• The Science & Technology
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• v.6 no.11 s.54
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• pp.17-21
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• 1973

미지의 세계를 추적하는 인간의 노력은 끊임없이 진행되고 있다. 신비와 암흑에 쌓인 대륙을 벗겨내는 여러가지 형태의 탐험, 무한한 우주공간을 향해 쏘아 올리는 각종 인공위성, 그리고 광막한 해저를 파헤쳐나가는 일들이 모두가 그것을 충분히 증명해주고 있는 것이다. 삼면이 바다로 둘러싸인 우리 나라의 입지조건을 살펴볼 때 해양개발은 그 어느 것보다도 우선되어야 할 과제가 아닐까? 금번에 열린 한ㆍ미 과학기술 협력 공동위원회 Work Shop에서도 이 문제에 깊은 관심을 갖고 진지한 토론 및 대책을 토의하였다. 여기에서 발표된 연구논문과 함께 최근에 KIST부서로 설치된 해양 발전 연구소에 관해 알아본다.

• Proceedings of the Korea Multimedia Society Conference
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• 2002.05d
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• pp.792-796
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• 2002

새로운 교육적 매체로서의 인터넷과 웹은 이제 전통적 교육 패러다임에 대한 강고한 도전이 되고 있다. 정보화사회의 열려진 공간으로서의 인터넷은 우리의 어린이와 청소년들에게 자발적이고 스스로의 학습 전략과 문제해결 대안을 찾아가는 발견적 학습이론과 구성주의이론에 의한 열린 학습환경을 지향해 가고 있는 것이 사실이다. 그러나 정보화 과학화 합리화를 지향하는 사회와 학교의 흐름속에서 실제 상처받고 잊혀져 가는 부분이 학생들의 감성이나 태도와 관련된 영역들이다. 본 연구는 유아들의 감성교육을 위한 보조자료로서의 동화 컨텐츠를 개발하여 유아들을 위한 감성교육의 자료를 축적하고자 한다.

• Proceedings of the Korea Multimedia Society Conference
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• 2001.06a
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• pp.378-381
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• 2001

새로운 교육적 매체로서의 인터넷과 웹은 이제 전통적 교육 패러다임에 대한 강고한 도전이 되고 있다. 정보화란 이상하에 열려진 공간으로서의 인터넷은 우리의 어린이와 청년들에게 자발적이고 스스로의 학습 전략과 문제해결대안을 찾아가는 발견적 학습이론과 구성주의이론에 의한 열린 학습환경을 지향해 가고 있는 것이 사실이다. 그러나 정보화 과학화 합리화를 지향하는 사회와 학교의 흐름속에서 실제 상처받고 잊혀져 가는 부분이 학생들의 인성이나 태도와 관련된 영역들이다. 본 연구는 인성교육을 위한 웹상에서의 멀티미디어 컨텐츠를 개발하여 학생과 일반인들에게 인성교육의 한 장을 열었다.

• Proceedings of the Korea Contents Association Conference
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• 2012.05a
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• pp.135-136
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• 2012

국내에서 열린 국제 박람회는 올림픽과 월드컵과 더불어 국내외적으로는 다양한 측면에서 성장 발전할 수 있는 기회의 장이며 앞으로 개최될 박람회를 단발성으로 막을 내리지 않고 발전을 위한 기회로 삼아 여러 측면 변화에 긍정적인 효과를 창출할 수 있는 방안에 대해 분석해 보고자 한다.

• Korean Architects
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• no.2 s.322
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• pp.102-103
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• 1996

광주광역시 교육청에서는 새로 세울 '상무고등학교' 현상설계경기를 실시, 프러스건축(대표 조두상)안을 당선작으로 선정, 지난 95년 12월 23일 발표했다. 이번 현상설계경기는 사회환경과 경제적 상황 그리고 교육시스템의 변화 등에 따른 교육환경개선 요구에 부응하고, 장차 열린 학교로서 가변성 있는 공간계획을 고려하여 지역사회에 기여할 수 있는 장소로 계획되어져 총 6개 사무소에서 참여했다. 가작으로는 신이건축(대표 신안준)안이 선정됐다.

• Korean Architects
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• no.2 s.322
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• pp.104-114
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• 1996

광주광역시 교육청에서는 새로 세울 '상무고등학교' 현상설계경기를 실시, 프러스건축(대표 조두상)안을 당선작으로 선정, 지난 95년 12월 23일 발표했다. 이번 현상설계경기는 사회환경과 경제적 상황 그리고 교육시스템의 변화 등에 따른 교육환경개선 요구에 부응하고, 장차 열린 학교로서 가변성 있는 공간계획을 고려하여 지역사회에 기여할 수 있는 장소로 계획되어져 총 6개 사무소에서 참여했다. 가작으로는 신이건축(대표 신안준)안이 선정됐다.

• Journal of the Korean Institute of Landscape Architecture
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• v.49 no.3
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• pp.29-39
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• 2021

This study interpreted a traditional garden of Korea through reception aesthetics. The 'gap' of acceptable aesthetics is found in the 'distance that occurs between writers and readers'. This study aims to interpret this gap between what the writer intends and what the reader expects. Boundaries do not limit traditional spaces in Korea and, therefore, are not limited by characteristics. These characteristics were studied from the perspectives of the author, the work, and the reader. The aspect first looked at the life and ideas of the gardener, the second analyzed the form and structure of the garden, and the last examined writings, from the past and present, of those who appreciated the garden. From the author's perspective, Sosoewon was understood as a garden that embodied the philosophy of Yang Sanbo. Second, the duality and indeterminateness were recognized as two characteristics of this work; artifacts in the garden were arranged in a natural form, and the gardens have indefinite boundaries, so they can be freely expanded and reduced. Finally, from the reader's perspective, it was noted that the beauty of this garden is enhanced through poetry, painting, and writing. Thus, historic gardens of Korea can be open spaces where the meaning of the garden is enriched through the free participation of viewers based on their own ideas.

• Journal of Service Research and Studies
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• v.12 no.3
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• pp.134-143
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• 2022

TThe National Cemetery is a space for realizing patriotism at the national level to honor the will of those who gave their lives for the country and to permanently venerate their loyalty and merit. The purpose of the establishment of the national cemetery is to imitate the spirit of patriotism that was sacrificed for the country and people. The state distinguishes between private death and public death as a sacrifice for the state. Furthermore, we carefully manage deaths that are classified as public. National cemeteries are the institutional space for managing such public deaths. With respect for devotion and discipline, the standards for burial and commemoration should not be based on status or class. In a national cemetery, shifting the degree of courtesy and priorities to devotion and discipline will become a true patriotism system in a democratic society. First of all, it is time to honor those who have died and those who have dedicated themselves to the restoration of national sovereignty as the highest and highest priority. This is the key to resolving the conflict that our national cemetery is experiencing and gaining public sympathy. This study is based on the premise that the national cemetery is insufficient as an open memorial space and historical space loved by the people. In addition, the implications and applicability of national cemeteries are reviewed through domestic and foreign excellent cases and high-quality and eco-friendly national cemetery construction cases in advanced countries.

• 지역과문화
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• v.6 no.1
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• pp.29-56
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• 2019

The purpose of this study is to tell stories about the space of the Museom village as the Museom Byeolli Literature Museum, to recognize the importance of the local literature museum and strengthening the position of the Museom Village. For this, we analyzed the current status of the Museom Village and examined its value and meaning. Based on this theoretical review and the analysis of the subject of the study, we constructedthe Byeolli Literature Museum and made it possible for visitors to feel placeness with the story related to Jihun Joe. For this, the museum consists of a space for lovers, a space for thought, a space for consideration, and a space for healing. The space is telling the story about love, village, dining table, amusement and has maximized the space of the village which is literature contents and the background of literature work. The museum is going to be a complex cultural space where nature, culture, and literature are combined to enhance the image of the region and raise brand value.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.28 no.2
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• pp.75-85
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• 2010

The purpose of this study is to attempt new analysis on Soswaewon Garden(瀟灑園) where is Korea's traditional garden, focusing on which the tendency of its change is a relational-formation tool similar to the Eastern Mode of Thought, with paying attention to conversion as the new view of world. Accordingly, the aim is to reanalyze by connecting with Soswaewon Garden based on the theory of complexity, which tries to look at the whole through relationship rather than characteristics in individual components. Given summarizing findings, those are as follows. First, it was found that complexity shown in space and open system of physical dimension was characterized by 'event(situation)', 'non-determination' and 'homogeneous relationships between part and whole', and a variety of techniques introduced the nature positively. In particular, it was found that there were many cases of topographic usage, since the Soswaewon Garden selected its construction site proactively and was a product from architectural works in compliance with a given flow of natural topography. This has a nature of open text in the situation of emergent behaviors. Second, it was found that complexity shown in experiences and open system on the invisible dimension was characterized primarily by 'event(situation)' and 'relationships of interactive response between actors and environment', and various techniques appeared as a space for interactive combination of nature and daily experiences. This is typical of bilateral harmony based on interactions between subject and object, and between mankind and nature, and becomes also a space to accommodate temporary emergent behaviors in our life. Third, the compositional elements are reconstituted as space of organic property with dismantling steady relations. Especially, 'Soswaewon Garden's 48 poems(瀟灑園四十八詠)' will be the origin of the emotionally spatial experience to the current performers. Ultimately, the performer in the space of Soswaewon Garden simultaneously becomes a creator of space, and will generate new space with intertextuality with environment. Therefore, Soswaewon Garden becomes a place of binding me and the other together while maintaining mutual relationship based on organic thinking between a human being and nature and between the whole and a part.