• 건강소식
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• v.29 no.12 s.325
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• pp.38-39
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• 2005

가을 정취 물씬 느껴지는 산책로가 일품인 행주산성인 장어구이, 갈비 등 풍성한 먹거리와 함께 임진왜란의 유적, 토성, 역사관 등 볼거리가 다양해 가족단위 주말 나들이에 안성맞춤이다. 시원스럽게 뚫린 자유로나 올림픽 대로를 이용하면 서울 도심에서 불과 30분 내에 다다를 수 있다.

• 프린팅코리아
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• s.25
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• pp.46-49
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• 2004

대한인쇄문화협회의 인쇄문화역사관과 인쇄정보센터의 인쇄문화홍보관, 청주고인쇄박물관 등지에 각종 고 인쇄 목판본을 작업해 온 각자 장인 이창석(50)씨가 최근 강원도로부터 각자장인 무형문화재로 지정받았다.

• The Journal of the Korea Contents Association
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• v.16 no.9
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• pp.198-210
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• 2016

The purpose of this study is to analyze the tourists' circulations and behaviors at one of the representative dark tourism sites in Seoul, named Seodaemun Prison History Hall. This study conducts direct observation and behaviour tracking or follow-up survey based on traffic circulation and visitors' Muse-Ethogram extracted from the previous studies. The result of tourists' actual circulations shows that main tourists' flows of study areas consist of 3 approaches; suggested, unstructured and directed approaches. And tourists' behaviors such as moving(M), stop looking(SL), and reading(RE) reveal with the highest frequency. This study finds the 'expressing feeling(EXP)' as a new visitor' behavior in dark tourism site. The highest frequency of visitors' movement patterns is stop looking-reading-move(SL-RE-M). The results of this study could be used as a planning and design guidelines of dark tourism related to exhibition circulation, visitors' behaviors and development of exhibition content.

• The Journal of the Korea Contents Association
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• v.17 no.6
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• pp.169-179
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• 2017

The historical film is complex genre that give various messages of directors besides a historical fact. Shin Sangok and Lee Joonik are important historical film directors. Their films show director's style by various method of historical reproduction. Sin Sangok and Lee Joonik portrayed same person Yeonsan, in and . They described identical person and historical fact in a different way. This is due to director's view of history, time of reinterpretation of history, and so forth. Therefore this paper is going to analysis the method of representation on history.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.10
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• pp.63-70
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• 2019

The Busan branch of the former Toyo Takushoku Co. carried out the same business as a bank at the time of construction. This required an open space of long-span, which had no pillars, on the first floor where many customers frequently visited. In addition, an office space is required in the upper part, and a column is arranged so as to place a corridor in the center. It was designed with modern complex structures for space utilization and structural adaptation. As a result, scientific structural calculations of the modern era began and various structural technologies were introduced, the rationalization and value of various spatial characteristics and their structural design were analyzed from a technical historical perspective in the structure requiring long-span space. The Busan branch of the former Toyo Takushoku Co. is a complex structure with three structures. It is highly valuable as a building that tried to design its structure in a variety of spaces through calculation and introduction of new technology based on the principle of force in modern times.

• Journal of Korean Philosophical Society
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• v.142
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• pp.75-97
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• 2017

This study purpose is to discuss critically the conception of history in Hegel and Marx by drawing on Merleau-Ponty's existential theory of history, finishing with concluding remarks. Merleau-Ponty insists that history is always history experienced. This thesis is his own principle in investigating human history. From this perspective, he begins to flesh out problems with history which Hegel and Marx had understood idealistically and materialistically respectively. He criticised that if Hegel grasps history in terms of teleology, he failed to explain the source and origin of historical meaning from which history makes sense. He failed to think that what gives history meaning comes from embodied consciousness. This means that history is not made of dialectical thinking. The thing is different from such an imaginative construal. History as it stands is not like that. It is not running around like Hegelian dialectical thinking. Marx understood historical behavior wrongly when he explained class struggle in terms of productive relations. He disregarded how class was sedimented or embodied in the minds of proletarians. Owing to this, Marx could not suppose that class consciousness is determined not causally or externally but by incarnated experience. It is affected in so far as it is affected by somebody, that is, the worker. At that moment only Class consciousness begins to work. Marx did not catch sight of this hidden fact.

• Journal of Conservation Science
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• v.38 no.2
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• pp.133-143
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• 2022

In this study, we analyzed the rickshaw (Owned by the Daegu Modern History Museum) by measuring each material. The purpose of the study was to identify the materials in modern cultural assets that utilize a variety of materials in a complex way, and establish basic data for preservation and management. Using portable X-ray fluorescence analyzers (P-XRF), species identification, fiber identification, paint film analysis (microscope observation, SEM-EDS, FTIR) on metal, wood, fiber and paint was carried out. Brass, an alloy of Copper, Zinc and Iron, was measured in the metal parts. Further, wooden parts, such as Oak (Quercus acutissima), Japanese Cedar (Cryptomeria japonica), Bamboo (Bambusoideae). Torreya nucifera (Torreya spp.) were identified in the body. Fiber parts consisted mainly of cotton, but some parts were also made of leather. In terms of paint, rickshaws were applied with multiple layers, using cashew (synthetic paint used in place of lacquer). In sum, the rickshaw body part appeared to overlap with layers of fiber, metal (soild), paint, and colored (black, red) layer.

• Proceedings of the Korean Statistical Society Conference
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• 2003.10a
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• pp.47-52
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• 2003

삼국사기 등에 기록되어 있는 천문기록들이 왜곡된 역사관에 의해 그 기록의 정확성이나 독창성에 의문을 갖게 하였다. 하지만 일식기록의 관측시점에 대한 최근의 연구결과는 오히려 우리의 고천문기록이 중국 문헌상에 나타나는 기록보다도 더 정확한 것으로 판명되고 있다. 따라서 중국측 사료와의 비교를 통해 고천문기록의 정확성과 독창적으로 일관되게 천문기록을 남겼음을 본 논문에서 밝혀 보고자 하였다.

• 프린팅코리아
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• v.10 no.12
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• pp.52-54
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• 2011

대한인쇄문화협회 김남수 회장은 지난 10월 31일 11시 협회 회의실에서 기자간담회를 열었다. 이날간담회에서 김남수 회장은 인쇄문화역사관의 이전 및 인쇄문화회관의 리뉴얼공사를 마치고 인쇄전문지 기자들과 리뉴얼의 경위와 리뉴얼이 가진 의의를 설명하고 인쇄업계 현안에 대한 견해를 밝혔다. 이날간담회에는 인쇄계 김원경, 이혜정기자 인쇄문화 박진우 부장, PT 남영복부장, 유영미기자, 인쇄저널 오혜경 과장, 인쇄산업신문 조차주 부장, 본지 김상호부장이 참석했다.

• The Journal of the Korea Contents Association
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• v.21 no.3
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• pp.194-204
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• 2021

The purposes of the study were two-folded: to identify visitors' motivations for the history-based dark tourism and to test empirically the relationships among visitors' motivations, authenticity, emotion, satisfaction and attitude change. The online survey was conducted, from August 3rd to 20th of 2020, on visitors over 15 years old with previous experience with dark tourism within last three years. 347 individuals responded to the online survey. The study results were as follows: first, among four dark tourism visiting motivation including, motivation to research, historicalness, deviation, and self-examination, first two variables motivation to research and historicalness showed positive effect on authenticity and emotion. Second, the study found that visitors' satisfaction influenced positively towards attitude change. Finally, authenticity and emotion positively influenced attitude change. This study empirically suggests a change in attitude toward history due to the dark tour. Since historicality has been shown to have a significant influence on the attitude of history through authenticity and emotion, it is necessary to strengthen story-based experience programs at historical sites.