• 한국패션뷰티학회지
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• 제2권1호
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• pp.103-109
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• 2004

It surveyed consumers between 20s and 60s to understand how often they wear ramie clothes and what they are dissatisfied with wearing ramie clothes. First, people who are older than 50 have more ramie clothes than people who are younger than 50. They purchased ramie clothes at a store of Korean traditional costumes(35.1%) and special sales shops including departments(33.8%). People older than 50 washed ramie clothes with hands in their houses. But people younger than 40 washed their ramie clothes in a laundry. Third, it surveyed what was their dissatisfaction with ramie clothes. They responded that the type and design is limited.(44.4%) There isn't a design for young people.(33.3%) In the survey of color and patterns, they responded that the colors are not classified for people of different ages.(57.7%) The others complained that the patterns are not enough.(22.5%) They are dissatisfied with ramie clothes as it is easy to have wrinkle and it isn't elastic.(66.7%) Fourth, it surveyed the tendency to purchase ramie clothes based on different four factors. The factor 1 is the tendency to have good quality. Factor 2 is the tendency of reluctant purchasing. Factor 3 is the tendency of variety of distribution routes. Factor 4 is the tendency of design.

• 한국의상디자인학회지
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• 제16권4호
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• pp.15-25
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• 2014

The purpose of this study is to promote the artistic value and formative aesthetic of clothes in daily life through a proposal of inventive fashion design by utilizing Depaysement of Surrealism, which visualizes a more realistically and more specifically than fact in illogical and unfamiliar situation, Focused on details of Korean traditional costume silhouette. The method of this study, the literature and existing researches related to Depaysement were analyzed through theoretical review for establish the expressive techniques of Depaysement expressed in contemporary fashion. Conclusions from this study are as follows: first, the expressive techniques of Depaysement are derived that are 'change of scale', 'change of materials', 'combination of heterogeneous objects', 'arrangement of object in a strange space', 'overlapped object', 'paradoxical image', 'variable awareness of boundary.' Second, expressive techniques of Depaysement present a new methodology which can express an irrational thinking, which is not controled by reason such as unconsciousness, dream, and fantasy etc, in a way that is easier and more realistic rather than thinking centered on an art which is ruled by consciousness. Third, unique and free-form fashion design, which destroys a general idea, was could develop by using abundant materials and composing items borrowed various silhouette for expressive the techniques of Depaysement. Forth, Through this study, the concept of Korean fashion design, that was limited by the standard form when we approach Korean fashion design as identity of social culture, ideology of reflection and expression, object of commercial expression, was could think outside of the box.

• 디지털융복합연구
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• 제18권12호
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• pp.533-541
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• 2020

본 연구는 K-POP 가수의 신한복 스타일에 대한 국내·외 소비자들의 반응을 알아보는 것을 목적으로 한다. '블랙핑크 한복'을 키워드로 포함하는 유튜브 영상과 사용자 댓글을 수집했으며, 소셜 네트워크 분석과 감성분석을 적용했다. 첫째, 블랙핑크의 신한복 스타일은 안무하기 편하도록 미니드레스 형태로 제작되었으며, 전통적 요소를 더해 현대적으로 재해석한 것으로 나타났다. 둘째, 블랙핑크의 신한복 패션에 대해 국내 반응에서는 노출에 대한 이슈가 논란이 된 키워드로 등장한 반면, 해외 반응에서는 나타나지 않았다. 셋째, 감성분석 결과 국내보다 해외 반응에서 신한복 스타일에 대해 더 긍정적인 평가를 보였다. 본 연구는 광범위한 소비자들의 반응을 알아보고 신한복에 대한 긍부정 요소를 파악하여, 신한복이 나아가야 할 방향을 제시했다는데 의의가 있다.

• 복식문화연구
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• 제30권3호
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• pp.455-476
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• 2022

The aim of this study was to develop Jiangxi Nuo masks using 3D digital fashion design technology and suggest various ways to utilize traditional culture based on the characteristics of Nuo masks, a traditional Chinese artifact of intangible cultural significance. The researchers conducted a literature review to gather information about Nuo culture and masks that could represent Jiangxi. Features of the masks were analyzed and classified. The result are as follows. First, the symbolic characteristics of Jiangxi's Nuo masks can be divided into those based on their origin and history, the user's social status, and the notions of primitive beliefs of the chosen people, such as naturism and totemism. Second, Nuo masks' splendid decorations convey meanings such as luck, the bixie, longevity, wealth, and peace in the family. Third, playfulness in mask-making is about dismantling the original form of the mask, re-creating it through application. Fourth, the masks express primitiveness mostly by conserving the wood's original color or material. The initial masks carved to represent images of figures aptly deliver the primitive forms and images of Nuo culture. In this study, Nuo masks were developed and produced using the 3D digital technology CLO 3D by adopting the expressive characteristics and applying design methods such as asymmetricity, exaggeration, and modification. The results of this study demonstrate the possibility of creating diverse as well as economical designs through the reduction of production.

• 복식문화연구
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• 제30권6호
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• pp.880-897
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• 2022

The purpose of this study is to apply the traditional Chinese fretwork on the 'Faux Chenille' textile work method in a way of enhancing the decorative features of patterns and developing the fashion design. As for the method, it works on the historic background and advancement of the fretwork and it refers to the bibliographies pertinent to the traditional Chinese geometric pattern. The result are as follows. First, pure cotton and 100% rayon are mixed to make it feasible to produce the texture for the material to be tender and enhanced, and in the process of washing and drying the Faux Chenille textile. The Faux Chenille textile is an important material that is required to select materials with great absorption capability as the most effective material to re-visualize the lines and patterns by sustaining the diagonal lines. Second, the fretwork is designed to process the basic formation for 90° angle with the sense of unlimited extensive line and changes with straight line. It has been confirmed that, if the angle that controls the Faux Chenille textile and the tailoring interval are well aligned, the expression of traditional geometric pattern would be effective and it may be expressed in contemporary style. Third, through the fashion design application by utilizing the Faux Chenille textile of the fretwork, it is confirmed that the contemporary application of the traditional culture could be expressed uniquely and creatively while it is affirmed that the western technique and Asian culture can be blended in harmony.

• 복식문화연구
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• 제28권4호
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• pp.420-428
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• 2020

This study analyzed the expression of hanbok in online fashion styling games, and examined the main themes of and user reactions to hanbok fashion styling games through semantic network analysis and sentiment analysis. KrKwic, Textom, and NodeXL were used for data collection and analysis. The findings of the study are as follows: First, depending on the designer's expressive method, hanbok fashion styling games provide typical traditional hanbok, modern hanbok, and dress-like fusion hanbok, demonstrating contents with various themes for different sexes, classes, and situations. Second, as a result of analyzing the themes of hanbok-related styling game contents, it turned out that the main themes are tradition, color, historical drama, fusion hanbok, holiday, and love. Most of them produce modernized hanbok that reflect the situation and utility rather than strictly traditional ones. Third, as a result of analyzing user reviews of hanbok styling game contents, positive factors mostly turned out to be the satisfaction of the hanbok contents, with the users also showing positive intent to wear hanbok. Through this, it was found out that hanboks portrayed in game contents could potentially cause the user's positive intent to wear hanbok. Negative factors turned out to be the discordance between the intrinsic image of hanbok and the game character's image.

• 디자인학연구
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• 제19권1호
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• pp.59-68
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• 2006

스카프는 인체의 보온 역할뿐만 아니라 여성 의복의 액세서리로서 큰 역할을 해 왔다. 오늘날 액세서리에 관한 관심이 높아지면서 스카프는 의복의 보조적 역할에서 벗어나 점차적으로 패션의 전체적 분위기를 이끌어 가는 주도적인 위치로 그 비중이 확대되었다. 그러나 우리나라의 스카프 디자인은 해외 브랜드에 대한 모방의 단계를 벗어나지 못하고 있는 실정이므로 이제는 우리만의 스카프 디자인을 개발해야만 한다. 따라서 본 연구에서는 한국적이면서 현대적인 감각을 살린 스카프 디자인을 개발하기 위하여 분청사기에 표현된 연꽃문양과 전통 조각보를 디자인 개발의 소재로 선택하였다. 분청사기에 표현된 연꽃문양의 형태는 사실적인 표현보다는 그 문양을 단순하게 또는 반추상적으로 표현한 것이 많고 조각보의 기하학적인 조형미는 현대 감각에 맞는 한국적인 이미지를 잘 표현한 소재이다. 먼저 분청사기에 나타난 연꽃문양과 조각보에 대한 자료 조사를 실시하여 기초 자료로 활용하였다. 그 중에서 현대적인 이미지를 잘 나타내는 것을 선정하여 컴퓨터 디자인 프로그램을 이용, 기본 패턴 세 가지를 구성하였다. 구성된 각 패턴을 가지고 정사각형 스카프 및 장방형 스카프를 각각 재구성하여 완성하였다.

• 한국의상디자인학회지
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• 제13권4호
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• pp.167-177
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• 2011

As today the world has been globalized, each country and race has been trying its best to preserve and develop its own unique culture to have its identity. Same exertion has been added in the areas of fashion and textile such as developing traditional textile or fabrics and applying them to the materials of modem fashion. The Korean traditional gold foil is one of invaluable cultural heritages, and another means to elevate the wearer's social status, and its beauty and artistic quality is very excellent. So, in order to preserve and develop of the Korean traditional gold foil, the exertion of developing the gold foil into multi-purpose modem fashion material which is endurable and practical by using the image of Korean traditional gold foil should be done. The purposes of this study are to preserve Korean traditional gold foil, to develop Korean textile and fashion industry by utilizing Korean traditional gold foil images in modem fashion. The results are as follows: textile designs applied plant motives of Korean traditional gold foil were carried out, modem fashion materials of Korean traditional gold foil image were developed by Jacquard weave. They were to certify that those were registered on the register of the Korean of design registrations from commissioner the Korean Intellectual Property Office, and developed fabrics of Korean gold foil image were examined the utility for modern fashion materials through using them in the modem wearing, interior goods and fashion items.

• 복식
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• 제59권7호
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• pp.65-76
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• 2009

Korea has established a code for the economic and cultural industry that covers a wide range of classes unlike the old information era which was limited to the simple knowledge, technology, tools, morals, and customers that had been established in our society. On the other hand, 'culture marketing' is a series of marketing activities in which value-added items are created and shared. The combination of business management and culture seemed pretty awkward considering how rapidly the world was changing, however, the nature of today's culture has changed and the economic nature of culture products has resulted from those changes. In this paper, two authors who expressed the cultural identity in the culture products are studied through a comparison analysis; the author Min Yeongsoon expressed the identity confusion that she experienced in a foreign country and how she overcame homesickness in her work; and the author Kim Ata expressed his confidence in Asia and used his clear and loud voice to express the culture in his work. In addition, today's culture products are affected by the surrounding cultures such as the member's traditional society, environmental culture, and individual's culture. It is a good source for good works of art. In this study, the efforts of seeking the cultural identity, structuring the concept, seeking a new market and possibilities are used to make a consistent process in order to make a series of the systems required for planning and developing culture products.

• 한국콘텐츠학회논문지
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• 제21권5호
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• pp.905-917
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• 2021

치파오는 중국의 전통 복식이며, 중국을 대표하는 기호로서 독특한 문화적 의미를 지닌다. 본 연구는 우선 치파오의 개념과 역사적 발전를 개술하며 선행연구를 통해 치파오의 5가지 핵심 요소를 정리하였다. 그리고 문화 차원과 디자인 특징 이론에 기반하여 문화의 외부층, 중간층과 내부층 등 3차원에서 볼 수 있는 디자인 특징을 중심으로 치파오의 5개 핵심 요소가 지니는 의미를 분석하였다. 연구를 통해 치파오의 각 요소별 문화차원의 세 가지 층위 간 다양한 발전 관계가 있음을 발견하였다. 또한, 치파오가 중국의 전형적인 여성 복식으로서 디자인적으로 다양한 연구 가치를 지녔을 뿐 아니라, 인문적인 의미 및 사회, 경제, 기술, 패션 발전의 다차원적인 정보를 풍부하게 담고 있음을 알 수 있었다. 이를 통해 중국 치파오 디자인의 역사와 사회적 가치 및 현대적 의미에 대한 이해를 돕기 위한 기초 자료를 제공하고자 한다. 본 연구는 중국 전통복식의 현대화를 위한 기초 연구임을 밝혀둔다.