• 대한공업교육학회지
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• v.38 no.1
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• pp.259-274
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• 2013

Culture is already deeply imbued in our lives. The furniture has become a way of life and the human became part of the culture. In this study, the aim is to explore the traditional furniture that is projected through the culture as a lifestyle. Therefore, the purpose of this study is to explore the cultural implication in Korean traditional wooden furniture. Specific research questions in this study are as follows; 1) How to reflected house structure culture at traditional woodcraft furniture? 2) How to reflected interior space culture at traditional woodcraft furniture? 3) How to projected life form style culture at traditional woodcraft furniture? 4) How to harmonize between modern life culture and traditional woodcraft furniture? In order to achieve the purpose of this study, the literature of review was used masters of Korea's traditional woodcraft furniture. To collect information of Korean traditional furniture, the furniture was selected representative pieces of Korean Joseon Dynasty and interviewed an important intangible cultural asset somokjang. Based on the explore of Korean traditional furniture, the conclusions of this study are as follows; first, in the viewpoint of house framework culture, most of traditional furniture was made u sing a narrow interior space and was to be placed in close contact with the walls, and was developed as a type of molding on the front of the furniture to pursue beauty. Second, in the viewpoint of ondol culture, traditional furniture was closed to the wall by using low height furniture and furniture legs the structure punghyeol was used to reflect the phenomena of convective heat and humidity. Third, in the viewpoint of life form culture, traditional furniture was made that sat-down at eye level configuration is proportional to its size and height and appropriately been made. And patterns reflect the wishes of most things in nature and to be blessed with longevity origin were used in the decoration of wooden furniture. Finally, in the viewpoint of modern life culture, traditional furniture is simple but not dirty, and splendid but not luxurious. So although traditional wooden furniture are in any room or place, never discouraged by the dignity.

• Journal of the Korean Wood Science and Technology
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• v.16 no.3
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• pp.65-71
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• 1988

캐나다가 미국산 활엽수재의 가장 큰 수입국이며 수입된 일부 제재목과 수입원목으로 제조된 단판중 일부는 유럽으로 재 수출되고 있다. 수입 물량적인면에서 캐나다는 다른 국가와의 격차는 좁혀지더라도 미국산 활엽수재의 제1위 수입국의 위치를 당분간 유지할 것이다. 유럽에서의 제재목 수요가 1973년부터 1983년간의 10년간에는 급진적으로 증가 되었지만 1984년에 는 갑자기 감소되었다. 이와같은 현상은 과거 유럽 전통가구에 소재(素材)를 많이 사용했지만 현재는 소재(素材)를 적게 사용하고 단판이나 인쇄한 종이를 붙인 파아티클 보오드(PB)를 더욱 많이 사용하고 있기 때문이다. 현재 유럽지역에서는 가구의 크기를 줄이거나 가구에 사용되는 원자재의 비용을 줄임으로 제품의 가격을 싸게하여 소비자에게 보다 경쟁력있는 가격으로 제품을 공급할려고 하고 있으며 활엽수재의 가격이 너무 비싸 가구제조업체들은 소재(素材)를 다른 것으로 대체하고 보다 값싼 수종을 모든 지역에서 찾고 있는 중이다. 태평양 연안국가에서의 미국산 활엽수재의 수입 물량은 계속 증가되어 미국산 활엽수 총 수출 물량의 약 23% 정도 된다. 자유중국과 일본에서 미국산 활엽수재를 가장 많이 수입하고 있다. 자유중국은 주로 수출용 가구부품및 가구에 사용되는 red oak와 white oak 가 주 수종이고 가구는 미국으로 재 수출하고 있다. 일본은 주로 black cherry, yellow poplar와 cotton wood를 수입하는데 수입량의 약 67%는 대패질한 건조 가공품이다. 자유중국에서와는 달리 일본에서의 미국산 활엽수의 용도는 일본산 활엽수의 대체수종으로 허용되고 있다. 앞으로 일본에서의 미국산 활엽수재의 수요는 일본 국내시장의 요인에 의해 좌우될 것인데 한정된 물량의 일본산 활엽수재와 온대 활엽수재의 요구에 영향을 받을 것이다.

• Journal of Conservation Science
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• v.35 no.3
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• pp.245-251
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• 2019

In this paper, conservation treatment processes for the wooden furniture in the Presidential Archives are introduced. Conservation treatment strategies for modern wooden cultural heritage have been increasingly studied. The current study uses materials similar to those used by the existing conservation treatment method. Material analysis showed that the chair(Lee136-2) and desk(Yun37) in the Presidential Archives are made of Dipterocarpaceae, and both are coated with two layers of varnishing. FT-IR analysis showed that the varnish has a similar spectrum to that of a nitrocellulose-based lacquer(Lee136-2) and top coat(Yun37) and confirmed that a synthetic material was used. Pollutants had adhered to the surface of the wooden furniture and it was also in structurally unstable condition because of cracks and damage to the varnish and wood. Therefore, a conservation treatment was carried out to restore the damaged areas to their original appearance using similar kinds of materials, based on data obtained by materials analysis.

• Journal of the Korea Furniture Society
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• v.25 no.4
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• pp.268-276
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• 2014

The purpose of this research is to provide new direction on the field of the furniture design and to establish the identity of Korean furniture design as the flow of craft's juxtapose mixture era where it mix and match Korean traditional craft style materials with the modern furniture design. In other words, it is intended to create new furniture design and propose beautiful Korean luxury furniture design based on the precious unique culture with the traditional craft style, juxtaposition of modern furniture, and reinterpretation. It should grant artistic values that can satisfy consumers having various tastes and scarcity values, plus it should put out aesthetic and creative expressions in furniture design putting into the beautiful traditional craft form values. Furthermore, it is required to create new design through values and spirit, materials, techniques, forms, pattern, and usages by interacting, coordinating, and combining tradition and modern East and West, plus craft and design.

• Journal of the Korea institute for structural maintenance and inspection
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• v.16 no.2
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• pp.104-112
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• 2012

The failure of tenon in a traditional wood-framed structure may collapse of the entire structure. This study evaluates the strength and stiffness of tenon joints between the beams and pillars through experimental study and suggests reinforcing method of the tenon joint without dismantling the main structures. The main experimental parameters are the number, distance, shape, and inserting depth of spiral-shaped reinforcing steels. As the thickness of the tenon in beams increases, the strength and the initial shear stiffness of the joint increases and, however, the tenons in pillar becomes weaker, resulting in the safety problem of the structure. It is recommended that three spiral-shaped reinforcing steels be placed in the central parts of the tenon to effectively improve the strength and the shear stiffness of the joint.

• Journal of the Korea Furniture Society
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• v.18 no.3
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• pp.188-194
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• 2007

Tree-ring dating can be used to date scientifically prehistoric timbers, historical buildings or woodcrafts. It can give a calendar year to each tree ing and produces the felling dates of logs or wood panels. In this study, we applied tree-ring dating to three rice chests, whose dates of manufacturing are unknown. According to the shape of frame, we assumed that they should be made in Cholla Province. The last rings of the woods of three rice chests were dated A.D. 1830, A.D. 1870 and A.D. 1901, respectively. Tree-ring patterns indicated that two of them were collected from Kangwon province.

• Journal of the Korean Wood Science and Technology
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• v.33 no.3 s.131
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• pp.1-10
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• 2005

Tree-ring chronologies can be used to date historical buildings or furnitures by matching them with chronologies of living trees. Tree-ring dating gives a calendar year to each tree ring and produces the cutting dates of logs or woods. In this study, we intend to extend our tree-ring dating applications to Korean furnitures. As a case study, we examined two traditional furnitures, one cabinet 'Jang' and the other chest, 'Bandaji'. The cutting date of the cabinet woods was A.D. 1839. The date of the outmost ring in the chest was A.D. 1904. Due to no bark present, the cutting date of the chest was only estimated as $1930{\pm}10$ by 'sapwood rings' estimation method. Ring-width pattern of the latter one also indicated that the origin of the chest must be Kangwon province. This case study suggests that tree-ring dating would be a useful and accurate method to identify the critical dates for the chronicles of Korean traditional furnitures.

• Journal of the Korea Furniture Society
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• v.26 no.2
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• pp.171-178
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• 2015

Furniture is very important in our lives. Especially traditional wood furniture of Korea has been developed practically in the area of form, compositions, manufacturing technique and etc because of the rapid environmental changes. Jang Sung has a very efficient geographical characters to get the adequate timbers for furniture. And the late Mr Seol SeokCheol had devoted all his life to out-and-out artisan spirit for the purpose of korean wood furniture manufacturing. In this paper, l try to explain regional and cultural characteristics of JS, special designs for wood furniture of JS, manufacturing process of traditional wood furniture, especially in the center of his works. Tradition is an essential power to a country and a race. Now we are living living in the state-of-art age and we share all the cultures and merchandise globally but nevertheless, a nation and a race who has a unique tradition is still a cultural advanced country and these works of our ancestors are the best souvenir for the tourists. So we have to memorize these facts and we will have to raise and develop our power of traditional cultures, including from the traditional wood furniture.

• Journal of the Korea Furniture Society
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• v.28 no.2
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• pp.126-134
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• 2017

This study explores PyeongSang, a piece of traditional Korean furniture, in order to make people know the details about what the piece is in the first paper. And based on the paper, PyeongSang will be developed as moulded multi-useful beds and sofas adapting the joint and ornament from the structure and pattern of the piece in the next paper. As the result, it appeared as two styles such as bed types mentioned as SalPyeongSang and ttulmaru in Korean. The pieces have been used from the three Kingdoms period in Korean history. The styles appeared as the structure of four parts with the lower fences called as nangan, the seats jointed by thin wood pieces, the wind hole, and the legs of foot types. The parts were beautifully carved with the ornament such as lattice patterns like geokjamun and manjamun, flower patterns like dangchomun, elephant eyes patterns like ansangmun from the Korean tradition. And the legs showed various shapes such as supports transformed from horse foots, tiger legs and bamboo, and board types carved with elephant eyes and geometric patterns. Hence, in the next paper based on this paper, PyeongSang will be developed as moulded multi-useful beds and sofas adapting the joints and ornaments from the structure and patterns of the piece.

• Journal of the Korea Furniture Society
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• v.28 no.3
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• pp.145-155
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• 2017

This study explores developing a piece of modularized and multi-useful bed adapting PyeongSang followed by the last issue, 'a study on traditional Korean furniture, PyeongSang I' for the understanding of the furniture from theory and history. Adopted From the joints and ornament, the modularized elements were designed and developed in order to compose the head board, the side board, the foot board, and the seat bottom. The joints are sambang miter, samae miter, dado, and mortise and tenon, which are strong in holding the bed. And the ornament is lattice patterns like geokjamun and manjamun, elephant eyes patterns like ansangmun from the traditional furniture. Using the elements, the bed is composed with six modules which make people free and easy to move and transform them. Hence, the bed is multi-useful by using the double, the twin the single, and various sofas by the way to display them such as two, three, four, five, and six modules. And the bed was made of bright zelkova tree and dark heat treated ash expressing contrast of black and white, the design concept modern and easy to make many people access to them.