• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2003.11a
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• pp.237-240
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• 2003

실제공간에서 음원이 존재하는 것처럼 음향을 재현하려 연 스테레오만으로는 완벽한 재현이 어렵다. 본 논문에서는 4채널 오디오 출력을 이용해서 가상환경의 음원이 실제 공간에 존재하는 것처럼 재생하는 방법을 기술한다. 잔향 임펄스 응답을 이용해서 공간감을 구현하였고, 음원과 청자의 거리에 따라 감을 조절하였으며, 4채널에 균일 파워 패닝 기법을 사용해서 방향감을 구현하였다. PC에서 입체음향이 되도록 구현하였으며, 실시간으로 음원과 청자의 위치를 변화시킬 수 있도록 하였다. 본 논문에서는 공간감, 음량감과 방향감을 고려하는 4채널 오디오 출력을 이용한 실시간 입체음향 구현에 대해 기술한다.

• 대한두경부종양학회:학술대회논문집
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• 1999.12a
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• pp.259.1-259.1
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• 1999

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2006.11a
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• pp.67-70
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• 2006

디스플레이 장치와 영상 기술의 발전으로 3D 입체 영상에 대한 관심과 기술적 접근이 어느 때 보다 활발하다. 입체 영상의 경우 통상 복수의 평면 영상을 이용하여 합성하게 되는데 이 과정에서 각 영상의 객관적 화질을 서로 달리 함으로써 주관적 화질을 향상시킬 수 있다는 연구가 진행되어 왔다. 그러나 객관적 화질을 지나치게 달리 하거나 전반적으로 낮은 화질의 영상에서는 경계선이 제대로 재현되지 않아 입체감을 떨어뜨리는 문제가 발생한다. 또한 기존의 연구는 스테레오 영상에 한해서만 위의 가설을 검증하였으나 최근의 입체 영상에 관한 연구는 스테레오 영상뿐만 아니라 다시점 영상에서도 활발히 진행되고 있다. 본 논문에서는 스테레오 영상과 9시점 영상에서의 비대칭 영상 부호화가 주관적 화질에 미치는 영향을 검증하고 구체적으로 어느 정도의 객관적 화질 차이를 유지하는 것이 비대칭 부호화에서 가장 효율적인지를 밝힌다. 또한 기존의 비대칭 영상 부호화와 비교하여 주관적 화질을 개선할 수 있는 더욱 효율적인 알고리듬을 제안한다. 제안되는 알고리듬은 경계선의 강도를 기준으로 매크로블록의 양자화 파라미터를 달리 하여 영상의 경계선을 보호하는 방법으로써 기존의 비대칭 영상 부호화보다 더욱 향상된 주관적 화질을 얻을 수 있다.

• Journal of Broadcast Engineering
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• v.13 no.5
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• pp.574-585
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• 2008

3D sound is of central importance for the virtual reality system, and is becoming increasingly important for the auditory displays and for the human-computer interaction. In this paper, we propose a novel real-time 3D sound representation system for virtual reality. At first, we propose a calculation method of the impulse response for virtual space. To transmit the information of the virtual space, we propose an enhanced DXF file type that contains the material information. And then, we implement the multi-channel sound panning system. we perform the experiment based on computer simulation and prove the utility of the proposed method.

• The Journal of the Korea Contents Association
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• v.12 no.3
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• pp.17-24
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• 2012

Andre Bazin called the movie frame as "the window open to the world." This expression is close to realization through 3D films. The 'Avatar' released in 2009 was a new turning point for 3D films. Nowadays the theory and information about 3D films is overflowed. It is necessary to find practices and to accumulate data useful in production of 3D films. There are several ways of working to achieve high quality 3D films. In any way that's chosen, there are priorities to be considered to create well-balanced 3D films. The aim of this article is to review primary considerations in film-making and share the technical issues experienced during the production of "Let's go to the amusement park again, Mom." Because the current practical knowledge in making 3D film is shallow, this article will offer a possible reference for further research.

• Journal of the Korean Society of Radiology
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• v.14 no.4
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• pp.487-494
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• 2020

The distance between the source and the detector, the diameter of the detector, and the volume effect of the radiation source result in a change in solid angle at the detector entrance, which affects the determination of detection efficiency by causing a difference in path length within the detector. A typical analysis method for calculating solid angles was useful only for a source (⁶⁰Co) with a simple geometric structure, so in this experiment, the distance between the detector and the source was measured by switching on for up to 25 cm with the reference point of window cap 0.5 cm. In addition, 450 and 1000 ㎖ Marinelli beaker of standard volumetric sources were closely adhered to the detector. For circular point sources co-axial with the detector, the change in the solid angle to the distance from the detector window is equal to half the square radius of the source versus the square radius of the detector, if the resulting relationship of the calculation analysis results in the detector being less than the radius of the source. Since the solid angular difference is 0.5 the result of Monte Carlo is acceptable. The relationship between detector and source distance is shown. Solid angles have been verified to decrease rapidly with distance. Measurement and simulation results for a volumetric source show a difference of ±1.01% from a distance of 0 cm and less than 4 % when the distance is reduced to 5 and 10 cm. It can be seen that the longer distance, the smaller efficiency angle, and the exponential increase in attenuation as the energy decreases, is reflected in the calculation of efficiency. Thus, the detection efficiency has proved sufficient for the use of solid angle and Monte Carlo codes.

• 대한두경부종양학회:학술대회논문집
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• 1998.11a
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• pp.282.2-283
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• 1998

• (The) Research of the performance art and culture
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• no.39
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• pp.357-392
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• 2019

This paper reexamines the formation process of Ch'anggŭk, Korea's musical drama based on p'ansori in the 1930s, focusing on the Ch'anggŭk gramophone records and the repertoire of the Chosŏn Sŏngak Yŏn'guhoe(Korean Vocal Music Association). The paper discussed the achievements and limitations of the Chosŏn Sŏngak Yŏn'guhoe which was at the center of the formation of Ch'anggŭk by examining the activities of the Chosŏn Sŏngak Yŏn'guhoe in the 1930s. The role of 'ipche-chang' and 'narrator' in the Ch'anggŭk gramophone records was seen as Ch'anggŭk imagination that was realized by the members of the Chosŏn Sŏngak Yŏn'guhoe who recognized the 'dramatic space and stage', which is distinct from p'ansori, Korean traditional vocal and percussion music. In addition, the paper discussed the difference and meaning of the concept of 'Sin-Ch'anggŭk' between Seo Hang-Seok and Song Seok-Ha, which is derived from the Ch'anggŭk formation. The performance of stage Ch'anggŭk in the 1930s was a repetition of the discussion that it should reach a point of Kagŭk, music or song dramas. This paper discussed the process of replacing the term 'Ch'anggŭk' with 'Kagŭk' at the time, and examined the way Ch'anggŭk stage was established as a perfect form during the process. The formation of Ch'anggŭk by members of the Chosŏn Sŏngak Yŏn'guhoe could be an important achievement in the history of Ch'anggŭk, but there was no choice but to reveal the limitation in the formal aspect due to the 'refinement' and 'exclusion' according to the cultural policy of Japan. P'ansori musicality was enhanced, but it could not contain the spirit and diversity of the times, so it could be said that there was no choice but to stop as a rudimentary creative imagination of Ch'anggŭk. Ch'anggŭk is a genre that is inherently limited, but the limitation can be overcome over the times, which will be covered in a subsequent paper.

• Journal of Korean Society for Geospatial Information Science
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• v.4 no.2 s.8
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• pp.173-180
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• 1996

In a grid based data transformation, the different gridding methods provide different interpretations of scattered data because each method calculate grid node values using a different weighted mathematical algorithms. Therefore, it is necessary to review the interpolated characteristics of some gridding methods according to search distance, search area and search options before determing the best method with a data set. For this, in this paper, six different gridding methods with the same search conditions are applied to a scattered data obtained from sterro-plotter. The interpolated characteristics of the scattered geographic data considered through comparison of coincidence between the data point and the grid node being interpolated. And also, shows the real application of gridding methods through calculating volumes and creating cross sections.

• Radiation Oncology Journal
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• v.20 no.2
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• pp.123-129
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• 2002

Purpose : The purpose of this study 띤as to determine the potential role of three-dimensional conformal radiotherapy (3D-CRT) in the treatment of primary unresectable hepatocellular carcinoma. The preliminary results on the efficacy and the toxicity of 3D-CRT are reported. Materials and Methods : Seventeen patients were enrolled in this study, which was conducted prospectively from January 1995 to June 1997. The exclusion criteria included the presence of extrahepatic metastasis, liver cirrhosis of Child-Pugh classification C, tumors occupying more than two thirds of the entire liver, and a performance status of more than 3 on the ECOG scale. Two patients were treated with radiotherapy only while the remaining 15 were treated with combined transcatheter arterial chemoembolization. Radiotherapy was given to the field including the tumor plus a 1.5 cm margin using a 3D-CRT technique. The radiation dose ranged from $36\~60\;Gy$ (median; 59.4 Gy). Tumor response was based on a radiological examination such as the CT scan, MR imaging, and hepatic artery angiography at $4\~8$ weeks following the completion of treatment. The acute and subacute toxicities were monitored. Results : An objective response was observed in 11 out of 17 patients, giving a response rate of $64.7\%$. The actuarial survival rate at 2 years was $21.2\%$ from the start of radiotherapy (median survival; 19 months). Six patients developed a distant metastasis consisting of a lung metastasis in 5 patients and bone metastasis in one. The complications related to 30-CRT were gastro-duodenitis $(\geq\;grade\;2)$ in 2 patients. There were no treatment related deaths and radiation induced hepatitis. Conclusion : The preliminary results show that 3D-CRT is a reliable and effective treatment modality for primary unresectable hepatocellular carcinoma compared to other conventional modalities. Further studies to evaluate the definitive role of the 3D-CRT technique in the treatment of primary unresectable hepatocellular carcinoma are needed.