• The Korean Publising Journal, Monthly
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• s.309
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• pp.18-18
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• 2001

• Korean Architects
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• s.624
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• pp.96-98
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• 2021

• Proceedings of the Korean Institute of Surface Engineering Conference
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• 2016.11a
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• pp.167.1-167.1
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• 2016

금도금은 장식용 핸드백이나 가방 등에 주로 사용하고 있으며, 이러한 금을 도금하면 장식성이 최대로 되어 고객을 만족시킬 수 있다. 금도금은 초기에는 주로 외관의 장식용에 사용 되었으나, 이후 디자인과 기능성부품으로 이용이 확대되었다. 현재 국내의 금 사용량과 수요량은 매년 급증하고는 있지만 희소성, 지역편중성, 공급불안정과 이에 따른 가격불안정성과 같은 자원적 문제를 갖고 있을 뿐만 아니라 전량 수입에 의존하고 있다. 유럽, 특히 이탈리아의 금도금의 기술동향을 제공함으로써 매출증대를 향상시킬 수 있다. 이러한 금도금기술은 수출용 액세서리 등의 분야로 적용이 확대되고 있다.

• Proceedings of the Korea Society of Design Studies Conference
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• 2003.11a
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• pp.116-117
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• 2003

• Korean Institute of Interior Design Journal
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• v.21 no.6
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• pp.158-167
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• 2012

This research began by considering that, although architecture and architectural culture of the last two decades seem to have rediscovered ornament and some recent studies have reconsidered the ornamental issues of contemporary buildings, there is currently some difficulty in providing a synthetic investigation of this topic, because of the complex nature of the contemporary architectural situation. Following this premise, this research provides some reference points for further studies that will aim to expand the understanding, and attempt to classify and hypothesize the future of contemporary ornamental phenomena. Based on the assumption of the historical continuity of ornamental problems, and adopting the relation - both technical and aesthetic - between ornament and structure as one of the crucial issues to link past and present problems, the study firstly defines two categories and two sub-categories concerning the relation between ornament and structure, namely: a) ornament integral with the structure and b) ornament applied to the structure; a1) ornament visually expressing the structure and a2) ornament not visually expressing the structure. The study then reviews the historical development of ornament from ancient times to the present in the light of the above mentioned categories, and finally discusses the principles of traditional and modern ornament thus analyzed in relation to contemporary ornamental trends, as identified in selected case studies. Some common points between past and contemporary experiences are revealed in order to facilitate further investigations. In particular, the analysis shows a certain trend in contemporary architecture for a strong link between ornamental treatment and the structure of the building and a current tendency among contemporary designers to keep the exterior appearance of the building project separate from the design of the rest of the construction.

• Journal of the Korean Society of Floral Art and Design
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• no.41
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• pp.61-92
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• 2019

We attempted to find the style of flower arrangement from the drawings of Uigwe and paintings of folding screens for the royal ceremonies of the late Joseon dynasty. In the pictures of the Uigwe and folding screens, we could see the linear, circular, and oval types Junhwa used to decorate the left and right sides of the throne placed in the center of main parish at the national banquet. There were also identified the Sanghwa which was used to decorate food on it, Jamhwa which was used to decorate head to be worn on the caps or hats, and Hwaga which was used to decorate the style supporting the large awnings at the national banquet. Hwaga was found, in the Musin Jinchan Dobyeong. In 1795, it was found that decorations on the floor, which are quite similar to the table decorations and modern space decorations, and flower shoot presented by king and flower decorations which were bound to the stick which was presented by king to country old men from Wonhaeng Eulmyo Jeongri Uigwe and Hwaseong Reunghaengdobyeong

• FLOWER RESEARCH JOURNAL
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• v.16 no.1
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• pp.7-11
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• 2008

In order to investigate the application of bamboo in various ways in floral designs, we analyzed 108 bamboo items from the monthly magazine 'Fleur' and from the International Flower Contest held from 2001 to 2006. We analyzed the frequency of usage of bamboos by the used parts, kind of design, type of design, and arrangement method in the design work. In terms of the used parts of the bamboo, stems took 90% of the whole work. Among the 77 designs that used stems, excluding the 20 work items presented in the International Flower Contest which has been held in April, number of the bamboo work items peaked at the beginning of the year in January and February, and during summer (July and August). Upon analyzing the type of stems that were used in the 97 works, 63% of the works used bamboo in natural state, but not processed. 48% of the works used the vertical-parallel method among the arrangement methods. Other categorized works were rounded works that were not included in the vertical, horizontal or diagonal mathod. More than 50% of the works, including the table decoration, used space decoration. Among the types of work design that used bamboo as material, 64% were decorative type, 30% graphic type, and 4% formal-linear type.

• Korean Institute of Interior Design Journal
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• no.17
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• pp.157-165
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• 1998

This study aimed to identify characteristics of design and decoration of Danish peasant furniture especially painted storage furniture used during the 18-19th century before modern design movement of Internationalism prevailed all over the world. Owing to the fact that Danish peasant furniture were made of available conifer around the farms painting method was preferred to carving. Remoted from main land of western and southern Europe Scandinavian countries longed to imitate their Baroque style architecture and furniture made of marble of hard woods. Painting method was adopted to disguise cheap wood so that it looked like expensive or exotic materials such as marble oak metal granite etc. what they could not afford to buy. Eventually they evolved unique materials equipments and methods for imitation painting in order to decorate folk storage furnitures as well as formal architecture : palaces churches and other official buildings,. Marbling clouds marbling graining stencil spatter painting trompe-I'oeil were common to imitate stones or hard woods. Strong and bright colors had good combination together with dull colors on the Danish peasant painted furniture.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2007.11a
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• pp.202-205
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• 2007

With regal extension of balcony, the flexible design to remodel interior space of apartment has appeared as a new trend. But this desire of residents is allowed partially because of lack of flexible furniture design. So this study proposed to design for flexible livingroom cabinets at 30 pyong apartment according to life styles and furniture uses. To satisfy the storage and decoration of livingroom cabinets, it focuses on diverse decorative demands as well as practical functionality. And it suggests the applications of flexible factors; opening and closing, extension and reducing, assembling and dismantling, rotation and transfer according to 3 types like child-centered, hobby-centered, couple-centered family.

• Proceedings of the Korea Contents Association Conference
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• 2013.05a
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• pp.357-358
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• 2013

정물화적인 요소를 지니고 있는 책가도는 책을 중심으로 이와 관련이 있는 물건들이 함께 표현되어 있다. 여러 가지 물건들이 복합적으로 나열되어 복잡하면서도 치밀한 비례와 안정된 구도를 갖추고 있다. 일정한 선의 반복에서 조형적 세련미를 느낄 수 있으며 장식성, 기능성, 예술성을 엿볼 수 있다. 본 연구에서는 이러한 책가도에 표현된 문양을 활용하여 세련미와 고풍스러움이 묻어나는 넥타이 직물디자인을 제작하고자 하였다. 우선 문헌고찰을 통하여 한 점의 책가도를 선정, 컴퓨터 디자인 프로그램인 아도브 일러스트레이터를 이용하여 네 개의 모티브를 디자인하고 그것을 활용하여 네 점의 넥타이 직물디자인을 개발하여 제시하였다.