore the trend preferring foreign costumes was changed to new fashion while it was connected to desire searching for a change. Third, although armor of knight was created because of protection in the war, in the 13th century, its character of motion and defense was emphasized and it became splendid style. More over, the costume of knight was developed to more emphasize masculine beauty with heavy upper body and light lower body so it caused sexual difference of costume in the middle age. Fourth, As knight searched effective defensive weapon, chain mail was relegated by plate armor. The order of armor that the hight wore in 1350 was as follows. First, he wears adhesive shirts, braies, hose and wears metal protector on arm and leg. He wears padded undercoat called gambeson, hauberk, plate armor and surcoat on them.