• 복식
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• 제67권3호
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• pp.31-46
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• 2017

The purpose of this study is to analyse the occurrence and evolution of Mao suit which is important position in the modern costume history of China and to provide a source of design inspiration to contemporary fashion designers. In the research method, literature review and case studies was conducted in parallel. For the literature review, changes of Mao suit in each age were reviewed with reference to the related documents, Chinese costume and cultural history, prior research papers and internet resources. The case analysis was qualitatively done focusing on the silhouette, color and detail of clothes in fashion collections. The scope of the study was from 1912 to 2000. The case analysis of the Mao suit applied to the contemporary fashion was made on the applications centered around 'London Collection', 'New York Collection', 'Paris Collection', 'Milan Collection' and 'Chinese Fashion Week' from 2008 to 2015. The results found that Mao suit changed into many different forms after Sun Wen designed it for the first time in 1912. This study classified it into Phase 1(1912~1927), Phase 2(1928~1965), Phase 3(1966~1977), and Phase 4(1978~2000) with historical and political issues and conformational changes in Mao suit. The frequency analysis of the cases of the fashion collections using Mao suit from 2008 to 2015 showed an increased application of Mao suit to the western collection in New York, Paris and London in 2008 due to the impact of Beijing Olympics. However, from 2009 onwards, the frequency of the utilization of Mao suit was higher in the Chinese Fashion Week and the New York Collection. This cause is explained by the fact that the designers who inspired from Mao suit in the New York Collection are American Chinese.

• 한국의류학회지
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• 제45권4호
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• pp.573-585
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• 2021

This paper describes the processes conducted in the analysis and conservation of suit worn by Yu Rim (1898-1961). The suit consists of a jacket and pants and is a typical Mao-style suit for independence activists; it is notable in that it was made of domestic wool. Inside the jacket, there is a machine embroidery of the name "Danju," a label of synthetic resin which reads "Daegu citizen's tailor's shop," and buttons engraved with "PUSAN SIN-HUNG." According to our textile analysis, the outer layer is composed of worsted wool while the lining is made from acetate. Damage to the garment from malodor and insects has been repaired, and the suit has been restored to its original shape by a conservation treatment that has reinforced the textiles. This conservation case can provide valuable research data on the preservation of modern and contemporary clothing. In addition, this study also attempts to estimate the date of suit worn by Yu Rim's production by comparing it with woolen suits produced around the same time and examining the clues associated with the relics. This is significant since it enhances the value of the cultural assets and provides detailed information on the historical transformation of domestic suits.

• 한국육종학회지
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• 제43권6호
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• pp.606-610
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• 2011

'중모1001'은 중북부중간지 및 중산간지 고품질 벼를 육성할 목적으로 1994년 하계에 초형이 좋은 SR14694-57-4-2-1-3-2-2 계통을 부본으로 하고 단간이며 쌀알이 깨끗한 철원52호를 모본으로 인공교배하여 2007년 육성된 조생 내도복 고품질 중간모본으로 주요 특성과 수량성을 요약하면 다음과 같다. 1. 보통기 보비재배에서 출수기는 평균 8월 5일로 '오대벼' 보다 4일 늦은 조생종이다. 2. 간장은 73 cm이며, 주당수수는 13개, 수당립수는 90개이고, 천립중은 21.2 g으로 '오대벼'보다 가볍다. 3. 쌀 외관은 심복백이 거의 없이 맑고 깨끗하며, 아밀로스함량은 18.1%로 '오대벼'보다 낮고 밥맛이 매우 양호하다. 4. 불시출수가 잘 되지 않으며 위조에 강하고 성숙기 엽노화가 느린 편이다. 5. 수발아에 중정도이고, 내냉성은 '오대벼'와 비슷한 수준이다. 6. 잎도열병은 중도저항성이고 흰잎마름병, 바이러스병 및 해충에는 약한 편이다. 7. 지역적응시험 보통기 보비재배에서 평균 쌀 수량이 5.31 MT/ha로 '오대벼'보다 7% 증수되는 수량성을 보였다. 8. 재배적지는 북부평야지, 중산간지, 남부고랭지 및 동북부해안지이다.