• Proceedings of the Korea Information Processing Society Conference
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• 2012.11a
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• pp.1720-1723
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• 2012

과학기술,사회(STS, Science and Technology in Society)란 과학과 기술을 역사적이고 사회학적인 시각으로 바라보자는 관점을 뜻한다. 이는 시민들이 이런 시각을 가져야 과학기술과 관련된 사회 쟁점에 대한 올바른 판단이 가능하다는 의미이다. 이를 위해 국가 교육과정체제 이후의 평생교육으로써 성인을 대상으로 하는 과학문화 소통 프로그램이 필요하다. 본 논문은 국내와 해외의 성인 대상의 과학 문화 프로그램을 분석하여 올바른 과학문화 소통을 위한 프로그램 과정은 어떤 모습으로 설계되어야 하는지를 제안한다. 제주대학교 과학기술사회연구센터(STS연구센터)에서 연구하고 있는 제주 특성을 활용한 과학기술문화교육 프로그램을 소개하고, 향후 정보과학 기반의 연구방향도 소개하고자 한다.

• The Journal of the Korea institute of electronic communication sciences
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• v.19 no.4
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• pp.763-770
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• 2024

Currently, land-based fish farms utilizing seawater have introduced and are utilizing various equipment such as real-time water quality monitoring systems, facility automation systems, and automated dissolved oxygen supply devices. Furthermore, data collected from various equipment in these fish farms produce structured and unstructured big data related to water quality environment, facility operations, and workplace visual information. The big data generated in the operational environment of fish farms aims to improve operational and production efficiency through the development and application of various methods. This study aims to develop a system for effectively analyzing and visualizing big data produced from land-based fish farms. It proposes a data visualization process suitable for use in a fish farm big data analysis system, develops big data visualization tools, and compares the results. Additionally, it presents intuitive visualization models for exploring and comparing big data with time-series characteristics.

• Proceedings of the Korean Society of Computer Information Conference
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• 2022.07a
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• pp.219-220
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• 2022

3D 그래픽스 환경에서 입체적인 물체가 2D 모니터에 보여지는 과정에는 여러 단계의 공간 변환과 행렬 계산을 거치게 된다. 이러한 공간 변환은 각 단계가 어떤 의미인지 쉽게 이해하기에 어려운 면이 있다. 본 논문에서는 유니티 3D 엔진에서 작동하는 셰이더를 통해 각 단계의 공간을 시각화 하여 학생들이 보다 쉽게 공간 변환을 이해하는 시각화 방법을 제시한다.

• The Journal of the Korea Contents Association
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• v.17 no.7
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• pp.22-30
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• 2017

CGI not only performed a crucial role to make cinema and animation evolved into digital cinema and digital animation but also CGI, an important visual format, settled realism-centric spectacle image culture in public commercial cinema and animation. The fact that CGI visual format could be structuralized in three different view points is discovered through Iconicity, photorealism, verisimilitude, uncanny valley, hyperrealism, and spectacular realism discourse research which explain image culture. First, a formative viewpoint that comes up in an iconic difference between drawing and photograph. Secondly, a cognitive viewpoint that sees visually perceived naturalness and abnormality as a realistic probability issue. Lastly, a customary viewpoint which is rooted in aesthetic tradition of cinema and animation. After that, the features of CGI which is used in the movie 'jungle book'(2016) were analyzed using the structured visual format. Consequently, this movie has hyper-realistic photographic iconicity on the base of realistic probability. Also, by following image-aesthetic convention which uses overstated and amplified narrative as a visual format, at the same time, the movie also has sufficient image-aesthetic convention in animation by personified animal character.

• Journal of Korea Society of Industrial Information Systems
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• v.15 no.1
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• pp.25-36
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• 2010

Recently, digitizing technologies for conservation and restoration of tangible intangible cultural properties are coming into spotlight. Because cultural properties are easy to be lost and damaged over the years, After construction of cultural assets database we can reconstruct the cultural asset making use of the reverse engineering when needed, and implement digital contents such as computer graphics, 3D virtural realization, hologram, etc. So in this paper, we scrutinize visual and technical factors occurring in different types of digital restoration of cultural properties, and present problems and improvements, and try to research technological prowess and visual mechanism.

• The Journal of the Korea Contents Association
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• v.18 no.9
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• pp.240-247
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• 2018

In this paper, we implement a digital content that visualizes 33 Avalokitesvara-Bodhisattva according to the wishes of the public. The 33 Avalokitesvara-Bodhisattva is described in the Avalokitesvara-Bodhisattva tale that is found in the ancient literature "Memorabilia of the Three Kingdoms" as Tangible Cultural Heritage. Also, it is easily found in a wall painting of traditional Buddhist temples. The 33 Avalokitesvara-Bodhisattva is the saint of mercy that transforms into 33 various forms according to the wishes of the public. The Avalokitesvara-Bodhisattva tales deal with differences in the types of wishes of the public, and the tales have been speeded like wildfire among the people. So, in this paper, we classify them into 4 groups by the wishes (healing, security, academic achievement, disaster relief) of the public, and then analyze its symbolism and activity of the 33 Avalokitesvara-Bodhisattva. Also, we implement a 2D digital content that represents visually it according to the wishes of the public. Applications of the implemented visual content are as follows; development of character, game, and digital storytelling associated with traditional culture, education service for Buddhist doctrines, etc.

• The Korean Journal of Archival Studies
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• no.40
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• pp.61-93
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• 2014

One of the reasons behind the surfacing of such issues is because the record does not exist and even if the records remained, it is because they are not being properly managed. In Korea, National institutions in the field of visual arts, currently there are no archives that manage only the records for the visual arts as an independent institution, and the reality is that the National Museum of Archives is still in the beginning stage as well. This study has conducted a research on the records collection strategy and the management of the record information of an author who is the creator of the visual arts as a starting point of the visual arts. For this purpose, the definition of visual arts and the concept of an author covered in this study will be examined and the types of documentary that may occur in the field of visual arts were analyzed. In addition, the history of an author is its personal record thus a personal history and private archive have been examined. Based on this background, the cases on the personal record and the management of the record information of domestic and foreign authors were analyzed and the implications were derived.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2009.11a
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• pp.171-174
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• 2009

본 소고의 목적은 중국과 한국의 지하철 역사 내에 있는 시각정보디자인의 양식 및 감성의 비교연구이다. 한국의 마찬가지로 중국 사회도 급속한 경제성장과 더불어 지하공간의 중요성이 증대되어지고 있다. 그리하여 지하교통의 아내시스템의 중요성이 더욱 뚜렷하게 나타나게 되었다. 지하 공간에서 시각적 정보 디자인 성패의 가장 큰 평가기준은 바로 그 디자인에 대한 대중들의 인지도의 강약이라 할 수 있다. 그러나 지하철의 역할이 중요함에도 불구하고, 안내 시스템 등과 같은 일부 지하철 내부의 시각적 정보들은 사람들의 출입 등에 편의를 제공해주지 못하고 있다. 또한 각 지하철 역사내 시각정보시스템의 통일된 체계 구축과 함께 지역적 특성도 부가되어야만 한다. 때문에 시각적 정보에 대한 대중들의 인지도를 어떻게 높일가? 하는 문제는 모든 지하공간의 시각정보디자인에 있어서 반드시 해결해야 할 문제가 되었다. 본 논문에서는 한구 부산의 서면 지하철 역과 베이징 서지문 지하철 역 내부의 시각적 정보 디자인의 색채 조형 문자 등 시각 디자인을 구성하는 전반적인 관련요소에 대한 비교와 분석을 통해, 서로 다른 문화의 영항 하에서 두 곳의 시각적 정보 디자인의 공통점과 감성의 다른 점 및 어떤 디자인이 대중들의 시각적 정보 디자인의 인지도 높일 수 있는지에 대한 연구를 진행하고자 한다.

• The Korean Publising Journal, Monthly
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• s.316
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• pp.10-11
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• 2002

• The Korean Publising Journal, Monthly
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• s.62
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• pp.11-11
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• 1990