• Title/Summary/Keyword: 중국사상

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대순 『전경』의 '공사(公事)'개념에 대한 고찰

  • 잔스촹
    • Journal of the Daesoon Academy of Sciences
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    • v.23
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    • pp.37-105
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    • 2014
  • '공사(公事)'는 『전경』이 담고 있는 매우 중요한 종교 문화적 현상이다. 그리고 그 속에는 매우 깊은 사상적 의미가 내포되어 있다. 대순진리회 공사개념의 연원은 중국 고대의 경전과 문헌에서 그 단서를 찾아볼 수 있으나, 그것은 결코 단순히 중국의 것을 답습한 것이 아니다. 강성상제와 도주 조정산께서는 '묵은 하늘'의 음양 혼란 시대에 공사를 행하였기 때문에, 도수를 바로잡는 공사는 근본부터 바로잡는다는 의미가 있으며, 새로운 시대를 의미하는 '개벽'도 이에 포함된다. 중도, 화평, 공정은 질서가 바로 잡힌 사회의 시작을 의미하며, 이는 새로운 생활을 창조하는 데 있어 중요한 현실적 의의를 지닌다. 전체적으로 볼 때 대순진리회의 공사는 사회의 변화와 사회적 요구에 응답하여 생겨난 종교문화 활동이다. 이러한 종교문화 활동은 일종의 기호로서, 상징성을 갖춘 의식을 거행하는 것이다. 공사는 명부의 한을 해결하는 것으로부터 시작되는데, 이는 근본을 중시한다는 의미이며, 태초로 거슬러 올라가 사회를 다스리는 커다란 방향을 전개한다는 것이다. '역도(逆度)'를 조정하는 공사에서는 사회적 관점에서 보자면, 역사가 남긴 문제에 대해 고민하고 해결하려는 태도를 뜻한다. 이는 민생문제를 매우 중시하였음과 인간의 도에 대해 경외심과 존중을 표현하고 있음이 나타내며, 결국 '보세(普世)'의 의미를 지닌다고 볼 수 있다. 공사를 실천하는 방법은 '신생활법'이며, 이는 인(仁)과 인류와 동물에 대한 자비심을 강조하며 '삼계개벽'의 개혁정신과 창조적 사고를 나타낸다. 이로써 '통달(通達)'과 '대도(大道)'의 정신을 나타내었다. 이로 볼 때, 인간의 삶을 인도하며, 궁극적으로는 지상천국을 건설하고자 하는 정신이 공사의 개념 속에 분명하게 드러나 있음을 알 수 있다.

고구려 관모에 관한 고찰

  • 김영숙
    • Journal of the Korean Home Economics Association
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    • v.5 no.1
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    • pp.756-765
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    • 1966
  • 기원전 37년 부여족의 일족인 고주몽이 건국한 고고려는 약 700년간 만주와 북만주를 무대로 하여 활약한 강대한 나라이며 한민족사상 가장 중요한 위치에 있었다. 부여족은 4000년이전에 중국의 동북부에서 만주에 이동한 문화민족이며 한나라에 의하면 그네들은 언제나 자기민족의 고도로 발달된 문화수준을 자랑하였고 주위의 타민족을 남만 북적 서융 동이라고 칭하여 야만인 취급을 하였음에도 불구하고 부여족만은 문화수준이 높은 민족이라고 하여 동등의 대우를 아끼지 않았다. 맥(貊)족에 대하여서는 춘추전국시대의 장자를 위시하여 소위 한서 남사 북사 제서 수서 구당서 당서등 고문헌의 어느 것에나 문화를 가진 민족으로써 소분되어 있었다. 과연 부여족은 만주지방에 산재되어 있는 수많은 민족중의 선각자이며 특히 고구려는 만주 및 한반도에 거주하고 있는 모든나라의 중심이 되었다.

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Study on Significance and Implications of Supply-side Structural Reforms of Chinese Cultural Industry (중국 문화산업의 공급 측 구조 개혁(供給側改革) 의의와 시사점 연구)

  • Kim, Kyoung-Young
    • The Journal of the Korea Contents Association
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    • v.17 no.9
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    • pp.341-352
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    • 2017
  • Regarding "Supply-side Structural Reforms of Chinese Cultural Industry(供給側結枸性改革)" that has been genuinely promoted since 2016 in China, this study aims to analyze research trends in academic circles and policies carried out by the government and draw implications about what culture industry should pursue in Korea. First of all, research conducted through industrial-educational cooperation mainly and commonly points out such problems as imbalance between demand and supply, oversupply, low culture consumption, absurdity in loans and investments structures, and lack of international influence and demands reformation. In the side of the government, <13.5 Plan for Developing Culture Industry promoted from 2016 to 2020 reflects the government's strong will taking structural reformation in the side of supply as its major route and presenting tasks to reform culture industry in general. Next, concerning implications for Korea, this author suggests them in five areas: to establish directions for new culture industry policies reflecting the changes of environment in culture industry, say, the advent of the 4th industrial revolution, to increase valid supply correspondingly to consumer demand, to improve loans and investments systems, to enlarge demand markets, and to form environment for fair market competition.

The Implications of the Chinese Cultural Industry in the Stage of an IP Acrobatic Stage Drama 'Mongjiryeo' (IP곡예 무대극 '몽지려(梦之旅)'를 통해 본 중국문화산업의 함의)

  • Jiao, Shan;Fang, Xiu-Qing
    • Journal of Korea Entertainment Industry Association
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    • v.14 no.8
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    • pp.35-48
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    • 2020
  • This study aims to find out the implications of the Chinese cultural industry by analyzing the successful factors of the IP acrobatic stage drama "Mongjiryeo," which was well received through internal and external performances by creating acrobatics repres enting traditional Chinese culture as a stage play that conforms to the trend of modern society. Th e findings are as follows. First, China's cultural industry grew and developed quantitatively and qualitatively based on the government's active promotion policy and the huge domestic market. Second, through challenges and changes to traditional culture such as acrobatics and costumes, creative standard presentation and practical experience were attempted as modern stage plays. Third, Oriental humanities ideas and emotions were introduced amid the reform and innovative changes of traditional culture. The results of this study will enable various free interpretation and expansion from a humanities perspective. And it could be used as a reference material for the study of the creation of new culture utilizing the analysis and approach of the traditional Chinese cultural archetype.

A Reflection Study on the Teachers' Accreditation Examination in China (중국 교사 자격증 취득 시험에 대한 반성적 성찰)

  • Li, Xiaohui;Park, Changun
    • Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology
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    • v.8 no.9
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    • pp.485-494
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    • 2018
  • This study aims to summarize characteristics of teacher certification system in China and identify its problems and improvement directions through the analysis of examination contents and examination conditions and so on. The teacher certification examination in China, including written examination and interview, is dominated by Ministry of Education. And all districts and departments put into practice according to their own characteristics and practical situations. Without distinction between normal university students and non-normal university students, only when all specific conditions are met could candidates sit for the examination. Problems of teacher certification examination are as following. The limitation of examination conditions focus on educational requirements and some basic conditions, the negligence of educational experience and practical ability, and interview tends to become apparent and formalistic.

A Study on the Trend of Lighting in Tang Dynasty of China (중국 당나라 시대(618년--907년) 조명 기구의 경향에 관한 연구)

  • Nie, Yan;Go, Jung-Wook
    • The Journal of the Korea Contents Association
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    • v.18 no.12
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    • pp.92-101
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    • 2018
  • It is important to inherit and develop the unique cultural characteristics of each country and region in the trend of globalization. The traditional lighting fixtures in China are the main artifacts that can be used to extract the cultural aesthetics and practicality of the people, and are a major relic of the people's cultural sensitivities and practicalities. The purpose of this study is to understand the background of the time and the meaning of national culture through the lighting equipment of the most revived Tang Dynasty in Chinese history. The purpose of this paper is to examine the development trend of lighting equipment in the Tang Dynasty through the recognition of the social background, religious thought, cultural characteristics, and characteristics of lighting fixtures in the Tang Dynasty. In this paper, we analyzed seven factors (function, molding, fuel, usage space, usage method, religious thought, and living environment) of the Tang dynasty lighting fixtures through multiple factor analysis method. In addition, the Tang Dynasty period lighting fixtures had four trends: "popularization of lighting, universal simplification of molding, diversification of use, and spread of Buddhist influence." This tendency has a meaning to provide a new motive for modern lighting design in the context of cultural uniqueness and perspectives.

Status and Characteristic of Sasang Constitutional Medicine Philosophy Research in China through CNKI (CNKI에서 중국의 사상체질의학(四象體質醫學) 철학 연구 현황과 특징)

  • Bae, Young-Chun
    • Journal of Sasang Constitutional Medicine
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    • v.31 no.1
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    • pp.26-35
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    • 2019
  • The purpose of this study is to understand how Sasang Constitutional Medicine has been understood in China. Methods I searched for topics in Chinese such as Sasang medicine (四象醫學), Sasang constitution (四象體質), Chao medicine (朝醫), philosophy (哲學), principles (原理), the school of Confucianism (儒家), Confucianism (儒學) and ideology (思想) in CNKI database on January 15, 2019. The selected studies were summarized as three sections; the basic principles of Sasang Constitutional Medicine, influences of Confucianism and comparison with other medicines. Results In China, the principles of Sasang Constitutional Medicine is explained using the concepts such as Heaven-Human-Nature-Order, the Great Ultimate (Taiji), Two Modes (Liang-Yi), Sasang, heart, sorrow-anger-joy-pleasure, nature-emotions (Xingqing), and viscera-bowels (Zang-Fu). Sasang Constitutional Medicine is considered to has been influenced by Confucianism. The form of Sasang Constitutional Medicine was affected by the Book of Changes (Zhouyi), and the contents were impacted by the Great Learning (Daxue), the Doctrine of the Mean (Zhongyong), the Mencius (Mengzi) and the Analects (Lunyu). Sasang Constitutional Medicine have distinctive characteristics in comparison with other medicines, such as inherent determinations of constitution, organs difference by constitution the actions of nature, emotions and desire, recognition of humans as social beings, and the signification of heart as a presiding center. Conclusion In China, the philosophy of Sasang Constitutional Medicine has been studied with basis of four-element structure; activity, mind, body and matter. Also, it has been researched in medical aspects of human trying to control the nature and emotions to be physically, mentally and socially healthy.

Research of the Expression of 'Blank-Leaving' in Modern Films (현대 영상작품 속에 활용된 '여백' 의 표현방식에 관한 연구)

  • Zhang, Ying-ting;Lee, Dong-hun
    • Journal of Communication Design
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    • v.59
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    • pp.114-127
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    • 2017
  • At present, the research of the method of 'Blank-Leaving' can be easily found in works of arts and architecture, while it can be hardly discovered in the academic research of film and television. However, as a means of expression, 'Blank-Leaving' gives a unique artistic charm to film and television works, and its development has a positive aesthetic effect to film arts. In order to go into details of the thought of 'Blank-Leaving' in movies, this paper firstly discusses the definition of 'Blank-Leaving', the history and social origin of 'Blank-Leaving' as well as its relationship with Taoism and its application in traditional Chinese painting. Secondly, this article analyzes its function and artistic expression in the film and television and the ideas sublimation it brings to people by means of combining the thought of 'Blank-Leaving' in Taoism. Finally, this work put forward the method of innovation and perfection of 'Blank-Leaving' in film and television works. This paper shows that, as a means of expression, 'Blank-Leaving' has not only realized the value of beauty, but also strengthened the public awareness of film arts.

The Reinvention of Traditional Cuisine as Counterculture (대항문화로서의 전통음식의 재탄생)

  • Kim, Jee Hee
    • The Journal of the Korea Contents Association
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    • v.14 no.11
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    • pp.944-954
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    • 2014
  • This paper discusses how the traditional cuisine of Korea capitalizes on "nostalgia" for the past. While examining the (re)invention of Buddhist cuisine and Andong food, this paper contends that traditional Korean cuisine is commodified through a process of de-contexualization. This paper first discusses the possibility that the idea of traditional cuisine is an invention in the first place. The history of temple food, for instance, suggests that it was created as a vehicle for circulating and implementing the ruling ideology in the ancient societies of China. This paper then turns to the issue of the growing influence of traditional cuisine in contemporary Korean culture, which is related to the public's demand for healthy food and also tied with the South Korean society's need for promoting a national cuisine in the age of globalization. The rise of traditional cuisine is a sign that people are seeking to reform their eating habits and form a counterculture. Yet, another side of the story is that consumers end up taking part in the self-expanding capitalist market with more consumer choices rather than forming a genuine counterculture. In this respect, the reinvention of temple food is closely related to what Jean and John L. Comaroff call the "emergence of consumption as a privileged site for the fabrication of self and society, of culture and identity".

Cao-e's story and Its Case Study on the culture archetype contents (조아(曹娥)설화와 문화원형콘텐츠 사례연구)

  • Jo, Jeong-rae
    • Cartoon and Animation Studies
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    • s.47
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    • pp.439-461
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    • 2017
  • The filial piety culture represented by Cao-e was regarded as moral rule mechanism in order to maintain patriarchal system and property relations in ancient China as an agricultural society. Exactly, In the process of Cao-e's story spreading, oral inheritance and literature processing have a relation of learning and penetration each other in order to beautify, deify, systematic stories. This is expression of human being's thought method of pursuing perfection. For instance, The traditional piety culture is increasingly weakened, that is why it is important to recognize the fundamental connotation behind the cultural identity in the modern society, to create the social foundation of Cao-e' filial piety cultural contents root, and to explore the core values of piety culture contains. Looking Cao-e' filial piety Culture and culture archetypes as study object, this article analyzes the spreading of Cao-e's story texts for understand the connection between literature processing and image formation from aspect of Cao-e deification.