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Human Life in Saemangeum after Reclamation (새만금 간척사업 후 주민의 삶)

  • Hahm, Han-Hee
    • Journal of the Korean Society for Marine Environment & Energy
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    • v.13 no.4
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    • pp.313-326
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    • 2010
  • This paper explores the changing aspects of the fishing village and fishermen since the beginning of the Saemangeum Reclamation Development Project in 1991. The Saemangeum Project was neither appropriate nor effective because it adopted an outdated development policy. It should have been obvious that as a result of the Project, tideland where various kinds of clams, crabs, oyster, and many other marine resources live would be lost. The fishermen in the affected area have suffered various hardships. The most acute problem at present is the disappearance of their subsistence activity that threatens their families' survival. Facing the crisis, they view fishing as their most valuable resource. Overlooking the Saemangeum Lake which is newly formed, they view the sea and tideland as their treasure boxes or bank deposits. From the beginning until now, the government did not pay attention to the concerns of the fishermen and their communities. It was an outcome of the typical top-down bureaucratic decision making. Until recently the government has persisted in its position that the primary goal of the reclamation project was to increase agricultural land. In July 23, 2009, the government suddenly announced the new Saemangeum development plan. The new plan focusing on the industrial city complex was quite different from the old plan. Regardless of the revised plan the lives of the villagers in the coastal areas have already been significantly altered. Most villagers no longer depend on fishery. Many have already left their homestead and moved away in order to search new jobs or find another coastal area where they can continue their fishing.

Ductility Evaluation of Heavyweight Concrete Shear Walls with Wire Ropes as a Lateral Reinforcement (와이어로프로 횡보강된 고중량콘크리트 전단벽의 연성평가)

  • Mun, Ju-Hyun;Yang, Keun-Hyeok
    • Journal of the Korea Concrete Institute
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    • v.27 no.3
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    • pp.207-214
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    • 2015
  • This study examined the feasibility of wire ropes as lateral reinforcement at the boundary element of heavyweight concrete shear walls. The spacing of the wire ropes varied from 60 mm to 120 mm at an interval of 30 mm, which produces the volumetric index of the lateral reinforcement of 0.126~0.234. The wire ropes were applied as a external hoop and/or internal cross-tie. Five shear wall specimens were tested to failure under constant axial load and cyclic lateral loads. Test results showed that with the increase of the volumetric index of the lateral reinforcement, the ductility of shear walls tended to increase, whereas the variation of flexural capacity of walls was minimal. The flexural capacity of shear walls tested was slightly higher than predictions determined from ACI 318-11 procedure. The displacement ductility ratio of shear walls with wire ropes was higher than that of shear wall with the conventional mild bar at the same the volumetric index of the lateral reinforcement. In particular, the shear walls with wire rope index of 0.233 achieved the curvature ductility ratio of more than 16 required for high-ductility design.

Seismic Structures of the Continental Margin around Smith Island, antarctic Peninsula (남극반도 스미스섬 부근 대륙주변부의 탄성파 구조)

  • Jin, Yong-Keun;Nam, Sang-Heon;Lee, Joo-Han;Hong, Jong-Kuk;Lee, Duk-Kee;Lee, Jong-Ik
    • Journal of the Korean Geophysical Society
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    • v.9 no.4
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    • pp.443-453
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    • 2006
  • Using seismic profiles obtained in the Antarctic Peninsula continental margin around Smith Island located at the southwestern end of the South Shetland Islands, we investigated sediments distribution, sedimentation, continental shelf formation, and tectonic evolution history. The study area is a very unique area that has two tectonic provinces with a tectonic boundary near Smith Island just the landward projection of the Hero Fracture Zone (HFZ). To the southwest of the Island, the margin became inactive margin after the collision of the ridge crest of the Antarctic-Phoenix ridge and trench, whereas to the northeast the margin is still apparently active margin with the spreading center and trench morphology in the sea. Generally the northeastern margin has the shelf sedimentary basins wth thick sedimentary layers, well-developed forearc basin, broad continental slope and distinct trench morphology, and the southwestern margin is characterized by steep and narrow continental slope and localized shelf basins. the mid-shelf basement high structures are distinct in the southwestern margin, which are thought to be formed by thermal effect caused by the subducted spreading centers. The high is observed in the area just northeast of the Island, implying that the tectonic boundary along the landward projection of the HFZ is not sharply defined.

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Expression of Good and Evil in Animation Film from a Perspective of Dionysian : Focusing on , a 3D Animation Film (디오니소스적 관점에서 본 애니메이션 영화의 선악 표현 : 3D 애니메이션 <빅 히어로>를 중심으로)

  • An, Se-Ung
    • Cartoon and Animation Studies
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    • s.41
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    • pp.31-55
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    • 2015
  • The purpose of this study is to pay attention to the expression of good and evil which has Been significantly developed out of the existing dichotomous good and evil in animation films and to identify for them. Even though 3D animation films provides us with a sense of realistic existence due to surprising technical powers, the stories contained in such films tend to remain in the limit of family films. However, recently, some films have been presented beyond such limit with a scenario that makes people introspect their inner side. Among them, this study considered the expression of good and evil of , which extended the meaning of didactic morality into the dimension of 'Philosophy of Dionysian yes', as significant for research purpose. More specifically, this study looked at and discussed this film in more details in the aspect of focusing on the value of good and evil for eliminating the boundary of the existing perspective and pursuing positive overcoming. The frame of the concept for discussion used the philosophical statements of Kant and Hegel as well as Nietzsche who explained the meaning of good and evil with Dionysian view. As to the method of research, this study attempted to understand the theoretically related concepts and discuss the meaning, along with the presentation of examples, by inputting such meaning into the expression of good and evil presented in the film. This study has the implication in identifying that an animation film, as a virtual world, plays a role of opening a new prospect for conversion of thought in our real world and expecting a future progress.

A Study on the Restoration of Stone Railings at Gwanghwamun Woldae in Gyeongbokgung Palace (경복궁 광화문 월대(月臺)의 난간석 복원에 관한 고찰)

  • JEON, Nana
    • Korean Journal of Heritage: History & Science
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    • v.54 no.4
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    • pp.112-131
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    • 2021
  • The Gwanghwamun Gate of the Gyeongbokgung Palace was established in 1866 when Heungseon Daewongun rebuilt the Gyeongbokgung Palace. In Gwanghwamun, a large platform, woldae was established to reveal its hierarchy. The Gwanghwamun Woldae was equipped with stone railings on the left and right sides, fishing routes in the center, and stairs and slopes to the south. The Yongdu Stone was installed on the south side of the slope, which connected to the woldae, to express the path of the king in a formative manner. The Woldae King Road in Gwanghwamun was expanded in 1915 as the Joseon Promotion Conference was held at the Gyeongbokgung Palace and the woldae was destroyed around 1925. Since then, the figure has not been found since the time before the Gwanghwamun Gate. In the Donggureung royal tombs, there are many stones that are not placed in the royal tombs, including voussoir arch stones, Munsojeon Gugi-bi, as well as Nangan-Seokju, Dongja-seok, and Juk-seok, which are elements of the stone railings. These stone railings and Yongdu-seok are seen as stone objects of the Gwanghwamun Woldae, which can be found through the analysis of the style of the times and comparison with modern photographs.

Characteristic of Film Music by Director Baz Luhrmann : Focusing on the Movies , and (바즈루어만 감독의 영화음악 특징 : 영화 <댄싱히어로>, <로미오와 줄리엣>, <물랑루즈>를 중심으로)

  • Kim, Youn-Sik;Kim, Young-Sam
    • Journal of Korea Entertainment Industry Association
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    • v.13 no.8
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    • pp.223-230
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    • 2019
  • This paper aims to derive the specificity of film music of Baz Luhrmann, a Hollywood film director, focusing on his representative works such as Dancing Heroes, Romeo and Juliet, and Moulin Rouge. Frist, Dancing Heroes captures various dance music genres through dynamic shooting techniques and shows trendy sensibility by using the main theme song 'Time after Time,' sung by the main character, Tina. Second, Romeo and Juliet, the original work of Shakespeare, keeps thier lines and stories while decorating gorgeous fashion and rock music in jukebox style. Also, it is harmonized with the most modern and trendy MTV-style video. Third, Moulin Rouge presents film music through the 'mix and match' method, which consists of jukebox-type trendy songs containing classical back stage musical and Bollywood musical images. In conclusion, the style of Baz Luhrmann has been reborn as a unique way of directing Buz Luhrmann's film music that it is expressed by connecting various juke box style music with amazing visual effect. Through director's style, it is possible to suggest the direction of various film music to the industries.

21세기 뉴미어로 성장궤도 본격진입

  • Korea Database Promotion Center
    • Digital Contents
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    • no.2 s.81
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    • pp.38-39
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    • 2000
  • 21세기에는 인터넷방송 시대가 본격 열릴 전망이다. 지상파 방송 3사를 비롯해 언론사, 케이블TV업체,PC통신업체, 대기업, 인터넷업체 등이 경쟁적으로 인터넷방송국을 설립하거나 이를 적극 추진하고 있기 때문이다. 캐티즌으로 불리는 인터넷방송 시청인구도 인터넷 보급확산에 힘입어 기하급수적으로 증가하는추세를 보이고 있다. 이에 따라 인터넷방송 시장은 유망 인터넷 비즈니스의 한 분야로 자리하면서 본격적인 성장궤도에 진입할 것으로 보는 시각이 지배적이다. 21세기 뉴미디어로 불리며 크게 주목 받고 있는 인터넷방송의 현황과 과제를 살펴봤다.

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Paper Doll Bending Metaphor for Avatar Mot ion Control (아바타 모션제어를 위한 종이인형 굽힘 메타포어)

  • 이은우;남양희
    • Proceedings of the Korean Information Science Society Conference
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    • 2003.04c
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    • pp.606-608
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    • 2003
  • 본 논문에서는 사용자가 제공하는 2차원의 캐릭터 스케치를 3차원의 시각적 이야기 저작 시스템의 아바타로 활용하기 위해, 어린이들이 종이 인형을 가지고 굽히거나 펴서 동작을 만들며 놀이를 하던 방법을 입력 매타포어로 사용하는 것을 제안하였다. 2차원 영상을 3차원화 하는 기존의 연구들은 카메라 파라미터의 복원 등 복잡한 시스템을 필요로 하며 일반 사용자가 이야기 저작시 쉽게 적용하기 어려운 데 반해, 본 메타포어를 기반으로 한 시스템은 정교하지는 않으나 일반인이 쉽게 이해할 수 있는 아바타 제어 방법을 제공한다.

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RFID SW 기술과 표준화 동향

  • O, Se-Won;Park, Ju-Sang;Lee, Yong-Jun
    • Information and Communications Magazine
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    • v.24 no.7
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    • pp.17-25
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    • 2007
  • 최근 RFID(Radio Frequency Identification) 기술은 IT 839 전략의 일환으로서 정부 부처 및 유통 물류 시장을 중심으로 다양한 분야의 시범사업에 활용되고 있다. 이처럼 RFID 기술 및 시스템 도입이 진행되면서, RFID 기술 활용을 통한 실질적인 부가가치 창출 및 프로세스 개선 효과는 RFID 소프트웨어로부터 창출된다는 인식이 점차 확산되고 있다. 따라서 본고에서는 RFID 하드웨어와 RFID 응용 애플리케이션을 연동하는 RFID 미들웨어를 중심으로, RFID 소프트웨어의 역할 및 기술 현황을 정리하고 관련 국제 표준화 동향을 소개하고자 한다.


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