• Journal of the Korean Society of Clothing and Textiles
• /
• v.9 no.3
• /
• pp.1-7
• /
• 1985

연구의 목적은 의류생산에 있어서 동양(Oriental women)과 서양여자(Caucasian women: U.S.A)의 인체계측에 의한 치수의 비교를 하였다. 연구자료는 동양여자 100명과 서양여자 970명의 자료로 비교하였다. 동양여자의 인체계측치는 1981년 4월 일본에서 필자에 의해 수집되고 서양여자의 인체계측치는 1976년 11월부터 1977년 2월 미국(U.S.A by the Quartermaster Corps of the United States Army)에서 인체계측을 한 자료이다. 동양과 서양여자의 인체계측치 중에서 각각 32항목을 선출하여 비교된 것은 높이항목과 길이항목(height-related measurements; height and length), 나비항특(surface measurements; breadth and depth) , 둘레항목(measurement of circumference)이다. 32항목을 평균치의 t-test로 동양인과 서양인을 비교한 결과, 모든 항목에서 P<.001 수준에서 유의한 차를 보였다. 그 중에서 머리둘레, 목둘레, 손목둘레, 팔굼치둘레, 손바닥둘레의 항목에서는 동양인이 서양인에 비해서 큰 값을 나타냈다. 그 외에 27개 항목은 동양인이 전부 높거나, 길거나, 또는 큰 값을 나타냈다. 표준편차에서 보이는 바와 같이 서양인자가 동양여자보다 크고, 특히 높이 항목, 길이항목(height-related measurements)이 더 높거나 길다. 이러한 결과로서 동양과 서양여자의 인종적인 측면에서, 다양한 의류생산에 있어서 고려해야 할 것 같다. 이 동양과 서양여자의 인체계측비교에 중요한 요점을 두고 연구한 것은 의류생산과정에 있어서, size설정, 보다 미적인 design, 의복구성을 위한 등등에 고려되겠으나, 특히 미국과 같은 대량생산국에서 동양과의 무역(import or export)에 있어서 중요하게 고려가 될것이며, 나날이 발전하는 우리나라의 의류무역에도 고려되리라 본다. 뒤에 recommendations for future research에서 말한 바와 같이 서양과 한국여자의 입체계측비교를 하며 우리나라의 의류무역(수출)에 도움이 되었으면 한다.

• Proceedings of the Costume Culture Conference
• /
• 2003.04a
• /
• pp.106-107
• /
• 2003

오늘날 국제화, 다양화, 다원화 현상으로 각 문화영역들이 상호 교류하면서 크로스오버라는 새로운 문화 현상이 나타났다. 서로 다른 장르가 만나 새로운 것을 만들어 내는 것이다. 동ㆍ서양 복식에 나타나는 힙에 대한 확대와 파장의 크로스오버 연구는 다양한 의복구성과 미의식에 대한 새로운 해석 방법이라는 점에서 그 의의가 있다. 이에 본 연구는 복식에서 힙의 확대와 과장의 의의와 그것에 내재된 조형미를 크로스오버의 공간적ㆍ시간적 관점에 맞추어 고찰하였다. (중략)

• The Science & Technology
• /
• v.31 no.4 s.347
• /
• pp.72-74
• /
• 1998

중국 명나라 말기인 1637년에 과학자 송응성은 중국의 전통기술서 천공개물을 펴냈다 3부로 구성된 이 책은 1부에서 곡물 .의복 등을 2부에서 기와, 용기. 화포. 제련. 석회 등 제조기술을 ,그리고 3부에서는 금 .구리 등 금속기술과 무기 제조 .보석 등을 다뤘다.1771년 일본에서 따로 간행된 이 책은 19세기부터 서양에도 소개되기 시작했으며 이번엔 국내에서 우리말로 번역되어 출간되었다.

• Journal of Korean Home Economics Education Association
• /
• v.21 no.4
• /
• pp.71-89
• /
• 2009

The purpose of this paper was to suggest effective management of clothing department in vocational high schools. Bibliographic research on ten vocational high schools' clothing departments was done. Also a survey was done to figure out what students and teachers think of clothing department education. The results were as follows. There are ten clothing departments in vocational high schools countrywide. 1493 students are enrolled in the department and they are taught by 51 teachers. Each school has two to seven laboratories. Professional subject time assignment of clothing department varies from 82 to 112 hours. Students chose clothing department in order to enter the university and their satisfaction on the department was "fair." Students' satisfaction level of professional education courses was "fair" and they felt difficulties both in theory and practice. Students answered that Embroidery/Knitting courses should be closed and Fashion Coordination be opened. Students were "fairly" satisfied with facilities for practice and felt job training was necessary. Most of them wanted to enter university after high school graduation. Teachers answered professional education curriculum was "fair." They found it necessary to improve the textbooks and felt both theory and practice difficult. They wanted Embroidery/Knitting courses to be closed and Fashion CAD course to be installed. From the teachers' view, students' prospect was better to enter university than to get a job. Teachers suffered from too much teaching-unrelated workload and wanted the number of teachers to be increased. Considering the above results, vocational high schools should concentrate their efforts on making students continue to study by extending the way to enter the same department of university as department of vocational high schools. In addition, they should develop various practice programs through field practice and educational-industrial relationship to help students get jobs. Both teachers and students think that the clothing department curriculum is difficult now. Therefore, the level of the curriculum should be adjusted. Finally, it was necessary to increase the number of teachers and to carry out teachers' training to raise quality in education.

• The Research Journal of the Costume Culture
• /
• v.17 no.6
• /
• pp.1034-1046
• /
• 2009

Based upon literature survey, this research aims to analyze western children's clothing and characteristics over centuries. It was not until the 18th century that children were given serious consideration and that fabrication of clothing began to be designed only for children. The very first clothes which revolutionized children's wear was 'a la matelot' in the 18th century which freed children from physical restriction, recognized gender difference, and sailor suit became popular among all sexes and adopted as school uniform. And then children's clothing was shortened in length and adopted tubular silhouette, which allowed greater comfort and movement. The 20th century saw children's wear reform to be carried out after the World War II due to invention of synthetic fiber, easy care dress material, mass production system and sophistication of marketing methods. Further evidence of improvement of children's social status can be found in contemporary designs: for example, 'casualized' wear, 'character design' which reflects children's psychology and 'family look' which is designed to be worn with mothers. This evolution of children's clothing within western dressing support the view that children's clothing is not a miniature of adult wear but it reflects idiosyncrasies of the era and exerts children's dignity.

• Journal of the Korean Society of Fashion and Beauty
• /
• v.3 no.2 s.2
• /
• pp.25-30
• /
• 2005

This study is to research the symbolism of the Eastern and Western costumes' color in films. Therefore, I chose movies about colors, which are 'Trzy Kolory', a Western movie directed by Krzysztof Kieslowski and 'Hero', an Eastern movie directed by Zhang Yimou. The purpose of this study is to figure out the symbolism of the common colors shown in both movie which are red, blue and white. Also, by comparing the eastern and western color symbols I studied the ambivalence of colors. Therefore, the comparison of the eastern and western color symbolisms are as the followings. The color red symbols charity in the movie and jealous, hatless, lies, expansion, self esteem, resist, struggle and sadness in the movie . The color blue symbols freedom, lost, gloomy and sadness in the movie and sacrifice and sadness in the movie . The color white symbols equality and emptiness in the movie and true love, sadness and sacrificed love in the movie . Consequently, it appears that the colors symbolize differently in the East and the West. Three series of which is the West movie has more positive meanings than the Eastern movie. Therefore, the meanings of symbols of the costumes' color are different in the East and West as they have different cultures, and also they could be expressed differently by the directors intention.

• Cartoon and Animation Studies
• /
• s.47
• /
• pp.413-437
• /
• 2017

National Republic of China is The republic of China (1912-1949) which experienced a bourgeois-democratic revolution so as to establish was the first and last Chinese bourgeois democratic republic in the history, During this period, great changes have taken place in Chinese society. Emerging bourgeois political began to show the power on the political stage of China. Both political and social environment in this period are turbulent and Western ideas, thoughts and various aspects concept is introduced to China in this period. As the external performance of society, civil society also has a general changed influence in all aspects of lifestyle. Due to the influence of the western design, poster design in the period of the republic of China has a variety of changes and the theme of the posters also became rich and diversity. The author, as a student, talk about the type, pattern and color characteristics of poster design in the period.

• Proceedings of the Plant Resources Society of Korea Conference
• /
• 2019.10a
• /
• pp.6-6
• /
• 2019

대마는 인류가 이용해 온 가장 오래된 약제 중 하나로 그 원산지는 중앙아시아와 남아시아이다. 식물분류학적으로 대마속 일년생 식물로서 Cannabis sativa, Cannabis indica, Cannabis ruderalis 3종이 있으며, 우리나라에서 재배되고 있는 종은 Cannabis sativa이다. 대마 재배의 역사는 인류의 시작과 그 궤를 같이하며, 동 서양을 막론하고 고대 문명에서 대마에 대한 기록을 쉽게 찾아볼 수 있다. 기록에 의하면 병의 치료나 심리적 치유 및 신에게 제사를 올릴 때 제사장이 사용한 것으로 알려져 있다. 대마의 약효에 대하여는 B.C. 2737년 중국의 신농황제시대의 기록에 관절염과 통증등 의료목적으로 사용했던 최초의 기록이 있으며 본초강목과 동의보감에 저술되어 있다. 우리나라의 대마에 관한 문헌 기록은 삼국지 '위지동이전', 삼국사기 '동성왕편'과 삼국유사에 삼베를 사용한 기록이 있는 것으로 미루어 봤을 때 대마재배의 역사는 삼국시대 이전으로 볼 수 있다. 우리 민족은 생활 속에서 대마를 즐겨 사용하였으며 삼베로 의복과 멍석, 행주 그리고 칠공예품이나 신발등을 만들어 사용하였으며, 죽음에 이르러 삼베옷을 수의로 사용하였다. 대마의 용도는 뿌리, 줄기, 잎, 꽃대 그리고 씨앗까지 다양하게 이용된다. 전통적으로 줄기의 껍질을 이용한 섬유제품이 있으며 실, 의복 및 밧줄등이 있다. 대마 줄기의 속대는 종이, 건축자재, 연료로 사용된다. 씨앗의 경우 식품과 조류의 먹이, 생약으로 이용되고 씨앗의 기름은 연료, 화장품, 맛사지 오일등으로 사용되고 있다. 환각성분이 있어 마리화나 원료로 사용되는 꽃대와 잎은 의약품의 원료로 주목받고 있다. 대마에 관한 최초의 논문은 1843년에 Cannabis indica의 약효에 관한 것으로 보고되었다. 1850년부터 1937년까지 미국의 약전은 대마를 100가지 이상의 질병에 효과가 있는 주요 의약품으로 기재하고 있다. 세계적으로 여러 가지 이유로 대마를 의료 응용과 연구 및 사용을 제한하여 대마에 관한 연구가 침체되었다. 대마의 의학연구는 대마의 약효성분인 칸나비노이드의 발견과 그 구조 및 약효에 관한 연구가 시작되면서 1960년대부터 증가하였으며 2000년 이후에는 칸나비노이드 및 칸나비디올의 다양한 의학적 효과가 밝혀지면서 급격히 증가하고 있다. 대마에 포함된 성분의 의학적 효과가 입증되면서 대마 사용을 합법화한 국가가 증가하면서 대마 산업이 급부상하고 있으며, 의료용뿐만 아니라 기호용, 식품용, 그리고 주류 및 음료시장까지 확대되고 있다. 우리나라도 2019년 3월 질병 치료 목적 대마성분 의약품을 제한적으로 허용하는 마약류 관리에 관한 법률 일부 개정안이 시행되면서 의료용 대마에 관한 연구와 산업화에 관심이 증가하는 추세이다.

• Journal of the Korea Fashion and Costume Design Association
• /
• v.14 no.4
• /
• pp.73-88
• /
• 2012

There are practicality, ornamentality and symbolic in a folding fan among Western accessories, and that is a little tool to enhance the overall harmony of a dress. The purpose of this study was to examine Western folding fans in an effort to shed light on the history, culture, fashion and life of different ages in which folding fans had been used. It's specifically meant to look into the mentality of people who had used folding fans. The meaning and function of folding fans were investigated, and their diverse types and characteristics were analyzed. As a result, it's found that in the West, a folding fan was one of major accessories that had an inseparable relation to popular clothes in each age and were necessary for a perfect coordination. Folding fans had been used as ornaments for Western noble women since the 16th century. After a certain period of time passed by, the 18th century became the heyday of folding fans. At that time, folding fans were one of aesthetic art works that even served as a means of mental exchange.

• Journal of the Korean Society of Costume
• /
• v.55 no.4 s.94
• /
• pp.49-61
• /
• 2005

This study is to research the types and formation of the pieces for fastening the clothing in the western and oriental world from 18c to 19c. The pieces for fastening the clothing, depending on their formation, are classified as the ribbon type, the belt type, the button type, and the compound type. The ribbon type indicates fastening the clothing with the strips attached to the clothes. It is divided into the symmetry type and the asymmetry type by the looks of the ribbon alter it is tied. The belt type means fastening the clothing with a string or a belt, separated from the clothes. It is divided into the string type and the belt type. The button type is to fasten the clothing with buttons, button holes, and hooks. It is divided into the basic type, the wrapping type, and the knot type. The compound type is a mixture of two or three types out of the ribbon type, the belt type, and the button type. The pieces for fastening the clothing has aesthetic features as well as their functional characteristics. It has beautiful features like the harmonious beauty of Yin and Yen shown in the asymmetrical types, the beauty of spell wishing for health, long-life, wealth, wisdom, and so on, the beauty of decency showing the intention of refraining from exposing their body in public, the beauty of eroticism emphasizing the beauty of the human body, and the beauty of representing their social class, authority, affiliation, and so on.